The Groovy Version of OX. Par SCHONHERR CHRISTOPH. Christoph Schönherr, Professor at the Hamburg Conservatory of Music, is a respected expert in the field of jazz and pop choirs and he is a much sought after choral composer. He has written of his work: “I have been especially influenced by the polarity of the text. On one hand it expresses Mary's joy at her pregnancy, but on the other Mary presents a bold image of God: a God of almost old Testament sternness in his demand for justice on earth. My music depicts a strong woman, who rejoices in her happiness and also swings [many 6/8, 12/8 and swing passages], but on the other hand who in formulating her concept of God clearly stands up for the poor and needy. Here I use stylisticelements of rock and funk music. ”/ Répertoire / Solo, Choeur SATB, 2 Trompettes/Bugle, Saxophone/F

Par PINKHAM DANIEL. Soprano Solo, SSA, 0.2.0.2 - 0.0.0.0 - Hp(No Str) or with Piano accompaniment - Durée: 8 min / Contemporain / Feuillet / Soprano

Par SCHUTZ HEINRICH. Meine Seele Erhebt Den Herren/ Répertoire / Mezzo-Soprano ou Alto, 2 Violons ou Trompettes et

Par VIVALDI ANTONIO. / Répertoire / 2 Sopranos, Alto, Ténor, Basse, Choeur SATB et Orc

aus: Psalmi Vespertini. Par MAZZOCCHI VIRGILIO. During his tenure under Pope Urban VIII Virgilio Mazzocchi was among the most renowned musicians of Rome. He directed the Cappella Giulia in St. Peters Basilica for 17 years. He also organized the musical activities at the court of the Pope’s influential nephew, Francesco Barberini. The Psalmi Vespertini, Mazzocchi’s most important sacred work, were published two years after his death. This collection contains two complete vesper cycles for double choir with a basso continuo accompaniment. At the conclusion of the first vesper cycle, in the predominately festive setting of the Magnificat, Mazzocchi displays his artistry in the old and new styles by combining contrapuntal choralsections with concertante passages. The new Carus edition of this work presents a most significant and impressive document of Roman church music in the first half of the 17th century. / Mottet / Répertoire / Solistes et Choeur SATB/SATB et Basse Continue

/ Soprano (Tenor) Du Choeur, Choeur Mixte Et Orgue (Musica Sacra Nova) / Partition

Magnificat. Aus: Des Königs Und Propheten Davids 119. Psalm In 11 Stücken (Op.Ultimum). Par SCHUTZ HEINRICH. Tonalité : a-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - SWV 494 / Hymnes et chorals / Répertoire / Choeur SATB/SATB, (8 Instruments, Contrebasse et O

Magnificat. Aus: Des Königs Und Propheten Davids 119. Psalm In 11 Stücken (Op.Ultimum). Par SCHUTZ HEINRICH. Tonalité : a-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - SWV 494 / Hymnes et chorals / Répertoire / Choeur SATB/SATB, (8 Instruments, Contrebasse et O

Magnificat. Aus: Des Königs Und Propheten Davids 119. Psalm In 11 Stücken (Op.Ultimum). Par SCHUTZ HEINRICH. Tonalité : a-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - SWV 494 / Hymnes et chorals / Répertoire / Choeur SATB/SATB, (8 Instruments, Contrebasse et O

Magnificat. Aus: Des Königs Und Propheten Davids 119. Psalm In 11 Stücken (Op.Ultimum). Par SCHUTZ HEINRICH. Tonalité : a-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - SWV 494 / Hymnes et chorals / Répertoire / Choeur SATB/SATB, (8 Instruments, Contrebasse et O

Magnificat. Aus: Des Königs Und Propheten Davids 119. Psalm In 11 Stücken (Op.Ultimum). Par SCHUTZ HEINRICH. Tonalité : a-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - SWV 494 / Hymnes et chorals / Répertoire / Choeur SATB/SATB, (8 Instruments, Contrebasse et O

The Magnificat was written in 1982 in response to a commission from Christ Church College Oxford whose choir first performed it under their conductor Francis Grier in July of that year. At that time the composer was influenced by his belated discovery of African music. During a period of research in Senegal and The Gambia he recorded a working-song in a small village called Badem Karantaba about thirty miles south-east of Ziguinchor in the Casamance region of southern Senegal. Swayne used the opening call of this song to begin the Magnificat; it returns as a refrain towards the end.

Work SATB Chorus and Orchestra commissioned by the City Arts Trust for the opening concert of the 1968 Festival of the City of London.