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Pop Music Question And Answer Book, For Teachers And Students
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Pop Music Question And Answer Book, For Teachers And Students
Trio A Cordes
Peters
Practical help for teachers and students of pop music at all levels from GCSE to...
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Practical help for teachers and students of pop music at all levels from GCSE to undergraduate. (Companion book to Pop Music The Textbook (EP 7690) / Livre
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Accordée, il y a beaucoup de pièces incroyable dans la clé de mineur. Mais qu...
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Accordée, il y a beaucoup de pièces incroyable dans la clé de mineur. Mais qui veut toujours jouer des morceaux triste, lente, mélodique, sentimental ? Pour tous ceux qui voudraient jouer rapide, joviale, vivante, drôle, rythmique, excitant des morceaux, il est maintenant disponible - enfin - une collection intéressante de pièces dans la clé majeure seulement. Pièces instrumentales animés pour des leçons de piano dynamiques ! / Piano
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SATB A Cappella
[Vocal Score]
Novello & Co Ltd.
A unique guide to teaching unaccompanied singing!Gitika Partington's a cappella ...
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A unique guide to teaching unaccompanied singing!Gitika Partington's a cappella arrangements are used by youth and community choirs around the world.Gitika believes in the sensational power of group singing bringing people together to express joy and celebration through song. Not being able to read music is no obstacle and Gitika's tips and the original arrangements included here demonstrate just how rewarding and inclusive teaching a cappella by ear and gesture can be!Gitika Partington is a singer/songwriter vocal arranger teacher and choral director. She has an MA in choral education and holds many other musical qualifications. Sheruns regular 'popular and world style' singing workshops as well as national training sessions for adults and children. In addition she runs three adult community choirs where all the music is learned by ear and is mostly self arranged.One of Gitika's major loves is a cappella vocal arranging which she does for her three choirs and her vocal workshops. Her arrangements are used by youth and community choirs across the UK and internationally. This book contains the first of many of her arrangements she would like to share even more widely.She is a member of the Natural Voice Practitioner Network an organisation that believes in singing as a spontaneous way of expressing joy celebration and grief and as a medium for binding communities together. Gitika shares the network's belief that singing together should be available to all and is not about having 'a good voice'. All of her groups are non-audition and open to anyone who wants to sing.
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Novello & Co Ltd.
A unique guide to teaching unaccompanied singing!Gitika Partington's a cappella ...
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A unique guide to teaching unaccompanied singing!Gitika Partington's a cappella arrangements are used by youth and community choirs around the world.Gitika believes in the sensational power of group singing bringing people together to express joy and celebration through song. Not being able to read music is no obstacle and Gitika's tips and the original arrangements included here demonstrate just how rewarding and inclusive teaching a cappella by ear and gesture can be!Gitika Partington is a singer/songwriter vocal arranger teacher and choral director. She has an MA in choral education and holds many other musical qualifications. Sheruns regular 'popular and world style' singing workshops as well as national training sessions for adults and children. In addition she runs three adult community choirs where all the music is learned by ear and is mostly self arranged.One of Gitika's major loves is a cappella vocal arranging which she does for her three choirs and her vocal workshops. Her arrangements are used by youth and community choirs across the UK and internationally. This book contains the first of many of her arrangements she would like to share even more widely.She is a member of the Natural Voice Practitioner Network an organisation that believes in singing as a spontaneous way of expressing joy celebration and grief and as a medium for binding communities together. Gitika shares the network's belief that singing together should be available to all and is not about having 'a good voice'. All of her groups are non-audition and open to anyone who wants to sing.
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The Library Of Pop Songs is a unique collection of some of the greatest pop song...
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The Library Of Pop Songs is a unique collection of some of the greatest pop songs of the past 50 years. This enormous compilation spans classics from 1960s folk hits to contemporary songs by global superstarsColdplay and Adele. Arranged for Piano Vocal and Guitar this volume is at once a history of popular music a treasure-trove of the best pop songs ever written and a wonderfully versatilesongbook. Together these outstanding songs comprise nothing less than a history of the golden age of popular music from the rock ’n’ roll years onwards covering every pop genre with a roll call ofsuperstars and supergroups ranging from ABBA and Michael Jackson to Oasis and Whitney Houston. Featuring tunes like Bridge Over Troubled Water How Deep Is Your Love and Let It Be The Library Of PopSongs comes right up to the present day with hits like Bleeding Love Hey Soul Sister and Rihanna's Take A Bow.Every song in The Library of Pop Songs has beenarranged for Piano Vocal and Guitar to correspond with the original version. It features the Piano part the Vocal melody as well as Guitar chord boxes and symbols so whether you want to play Piano or Guitar or just sing you’ll be using authentic professional arrangements based on original recordings. This volume is also spiral bound for convenience allowing you to quickly find what you're looking for or simply browse to find something new knowing you won't be disappointed! What’s more the sheer range of songs included makes this the only major pop sheet music collection that will truly have something for everyone from almost everypost-war decade. In short it’s a one-volume library of popular songs that everyone will treasure and want to bring out for parties and gatherings for years to come. The versatility of this book is second-to-none containing
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Johann Sebastian Bach: Harpsichord Concerto No.3 in D major: Harpsichord: Part
5.50
Johann Sebastian Bach: Harpsichord Concerto No.3 in D major: Harpsichord: Part
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
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In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto BWV 1054 originated as a transcription of Bach’s Violin Concerto in E major BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234) where BWV 1054 forms the third item. Toaccommodate the upper limit of the harpsichord keyboard Bach decided to transpose the piece down a whole tone which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concerto owes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement a form otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226) two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Johann Sebastian Bach: Harpsichord Concerto No.3 in D major: Harpsichord: Part
5.50
Johann Sebastian Bach: Harpsichord Concerto No.3 in D major: Harpsichord: Part
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto BWV 1054 originated as a transcription of Bach’s Violin Concerto in E major BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234) where BWV 1054 forms the third item. Toaccommodate the upper limit of the harpsichord keyboard Bach decided to transpose the piece down a whole tone which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concerto owes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement a form otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226) two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Johann Sebastian Bach: Harpsichord Concerto No.3 in D major: Harpsichord: Part
5.50
Johann Sebastian Bach: Harpsichord Concerto No.3 in D major: Harpsichord: Part
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto BWV 1054 originated as a transcription of Bach’s Violin Concerto in E major BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234) where BWV 1054 forms the third item. Toaccommodate the upper limit of the harpsichord keyboard Bach decided to transpose the piece down a whole tone which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concerto owes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement a form otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226) two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Johann Sebastian Bach: Harpsichord Concerto No.3 in D major: Harpsichord: Part
5.50
Johann Sebastian Bach: Harpsichord Concerto No.3 in D major: Harpsichord: Part
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto BWV 1054 originated as a transcription of Bach’s Violin Concerto in E major BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234) where BWV 1054 forms the third item. Toaccommodate the upper limit of the harpsichord keyboard Bach decided to transpose the piece down a whole tone which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concerto owes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement a form otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226) two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.50 GBP - vendu par Musicroom GB
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A Recital Anthology - Piano Solo: Piano: Instrumental Collection
33.95
A Recital Anthology - Piano Solo: Piano: Instrumental Collection
Piano seul
Trinity College London
A Recital Anthology - Piano Solo. This unique collection contains 21 pieces from...
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A Recital Anthology - Piano Solo. This unique collection contains 21 pieces from the ATCL repertoire list for Music Performance Diplomas in Piano from 2019. The most popular recital choices join lesser-known treasures, allowing performers to create diverse and compelling programmes, whether preparing for a Trinity diploma or not. Detailed performance notes by Steven Osborne and John Paul Ekins offer valuable insights and suggestions for every piece. Showcasing repertoire spanning over four centuries to the present day and in a wide range of genres, this is a rich compendium that all classical pianists will enjoy. ?This anthology has gathered a wonderful collection of works, familiar and unfamiliar, covering a great range of style and emotion. Dive in!? ? Steven Osborne
33.95 GBP - vendu par Musicroom GB
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A RECITAL ANTHOLOGY - PIANO SOLO
47.97
A RECITAL ANTHOLOGY - PIANO SOLO
Piano seul
[Partition]
Trinity College London
Par . This unique collection contains 21 pieces from the ATCL repertoire list fo...
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Par . This unique collection contains 21 pieces from the ATCL repertoire list for Music Performance Diplomas in Piano from 2019. The most popular recital choices join lesser-known treasures, allowing performers to create diverse andcompelling programmes, whether preparing for a Trinity diploma or not. Detailed performance notes by Steven Osborne and John Paul Ekins offer valuable insights and suggestions for every piece. Showcasing repertoire spanning overfour centuries to the present day and in a wide range of genres, this is a rich compendium that all classical pianists will enjoy. 'This anthology has gathered a wonderful collection of works, familiar and unfamiliar, covering agreat range of style and emotion. Dive in!' ' Steven Osborne / Date parution : 2021-11-25/ Recueil / Piano
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James MacMillan: St Anne's Mass: Unison Voices: Vocal Score
4.99
James MacMillan: St Anne's Mass: Unison Voices: Vocal Score
Choeur A L'Unisson Et Orgue (Choeur Mixte (SAATB) Ad Libitum)
Boosey and Hawkes
MacMillan's popular congregational mass setting updated with the text of the new...
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MacMillan's popular congregational mass setting updated with the text of the new English translation released in 2010. A major addition is the inclusion of a newly composed setting of the Gloria. Suitable for congregational use with or without choir. All ability levels
4.99 GBP - vendu par Musicroom GB
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Classical Highlights
46.62
Classical Highlights
Quatuor A Cordes + Contrebasse ad. lib.
Schott
The Classical Highlights series presents the best-known and most popular perform...
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The Classical Highlights series presents the best-known and most popular performance pieces of the classical repertoire in arrangements for various instruments - and now for string quartet. Apart from 'classic' string quartet arrangements like Pachelbel's Canon, J.S. Bach's Air, Mozart's Ave Verum, or Fauré's Après un rêve, there are also some surprises, such as Recuerdos de la Alhambra by Tárrega or Debussy's Golliwogg's Cakewalk. / Quatuor A Cordes + Contrebasse ad. lib.
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My First Beethoven
16.10
My First Beethoven
Piano seul
Schott
Ludwig van Beethoven wrote numerous piano pieces to teach to his pupils, and man...
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Ludwig van Beethoven wrote numerous piano pieces to teach to his pupils, and many of these are still an integral part of piano lessons today. My First Beethoven is the perfect introduction to the great composer, and an excellent repertory of his easier works. This volume contains Beethoven's most popular and easiest piano pieces - from the frequently played Sonatinas in G and F major to Für Elise and the famous 'Moonlight' Sonata. Ideal for music lessons and music-making at home, this book is full of great works for little masters! / Piano
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Best Of Violin Classics
24.50
Best Of Violin Classics
Violon et Piano
Schott
Best of Violin Classics contains popular performance pieces from four centuries ...
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Best of Violin Classics contains popular performance pieces from four centuries for violin and piano. The easy to intermediate original works are ideal repertoire for music lessons and private music-making. With works by Corelli, Vivaldi, Handel, Mozart, Beethoven, Svendsen, Fauré, Reger, and many more. / Violon Et Piano
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The Giant Book Of Beethoven (BEETHOVEN LUDWIG VAN)
44.36
The Giant Book Of Beethoven (BEETHOVEN LUDWIG VAN)
Piano seul
Hal Leonard
Short Works and Selected Sonatas. Par BEETHOVEN LUDWIG VAN. This comprehensive v...
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Short Works and Selected Sonatas. Par BEETHOVEN LUDWIG VAN. This comprehensive volume contains 134 pieces from Early Intermediate to Early Advanced level, including Beethoven's complete bagatelles, various dances, sonatinas, selected variation sets, and some of his most popular sonatas. / Classique / Recueil / Piano
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Early Italian Keyboard Music
24.50
Early Italian Keyboard Music
Piano seul
[Partition]
Dover Publications
This outstanding collection brings together forty-nine of the finest keyboard wo...
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This outstanding collection brings together forty-nine of the finest keyboard works by major Italian composers of the 17th and 18th centuries. With works by Frescobaldi, Scarlatti, Martini and others arranged for piano solo or other keyboard instruments. The beautiful melodies, flowing elegance and charm of these pieces will leave you uplifted and energised. 49 works arranged for Solo piano./ Recueil / Piano
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Violin Duets
26.64
Violin Duets
2 Violons (duo)
[Partition]
Schott
30 Duos De 4 Siècles Différents. The most recent volume in the popular Violini...
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30 Duos De 4 Siècles Différents. The most recent volume in the popular Violinissimo series contains 30 duets of medium difficulty. The original compositions date from four centuries, from the Baroque to the modern era. Violin Duets provide an attractive mixture of popular compositions and lesser known original works which are worth discovering. This anthology in the series is not only a valuable addition to violin lessons, but also a real treasure trove of attractive works for every violinist./ Recueil / 2 Violons
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Schott Violin Library
12.77
Schott Violin Library
Violon, Basse continue
Schott
Separate bass part for performance e.g. with cello accompaniment.Schott Violin L...
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Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some of them can be played in first position throughout, while others require just a few position changes, but the sonatas by Dall'Abaco, Kirchhoff, Vivaldi and Handel require fluent use of the first three positions. The pieces brought together in this book are the best-loved works from the popular series Schott Violin Library (VLB) and other violin repertoire published by Schott. / Violon Et Basse Continue
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Edward Elgar: Canto Populare: Viola: Score and Parts
8.99
Edward Elgar: Canto Populare: Viola: Score and Parts
Alto, Piano
[Partition]
-
Intermédiaire/avancé
Novello & Co Ltd.
According to Elgar the concert overture came to him in a single moment of inspi...
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According to Elgar the concert overture came to him in a single moment of inspiration while visiting Italy with his family in the winter of 1904. It was given its premiere by the Hallé Orchestra in March of that year with the central Viola serenade winning particular acclaim. Elgar then adapted the work as a song then for Viola and Piano and then for other instruments.At the time this piece was written Elgar had achieved universal renown with his Enigma Variations and The Dream of Gerontius and was established not only as a composer at the peak of British music of that time but also as a major Romantic composer. The Italianate rendering of the work is a nod to thepiece?s beginnings on the Adriatic coast. The work is full of the unrequited yearning of Elgar?s lyric work and a very effective sonatina for performance.
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Faure G. - Sonata In A Major Op. 13 - Violoncelle Et Piano
25.20
Faure G. - Sonata In A Major Op. 13 - Violoncelle Et Piano
Violoncelle, Piano
Breitkopf & Härtel
Arrangement for Violoncello and Piano by Carl HüllweckThe gourmet's delightIn 1...
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Arrangement for Violoncello and Piano by Carl HüllweckThe gourmet's delightIn 1876, ten years before César Franck's violin sonata in the same key, Gabriel Fauré made a major contribution to the first flowering of French chamber music with his A-major Sonata op. 13. He even found a publisher for it right away, namely Breitkopf and Härtel in Leipzig. Both the work and the composer were warmly acclaimed immediately after the publication: This sonata contains everything that appeals to the gourmet: new forms, wonderful modulations, unusual tone colors, unexpected rhythms. With this work of such modest appearance, Mr. Fauré has leapt to the top ranks of the masters in one bound. Thus wrote Camille Saint-Saëns with pride about his pupil's work. The publisher seems to have picked out a true gem from Fauré's 'uvre, for the sonata soon became very popular, and in 1889, Breitkopf and Härtel heightened this popularity by releasing an arrangement for violoncello by Carl Hüllweck. It is likely that Fauré not only approved the arrangement, but also proofread it. Long out of print, this edition will once again allow cellists to enjoy Fauré's violin sonata in a competent period arrangement.
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Schott Violin Library
26.64
Schott Violin Library
Violon, Basse continue
Schott
The Schott Violin Library contains eleven varied Baroque sonatas for violin and ...
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The Schott Violin Library contains eleven varied Baroque sonatas for violin and basso continuo. Including both popular sonatas by Corelli, Vivaldi, Handel and Telemann and lesser known, charming compositions by Dall? Abaco, Pepusch and Finger. Suitable for violinists of intermediate standard. Some of these works can be played entirely in first position, others require only a few position changes and the sonatas by Dall?Abaco, Kirchhoff, Vivaldi and Handel require more fluent shifts between the first three positions. / Violon Et Basse Continue
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Teach Yourself Rock Keyboard - With Dvd
33.24
Teach Yourself Rock Keyboard - With Dvd
Clavier
[Partition + DVD]
Alfred Publishing
Upon completion of this book, you will be able to play from popular piano sheet ...
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Upon completion of this book, you will be able to play from popular piano sheet music and lead sheets, and be ready to play in a band! Alfred Music's exclusive TNT 2 software lets you customize the audio tracks for practice. Use it to slow down tracks, isolate and loop parts, and change tempos and keys. Features: *The easiest way to learn to play rock keyboard *Step-by-step explanation on how to read music *Learn basics like how to sit at the keyboard and proper hand position *Easy-to-understand approach to scales and chords *Music examples in the style of Billy Joel, The Kingsmen, Coldplay, Ben Folds Five, and more.*Essential chord chart with all the major and minor chords for the right hand / Clavier
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Guitar Classics
24.50
Guitar Classics
Guitare
[Partition]
Dover Publications
Works by Albeniz, Bach, Dowland, Granados, Scarlatti, Sor and other Great Compos...
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Works by Albeniz, Bach, Dowland, Granados, Scarlatti, Sor and other Great Composers. More than 50 classic guitar pieces from rarities to popular favorites, including works by Albeniz, Bach, Dowland, Granados, Scarlatti, Sor and other great composers. Transcribed, arranged and edited by David Nadal. Guitarists at every level will find this sturdy, attractive, modestly priced collection of enduring works an indispensable addition to their musical libraries./ Recueil / Guitare
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Ludwig van Beethoven: Bagatelles Rondos And Other Shorter Works: Piano:
14.95
Ludwig van Beethoven: Bagatelles Rondos And Other Shorter Works: Piano:
Piano seul
-
Avancé
Dover Publications
Beethoven's Bagatelles are short masterful works that have proved tremendously p...
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Beethoven's Bagatelles are short masterful works that have proved tremendously popular for the technical challenges they offer. This collection reproduced from the authoritative Breitkopf and Hortel edition contains the composer's most popular and most performed short piano works.
14.95 GBP - vendu par Musicroom GB
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My First Beethoven (BEETHOVEN LUDWIG VAN)
16.10
My First Beethoven (BEETHOVEN LUDWIG VAN)
Piano seul
Schott
Easiest Piano Pieces by Ludwig van Beethoven. Par BEETHOVEN LUDWIG VAN. Ludwig v...
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Easiest Piano Pieces by Ludwig van Beethoven. Par BEETHOVEN LUDWIG VAN. Ludwig van Beethoven wrote numerous piano pieces to teach to his pupils. Still, today, his works are an integral part of piano lessons. My first Beethoven is perfect for pianists of every age to become acquainted with these works. This volume contains Beethoven's most popular and easiest piano pieces – from the frequently played Sonatinas in G and F major to Für Elise and the famous Moonlight Sonata. Ideal for music lessons and music-making at home! Great works for little masters! / Répertoire d'Examen / Recueil / Piano
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