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| Johann Christian Bach:
Concerto C-Minor: Cello:
Instrumental Work
Violoncelle, Piano [Partition]
Salabert
This Concerto en Ut mineur for cello and piano was first published in 1947 by Ed...(+)
This Concerto en Ut mineur for cello and piano was first published in 1947 by Editions Salabert being attributed to Johann Christian Bach with harmonization by Henri Casadesus. Certain musicological studies after its publication proved that the Concerto should not have been attributed to Johann Christian Bach after all as it had actually been composed “in the style of Bach” some two centuries later. Nevertheless the Concerto has been a success and is today often performed and studied closely. This edition of the Concerto is a new version of the original score enriched with an introduction and history in French English and Italian
Délais: En Stock |
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| Johann Christian Bach:
Introduction To The Piano
Volume One: Harpsichord
or
Piano seul
Novello & Co Ltd.
In the second half of the 18th century the forteiano emerged as the popular Key...(+)
In the second half of the 18th century the forteiano emerged as the popular Keyboard instrument and the demand for books of instruction arose. The Introduction To The Piano created by Johann Christian Bach and Francesco Pasquale Ricci was one of the earliest. It focused on a sense of style rather than technical expertise. ‘Without taste one may do great things but only taste makes them interesting ’ the authors write.J C Bach was the youngest son of J S Bach and received his earliest musical education from his father and from C P E Bach making this Piano method book the work of a musician who was taught by Bach himself. Most of the exercises come from J C Bach’s pen and theyare a microcosm of musical styles of the era. The book includes among other things discussion of tone or tonality mode key measure ‘and its different species’ accidentals forms of composition regulated practice and more.
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| Johann Christian Bach:
Concerto in C minor:
Viola: Score and Parts
Alto, Piano
Peters
Johann Christian Bach's Concerto in C minor for Viola and Orchestra.Edition for ...(+)
Johann Christian Bach's Concerto in C minor for Viola and Orchestra.Edition for Viola (or Violin/Cello) and Piano reduction.
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| Johann Christian Bach:
Quintet in E flat Major
op. 11-4: Chamber
Ensemble: Score
Flûte Traversière,
Hautbois, Violon, Alto, Violonc
Amadeus Verlag
Bachs sechs Quintette op.11 gehören heute zum 'Kulturerbe' dieser Gattung in i...(+)
Bachs sechs Quintette op.11 gehören heute zum 'Kulturerbe' dieser Gattung in ihrer Bedeutung kaum zu überschätzen. Sie sind dem Kurfürsten Karl Theodor von der Pfalz gewidmet. Auch ohne Tasteninstrument realisierbar. Leicht.
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| Johann Christian Bach:
Preludes Du Petit Livre
De Wilhelm Friedmann Bach
Piano seul [Partition]
Leduc, Alphonse
Preludes Du Petit Livre De Wilhelm Friedmann Bach
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| Johann Christian Bach:
Konzert B-Dur Für Fagott
Und Orchester: Bassoon:
Study
EMB (Editio Musica Budapest)
Bach Concerto Bb for Bassoon and Piano. This product includes pieces featured in...(+)
Bach Concerto Bb for Bassoon and Piano. This product includes pieces featured in grade exams. Grade 8 standard.
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| Baerenreiter Album de
piano à quatre mains /
Bärenreiter Piano Album
for four hands
 Deutsch
1 Piano, 4 mains [Partition]
Barenreiter
Instrumentation : Piano 4 mains / Présentation des pièces et suggestions d'int...(+)
Instrumentation : Piano 4 mains / Présentation des pièces et suggestions d'interprétation / Text booklet describes the pieces and offers performance suggestions / Beiheft mit Erläuterungen und Spielanregungen
Délais: En Stock
Plus que 2 ex. en stock, commandez vite ! |
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| Johann Sebastian Bach:
Cantata BWV 208 Was mir
behagt: Soprano: Vocal
Score [Vocal Score]
Barenreiter
Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Bi...(+)
Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Birthday of Duke Christian of Saxony-Weissenfels and of Duke Ernst August of Saxony-WeimarThe hunting cantata the earliest secular cantata of Bach's which has come down to us was performed for the birthday of Duke Christian of Saxony-Weissenfels (23February) - according to most recent research very probably in the year 1713. It was later performed again for the birthday of Duke Ernst August of Saxony-Weimar (the co-regent of Duke Wilhelm Ernst).Bach's score employs taut musical forms; noteworthy - and entirely characteristic ofBach's early style - is the dominant role of the continuo in recitatives and arias. The setting is in chamnber music style.- Urtext of the New Bach Edition- Full score & performance material (BA10208) and vocal score (BA10208-90) available for sale
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| Johann Sebastian Bach:
Cantata BWV 208 Was mir
behagt: Mixed Choir: Part
Soli (SSTB) Et Orchestre Choeur Mixte
(SATB) Ad Libitum
Barenreiter
Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Bi...(+)
Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Birthday of Duke Christian of Saxony-Weissenfels and of Duke Ernst August of Saxony-WeimarThe hunting cantata the earliest secular cantata of Bach's which has come down to us was performed for the birthday of Duke Christian of Saxony-Weissenfels (23February) - according to most recent research very probably in the year 1713. It was later performed again for the birthday of Duke Ernst August of Saxony-Weimar (the co-regent of Duke Wilhelm Ernst).Bach's score employs taut musical forms; noteworthy - and entirely characteristic ofBach's early style - is the dominant role of the continuo in recitatives and arias. The setting is in chamnber music style.- Urtext of the New Bach Edition- Full score & performance material (BA10208) and vocal score (BA10208-90) available for sale
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| Johann Sebastian Bach:
Cantata BWV 208 Was mir
behagt: Mixed Choir:
Parts
Soli (SSTB) Et Orchestre Choeur Mixte
(SATB) Ad Libitum
Barenreiter
Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Bi...(+)
Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Birthday of Duke Christian of Saxony-Weissenfels and of Duke Ernst August of Saxony-WeimarThe hunting cantata the earliest secular cantata of Bach's which has come down to us was performed for the birthday of Duke Christian of Saxony-Weissenfels (23February) - according to most recent research very probably in the year 1713. It was later performed again for the birthday of Duke Ernst August of Saxony-Weimar (the co-regent of Duke Wilhelm Ernst).Bach's score employs taut musical forms; noteworthy - and entirely characteristic ofBach's early style - is the dominant role of the continuo in recitatives and arias. The setting is in chamnber music style.- Urtext of the New Bach Edition- Full score & performance material (BA10208) and vocal score (BA10208-90) available for sale
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| Johann Sebastian Bach:
Cantata BWV 208 Was mir
behagt: Soprano: Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Barenreiter
Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Bi...(+)
Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Birthday of Duke Christian of Saxony-Weissenfels and of Duke Ernst August of Saxony-WeimarThe hunting cantata the earliest secular cantata of Bach's which has come down to us was performed for the birthday of Duke Christian of Saxony-Weissenfels (23February) - according to most recent research very probably in the year 1713. It was later performed again for the birthday of Duke Ernst August of Saxony-Weimar (the co-regent of Duke Wilhelm Ernst).Bach's score employs taut musical forms; noteworthy - and entirely characteristic ofBach's early style - is the dominant role of the continuo in recitatives and arias. The setting is in chamnber music style.- Urtext of the New Bach Edition- Full score & performance material (BA10208) and vocal score (BA10208-90) available for sale
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| Johann Sebastian Bach:
Cantata BWV 208 Was mir
behagt: Mixed Choir: Part
Soli (SSTB) Et Orchestre Choeur Mixte
(SATB) Ad Libitum
Barenreiter
Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Bi...(+)
Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Birthday of Duke Christian of Saxony-Weissenfels and of Duke Ernst August of Saxony-WeimarThe hunting cantata the earliest secular cantata of Bach's which has come down to us was performed for the birthday of Duke Christian of Saxony-Weissenfels (23February) - according to most recent research very probably in the year 1713. It was later performed again for the birthday of Duke Ernst August of Saxony-Weimar (the co-regent of Duke Wilhelm Ernst).Bach's score employs taut musical forms; noteworthy - and entirely characteristic ofBach's early style - is the dominant role of the continuo in recitatives and arias. The setting is in chamnber music style.- Urtext of the New Bach Edition- Full score & performance material (BA10208) and vocal score (BA10208-90) available for sale
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| Johann Sebastian Bach:
Cantata BWV 208 Was mir
behagt: Mixed Choir: Part
Soli (SSTB) Et Orchestre Choeur Mixte
(SATB) Ad Libitum
Barenreiter
Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Bi...(+)
Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Birthday of Duke Christian of Saxony-Weissenfels and of Duke Ernst August of Saxony-WeimarThe hunting cantata the earliest secular cantata of Bach's which has come down to us was performed for the birthday of Duke Christian of Saxony-Weissenfels (23February) - according to most recent research very probably in the year 1713. It was later performed again for the birthday of Duke Ernst August of Saxony-Weimar (the co-regent of Duke Wilhelm Ernst).Bach's score employs taut musical forms; noteworthy - and entirely characteristic ofBach's early style - is the dominant role of the continuo in recitatives and arias. The setting is in chamnber music style.- Urtext of the New Bach Edition- Full score & performance material (BA10208) and vocal score (BA10208-90) available for sale
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| Johann Sebastian Bach:
Sheep May Safely Graze:
Concert Band: Score
Orchestre d'harmonie
Anglo Music
from Cantata No 208 'The Hunt Cantata'-L?immense production de Jean-Sébastien B...(+)
from Cantata No 208 'The Hunt Cantata'-L?immense production de Jean-Sébastien Bach ne contient qu?une vingtaine de cantates profanes dont la Cantate du café (BWV 211) la Cantate du mariage (BWV 202) Phébus et Pan (BWV 201) et la Cantate de la chasse (BWV 208) dont est extrait l?air Sheep May Safely Graze (Schafe können sicher weiden - Que les brebis paissent en paix). Bach était depuis peu au service du duc de Weimar lorsqu?il accepta en 1713 une invitation à Weißenfels pour l?anniversaire du duc Christian de Saxe-Weißenfels. À cette occasion il composa la Cantate de la chasse une cantate de félicitations à l?adresse du duc passionné de chasse. Par la suite Bachremania cette cantate pour célébrer d?autres fêtes et anniversaires. La Cantate de la chasse est orchestrée pour quatre voix solistes incarnant des figures mythologiques (Diane Pales Endymion et Pan) un ensemble orchestral assez large (incluant des flûtes/flûtes à bec des hautbois et des cors) et un Chœur mixte. Le texte chantant les vertus de la chasse est un panégyrique à peine déguisé du duc régnant. Accompagnée par deux flûtes (flûtes à bec) Palès déesse des troupeaux et des pâtures entonne l?air Sheep May Safely Graze. Bien que de caractère profane le texte utilise l?image du berger comme l?image même de la grâce en référence à une parole fondamentale de Jésus.
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| Johann Sebastian Bach:
Sheep May Safely Graze:
Fanfare Band: Score &
Parts
Fanfare [Conducteur et Parties séparées]
Anglo Music
from Cantata No 208 'The Hunt Cantata'-L?immense production de Jean-Sébastien B...(+)
from Cantata No 208 'The Hunt Cantata'-L?immense production de Jean-Sébastien Bach ne contient qu?une vingtaine de cantates profanes dont la Cantate du café (BWV 211) la Cantate du mariage (BWV 202) Phébus et Pan (BWV 201) et la Cantate de la chasse (BWV 208) dont est extrait l?air Sheep May Safely Graze (Schafe können sicher weiden - Que les brebis paissent en paix). Bach était depuis peu au service du duc de Weimar lorsqu?il accepta en 1713 une invitation à Weißenfels pour l?anniversaire du duc Christian de Saxe-Weißenfels. À cette occasion il composa la Cantate de la chasse une cantate de félicitations à l?adresse du duc passionné de chasse. Par la suite Bachremania cette cantate pour célébrer d?autres fêtes et anniversaires. La Cantate de la chasse est orchestrée pour quatre voix solistes incarnant des figures mythologiques (Diane Pales Endymion et Pan) un ensemble orchestral assez large (incluant des flûtes/flûtes à bec des hautbois et des cors) et un Chœur mixte. Le texte chantant les vertus de la chasse est un panégyrique à peine déguisé du duc régnant. Accompagnée par deux flûtes (flûtes à bec) Palès déesse des troupeaux et des pâtures entonne l?air Sheep May Safely Graze. Bien que de caractère profane le texte utilise l?image du berger comme l?image même de la grâce en référence à une parole fondamentale de Jésus.
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| Johann Sebastian Bach:
Sheep May Safely Graze:
Fanfare Band: Score
Fanfare
Anglo Music
from Cantata No 208 'The Hunt Cantata'-L?immense production de Jean-Sébastien B...(+)
from Cantata No 208 'The Hunt Cantata'-L?immense production de Jean-Sébastien Bach ne contient qu?une vingtaine de cantates profanes dont la Cantate du café (BWV 211) la Cantate du mariage (BWV 202) Phébus et Pan (BWV 201) et la Cantate de la chasse (BWV 208) dont est extrait l?air Sheep May Safely Graze (Schafe können sicher weiden - Que les brebis paissent en paix). Bach était depuis peu au service du duc de Weimar lorsqu?il accepta en 1713 une invitation à Weißenfels pour l?anniversaire du duc Christian de Saxe-Weißenfels. À cette occasion il composa la Cantate de la chasse une cantate de félicitations à l?adresse du duc passionné de chasse. Par la suite Bachremania cette cantate pour célébrer d?autres fêtes et anniversaires. La Cantate de la chasse est orchestrée pour quatre voix solistes incarnant des figures mythologiques (Diane Pales Endymion et Pan) un ensemble orchestral assez large (incluant des flûtes/flûtes à bec des hautbois et des cors) et un Chœur mixte. Le texte chantant les vertus de la chasse est un panégyrique à peine déguisé du duc régnant. Accompagnée par deux flûtes (flûtes à bec) Palès déesse des troupeaux et des pâtures entonne l?air Sheep May Safely Graze. Bien que de caractère profane le texte utilise l?image du berger comme l?image même de la grâce en référence à une parole fondamentale de Jésus.
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| Johann Sebastian Bach:
Sheep May Safely Graze:
Concert Band: Score &
Parts
Orchestre d'harmonie [Conducteur et Parties séparées]
Anglo Music
from Cantata No 208 'The Hunt Cantata'-L?immense production de Jean-Sébastien B...(+)
from Cantata No 208 'The Hunt Cantata'-L?immense production de Jean-Sébastien Bach ne contient qu?une vingtaine de cantates profanes dont la Cantate du café (BWV 211) la Cantate du mariage (BWV 202) Phébus et Pan (BWV 201) et la Cantate de la chasse (BWV 208) dont est extrait l?air Sheep May Safely Graze (Schafe können sicher weiden - Que les brebis paissent en paix). Bach était depuis peu au service du duc de Weimar lorsqu?il accepta en 1713 une invitation à Weißenfels pour l?anniversaire du duc Christian de Saxe-Weißenfels. À cette occasion il composa la Cantate de la chasse une cantate de félicitations à l?adresse du duc passionné de chasse. Par la suite Bachremania cette cantate pour célébrer d?autres fêtes et anniversaires. La Cantate de la chasse est orchestrée pour quatre voix solistes incarnant des figures mythologiques (Diane Pales Endymion et Pan) un ensemble orchestral assez large (incluant des flûtes/flûtes à bec des hautbois et des cors) et un Chœur mixte. Le texte chantant les vertus de la chasse est un panégyrique à peine déguisé du duc régnant. Accompagnée par deux flûtes (flûtes à bec) Palès déesse des troupeaux et des pâtures entonne l?air Sheep May Safely Graze. Bien que de caractère profane le texte utilise l?image du berger comme l?image même de la grâce en référence à une parole fondamentale de Jésus.
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| Johann Sebastian Bach:
Weihnachts-Oratorium BWV
248: Orchestra: Study
Score
Orchestre
Barenreiter
Study score format 22.5 x 16.5cmBach???s Christmas Oratorio composed in 1734 n...(+)
Study score format 22.5 x 16.5cmBach???s Christmas Oratorio composed in 1734 narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided several libretti for Bach during his Leipzig period.Like the St. Matthew and St. John Passions the Christmas Oratorio is narrated by an Evangelist and includes devices from Italian opera such as the recitative and aria. It was written to be performed during the thirteen days of Christmas of the Lutheran Church calendar (25 December 6 January) allowing the wondrous story of theGospel to gradually unfold.- Full score and performance material (BA5014) vocal score (BA5014-90) and study score (TP85) available for sale.- Urtext of the New Bach Edition.
Délais: En Stock |
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| Organ Music for Communion
Orgue [Partition] - Intermédiaire
Barenreiter
This volume devised by Martin Weyer contains organ music of easy to medium techn...(+)
This volume devised by Martin Weyer contains organ music of easy to medium technical difficulty for use at communion. The broad range of styles encompasses Johann Sebastian Bach and early Classical works through to the late Romantic period.
The album contains original compositions and first publications as well as arrangements for organ and twelve pieces for communion in settings by Johann Sebastian Bach with melodies and texts appropriate to communion. Some of the pieces can also be performed with solo instruments (in C, Bb or F). Corresponding instrumental parts are included with the score.
- Organ music of easy to medium technical difficulty for use at communion
- Broad range of styles
- Includes first publications
- Original compositions and arrangements for organ, some which can be performed with solo instruments. / [Musique pour Communion] / Célébrations / Partition /
Délais: 2-5 jours - En Stock Fournisseur |
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| Johann Sebastian Bach:
Ich lasse dich nicht du
segnest mich denn: Double
Choir
Chor (SATB/SATB), [Basso continuo] [Partition]
Carus Verlag
f-Moll-For a long period wrongly attributed to Johann Christoph Bach [later also...(+)
f-Moll-For a long period wrongly attributed to Johann Christoph Bach [later also Johann Christian Bach]; composed 1712/13 or earlier
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| Duetto III C-Dur Op. 1
(ZENTGRAAF JOHANN CAREL)
Flûte traversière [Partition] - Facile
Doblinger
Drei Duette. Par ZENTGRAAF JOHANN CAREL. Von dem holländischen Komponisten ist ...(+)
Drei Duette. Par ZENTGRAAF JOHANN CAREL. Von dem holländischen Komponisten ist nur dieses eine Werk überliefert – reizende Duette, etwa im Stil von Johann Christian Bach. / Niveau : Assez Facile / Répertoire / Flûte Traversière
Délais: 2-5 jours - En Stock Fournisseur |
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| Duetto II D-Dur Op. 1
(ZENTGRAAF JOHANN CAREL)
Flûte traversière [Partition] - Facile
Doblinger
Drei Duette. Par ZENTGRAAF JOHANN CAREL. Von dem holländischen Komponisten ist ...(+)
Drei Duette. Par ZENTGRAAF JOHANN CAREL. Von dem holländischen Komponisten ist nur dieses eine Werk überliefert – reizende Duette, etwa im Stil von Johann Christian Bach. / Niveau : Assez Facile / Répertoire / Flûte Traversière
Délais: 2-5 jours - En Stock Fournisseur |
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| Clavierbüchlein Of
Anna Magdalena Bach
Piano seul [Partition]
Wiener Urtext
Le 1725 Notebook de Anna Magdalena Bach est principalement célèbre pour les pi...(+)
Le 1725 Notebook de Anna Magdalena Bach est principalement célèbre pour les pièces telles que les deux Menuets en sol mineur majeur et G (nos 4 et 5 de la collection actuelle) et l'Aria di Giovannini. Ces trois, en effet, la majorité des pièces, n'étaient pas composés de j. s. Bach, mais par d'autres, souvent assez inconnus musiciens. Bien que commencée par son mari, Anna Magdalena Bach compilé le bloc-notes pour son propre usage domestique. Un atout certain pour la collection est la Suite de Clavecin par Christian Petzold, organiste à la Cour de Dresde, qui contient les deux Menuets mentionnés ci-dessus. / Piano / Partition
Délais: En Stock |
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| Johann Sebastian Bach:
Weihnachts Oratorium BWV
248: Mixed Choir: Score
Chorale SATB [Partition]
Barenreiter
Bach’s Christmas Oratorio composed in 1734 narrates the story of the bi...(+)
Bach’s Christmas Oratorio composed in 1734 narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided several libretti for Bach during his Leipzig period.Like the St. Matthew and St. John Passions the Christmas Oratorio is narrated by an Evangelist and includes devices from Italian opera such as the recitative and aria. It was written to be performed during the thirteen days of Christmas of the Lutheran Church calendar (25 December 6 January) allowing the wondrous story of the Gospel to gradually unfold.- Fullscore and performance material (BA5014) vocal score (BA5014-90) and study score (TP85) available for sale.- Urtext of the New Bach Edition.
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| Johann Sebastian Bach:
Weihnachts-Oratorium BWV
248: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et
Orchestre (II/6)
Barenreiter
Bach’s Christmas Oratorio composed in 1734 narrates the story of the bi...(+)
Bach’s Christmas Oratorio composed in 1734 narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided several libretti for Bach during his Leipzig period.Like the St. Matthew and St. John Passions the Christmas Oratorio is narrated by an Evangelist and includes devices from Italian opera such as the recitative and aria. It was written to be performed during the thirteen days of Christmas of the Lutheran Church calendar (25 December 6 January) allowing the wondrous story of the Gospel to gradually unfold.- Fullscore and performance material (BA5014) vocal score (BA5014-90) and study score (TP85) available for sale.- Urtext of the New Bach Edition.
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| Johann Sebastian Bach:
Weihnachts-Oratorium BWV
248: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et
Orchestre (II/6)
Barenreiter
Set of Wind Parts-Bach’s Christmas Oratorio composed in 1734 narrates t...(+)
Set of Wind Parts-Bach’s Christmas Oratorio composed in 1734 narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided several libretti for Bach during his Leipzig period.Like the St. Matthew and St. John Passions the Christmas Oratorio is narrated by an Evangelist and includes devices from Italian opera such as the recitative and aria. It was written to be performed during the thirteen days of Christmas of the Lutheran Church calendar (25 December 6 January) allowing the wondrous story of the Gospel to gradually unfold.- Fullscore and performance material (BA5014) vocal score (BA5014-90) and study score (TP85) available for sale.- Urtext of the New Bach Edition.
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