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Percussions A Claviers (1)
Voix Mezzo-Soprano, Piano (1)
Violoncelle, Accompagnement Piano (1)
Saxophone et Piano (1)
Voix de femme (Soprano ou Mezzo), Cordes, Basse c… (1)
4 Guitares Solo et Ensemble de Guitares (1)
Voix Mixtes (1)
2 Flûtes traversières, Piano (1)
Alto Solo (1)
Cor en Fa Solo (1)
Solo et Accompagnement de Cordes (1)
Violoncelle Et Basse Continue (Ou Piano) (1)
Ligne De Mélodie, (Paroles) et Accords (1)
Soli, gemischter Chor (SATB) und Orchester (1)
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John Thompson’s First Classical Duets: Piano: Instrumental Album
8.99
John Thompson’s First Classical Duets: Piano: Instrumental Album
1 Piano, 4 mains
-
Débutant
Hal Leonard Europe
John Thompson?s Easiest Piano Course-Featuring 11 easy arrangements for 1 piano ...
(+)
John Thompson?s Easiest Piano Course-Featuring 11 easy arrangements for 1 piano 4 hands this book is a fun and engaging introduction to piano duets that perfectly complements Books 2?4 of John Thompson?s Easiest Piano Course. Children will love learning classical favourites such as In the Hall of the Mountain King Ode to Joy and The Swan within the rewarding and interactive context of duet playing. First Published in 1954 John Thompson?s Easiest Piano Course is one of the most-loved and best-selling piano methods in the world. John Thompson?s timeless approach to learning has been trusted by generations of teachers to start millions of students on their musical journey.
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Sonatas For Cello And Basso Continuo (VIVALDI ANTONIO)
37.93
Sonatas For Cello And Basso Continuo (VIVALDI ANTONIO)
Violoncelle, Basse continue
Wiener Urtext
Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbaue...
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Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbauer. Provided With Notes On Interpretation By Gerhardt Darmstadt.. Par VIVALDI ANTONIO. Les neuf sonates pour violoncelle et basse continue, par Antonio Vivaldi sont parmi les plus célèbres oeuvres violoncelles de l'époque Baroque. Grâce à leurs exigences techniques modérées, les pièces sont partie intégrante des leçons de musique ainsi que de fabrication de musique privée. Mais même pour la scène professionnel de la musique au début, ils forment un accent du répertoire violoncelle. La nouvelle édition de la Wiener Urtext édition répond aux besoins et exigences de tous les trois groupes cibles semblables, fournissant un texte musical fiable n'est plus fondé sur la première édition de Paris non autorisée par Le Clerc and Boivin, mais sur une copie de Naples révisé de Vivaldi lui-même ainsi que sur les deux autres manuscrits associés avec le compositeur de la Bibliothèque Nationale de Paris et de la bibliothèque de musique des comtes de Schönborn à Wiesentheid. Hormis la partie solo, l'édition comprend une note de piano (clavecin) avec réalisé basse continue, qui devrait être très bienvenue aux élèves et amateurs. Une partie de continuo latent basso a été ajouter.../ Répertoire / Violoncelle Solo, Clavecin ou Piano Violoncelle Co
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Piano Solos For All Seasons
18.00
Piano Solos For All Seasons
Piano seul
[Partition]
-
Intermédiaire
Amsco Wise Publications
Piano Solos For All Seasons brings the intermediate pianist over 40 exciting pie...
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Piano Solos For All Seasons brings the intermediate pianist over 40 exciting pieces to play whatever the time of year! This collection of solos inspired by the seasons includes music from Vivaldi's The Four Seasons, Mendelssohn's A Midsummer Night's Dream, Debussy's Children's Corner and Handel's Messiah.
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The Four Seasons Op. 8/1 Rv 269 / Pv 241 (Les quatre saisons) (VIVALDI ANTONIO)
12.21
The Four Seasons Op. 8/1 Rv 269 / Pv 241 (Les quatre saisons) (VIVALDI ANTONIO)
[Conducteur d'étude / Miniature]
EULENBURG
Par VIVALDI ANTONIO. Spring E Major/ Répertoire / Violon, Cordes et Basse Conti...
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Par VIVALDI ANTONIO. Spring E Major/ Répertoire / Violon, Cordes et Basse Continue
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The Four Seasons Op. 8/1-4 Rv 269, 315, 293, 297 / Pv 241, 336, 257, 442 (Les quatre saisons) (VIVALDI ANTONIO)
19.42
The Four Seasons Op. 8/1-4 Rv 269, 315, 293, 297 / Pv 241, 336, 257, 442 (Les quatre saisons) (VIVALDI ANTONIO)
Eulenburg
Par VIVALDI ANTONIO. Concertos/ Répertoire / Violon, Cordes et Basse Continue
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L'Estro Armonico Op. 3/6 Rv 356 / Pv 1 (VIVALDI ANTONIO)
17.21
L'Estro Armonico Op. 3/6 Rv 356 / Pv 1 (VIVALDI ANTONIO)
Violon et Piano
[Reduction]
Schott
Par VIVALDI ANTONIO. Concerto Grosso In A Minor/ Répertoire / Violon, Orchestre...
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Par VIVALDI ANTONIO. Concerto Grosso In A Minor/ Répertoire / Violon, Orchestre à Cordes et Clavecin
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Succès Christmas - Volume 1
14.70
Succès Christmas - Volume 1
En Français
Piano seul
[Partition]
-
Facile
Lemoine, Henry
Niveau : Version facile / Contenu : Bach : Air BWV 1068 (Suite n°3) Hirten...
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Niveau : Version facile / Contenu : Bach : Air BWV 1068 (Suite n°3) Hirtenmusik BWV 248 Corelli : Pastorale Gounod : Ave Maria Haendel : Halleluja (Messie) Largo (Xerxès) Manfredini : Weihnachtskonzert Mozart : Ave Verum Corpus KV 618 Schubert : Ave Maria Vivaldi : Largo (L?Hiver)
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Elias Barreiro: Vivaldi Concerto Op. 3 No. 10 - L'Estro Armonico: Guitar
12.99
Elias Barreiro: Vivaldi Concerto Op. 3 No. 10 - L'Estro Armonico: Guitar
Guitare
Guitare classique
[Partition]
-
Intermédiaire
Mel Bay
The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmon...
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The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.
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Concerto Per Vc., Archi E B.C.: In Do Min. Rv 401 - F.III/1 Tomo 19
19.71
Concerto Per Vc., Archi E B.C.: In Do Min. Rv 401 - F.III/1 Tomo 19
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/ 1 Ou 2 Violoncelle(s)
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Antonio Vivaldi: Gloria RV 589 (Chorus Score): SATB: Vocal Score
5.00
Antonio Vivaldi: Gloria RV 589 (Chorus Score): SATB: Vocal Score
Latin
Soli (SSA), gemischter Chor (SATB) und Orchester
[Chorpartitur]
Barenreiter
The chorus score contains no Piano reduction or solo parts - for full Vocal scor...
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The chorus score contains no Piano reduction or solo parts - for full Vocal score (with Piano reduction) see BA7674-90. Today the ?Gloria? RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldidisplays the whole range of his mastery from festive sublime outer movements to tender transparently scored solo passages.The same mastery has also been applied to the ?Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive Choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).
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Benedetto Marcello: Sonata in F Op.2 No.1: Cello: Instrumental Work
5.50
Benedetto Marcello: Sonata in F Op.2 No.1: Cello: Instrumental Work
Violoncelle, Piano
[Partition]
-
Intermédiaire
Peters
Italian-born composer Benedetto Marcello (1686-1739) composed a diversity of mus...
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Italian-born composer Benedetto Marcello (1686-1739) composed a diversity of music from church music and oratorios to solo cantatas duets and sonatas. Benedetto was a younger contemporary of Antonio Vivaldi and his music can be easily recognised as having a ‘Vivaldian flavour’.Available here is one his first compositions for solo Cello and Continuo the Sonata in F Op.2 No.1 realised here with a Piano accompaniment. This edition has been edited by Walter Schulz and Eberhard Wenzel.
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Antonio Vivaldi: Gloria In D RV 589 - Vocal Score: SATB: Vocal Score
7.95
Antonio Vivaldi: Gloria In D RV 589 - Vocal Score: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
-
Intermédiaire
Peters
Vivaldi's international renown came about largely as a result of his concertos ...
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Vivaldi's international renown came about largely as a result of his concertos which were collated and of course performed throughout the courts of Europe. Quite unlike the concertos Vivaldi's voluminous output of sacred works was hardly known beyond the purlieus of their original performance. Following the composer's death they became increasingly unknown and even today it is difficult to say how many pieces of church music Vivaldi composed.As few of Vivaldi’s church compositions can be dated on the basis of written or stylistic evidence the origins of the Gloria In D remain shrouded with conjecture.Rather than being conceived aspart of a larger Mass setting the Gloria is an independent work a cyclical composition of broad design consisting of twelve self-contained movements. Stylistically it closely resembles a concertante Mass.This Urtext edition of Vivaldi’s ever-popular work provides you with an accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions as edited by Klaus Burmeister.
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Antonio Vivaldi: Dixit Dominus RV 595: Voice
12.99
Antonio Vivaldi: Dixit Dominus RV 595: Voice
Piano, Voix
Ricordi
Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The Dixit ...
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Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The Dixit Dominus RV 595 shares a key and some further characteristics with the better-known setting of the same psalm RV 594 but differs from it markedly: first in being scored for an undivided ensemble (i.e. not ?in due cori?): second in belonging to Vivaldi?s first period of sacred music composition around 1715 rather than to a later period. There are stylistic parallels too with Vivaldi?s two Gloria settings RV 588 and RV 589. Three of the eleven movements making up RV 595 use borrowed material which in two instances is taken from movements by unknown composers in Vivaldi?s own collection and in one instance (heavily disguised) from a published madrigal(1705) by Antonio Lotti. The borrowings are absorbed extremely well into the fabric of the setting and do not disrupt its well-unified character. Among the high points of RV 595 are its opening pair of moments ? the first bustling and the second poignantly reflective ? and the fourth movement ?Tecum principium? where two obbligato cellos enter into dialogue with two sopranos. This Dixit Dominus preserved uniquely in Prague ranks among Vivaldi?s finest large-scale sacred vocal compositions. The Introduction and Critical Commentary for this vocal score are based on the Critical Edition by Michael Talbot published in 1993.
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Johann Sebastian Bach: Complete Keyboard Transcriptions of Concertos: Piano:
17.30
Johann Sebastian Bach: Complete Keyboard Transcriptions of Concertos: Piano:
Piano seul
-
Intermédiaire/avancé
Dover Publications
by Baroque Composers-Sixteen of Bachâ??s transcriptions for solo keyboard instr...
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by Baroque Composers-Sixteen of Bachâ??s transcriptions for solo keyboard instruments (Piano and Harpsichord) of concertos for Violin and other non-keyboard instruments by Vivaldi Telemann and others. Reprinted from the definitive Bach-Gesellschaft edition prepared by Ernst Naumann.
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Le Printemps Op. 8 #1-4 Rv 269 (Collection Anacrouse)
6.90
Le Printemps Op. 8 #1-4 Rv 269 (Collection Anacrouse)
En Français
Piano seul
[Partition]
EBR Editions Bourges
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix...
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d'oeuvres classiques, allant de la Renaissance à l'époque moderne.Proposer tout à la fois des 'incontournables' du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d'une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l'unité, a fait l'objet d'un travail éditorial attentif, tant sur le plan de l'établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces oeuvres.Les partitions sont proposées sous la forme d'ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.Les quatre saisons (opus 8, #1-4) est un ensemble de quatre concertos pour violon soliste et orchestre de chambre à cordes, composé par Antonio Vivaldi, et qui ouvre le recueil La bataille entre l'harmonie et l'invention. Bien qu'édité en 1725 à Amsterdam, la composition de ces quatre concertos est certainement antérieure de quelques années.Cette oeuvre est l'une des plus représentative du genre Concerto, c'est aussi certainement la composition la plus connue d'Antonio Vivaldi. Le printemps est le nom que porte le concerto #1 en mi majeur (op. 8, RV 269). Il est se compose de trois mouvements : Allegro, Largo, Allegro.Son introduction, comme le troisième mouvement de l'oeuvre (L'Eté), sont les passages les plus célèbres de cet opus.Sur la partition, le compositeur précise les correspondances avec les poèmes, il va même jusqu'à expliciter certains détails (aboiements de chien, noms d'oiseaux : coucou, tourterelle, pinson...). L'ensemble de l'oeuvre est accompagnée de quatre sonnets décrivant le déroulement des saisons. Voici celui du Printemps :AllegroVoici le Printemps,Que les oiseaux saluent d'un chant joyeux.Et les fontaines, au souffle des zéphyrs,Jaillissent en un doux murmure.Ils viennent, couvrant l'air d'un manteau noir,Le tonnerre et l'éclair messagers de l'orage.Enfin, le calme revenu, les oisillonsReprennent leur chant mélodieux.LargoEt sur le pré fleuri et tendre,Au doux murmure du feuillage et des herbes,Dort le chevrier, son chien fidèle à ses pieds.AllegroAu son festif de la musetteDansent les nymphes et les bergers,Sous le brillant firmament du printemps. / Piano Solo
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Concerto En La Mineur Rv 108 / Vivaldi - Flûte A Bec Alto (VIVALDI ANTONIO)
20.70
Concerto En La Mineur Rv 108 / Vivaldi - Flûte A Bec Alto (VIVALDI ANTONIO)
Flûte à bec Alto
[Partition + CD]
Hal Leonard
Par VIVALDI ANTONIO. Virtuose du violon, l'italien Antonio Vivaldi a été un de...
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Par VIVALDI ANTONIO. Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition CONCERTO EN LA MINEUR RV 108 / Vivaldi - Flûte à Bec Alto vous retrouverez tout le talent de ce compositeur. Ecrite pour Flûte à bec Alto cette partition a été éditée par les éditions De Haske Publications sous le numéro 1666-09-400 DHE./ Répertoire / Flûte à Bec Alto
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Schott Violin Library
26.64
Schott Violin Library
Violon, Basse continue
Schott
The Schott Violin Library contains eleven varied Baroque sonatas for violin and ...
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The Schott Violin Library contains eleven varied Baroque sonatas for violin and basso continuo. Including both popular sonatas by Corelli, Vivaldi, Handel and Telemann and lesser known, charming compositions by Dall? Abaco, Pepusch and Finger. Suitable for violinists of intermediate standard. Some of these works can be played entirely in first position, others require only a few position changes and the sonatas by Dall?Abaco, Kirchhoff, Vivaldi and Handel require more fluent shifts between the first three positions. / Violon Et Basse Continue
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Antonio Vivaldi: Kyrie RV 587 - SSAA: SSAA: Score
14.50
Antonio Vivaldi: Kyrie RV 587 - SSAA: SSAA: Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
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The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice.Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The?Kyrie? RV 587 (BA 8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.- Effective arrangements for female choir- Forewords in English and German- Straightforward idiomatic piano reductions- Kyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Antonio Vivaldi: Sonate per violino e basso continuo RV 11 RV 37: Violin
18.50
Antonio Vivaldi: Sonate per violino e basso continuo RV 11 RV 37: Violin
Violon, Basse continue
Ricordi
Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by M...
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Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by Michael Talbot. The vast majority of violin sonatas from Vivaldi?s time including those of Vivaldi himself have come down to us in the form of a score employing two staves: one for violin and one for bass. This guarantees that although portions of the work may be missing what survives is textually complete. Exceptionally five of Vivaldi?s violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv Graz the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas which all have four movements possess partial concordances in other sources with which they share two or three movements but two of them ? RV 11 and RV 37 ? have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction and there is in addition a realization of the continuo by the editor.
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Antonio Vivaldi: Gloria RV 589 (Full Score): Mixed Choir: Score
15.00
Antonio Vivaldi: Gloria RV 589 (Full Score): Mixed Choir: Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Partition]
Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositi...
(+)
Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the “Gloria” as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà around 1716. In the twelve movements of the “Gloria” Vivaldi displays the whole range of his mastery from festive sublime outer movements totender transparently scored solo passages. The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass. - Vocal score as well as choral score available for the “Gloria”. - Informative foreword (Ger/Eng).
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Antonio Vivaldi: The Four Seasons (Cembalo): String Orchestra: Part
9.50
Antonio Vivaldi: The Four Seasons (Cembalo): String Orchestra: Part
Orchestre à Cordes
Barenreiter
One of the best-loved and most endearing works of the late Baroque Vivaldi's se...
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One of the best-loved and most endearing works of the late Baroque Vivaldi's set of Violin Concertos The Four Seasons Op.8 are presented here in an authoritative Barenreiter Urtext edition. This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source which originates from Vivaldi’s circle and represents an alternative (in many cases more explicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725.The Manchester source has until now not been used as the primary basis for a modern performing edition andoffers new readings and evidence for players and listeners alike.With Christopher Hogwood’s new edition a fresh gust of wind has taken hold of The Four Seasons.
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Antonio Vivaldi: The Four Seasons (Viola): String Orchestra: Part
7.00
Antonio Vivaldi: The Four Seasons (Viola): String Orchestra: Part
Orchestre à Cordes
Barenreiter
One of the best-loved and most endearing works of the late Baroque Vivaldi's se...
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One of the best-loved and most endearing works of the late Baroque Vivaldi's set of Violin Concertos The Four Seasons Op.8 are presented here in an authoritative Barenreiter Urtext edition. This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source which originates from Vivaldi’s circle and represents an alternative (in many cases more explicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725.The Manchester source has until now not been used as the primary basis for a modern performing edition andoffers new readings and evidence for players and listeners alike.With Christopher Hogwood’s new edition a fresh gust of wind has taken hold of The Four Seasons.
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Antonio Vivaldi: Gloria RV 589 - SSAA: Upper Voices: Vocal Score
10.00
Antonio Vivaldi: Gloria RV 589 - SSAA: Upper Voices: Vocal Score
Chorale SSAA
[Partition]
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
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The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Antonio Vivaldi: Concerto For Flute In D RV783 (Score & Parts): Flute:
12.50
Antonio Vivaldi: Concerto For Flute In D RV783 (Score & Parts): Flute:
Flûte traversière et Piano
[Partition]
-
Intermédiaire
Barenreiter
for Flute Strings and Basso continuo-Full score Flute solo and String parts av...
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for Flute Strings and Basso continuo-Full score Flute solo and String parts available as HM265.Antonio Vivaldi (1678 1741) ?was sprightly and highly inventive and he filled almost half the world with his concertos? wrote Quantz in a brief appreciation of Vivaldi a generation later. It was only by chance that this Flute Concerto In D which was preserved anonymously in Schwerin truly half a world away from Venice has been identified as a composition by Vivaldi. Easy to perform this concerto radiates musical freshness and high spirits.
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Antonio Vivaldi: The Four Seasons (Violin I): String Orchestra: Part
7.00
Antonio Vivaldi: The Four Seasons (Violin I): String Orchestra: Part
Orchestre à Cordes
Barenreiter
One of the best-loved and most endearing works of the late Baroque Vivaldi's se...
(+)
One of the best-loved and most endearing works of the late Baroque Vivaldi's set of Violin Concertos The Four Seasons Op.8 are presented here in an authoritative Barenreiter Urtext edition. This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source which originates from Vivaldi’s circle and represents an alternative (in many cases more explicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725.The Manchester source has until now not been used as the primary basis for a modern performing edition andoffers new readings and evidence for players and listeners alike.With Christopher Hogwood’s new edition a fresh gust of wind has taken hold of The Four Seasons.
7.00 GBP - vendu par Musicroom GB
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Antonio Vivaldi: 5 Sonatas for violin and keyboard: Violin
15.50
Antonio Vivaldi: 5 Sonatas for violin and keyboard: Violin
Ricordi
Instructional edition with notes on performance style and practice edited by Cin...
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Instructional edition with notes on performance style and practice edited by Cinzia Barbagelata-This publication is intended to offer violinists -- whether students professional players or amateurs -- a simple but complete guide for the performance of Antonio Vivaldi's music introducing them to his style and more generally to that of the late Baroque Italian violin repertory with an informed approach to historical performance practices which are largely unfamiliar to players who are not early music specialists. The five sonatas in this volume have been edited for performance on either a modern or a Baroque violin with realizations of the basso continuo part suitable for accompaniment on the piano organ or harpsichord. They are presented in progressive order of difficulty from a fairly linear and direct writing style to one that is more unpredictable and fanciful embracing interpretative possibilities ranging from measured and straightforward to brilliant and mature according to individual preference and ability. When approached in this order their study facilitates the incremental acquisition of meaningful stylistic insight into the composer and his milieu. This volume is an invaluable tool for understanding and exploring the work of Antonio Vivaldi. The imaginative and irresistible vivacity of his music brimming with disarmingly poignant melodies and rendered in a language that is both concise and immediate ensures its extraordinary ability to remain forever fresh through the ages. Intermediate level Downloads on MyLibrary Violin part in 2 colors to differentiate the editor’s marks from Vivaldi’s original text.
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Antonio Vivaldi: The Four Seasons (Cello/Bass): Cello & Double Bass: Part
Violon, Instruments à Cordes et Basse Continue
[Partition]
Barenreiter
One of the best-loved and most endearing works of the late Baroque Vivaldi's se...
(+)
One of the best-loved and most endearing works of the late Baroque Vivaldi's set of Violin Concertos The Four Seasons Op.8 are presented here in an authoritative Barenreiter Urtext edition. This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source which originates from Vivaldi’s circle and represents an alternative (in many cases more explicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725.The Manchester source has until now not been used as the primary basis for a modern performing edition andoffers new readings and evidence for players and listeners alike.With Christopher Hogwood’s new edition a fresh gust of wind has taken hold of The Four Seasons.
7.00 GBP - vendu par Musicroom GB
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