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Peter Warlock: Critical Edition: Volume III - Songs 1921-1922: High Voice: Vocal
11.99
Peter Warlock: Critical Edition: Volume III - Songs 1921-1922: High Voice: Vocal
Voix haute, Piano
[Partition]
-
Intermédiaire
Thames Publishing
Volume Iii - Songs 1921-1922-The Peter Warlock Critical Edition series represent...
(+)
Volume Iii - Songs 1921-1922-The Peter Warlock Critical Edition series represents a treasure trove of English song.This the third volume focuses upon songs for the High Voice from the period 1921-1922. The songs of Peter Warlock are inspiring and intriguing pieces that rank him with the greatest English composers of all time. This is truly a superb collection of some of the best of his work painstakingly and meticulously edited by Michael Pilkington. This revised Critical Edition is an accurate faithful and exhaustive volume that maintains Warlock’s original keys and intentions. With fifteen songs each featuring an in-depth commentary this is a tremendousacquisition for any enthusiasts of English song.
11.99 GBP - vendu par Musicroom GB
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Peter Warlock: Society Edition: Volume 4 Songs 1922-1923: Medium Voice: Vocal
13.99
Peter Warlock: Society Edition: Volume 4 Songs 1922-1923: Medium Voice: Vocal
Voix moyenne, Piano
[Partition]
-
Intermédiaire/avancé
Thames Publishing
Volume 4 - Songs 1922-1923-This society edition contains fourteen songs chronol...
(+)
Volume 4 - Songs 1922-1923-This society edition contains fourteen songs chronologically arranged and each with a detailed preface giving the relevant historical background to the composition. Warlock was very pedantic about original keys. He deplored transpositions but bowed to their necessity in performing editions. In this edition keys have been chosen to suit the medium voice. This generally means a range of about an octave and a fifth with nothing below B flat and nothing above F sharp/G flat.
13.99 GBP - vendu par Musicroom GB
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Peter Warlock: Society Edition: Volume 3 Songs 1920-1922: Medium Voice: Vocal
13.99
Peter Warlock: Society Edition: Volume 3 Songs 1920-1922: Medium Voice: Vocal
Voix moyenne, Piano
[Partition]
-
Intermédiaire
Thames Publishing
Volume 3 - Songs 1920-1922-This society edition contains fourteen songs chronol...
(+)
Volume 3 - Songs 1920-1922-This society edition contains fourteen songs chronologically arranged and each with a detailed preface giving the relevant historical background to the composition. Warlock was very pedantic about original keys. He deplored transpositions but bowed to their necessity in performing editions. In this edition keys have been chosen to suit the medium voice. This generally means a range of about an octave and a fifth with nothing below B flat and nothing above F sharp/G flat.
13.99 GBP - vendu par Musicroom GB
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STRAVINSKY LES NOCES MINIATURE SCORE
36.00
STRAVINSKY LES NOCES MINIATURE SCORE
SATB/Piano Solo (Quatuor)/Percussion
[Partition]
Chester
La version de 1922 des Noces a une place importante dans la production de ballet...
(+)
La version de 1922 des Noces a une place importante dans la production de ballet de Stravinsky. Elle marque la fin de sa période Russe, et le début de sa période néo-classique. Les Noces furent composées après les trois principales périodes de ballets russes, L'Oiseau de Feu, Petroushka, et Le Sacre du Printemps. <br>Partition pour solo, choeurs, quatre pianos et percussions. Durée : environ 35 minutes. Partition complète et parties orchestrales disponible à la location chez l'éditeur. / [Igor Stravinsky: Les Noces (1922- Miniature Score)] / Classique / Partition /
36.00 EUR - vendu par Note4Piano
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Contre-Sujet (SCIORTINO)
37.51
Contre-Sujet (SCIORTINO)
Percussions et Piano
[Partition]
Leduc, Alphonse
Par SCIORTINO. French composer, Patrice Sciortino (b. 1922) is a highly versatil...
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Par SCIORTINO. French composer, Patrice Sciortino (b. 1922) is a highly versatile musician. His compositional career has been met with success, including with his Contre-Sujet for Percussion and Piano. Published in 1922, a typical performance of Contre-Sujet takes around seven minutes. Percussive instruments used include: Wood Blocks, Bongos, Vibraphone, Snare Drum, Marimba and Timpani. The first book of Contre-Sujet includes the first two movements, Short and Dream. For all aspiring percussionists seeking evocative and unique repertoire, Sciortino 's Contre-Sujet for Percussion and Piano will provide a thrilling performance for performers and audiences alike./ Répertoire / Percussions et Piano
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John Alden Carpenter: Krazy Kat - A Jazz Pantomime For Piano: Piano:
Dover Publications
Original And Revised Versions-This is the first single-volume publication of bot...
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Original And Revised Versions-This is the first single-volume publication of both the out-of-print original and revised versions of Krazy Kat a unique 'jazz pantomime' for piano. Based on George Herriman's hugely influential newspaper comic strip that chronicled the adventures of a lovelorn feline this comic production represents a landmark in American music. The seldom-staged work debuted in 1922 at New York City's Town Hall and a 1940 revival employed the revised edition.John Alden Carpenter's score abounds in lyric warmth harmonic charm and rhythmic vitality. He created this unusual theatrical work for a ballet company headed by a former Ballets Russes performer. CartoonistHerriman designed the production's scenery and costumes and he drew a series of madcap illustrations that are reproduced in this edition. Jazz lovers collectors of rare music and intermediate- to advanced-level pianists will want a copy of this facsimile publication which features the composer's original Program Notes and an illuminating Introduction.Reprint of the George Schirmer Inc. 1922 and 1948 editions.
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New Standards: 101 Lead Sheets By Women Composers
39.43
New Standards: 101 Lead Sheets By Women Composers
Ligne De Mélodie, (Paroles) et Accords
[Partition]
Berklee
Par . Terri Lyne Carrington, Founder and Artistic Director of the Berklee Instit...
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Par . Terri Lyne Carrington, Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice, has curated a wide range of jazz compositions written by women composers, from obscure to popular, historic to current, blues to be bebop, and beyond in this important collection. These compositions are supplementary and alternatives to the jazz standard canon that has served students, teachers and professionals throughout the development of jazz music. The compositions span nearly a century, including Lil Hardin Armstrong's work from 1922 to songs written in 2021 by recent Institute graduates. It features 101 compositions from a remarkable range of acknowledged titans, young visionaries and unsung heroes in jazz: Mary Lou Williams, Alice Coltrane, esperanza spalding, Geri Allen, Maria Schneider, Cecile McLorin Salvant, Cassandra Wilson, Dianne Reeves, Dorothy Ashby, Nubya Garcia, Nicole Mitchell and many others. The book includes a 1922 piece by the influential Lil Hardin Armstrong and songs written in 2021 by emerging artists from Carrington's Berklee Institute of Jazz and Gender Justice. New Standards also celebrates the global world of jazz, from Chilean tenor saxophonist Melissa Aldana to Japanese American pianist Toshiko Akiyoshi and other international composers. / Date parution : 2022-12-12/ Recueil / Tout Instrument
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Deuxieme Solo (BOURDEAU EUGENE)
24.72
Deuxieme Solo (BOURDEAU EUGENE)
Clarinette Basse, Piano
Metropolis Music Publishers
Par BOURDEAU EUGENE. Eugene Bourdeau came from a family of bassoonists and event...
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Par BOURDEAU EUGENE. Eugene Bourdeau came from a family of bassoonists and eventually became the professor of bassoon at the Paris Conservatory from 1891 to 1922. Though not well-known as a composer, he composed three solos for bassoon, consisting of a a variety of styles. The Deuxieme (Second) Solo, composed for the 1907 concours of the Paris Conservatory, is in three sections: a stately introduction, a slow middle section, and a brisk allegretto. Originally in the key of B minor/D major, the entire piece has been transposed up one half-step, to better accommodate the range of the bass clarinet, as well as to make it a more comfortable key.Eugene Bourdeau came from a family of bassoonists and eventually became the professor of bassoon at the Paris Conservatory from 1891 to 1922. Though not well-known as a composer, he composed three solos for bassoon, consisting of a a variety of styles. The Deuxieme (Second) Solo, composed for the 1907 concours of the Paris Conservatory, is in three sections: a stately introduction, a slow middle section, and a brisk allegretto. Originally in the key of B minor/D major, the entire piece has been transposed up one half-step, to better accommodate the range of the bass clarinet, as well as to make it a more comfortable key./ Répertoire / Clarinette Basse et Piano
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John Joubert: Tristia Op 118: Soprano: Instrumental Work
28.99
John Joubert: Tristia Op 118: Soprano: Instrumental Work
SOP/CHAM::Soprano/Musique De Chambre
[Partition]
Novello & Co Ltd.
Tristia is a song-cycle to words by Osip Mandelstam one of the founding members...
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Tristia is a song-cycle to words by Osip Mandelstam one of the founding members of the so-called Acmeist school of Russian poetry - a movement which has much in common with both Symbolism and Imagism. As a Jewish dissident who had survived the Russian Revolution of 1917 and fallen foul of the subsequent Soviet regime Mandelstam found it increasingly difficult to get either recognition or employment. In 1934 he was arrested for having written a satirical poem about Stalin. He perished four years later in a labour camp. Though he died in complete obscurity - nobody seems to know for certain the exact time or place of his death - his memory was kept alive by the courageand devotion of his wife Nadezhda whose book Hope against Hope is a moving chronicle of their last few years together.The five poems which make up the cycle are taken from the collection published in 1922 under the title Tristia a reference to the work of the same name by the exiled Latin poet Ovid. The poems are set in English but even in translation they convey the essence of Mandelstam's highly personal associative style. As such they express the reactions of an alienated sensitive and classically-educated outsider to the turbulent events he had so recently lived through.The five poems which make up the cycle are taken from the collection published in 1922 under the title Tristia a reference to the work of the same name by the exiled Latin poet Ovid. The poems are set in English but even in translation they convey the essence of Mandelstam's highly personal associative style. As such they express the reactions of an alienated sensitive and classically-educated outsider to the turbulent events he had so recently lived through.
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Songs II GA/CE vol. 11 (SZYMANOWSKI KAROL)
63.30
Songs II GA/CE vol. 11 (SZYMANOWSKI KAROL)
Piano, Voix
[Partition]
PWM (Polskie Wydawnictwo Muzyczne)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in ...
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Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano
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Krazy Kat - A Jazz Pantomime For Piano - Original And Revised Versions
13.20
Krazy Kat - A Jazz Pantomime For Piano - Original And Revised Versions
Piano seul
[Partition]
C'est la première fois en un seul volume la publication de deux versions out-of...
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C'est la première fois en un seul volume la publication de deux versions out-of-print originales et révisées de Krazy Kat, une 'pantomime jazz' unique pour piano. Basé sur la bande de George Herriman journal très influent bande dessinée qui raconte les aventures d'un chat lovelorn, cette production comique représente un point de repère dans la musique américaine. Le travail a débuté rarement mis en scène en 1922 au Town Hall de New York, et un regain 1940 employés de l'édition révisée.Score de John Alden Carpenter abonde en chaleur lyrique, charme harmonique, et la vitalité rythmique. Il a créé cette oeuvre singulière de théâtre pour une compagnie de ballet dirigée par un ancien interprète Ballets Russes. Dessinateur Herriman conçu paysages de la production et les costumes, et il a dessiné une série d'illustrations folles qui sont reproduites dans cette édition. Les amateurs de jazz, des collectionneurs de musique rare, et intermédiaire à avancé au niveau des pianistes aurez besoin d'un exemplaire de cette publication fac-similé, qui dispose notes du compositeur Programme originales et une introduction éclairante.Réimpression de la George Schirmer, Inc, 1922 et 1948 éditions. / Piano
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Carl Nielsen: Symphony No.5 Op.50: Orchestra: Score
61.95
Carl Nielsen: Symphony No.5 Op.50: Orchestra: Score
Orchestre
[Partition]
-
Intermédiaire/avancé
Carl Nielsen Edition
Symphony No.5 Op.50 was composed by Carl Nielsen in 1922. Carl Nielsen (1865-193...
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Symphony No.5 Op.50 was composed by Carl Nielsen in 1922. Carl Nielsen (1865-1931) was a Danish musician often seen as his country’s greatest composer. While his operas and songs have become embedded in the cultural heritage of his native Denmark internationally he is better known for his symphonies and concertos – distinguished by his prominent use of Brass instruments and dramatic changes in tonality. His Symphony No.5 (Op. 50 FS. 97) was composed in 1922 and is often seen as his “War Symphony” despite the composer denying any such direct influence. Strangely it is formed ofonly two movements and does not have any title. Often said to be a modernist piece it is constantly restless some would say pulsating. Brought to fame by Leonard Bernstein in 1962 scholars and musicians are still trying to understand this enigmatic work.
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NEW STANDARDS: 101 LEAD SHEETS BY WOMEN COMPOSERS
35.05
NEW STANDARDS: 101 LEAD SHEETS BY WOMEN COMPOSERS
Berklee
Terri Lyne Carrington, Founder and Artistic Director of the Berklee Institute of...
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Terri Lyne Carrington, Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice, has curated a wide range of jazz compositions written by women composers, from obscure to popular, historic to current, blues to bebop, and beyond in this important collection. These compositions are supplementary and alternatives to the “jazz standard” canon that has served students, teachers and professionals throughout the development of jazz music. The compositions span nearly a century, including Lil Hardin Armstrong's work from 1922 to songs written in 2021 by recent Institute graduates. It features 101 compositions from a remarkable range of acknowledged titans, young visionaries and unsung heroes in jazz: Mary Lou Williams, Alice Coltrane, esperanza spalding, Geri Allen, Maria Schneider, Cecile McLorin Salvant, Cassandra Wilson, Dianne Reeves, Dorothy Ashby, Nubya Garcia, Nicole Mitchell and many others. The book includes a 1922 piece by the influential Lil Hardin Armstrong and songs written in 2021 by emerging artists from Carrington's Berklee Institute of Jazz and Gender Justice. New Standards also celebrates the global world of jazz, from Chilean tenor saxophonist Melissa Aldana to Japanese American pianist Toshiko Akiyoshi and other international composers. / Instrument en do / Berklee
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Addio Napoli
133.10
Addio Napoli
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire
De Haske Publications
Arr. Wil Van Der Beek. Addio Napoli est un medley de mélodies populaires napoli...
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Arr. Wil Van Der Beek. Addio Napoli est un medley de mélodies populaires napolitaines telles que Torna a Surriento d’Ernesto de Curtis (1875-1937), la Danse napolitaine du ballet Le Lac des cygnes de Piotr Illitch Tchaïkovski (1840-1893), Maria, Mari !, une chanson napolitaine du compositeur Eduardo di Capua (1865-1917), et bien sûr Funiculì, Funiculà de Luigi Denza (1846-1922). Ce medley entraînant de l’arrangeur Will Van der Beek vous propose de nombreuses mélodiesentraînantes, ce qui en fera une oeuvre idéale pour tous vos concerts ! / Niveau : 3 / Classique / Date parution : 1905-07-09/ Recueil / Concert Band ou Harmonie
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Frank Bridge: Sir Roger de Coverley: Concert Band: Score
22.00
Frank Bridge: Sir Roger de Coverley: Concert Band: Score
Orchestre d'harmonie
Faber Music Limited
Frank Bridge (1879 – 1941) was one of the leading English composers of his...
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Frank Bridge (1879 – 1941) was one of the leading English composers of his time. In October 1922 he adapted his popular string quartet Sir Roger de Coverley for full symphony orchestra and Sir Henry Wood agreed at the last minute to include it in the last night of the Queen’s Hall Promenade Concerts at the end of that month.This elaborate and colourful orchestral version has never been widely performed but has now been brilliantly transcribed by Alastair Wheeler to provide a miniature dance poem for grade 5 level concert band.Bridge’s lively treatment of one of England’s most famous traditional dance melodies willmake a fitting end to any concert with the strains of Auld Lang Syne introduced by Bridge as a nod towards Sir Roger de Coverley’s traditional function as the final dance of a Christmas Ball as it was in Old Mr. Fezziwig’s party in Dickens’ A Christmas Carol.
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Haydn Wood: A Brown Bird Singing: Voice: Vocal Work
6.50
Haydn Wood: A Brown Bird Singing: Voice: Vocal Work
Piano, Voix
[Partition]
Chappell - Warner
In F-A Brown Bird Singing (published in 1922) is second only to the Roses of Pic...
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In F-A Brown Bird Singing (published in 1922) is second only to the Roses of Picardy in popularity among Wood’s vast oeuvre. With lyrics by composer Royden Barrie the romantic words are well matched to the touching melody. The songhas been recorded many times since it appeared including a version by jazz songstress Peggy Lee and one arranged for zither.Haydn Wood earned his reputation as a giant of British light music in the twentieth century through aprolific career that encompassed performance as Violin soloist and conductor and as well as composer of some of the nation’s favourite melodies. Wood was not only was a gifted and popular creator of Orchestral works and musicaltheatre but also the composer more than 200 songs in his lifetime -- perhaps inspired by his long and happy marriage to singer Dorothy Court -- many of them the greatest hits of their era.
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Complete Organ Works, Vol.I-Vi (DUBOIS THEODORE)
336.40
Complete Organ Works, Vol.I-Vi (DUBOIS THEODORE)
Orgue
Barenreiter
Par DUBOIS THEODORE. First complete Urtext edition now comes to a close. At the ...
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Par DUBOIS THEODORE. First complete Urtext edition now comes to a close. At the cutting edge of scholarship. Music in every key for church worship and concert performance. Detailed Foreword, Critical Commentary (Fr/Eng/Ger) and facsimiles. Now available at a special set price. The set includes: Volume I: Early Works and Works with Minimal or Optional Use of the Pedals BA 8468 Volume II: Organist at the Church ; La Madeleine Douze Pièces pour Orgue ou Piano-Pedalier (1886) BA 8469 Volume III: Organist at the Church ; La Madeleine Trois Pièces pour Grand Orgue (1890) /Messe de Mariage. Cinq Pièces pour Orgue (1891) BA 8470 Volume IV: Organist at the Church 'La Madeleine' Douze Pièces nouvelles (1893) / Ascendit Deus (Offertoire pour la fête de L' Ascension) (1902) BA 8471 Volume V: His Last Organ Works Dix Pièces (nouvelles (1921) / Fantasietta avec Variations (1922) BA 9208 Volume VI: 42 Pièces pour Orgue sans Pedales ou Harmonium BA 9209/ Répertoire / Orgue
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Concerto In Em Op. 7 Violin/Piano (RIEDING OSKAR)
14.80
Concerto In Em Op. 7 Violin/Piano (RIEDING OSKAR)
Violon et Piano
[Partition]
Bosworth
1st to 7th Position. Par RIEDING OSKAR. Le violoniste Oskar Rieding a écrit que...
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1st to 7th Position. Par RIEDING OSKAR. Le violoniste Oskar Rieding a écrit quelques Concertos pour jeunes artistes, et ce sont donc inclus dans le cadre de cette série de ' Concertos facile et Concertinos '. Concerto en mi mineur (Op.7), écrit en 1922, est pour violon avec accompagnement au Piano. / Niveau : Elémentaire / Rép Classique / Répertoire / Violon et Piano
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Popcorn (KINGSLEY GERSHON)
133.10
Popcorn (KINGSLEY GERSHON)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Arr. Jiro Yoshida. Par KINGSLEY GERSHON. En 1969, le compositeur et musicien Ger...
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Arr. Jiro Yoshida. Par KINGSLEY GERSHON. En 1969, le compositeur et musicien Gershon Kingsley (1922) compose et enregistre une musique instrumentale qui allait devenir le premier véritable succès de la musique électronique. En 1972, le groupe Hot Butter enregistre une nouvelle version de Popcorn. Depuis, des centaines de reprises ont été réalisées dans le monde entier. Il existe des versions techno, jazz, ska, disco, rock, punk et, plus surprenant, une version pour Orchestre d’Harmonie… / Niveau : 4 / Répertoire / Concert Band ou Harmonie
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A Glorious Fanfare Op.38/3 (CESARINI FRANCO)
27.08
A Glorious Fanfare Op.38/3 (CESARINI FRANCO)
Fanfare
[Conducteur]
Edition Franco Cesarini
For Fanfare Band. Par CESARINI FRANCO. Franco Cesarini a composé A Glorious Fan...
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For Fanfare Band. Par CESARINI FRANCO. Franco Cesarini a composé A Glorious Fanfare à la demande de l?Association des Musiques de Zoug (Zuger Blasmusikverband) en Suisse, pour célébrer le centenaire de cette association (1922-2022). br>La composition est la dernière d\'une trilogie de pétillantes pièces d\'ouverture de concert (qui composent l\'opus 38), avec A Triumphant Fanfare et A Joyful Fanfare. Une majestueuse fanfare confiée aux trompettes introduit la pièce. Par la suite, une variante cantabile du même thème est présentée, qui mène à un final aux sonorités riches et impressionnantes. Une pièce d?ouverture idéale qui séduira votre public ! / Date parution : 2022-07-23/ Répertoire / Fanfare
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Monti: Czardas (Xylophone solo): Concert Band: Score
12.99
Monti: Czardas (Xylophone solo): Concert Band: Score
Orchestre d'harmonie
Gobelin Music Publications
Vittorio Monti was born on January 6 1868 in Naples (Italy). His musical educat...
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Vittorio Monti was born on January 6 1868 in Naples (Italy). His musical education (violin and composition) he enjoyed at the conservatory there. Around his 30's Monti went to Paris. He earned a living as a conductor and wrote several ballets and operettas. In his last years Monti died in 1922 he devoted himself to teaching and composing. His famous 'Czardas' has made his name known even today. Initially the czardas was a Hungarian folk dance but after the mid-nineteenth century it was even a dance for the upper-class. Czardas begins with a slow introduction the Lassan (slow and sad) and then the fast part Friska follows. Czardas is not as somany people think typical gypsy music.
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William Walton Hugh MacDonald: Two String Quartets: String Quartet: Study Score
23.75
William Walton Hugh MacDonald: Two String Quartets: String Quartet: Study Score
Quatuor à cordes: 2 violons, alto, violoncelle
Oxford University Press
A study score of Walton's String Quartet (1922) and String Quartet in A minor o...
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A study score of Walton's String Quartet (1922) and String Quartet in A minor off-printed from the William Walton Edition Chamber Music volume.
23.75 GBP - vendu par Musicroom GB
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Shackleton's Cross (Brass Band Score And Parts) (GOODALL HOWARD)
53.24
Shackleton's Cross (Brass Band Score And Parts) (GOODALL HOWARD)
Ensemble de cuivres
[Partition]
Faber Music Limited
Par GOODALL HOWARD. Shackelton's Cross was inspired by a painting created in 195...
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Par GOODALL HOWARD. Shackelton's Cross was inspired by a painting created in 1957 by the English artist Edward Seago (1910-1974). The title refers to a cross which was erected to the memory of Sir Ernest Shackleton, who led a number of explorations to the Antarctic. Shackleton died in 1922 whilst on a Polar expedition, and the cross can be found on a promontory at the entrance to the bay at Grytviken Whaling Station in South Georgia. The painting is owned by HRH The Duke of Edinburgh, and was part of an exhibition at Buckingham Palace from October 2011 to April 2012. Originally scored for oboe, trumpet and small orchestra, Daniel Hall's sensitive arrangement follows the composer's alternative version for solo trumpet and organ, created for Crispian Steele-Perkins (trumpet) and David Goode (organ). / Répertoire / Ensemble de Cuivres
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Muriel Talbot Hodge: Three Sketches: Piano Trio: Score and Parts
21.99
Muriel Talbot Hodge: Three Sketches: Piano Trio: Score and Parts
FLT/VLN/PFC::Flûte Traversière/Violon/Piano De Chambre
[Partition]
Chester
Three Sketches for Flute Violin and Piano were written circa 1936. They are sub...
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Three Sketches for Flute Violin and Piano were written circa 1936. They are subtitled In The Woods - The Lake At Sunset - The Merry-Go-Round. The collection is dedicated to Joseph Slater aBritish flautist who made regular performances and broadcasts from 1922 to 1951 including numerous radio performances while simultaneously serving in the Army during the Second World War.Muriel Talbot Hodge wasone of the most popular composers of English chamber music in the years between the two world wars the time often seen as the ?last hurrah? for the genre. Her music was praised at the time for its exquisite and intimate nature displaying an ?unusual charm and substance?.
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Carl Nielsen: Wind Quintet Op.43: Wind Ensemble: Parts
32.50
Carl Nielsen: Wind Quintet Op.43: Wind Ensemble: Parts
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
[Partition]
Wilhelm Hansen
Full set of parts for Carl Nielsen's Wind Quintet Op.43 (1922) for Flute Oboe ...
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Full set of parts for Carl Nielsen's Wind Quintet Op.43 (1922) for Flute Oboe Clarinet French Horn and BassoonScore available: WH30739
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DARIUS MILHAUD - SONATINE POUR FLÛTE ET PIANO
17.99
DARIUS MILHAUD - SONATINE POUR FLÛTE ET PIANO
Flûte traversière et Piano
Durand
À la fin de l'année 1922, Milhaud compte à son actif une dizaine d''uvres de ...
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À la fin de l'année 1922, Milhaud compte à son actif une dizaine d''uvres de chambre mais cette année-là est particulièrement productive. La Sonatine pour flûte et piano, op. 76, émerge au sein de ce bouillonnement fécond. Milhaud l'écrit à Aix-en-Provence et elle sera créée par les deux dédicataires, Louis Fleury et Jean Wiéner, au Théâtre des Champs-Élysées, le
18 janvier 1923, dans le cadre du Cinquième Concert Jean Wiéner. / Partitions variété - pop - rock / Variété internationale / Vents / DURAND
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Monti V. - Czardas - Double Bass And Piano
13.13
Monti V. - Czardas - Double Bass And Piano
Contrebasse, Piano (duo)
Recital Music
Arranger : David Heyes The Transcriptions Series series Recital Music publish ...
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Arranger : David Heyes The Transcriptions Series series Recital Music publish a wealth of original works for double bass alongside a popular, accessible and growing range of transcriptions for bassists of all ages and abilities. Most transcriptions published by Recital Music are by David Heyes, who has a successful and proven track record when arranging for double bass. Czardas for violin and piano is Monti's only famous work, believed to have been composed in the early years of the 20th-century, and has been composed for almost every instrument, every instrumental combination, and performed by every gipsy orchestra or ensemble. The slow rhapsodic introduction quickly leads into the main theme which is full of rhythmic fire and gipsy passion. A slow section, primarily in double stops, is then repeated in high harmonics before a brief return of the fast viruosic music which leads into a reprise of the Czardas material, but now in the tonic major. A fast and energetic finale brings the piece to a rousing and successful conclusion. This exciting new arrangement by David Heyes offers musical and technical challenges in equal measure and the edition includes accompaniments for both solo and orchestral tunings. An arrangement for double bass quartet is in preparation. Italian composer, conductor and violinist, Vittorio Monti was born in Naples on 6 January 1868 and died on 20 June 1922. He studied at the Conservatorio di San Pietro a Majella with F. Pinto (violin) and Paolo Serrao (composition) and moved to Paris in 1886 where he studied violin with Camillo Sivori, Paganini's most famous pupil. For many years Monti was a member of the Lamoureux Orchestra in Paris, also conducting the orchestra on occasions, and composed ballets, operettas and instrumental music during his years in the French capital.
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