Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la Renaissance Française.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - quatre volumes.Volume 1 (réf.5931) : Anonymes (1-2) - Guillaume GUERSON - Nicolas WOLLICKVolume - 2 (réf.5932) : Loys BOURGEOIS - Symphorien CHAMPIER - Maximilian GUILLIAUD - Jérôme HESDIN - Jacques LEFEVRE D'ETAPLES - Claude MARTIN - - Guillaume TELINVolume - 3 (réf.5933) : Anonyme (3 : Calvin ?) - EUCLIDE - Claude MARTIN - Michel de MENEHOU - Philibert JAMBE DE FER - PONTUS DE TYARD - Pierre VALLETTEVolume - 4 (réf.5934) : Anonyme (4-5-6) - Anthoine de BERTRAND (1-2-3) - Corneille BLOCKLAND de MONTFORT - Fabrice Marin - CAIETAIN - Guillaume COSTELEY - Pierre GREGOIRE - Cécile LE JEUNE - Claude LE JEUNE- Benedic MACE et Laurens DANDIN - PLUTARQUE - Pierre de RONSARD - Jean YSSANDONTable des matières : Volume 1 : Guerson Guillaume : Utillissime musicales regule - c.1500Anonyme : L'art de la science et praticque de plaine musique - c.1505-1512Wollick Nicolas : Enchiridion musices - - 1509Anonyme : Utilissimum gregoriane psalmodie enchiridion - c.1530Volume - 2 : Hesdin Jérôme : Règles communes de plain chant - c.1530Telin Guillaume : La louenge de Musique - 1533Champier Symphorien : De musica - 1537Bourgeois Loys : Le droict chemin de musique - 1550Martin Claude : Elementorum musices practicae pars prior - 1550Lefèvre d'Etaples Jacques : Musica libris quatuor demonstrata - 1551Guilliaud Maximilian : Rudiments de musique practique - 1554Volume - 3 : Tyard Pontus de : Solitaire second, ou prose de la musique - 1555Vallette Pierre : A tous fideles, desirans chanter - 1556Jambe de Fer Philibert : Epitome musical - 1556Martin Claude : Institution musicale - 1556Menehou Michel de : Nouvelle instruction familière - 1558Anonyme (attribué à J. Calvin) : Epistre à tous les chrestiens - c.1563Euclide : Le livre de la musique - 1566Volume - 4 : Costeley Guillaume : Musique (pièces liminaires) - 1570Anonyme : De horis canonicis et De musica (concile de Besançon) - 1571Plutarque : De la musique (traduit par J. Amyot) - 1572Ronsard Pierre de : Préface au Roy Charles IX - 1572Grégoire Pierre : De musica - 1576Bertrand Anthoine de : Au lecteur debonaire (preface au premier livre des amours) - 1578Bertrand Anthoine de : Advertissement au Lecteur (second livre des amours) - 1578Bertrand Anthoine de : Advertissement au Lecteur (troisiesme livre de chansons) - 1578Caïetain Fabrice Marin : Second livre d'airs (dédicace) - 1578 Macé Benedic et Dandin Laurens : Instruction pour apprendre à chanter - 1582Yssandon Jean : Traité de la musique pratique - 1582Anonyme : Traicte de musique - 1583Blockland de Montfort Corneille : Instruction méthodique - 1587Le Jeune Claude : Dodecacorde contenant douze pseaumes (dédicaces) - 1598Le Jeune Cécile et anonymes : Préface sur la musique mesurée et pièces liminaires du Printemps de Claude Le Jeune - 1603Anonyme (ms.) - : Regle Generalle, Et fort familière - Reigle des Douzes Modes - c.1598Téléchargez le catalogue Anne Fuzeau Classique / Méthodes Et Traîtés / 1248 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

The Glorious Bodies, by Olivier Messiaen is a composition that depicts his Roman Catholic faith. Written for organ in 1939, it is a mix between Indian music and Gregorian Plainsong. This third volume includes the final threepieces of the whole composition: 5. Force et agilité des Corps Glorieux, 6. Joie et clarté des Corps Glorieux and 7. Le Mystère de la Sainte-Trinité. This piece is divided into 7 sections: 1. Subtilité des Corps Glorieux 2. Leseaux de la Gr ce 3. L'ange aux parfums 4. Combat de Mort et de la Vie 5. Force et agilité des Corps Glorieux 6. Joie et clarté des Corps Glorieux 7. Le Mystère de la Sainte-Trinité. Olivier Messiaen (1908-1992) was a Frenchorganist and composer who was also passionate about ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing, and his work can be identified by itscomplexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the Bird Catalogue in 7 volumes and the Treatiseon Rhythm, Colour and Ornithology in 7 volumes. / Orgue / Leduc

Les Corps Glorieux by Olivier Messiaen is a composition that exhibits his Roman Catholic faith. Written for Organ in 1939 it is a mix between Indian music and Gregorian Plainsong. This first volume includes the first three pieces of the whole composition: 1. Subtilité des Corps Glorieux 2. Les eaux de la Grâce and 3. L'ange aux parfums. This piece is divided in 7 sections:  1. Subtilité des Corps Glorieux 2. Les eaux de la Grâce 3. L'ange aux parfums 4. Combat de Mort et de la Vie 5. Force et agilité des Corps Glorieux 6. Joie etclarté des Corps Glorieux 7. Le Mystère de la Sainte-Trinité Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on Rhythm Colour and Ornithology' in 7 volumes.

Les Corps Glorieux by Olivier Messiaen is a composition that depicts his Roman Catholic faith. Written for Organ in 1939 it is a mix between Indian music and Gregorian Plainsong. This third volume includes the final three pieces of the whole composition: 5. Force et agilité des Corps Glorieux 6. Joie et clarté des Corps Glorieux and 7. Le Mystère de la Sainte-Trinité. This piece is divided into 7 sections: 1. Subtilité des Corps Glorieux 2. Les eaux de la Grâce 3. L'ange aux parfums 4. Combat de Mort et de la Vie 5. Force et agilité desCorps Glorieux 6. Joie et clarté des Corps Glorieux 7. Le Mystère de la Sainte-Trinité Olivier Messiaen (1908-1992) was a French organist and composer who was also passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.

1.Prélude in E minor; 2.Fugue in E minor; 3.Marche religieuse; 4.Intermezzo; 5.Carillon; 6.Choral; 7.Elégie; 8 and 9.Deux Versets sur 'Adoro Te'; 10.Canzona in the Gregorian Mode; 11.Adagietto; 12.Paraphrase

As a singing teacher choir director and not least as a passionate professional choir singer Irina Rebhuna is perfectly familiar with the possibilities of the human voice. And so it is hardly surprising that the Latvian musician born in 1988 has devoted herself especially to the composition of vocal music. Her sacred choral work Libera me Domine for mixed a cappella choir (SSAATTBB) won the special prize for the 'best composition for 4-6 voices' at the International Composition Competition 'Musica Sacra Nova' 2016. This church music gem in which the eponymous Gregorian chorale is intonated by one of the (two) bass baritone sections at the beginning over a musicaltapestry woven by the remaining voices - and taken up again by all tenors at the end is ideal for ambitious amateur choirs.The idea behind this work says the composer is 'the human reflection on the uncertain on death on Judgment Day or on what is inexplicable to us. Such as humility excitement fear and atonement. The chant ends without ending there is no solution. Life goes on because we ask the following question again and again: What will happen next''

Par . Beginning pianists of all ages will cherish this excellent compilation of classics. Each piece was carefully selected and simplified to help students develop their skills. Many of the greatest composers ? J. S. Bach, Beethoven, Brahms, Mendelssohn, Mozart, Rimsky-Korsakov, Rachmaninoff, Tchaikovsky, and others ? are represented by several pieces each, some newly adapted for the piano. Composers and works not usually featured in beginner\'s books include pieces by Borodin, Gluck, Rameau, and Tallis. Well-known classics include Bach\'s Brandenburg Concerto No. 3, Debussy\'s Claire de Lune, Moussorgsky\'s Pictures at an Exhibition, Satie\'s Gymnopedie No. 1, Schumann\'s Child Falling Asleep, and \'Spring\' from Vivaldi\'s Four Seasons. Several orchestral pieces have been newly adapted for the piano, including \'Dance of the Swan\' from Swan Lake, \'Elephant\' from Carnival of the Animals, \'Largo\' from Xerxes, and \'Waltz of the Flowers\' from The Nutcracker. / Date parution : 2022-11-12/ Recueil / Piano

Le désir de paix a rencontré des gens dès le début, au-delà de toutes limites dans l'environnement politique et religieux. Sun a ce 'thème de base' comprend également un espace important pour les compositeurs de toutes les époques, en latin, 'Da pacem Domine', dans le transfert de l'allemand de Luther 'gracieusement de nous accorder la paix.'En ce qui concerne la propagation du chant choral est plus apparent dans la proximité de cette question de l'Eglise catholique et la Réforme.Connus ou moins connus choeur chorale assemblé ce livre, complété par de nouveaux travaux de commande, tout à la une sur 'la paix'.- La publication oecuménique- Un thème à travers les âges- Abordable pour choeur livre de messe, exposition et concert / Choeur