Three pieces in this volume are set on the new London College of Music Jazz Piano Syllabus. This is a new book for pianists who like the jazz/gospel and contemporary styles. A great way to bridge the gap between the grades. Features 8 pieces in various styles including: Boogie Suzie - the clue is in the title - a lively boogie piece (grade 3/4) What a friend we have in Jesus - a contemporary gospel arrangement (grade 4/5) Just a moment - a contemporary piece with space for a short improvisation (grade 4/5) Waltz of the pearls - a short waltz (grade 3) Mondiglio march - a fun and lively contemporary piece (grade 3/4) Under the blossom tree - a contemporary yet melodic piece gentle and hypnotic. (grade 5/6).

I Will Rejoice!-There is an unrelenting confidence in this anthem which affirms the faithfulness of God in the life of the believer. This joyful declaration of hope is set to a vigorous musical concept with a rhythmic ground that sets the stage establishing a sturdy gait before the melody joins in. A contrasting chorale-like moment provides a respite from the energy of the opening before handing the anthem back to the forces of power and praise and the final Coda is truly spectacular!

If you’re a Disney fan this is your moment! This medley for brass band by James Christensen contains many of the great hits from the rich Disney repertoire: Alice in Wonderland Colonel Hathi’s March I Wanna Be Like You (Jungle Book) It’s A Small World Let’s Go Fly A Kate (Mary Poppins) Night on Bald Mountain Robin Hood The Sorcerer’s Apprentice Under the Sea and Zip-A-Dee-Doo-Dah.

Par SAINT-SAENS CAMILLE. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary./ Répertoire / Clarinette Basse et Piano

Recorded on his CD Lift Every Voice for Freedom Moses Hogan's hymn-like setting of this classic patriotic standard is powerful in its simplicity and will provide a rich reflective moment in many concerts. Originally composed by Al Jacob with words by Don Raye this traditional song has been beautifully arranged here for SATB with Piano accompaniment by Moses Hogan.

for Concert Band-Italian Wedding Song is a lyrical very romantic song in G minor reminiscent in some ways of the music of Puccini and Verdi. Like Barnes' Yorkshire Ballad it is a brief solemn work perfect for teaching students to play in an emotional legato style. If you have a good Euphonium player this work is a must; it is an excellent choice for a moment of touching repose on your next concert. Italian Wedding Song is carefully scored and cross-cued and the ranges are very reasonable for all instruments.

for Concert Band-Italian Wedding Song is a lyrical very romantic song in G minor reminiscent in some ways of the music of Puccini and Verdi. Like Barnes' Yorkshire Ballad it is a brief solemn work perfect for teaching students to play in an emotional legato style. If you have a good Euphonium player this work is a must; it is an excellent choice for a moment of touching repose on your next concert. Italian Wedding Song is carefully scored and cross-cued and the ranges are very reasonable for all instruments.

A message of strength and hope is woven throughout this arrangement of three beautiful spirituals. Purifoy masterfully combines Sometimes I Feel Like a Motherless Child Steal Away and Deep River along with a sensitiveaccompaniment to create a special moment for any service. Performance Time: Approx. 4:45

Like a fine crystal ornament the delicate opening expresses the precious meaning of the song. Gradually the music grows in strength to a full and rich proclamation of joy. Thrilling chimes lift the spirit even higher. In the last bars the music melts away once again befitting the gentleness of the gift and the moment. This is a delightful contrast piece for the holiday concert that allows the musicians to be truly expressive.Meaningful!

Like a fine crystal ornament the delicate opening expresses the precious meaning of the song. Gradually the music grows in strength to a full and rich proclamation of joy. Thrilling chimes lift the spirit even higher. In the last bars the music melts away once again befitting the gentleness of the gift and the moment. This is a delightful contrast piece for the holiday concert that allows the musicians to be truly expressive.

Par KNOCKAERT PETER. Micantia is the Latin word for ?things that are twinkling/shimmering/shining/sparkling, ...?.. The inspiration for this piece is found in many sudden observations of beautiful sceneries like sunbeams shining through clouds, snow crystals in winter time or icy landscapes. In a way too hasty world, the piece is meant to slow down a little and give you a moment of reflection on how mesmerizing the world is around us. / Date parution : 2022-11-29/ Répertoire / Piano

Par KNOCKAERT PETER. Micantia is the Latin word for ?things that are twinkling/shimmering/shining/sparkling, ...?.. The inspiration for this piece is found in many sudden observations of beautiful sceneries like sunbeams shining through clouds, snow crystals in winter time or icy landscapes. In a way too hasty world, the piece is meant to slow down a little and give you a moment of reflection on how mesmerizing the world is around us. / Date parution : 2022-11-29/ Répertoire / Violoncelle et Piano

Energetic and electric this dynamic arrangement of the familiar spiritual ?This Little Light of Mine ? will become a favorite of singers and audiences alike. Tight harmonies and playful syncopation make this pieceso much fun it seems effortless. Altos will love their moment in the spotlight with instructions such as ?chesty and raucous ? and each vocal part gets its own time to shine. A great concert contest or festivalselection.