SKU: CL.026-4129-01
A delightful piece with a Spanish flavor that is sure to be a highlight of any concert performance and will allow very small bands and bands with severe instrumentation issues to sound just like the big guys. Will sound big and powerful as long as you have the four main parts covered. Includes optional tympani, percussion and piano parts which can enhance the sound even further. A real toe-tapper!
About Build-A-Band Series
The Build-A-Band Series provides educational and enjoyable music for bands with incomplete or unbalanced instrumentation. Written using just four or five parts (plus percussion), these effective arrangements will work with any combination of brass, woodwind, string and percussion instruments as long as you distribute the parts so that each of the five parts is covered. All of the publications in the Build-A-Band Series have been arranged to be playable with any instrumentation as long as each part is used: 1st Part, 2nd Part, 3rd Part, 4th Part, and Bass Part. (Please note: In some of these arrangements the 4th Part, and the Bass Part are the same, making it possible to play those arrangements with only 4 parts.)
SKU: CL.011-3721-01
The golden age of daredevil pilots comes to life in Len Orcino’s delightful Barnstormers March. This rousing march begins with a ratchet as the cranking of the propeller. The engine sputters to life and off the listener goes on his free ride into the air, as the music emulates the biplane and all its loops, dives, tricks and stunts. This open-air cockpit ride creates its thrills with musical devices. Parallel chromatic and diminished seventh chords will add new sounds to your bands vocabulary. You’ll label this one a real toe-tapper. It’s sure to become a pops concert standard.
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: CL.012-3930-01
Audiences around the world love to hear the marches of Karl L. King, and no concert would be complete without a rousing rendition of one of his well-crafted gems. Prestissimo contains all the musical excitement that we've come to expect from this march giant and, as a result, all the good memories and fun times we associate with the circus radiates through this classic march. Equally effective at a standard march tempo, or as an up-speed circus gallop! A real toe tapper!
About Heritage of the March
Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: AP.39608S
UPC: 038081454689. English.
A driving beat, infectious melody and finger snaps make this tune a real toe-tapper. This one will be an instant hit,and there is plenty of fun for all. Each section gets to play the melody ,and the percussionists will delight in providing a driving rock beat throughout (paper and scissors optional). (2:10) This title is available in MakeMusic Cloud.
SKU: CL.012-3481-75
This classic march is a patriotic toe-tapper from start to finish! Mature bands will enjoy tackling this challenging march, which features solid trumpet-and-drum passages, powerful low brass lines, and a dazzling woodwind obbligato. This is a real powerhouse march which is an excellent choice or any concert performance. Outstanding!
SKU: CL.012-3481-01
SKU: CL.991-2015-01
The Big Band Theory (Neeck); Night Mist (Neeck); Toe Tapper (P. Clark); Scarborough Fair (arr. P. Clark); Tomorrow is Always a Good Day (P. Clark); Go Tell It On The Mountain (P. Clark); Gotta Bounce (Larry Barton); Guitar City (Stanton); It's Really All About That Groove! (A. Clark); Every Time I Hear Your Name (Phillips); Goin' Viral (Neeck); The Spirit of St. Frederick (Lane); Aftershock (Barton); Carnival del Soul (Swearingen); Lean Mean Rockin' Machine (A. Clark).