Par . 20 super-fun bass songs in an easy-to-use format of bass guitar charts with a combo of tab, chord symbols, and lyrics for 20 kid-friendly popular hits: All Star (Smash Mouth) · Castle on the Hill (Ed Sheeran) · Counting Stars (OneRepublic) · Happy (Pharrell) · Just the Way You Are (Bruno Mars) · Roar (Katy Perry) · Shut Up and Dance (Walk the Moon) · Wake Me Up (Avicii) · and more. / Date parution : 2021-11-03/ Recueil / Guitare Basse

E-Z Play Today #24-It's super easy to read our patented E-Z Play notation with the note name in the note head and the songs in this collection are also easy to play as they include only 3 chords. Includes 45 songs: 'All About That Bass' 'Closer to Free' 'Evil Ways' 'For What It's Worth' 'Get Back' 'Hold My Hand' 'I Still Haven't Found What I'm Looking For' 'Kiss' 'Love Me Do' 'Mustang Sally' 'Old Time Rock & Roll' 'Route 66' 'Sweet Caroline' 'What I Got' and more.

This debut single propelled Meghan Trainor to the top of the charts. An upbeat dance groove backs a positive message for young women everywhere: ignore the critics and celebrate yourself! / Choeur SSA

The New Decade Series provides great synopses of the musical decades, including the most iconic songs from each era presented for Piano, Vocal and Guitar. Songs of the 2010s includes hits from Adele, Ed Sheeran, Taylor Swift and many more! 1. All About That Bass [Meghan Trainor] 2. All Of Me [John Legend] 3. Bad Guy [Billie Eilish] 4. Budapest [George Ezra] 5. Call Me Maybe [Carly Rae Jepsen] 6. Chandelier [Sia] 7. Cheap Thrills [Sia] 8. City Of Stars (from La La Land) 9. Cups (When I?m Gone) (from Pitch Perfect) 10. Despacito [Luis Fonsi] 11. Firework [Katy Perry] 12. Forget You [Cee Lo Green] 13. Gangnam Style [PSY] 14. Get Lucky [Daft Punk] 15. God?S Plan [Drake] / Piano voix guitare / Hal Leonard

Solo Arrangements of 15 Chart Breakers with Audio Accompaniment. Par . La célèbre collection De Haske Instrumental Play-Along s?enrichit d?un nouveau recueil intitulé Super Hits composé d?une sélection de 15 des plus grands succès internationaux des années 2010. La liste des interprètes se lit comme un Who?s Who des plus grands artistes de ces dernières années : de Taylor Swift à Billie Eilish en passant par Camila Cabello, et de Justin Timberlake à Lewis Capaldi ou encore Ed Sheeran, il y en a pour tous les goûts. Les fichiers audio sont disponibles en ligne sous deux formes différentes : une version comportant uniquement l?accompagnement et l?autre avec préenregistrement de la ligne mélodique pour s?entraîner. / Date parution : 2022-02-10/ Recueil / Flûte Traversière

Solo Arrangements of 15 Chart Breakers with Audio Accompaniment. Par . La célèbre collection De Haske Instrumental Play-Along s?enrichit d?un nouveau recueil intitulé Super Hits composé d?une sélection de 15 des plus grands succès internationaux des années 2010. La liste des interprètes se lit comme un Who?s Who des plus grands artistes de ces dernières années : de Taylor Swift à Billie Eilish en passant par Camila Cabello, et de Justin Timberlake à Lewis Capaldi ou encore Ed Sheeran, il y en a pour tous les goûts. Les fichiers audio sont disponibles en ligne sous deux formes différentes : une version comportant uniquement l?accompagnement et l?autre avec préenregistrement de la ligne mélodique pour s?entraîner. / Date parution : 2022-02-10/ Recueil / Clarinette

Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

Buzzard Banjo - Clawhammer Style. Provides the intermediate clawhammer (5-string) banjo player with a fresh repertoire of 21 traditional and 5 original tunes as played by the author with the Boiled Buzzards Old Time String Band. The book briefly addresses clawhammer basics with a few pages of exercises and scales before presenting the tunes. The banjo tunings in this book are: double C tuning (gCGCD), modified double C tuning (eCGCD), G tuning (GDGBD), A tuning (aEAC#E), D tuning (aDADE), and Double-D tuning drop 5th (f#DADE). Written in banjo tablature only with suggested backup chords. Voted one of the top 10 clawhammer banjo players by "Banjo Newsletter" readers, Levenson advises the reader that the tablature in this book is to be used only as a guide and to "play the tune as you hear it, not slavishly as written". This approach allows the reader to play within his/her style and level of ability. Includes access to online audio.

The conclusion to this power-packed jazz method starts with a review of concepts from Intermediate Jazz Keyboard and quickly moves on to more-advanced concepts like chord voicings, modal soloing, substitution, reharmonization, modes of the minor scales, diminished and whole tone scales, walking bass, stride piano technique, non-diatonic progressions, and much more. The perfect launching pad for a lifetime of discovery and joy from playing music, Mastering Jazz Keyboard is essential to any keyboardist's journey into jazz. Companion MP3 audio demonstration tracks are included and can be streamed online or downloaded. / Clavier

Rock Volume 1-This DVD offers a new angle on music tuition and rehearsal! Four classic songs are arranged for a 4 piece band to perform live and resources to learn each track are provided for each of the 4 instruments; Vocalist Drummer LeadGuitarist and Bass Guitarist. Each instrument has its own section featuring 3 types of resource for each song. Watch it learn it and nail it!Instrument panel - This divides the screen up into visual areas. For the guitars fretting hand with fretboard (in reverse 'over head view') picking/plucking hand song key chord (dynamically changing through the song) animated tab status bar for locating your position. For the drummer 3camera views on screen; Birds eye Snare and Hi Hat and feet. For the Vocalist full screen of Vocalist dynamic lyrics display mini view of live performance and key. In this mode the musician can listen to and switchbetween 3 full length backing tracks; Full band including their instrument Full band minus their instrument or their instrument only. Musician interview - each musician has been interviewed about each song. In theseinterviews the musicians offer song specific tips and tricks as well as more generic tuition type information. Live performance emulation - Once you have learned the song well enough you can 'Play gig with the band'. Thisfires up a pop video style live performance of the song so you can play along but without any specific visual resources to help. Alternatively 'Play gig in the band' can be selected. This brings up the same video without yourinstrument on the backing track so you can relay nail that live performance.