A la demande de Laurent Lefèvre, dédicataire de l'oeuvre, ce concerto explore les innombrables richesses de timbre et d'expression du basson (diversité des attaques, sons multiphoniques?) sans jamais le brutaliser. C'est cette recherche d'une virtuosité lyrique qui m'a orienté vers la poétique japonaise et plus particulièrement vers le vocabulaire des Maîtres du Hai-kai. Le Saïjiki, almanach à l'usage des haïkistes, rassemble des Kigos, mots ou locutions qui font allusion à une saison et qui seront utilisés dans un haïku. / Basson Et Orchestre À Cordes

Par CLARKE JEREMIAH. Edited by John Harley CONTENTS Aire, T45C; An Aire, T451; An Ayre T452; Almand; The Bonny Gray Ey'd Morn, T363; Chacone, T420; Cibelle, T453; A New Cebell, T462; Come Sweet Lass, T336; A Farewell, T454; King James's Farewell, T457; Gavott, T455; Hornpipe, T456; The Country Mans Jigg, T342; Mdm. Subligny's Jigg, T458; A March, T433; The Prince of Denmark's March, T435; Prince Eugene's March, T436; The Emperour of Germany's March, T431; The Duke of Glocester's March, T430; The Kings March, T432; Minuet, T459; Minuett, T460; Round O Minuett, T 492; Round O Minuett, T464; Round O; Scotch Aire, T465; A New Scotch Tune, T463; The Serenade, T437; A Trip to Berry, T466; ATrip to Case-horten, T467; A Trumpet Minnuett, T439; Trumpet Tune, T438; Scotch Trumpet Tune, T434; Untitled, T408. 5/ Répertoire / Piano

100 Favorite Songs of American Workers complete with Music and Historical Notes-This collection includes 100 songs from the history of the labor movement together with the stories of the genuine situations from which they sprang. Includes songs by Joe Hill Ralph Chaplin Joe Glazer Merle Travis Woody Guthrie the Almanac Singers and others from around the globe. 'Union Maid ' 'Joe Hill ' 'We Shall Not Be Moved ' and many more.Reprint of Songs of Work and Freedom 1960 edition.

The legend of Seolmundae Halmang, creator of Jeju. Par DE HAAN JACOB. Cette oeuvre est en partie fondée sur une chanson folklorique d’une île proche de la Corée du Sud. La composition débute avec un motif lent et dramatique dans un style solennel. Puis la mélodie se fait entendre et se développe en un passage puissant et émouvant. Présenté par les percussions soutenues d’une note pédale interprétée par les instruments graves, le rythme de la chanson s’intensifie pour aboutir à une apothéose qui donne naissance à un nouveau thème mélodique. Une oeuvre éclatante, à la palette sonore magnifiquement développée. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie

A la demande de Laurent Lefèvre, dédicataire de l'oeuvre, ce concerto explore les innombrables richesses de timbre et d'expression du basson (diversité des attaques, sons multiphoniques) sans jamais le brutaliser. C'est cette recherche d'une virtuosité lyrique qui m'a orienté vers la poétique japonaise et plus particulièrement vers le vocabulaire des Maîtres du Hai-kai. Le Saïjiki, almanach à l'usage des haïkistes, rassemble des Kigos, mots ou locutions qui font allusion à une saison et qui seront utilisés dans un haïku. / Basson Et Orchestre À Cordes

for String Quintet Score and Parts. Par ADOLPHE BRUCE. Are There Not a Thousand Forms of Sorrow? for string quintet (2 violins, viola and 2 cellos) was commissioned to celebrate the 50th anniversary of the Chamber Music Society of Lincoln Center by a consortium of the followingchamber music organizations: The Chamber Music Society of Lincoln Center, Chamber Music Northwest, Salt Bay Chamberfest, Off the Hook Arts Festival. The title of this quintet is taken from Ethan Canin's novel A Doubter's Almanac:Are there not a thousand forms of sorrow? Is the sorrow of death the same as the sorrow of knowing the pain in a child's future?/ Répertoire / Quintette à Cordes

From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively called 'Fancies' originally written for piano in 1915.Gabriel Marie Grovlez (1879-1944) was born in Lille Northern France in 1879 and died in war-torn Paris in 1944. From among his teachers who include Gédalge and Lavignac Fauré must surely rank as his strongest influence and this is readily heard in his small but significant oeuvre of solo piano pieces as well as his music for stage and chamber ensembles. Interestingly most of the piano music was published over a period of around a dozen years (1907-1919) and in the lull between these works and his Impressions (two pieces) of 1934 Grovlez wascompositionally preoccupied with songs and chamber pieces many of which languish patiently on the shelf awaiting a wholehearted appraisal. There is as well as his notable penchant for elegance and poetical lyricism a considerable wit to enjoy too (take Les nes The Donkeys from L'Almanach aux images for example) and indeed the fact that Grovlez's middle years were spent fulfilling the duties of assistant conductor and choir leader of the Opéra-Comique seems especially revealing of the man's musical personality and capacity for successfully intertwining serious and less serious genres.Grovlez was quite a cosmopolitan character; besides making a notable mark in his native country (he was latterly a professor of chamber music at the Paris Conservatoire) he travelled to the United States and Africa as well as across Europe. Although we tend to remember Grovlez today for his influence primarily as a composer in the mould of Fauré or Debussy bringing a quirky quality to some of his writing more than occasionally reminiscent of Poulenc it was as a conductor that Grovlez initially made an impact. Moreover we should not overlook the fact that he gave the inaugural performances of some highly treasured works by the likes of Ravel (Ma Mère l'Oye) and Fauré (Dolly Suite) a piano duet which has earned an especially important

Piano-Original quality repertoire for the absolute beginner. Includes 40 very easy original keyboard miniatures the majority of them in five-finger positions. Contents: 'Dudelsack' (Unknown) 'Old German Dance' (Praetorius) 'Curtain Raiser' (Turk) 'Carefree' (Turk) 'Roundelay' (Von der Hofe) 'Echo Dance' (Philip Hainhofer) 'Allemand' (Praetorius) 'Gavotte' (Handel) 'Minuet' (Reinagle) 'Scherzino' (Reinagle) 'Etude Melodique' (Martin) 'Bagatelle' (Diabelli) 'Minuetto' (Hook) 'Duettino' (Attwood) 'Song in Parallel Motion' (Kohler) 'Two Little Inventions' (Jan Jakub Ryba) 'Quadrille' (Haydn) 'Little Suite' (Wohlfahrt) 'Two Little Canons' (Spindler) 'TheWayside Rose' (Kohl) 'Bear Dance' (Schumann) 'Contredanse' (Wohlfahrt) 'Pass in Review' (Gurlitt) 'Evening Song' (Chovan) 'Morning Call' (Chovan) 'Hungarian Play Tune' (Bartalus) 'Canzonetta' (Horvath) 'Russian Dance' (Goedicke) 'Black Key Frolic' (Gnessina) 'Promenade' (Gnessina) 'Ukrainian Folk Tune' (Kabalevsky) 'Little Polka' (Kabalevsky) 'Cradle Song' (Kabalevsky) 'Spring Song' (Bartok) 'Dialogue' (Bartok) 'Fanfare' (Agay) 'Galloping Home' (Kalmanoff).

For Soprano, Concert, Tenor, And Baritone Uke. Par RICHTER AXEL. This book is for the intermediate and advanced level players. It displays all chords in six tunings for the different sizes of the ukulele. Of course, there are other books which show how to build chords, but when you are playing a new song, you need an 'almanac' for a quick look over all the possibilities to play a certain chord. That leads you into arranging a song and creating your very own style of playing. / Niveau : Intermédiaire à Avancé / All Styles - Methods / Méthode / Ukulélé Soprano

Par BLOW JOHN. Edited by Robert Klakowich The complete harpsichord music of John Blow is here made available for the first time, including eleven doubtful works and incipits of spurious ones. In this collection there are dances such as almands, corants, minuets, sarabands and jiggs, as well as extensive ground bass compositions that demonstrate the growth of a distinctive formal and technical idiom for the instrument. First Published 1998. Hardback/ Répertoire / Clavecin