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New Busker's Fakebook 1001 All-Time Hit Songs
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New Busker's Fakebook 1001 All-Time Hit Songs
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The second volume of a thousand and one all-time hit songs ranging from essentia...
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The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare
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Carl Rütti: De Virgine Maria: SATB: Vocal Score
3.99
Carl Rütti: De Virgine Maria: SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
Novello & Co Ltd.
The Vocal Score for Swiss composer Carl Rütti's De Virgine Maria is arranged he...
(+)
The Vocal Score for Swiss composer Carl Rütti's De Virgine Maria is arranged here for SATB divisi chorus and Organ accompaniment. This piece was commissioned by the College for 'A Festival of Nine Lessons and Carols 2014' and lasts around 3 and a half minutes. De Virgine Maria is dedicated to composer Stephen Cleobury and the Choir of King's College Cambridge. The works of?Carl Rütti has been an output of consistently beautiful choral works that are largely religious in theme. His compositions are well-known for introducing elements of jazz and blues into the English choral tradition that he traditionallyworks within. The lyrics for De Virgine Maria are in Latin. In the September 2015 issue of Organists' Review Michael Overbury writes that this work 'is most attractive for the listener celebratory fun and serious intensely joyful and lyrical.'
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Und Meine Seele Spannte · Katharsis · Und Das Licht Scheint In Der Finsternis
7.22
Und Meine Seele Spannte · Katharsis · Und Das Licht Scheint In Der Finsternis
Chorale SATB
SATB A Cappella
Schott
These three a cappella movements each originate from different largescale compos...
(+)
These three a cappella movements each originate from different largescale compositions, some for fairly substantial forces. In these works, when the focus is turned on the essence of a statement, I have (probably out of pure instinct) permitted all adjuncts - such as subtle orchestral accompaniment, opulent percussion, soloists, electronics etc. - to fall silent and tried to express myself through pure choral singing. There is a saying originating from the Judeo-Christian tradition of thought: 'The last shirt has no pockets.' Perhaps this can also be applied within the field of music when one is attempting to penetrate to the essentials. Harald Weiss / Choeur Mixte A Cappella
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Will Todd: Angel Song II: SATB: Vocal Score
2.25
Will Todd: Angel Song II: SATB: Vocal Score
Chorale SATB
SATB A Cappella
[Vocal Score]
Boosey and Hawkes
Vocalise-Will Todd born in 1970 is forging a strong reputation for himself as ...
(+)
Vocalise-Will Todd born in 1970 is forging a strong reputation for himself as a composer who is equally at ease in opera oratorio church music and jazz. His style is instantly accessible and lastingly memorable. He spent his formative years steeped in both jazz and the English choral tradition so in his choral music he is able to juxtapose strong rhythmic drive and rich harmonies with exquisitely lyrical vocal lines.'Angel Song II' is inspired by the idea of angels singing on Christmas night. The music weaves a gentle melody over the aleatoric textures of the accompanying voices. The text is designed to create the echo of the word 'Hosanna' butwith no consonants so that the music feels as if it comes from 'on high'.'
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Julian Marshall: The Holly And The Ivy: SATB: Vocal Score
3.25
Julian Marshall: The Holly And The Ivy: SATB: Vocal Score
Chorale SATB
SATB A Cappella
[Vocal Score]
Novello & Co Ltd.
The Holly And The Ivy is a work by Julian Marshall for Unaccompanied SATB Choir....
(+)
The Holly And The Ivy is a work by Julian Marshall for Unaccompanied SATB Choir. A setting of the traditional poem a performance lasts around 2 and a half minutes. 'Not an arrangement but a newly composed tune to familiar words this is fun. With its jazzy rhythms and blue notes choirs and audiences will enjoy this setting – but in order for it to sound effortless and natural much preparation will need to be given to the details not least the chromaticism starting in the first bar!' 'Sunday By Sunday' December 2017
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Keith Roberts: Infant Holy Infant Lowly: SATB: Vocal Score
3.25
Keith Roberts: Infant Holy Infant Lowly: SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
Novello & Co Ltd.
Infant Holy Infant Lowly is a work by composer Keith Roberts for SATB Choir and...
(+)
Infant Holy Infant Lowly is a work by composer Keith Roberts for SATB Choir and Organ. The piece sets a traditional Polish poem translated by Edith Reed and lasts around 3 minutes.A review in the September 2016 issue of Organist's Review states that the 'second stanza begins unaccompanied with rushing upward scales in the inner parts preparing for the triumphant climax where repetition of the words 'Christ the babe is born for you' bring the setting to a fortissimo conclusion.'
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Will Todd: The Christ Child: SATB: Vocal Score
2.75
Will Todd: The Christ Child: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Boosey and Hawkes
Will Todd born in 1970 is forging a strong reputation for himself as a compose...
(+)
Will Todd born in 1970 is forging a strong reputation for himself as a composer who is equally at ease in opera oratorio church music and jazz. His style is instantly accessible and lastingly memorable. He spent his formative years steeped in both jazz and the English choral tradition so in his choral music he is able to juxtapose strong rhythmic drive and rich harmonies with exquisitely lyrical vocal lines. 'The Christ-child' is an example of Todd's writing at its most beautiful. Setting words by G.K. Chesterton slow-moving piano chords underpin sublime four-part choral textures.
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Regards
38.50
Regards
En Français
Formation musicale - Solfège
[Partition]
Van de Velde
Collectif d'auteurs dirigé par Janine Delahaye : Olivier Deshayes, Frédéric D...
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Collectif d'auteurs dirigé par Janine Delahaye : Olivier Deshayes, Frédéric Ducros, Sophie Guillin, Danielle Lecoq et Anne-Marie Pialloux
Principalement destiné aux professeurs des classes de 3e, Regards est une somme d'exemples d'enseignement transversal au collège, dans le but de concilier les exigences de l'enseignement disciplinaire et les thématiques du programme d'histoire des arts.
Des professeurs d'arts plastiques, d'éducation musicale, d'histoire et de lettres ont croisé leurs regards autour de 12 objets d'études pour illustrer les 6 thématiques du programme d'histoire des arts au collège.
Arts - Créations - Culture
Arts - Espace - Temps
Arts - Etat - Pouvoir
Arts - Mythes - Religions
Arts - Techniques - Expressions
Arts - Ruptures - Continuités
Explorant un vaste champ artistique et dans un souci constant de rester en résonance avec les programmes disciplinaires, les auteurs interrogent aussi bien les oeuvres les plus connues que celles dont la notoriété est plus confidentielle.
Ce choix, non exhaustif, a pour ambition d'inviter les professeurs à une lecture plurielle des oeuvres d'art dont ils sont familiers comme à s'aventurer sur des terrains moins connus. Il s'agit d'offrir des outils pour mieux comprendre les convergences artistiques aux XXe-XXIe siècles, ainsi que les enjeux de la création artistique de cette époque.
Cet ouvrage intéressera également tout lecteur curieux qui souhaite réfléchir aux correspondances entre les arts. / Partition /
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Sussex Carol: SATB: Vocal Score
1.99
Sussex Carol: SATB: Vocal Score
Chorale SATB
SATB
[Vocal Score]
Hal Leonard
Traditional Sussex Carol-This unaccompanied arrangement is ideal for caroling an...
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Traditional Sussex Carol-This unaccompanied arrangement is ideal for caroling and other venues where no keyboard is available. It is in a 'part song' style with varying choral textures during verses and linking passages between. The last verse culminates in a fabulous full choir section with an uplifting ending.
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Seven Angels (MACMILLAN JAMES)
16.10
Seven Angels (MACMILLAN JAMES)
Chorale SATB
SATB, Piano
-
Avancé
Boosey and Hawkes
Par MACMILLAN JAMES. A setting of passages from the Book of Revelation, with par...
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Par MACMILLAN JAMES. A setting of passages from the Book of Revelation, with particular reference to the angels who appear with seven trumpet blasts, heralding a series of apocalyptic scenes. Commissioned by Jeffrey Skidmore, director of Ex Cathedra, and first performed by them at Birmingham Town Hall in 2015. The composer states, ?There is a vividness and strangeness in these dramatic texts, which are endlessly fascinating and disturbing. The instruments used here are based on the various instrumental types mentioned throughout scripture ? trumpets, harp, bells, cymbals, tabor, rebec.? These are scored for mostly in their modern forms, but shofars (Jewish ritual temple trumpets) and early trumpets are also used. The choral writing shows a similar contrast between traditional and contemporary scoring, with polyphony and homophony alongside extended vocal techniques, including Sprechstimme. Leading choral director Paul Spicer comments, ?This is an extremely dramatic work which draws the listener into the apocalyptic story line ? The ending is cataclysmic.? / Niveau : Difficile / Date parution : 2022-11-08/ Répertoire / Choeur SATB et Piano
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Nico Muhly: Second Service: SATB: Vocal Score
5.50
Nico Muhly: Second Service: SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
St Rose Music Publishing
Magnificat & Nunc Dimittis-Nico Muhly's Second Service (Magnificat & Nunc Dimitt...
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Magnificat & Nunc Dimittis-Nico Muhly's Second Service (Magnificat & Nunc Dimittis) sheet music arranged for SATB (Soprano/Alto/Tenor/Bass) Chorus and Organ accompaniment. This piece was originally commissioned by the Choir of Christ Church Christiana Hundred from Delaware USA and was first performed on 19th October 2014 by them. After its various premieres internationally the Second Service was met with resounding warm reviews praising its percussive qualities beautiful melodies and dynamic rhythms. The work is a pleasure to sing especially when beneficial acoustics complement the warmth of the vocalharmonies. Nico Muhly is a composer of many talents lending his skills to a number of diverse genres including Orchestra Choral and even Film Music. This work is arranged for SATB Chorus and Organ accompaniment and lasts around 14 minutes. With this composition Muhly has set the traditional Magnificat also known as the 'Song of Mary' joining the long list of composers who have set this work such as Mozart Tchaikovsky and Schubert. Next comes the Nunc Dimittis similarly a canticle found in the gospel of Luke. The Second Service (Magnificat & Nunc Dimittis) is presented here in an accurate transcription for SATB Chorus and Organ. Audiences will love this innovative and contemporary setting of such traditional words.
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E.J. Moeran: Collected Choral Music: SATB: Vocal Album
10.99
E.J. Moeran: Collected Choral Music: SATB: Vocal Album
Chorale SATB
SATB, Piano
[Partition]
-
Intermédiaire
Thames Publishing
Volume 1-Moeran was the last major representative of the group of English compos...
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Volume 1-Moeran was the last major representative of the group of English composers who in the first two decades of the 20th century sought musical inspiration in the melodic beauty of traditional folksong. All of Moeran's single choral pieces most of which have been long out of print or difficult to obtain have been collected together and printed in these five fabulous volumes. Volume One is a collection of choral pieces for Mixed Voices.
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Malcolm Williamson: The Boar's Head Carol: SATB: Vocal Score
3.25
Malcolm Williamson: The Boar's Head Carol: SATB: Vocal Score
Chorale SATB
SATB A Cappella
[Vocal Score]
Novello & Co Ltd.
POD-The Boar's Head Carol is a work by Malcolm Williamson for Unaccompanied SAT...
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POD-The Boar's Head Carol is a work by Malcolm Williamson for Unaccompanied SATB Choir. A setting of a traditional carol a full performance lasts around 3 minutes.
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John Joubert: Here We Come A-Wassailing: SATB: Vocal Score
2.25
John Joubert: Here We Come A-Wassailing: SATB: Vocal Score
Chorale SATB
SATB A Cappella
[Vocal Score]
Novello & Co Ltd.
Here We Come A-Wassailing is a work by John Joubert for Unaccompanied SATB Choi...
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Here We Come A-Wassailing is a work by John Joubert for Unaccompanied SATB Choir. A setting of a traditional Yorkshire Wassail a full performance lasts around 3 minutes.
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Kenneth Leighton: Wassail All Over The Town: SATB: Vocal Score
3.99
Kenneth Leighton: Wassail All Over The Town: SATB: Vocal Score
Chorale SATB
SATB A Cappella
[Vocal Score]
Novello & Co Ltd.
POD-Wassail All Over The Town is a work for Unaccompanied SATB Choir by Kenneth...
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POD-Wassail All Over The Town is a work for Unaccompanied SATB Choir by Kenneth Leighton. A setting of a traditional Gloucestershire Wassail a full performance lasts around 3 minutes.
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Peter Dickinson: Christmas Is Coming: SATB: Vocal Score
3.25
Peter Dickinson: Christmas Is Coming: SATB: Vocal Score
Chorale SATB
SATB A Cappella
[Vocal Score]
Novello & Co Ltd.
Christmas Is Coming is a work by Peter Dickinson for Unaccompanied SATB Choir. ...
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Christmas Is Coming is a work by Peter Dickinson for Unaccompanied SATB Choir. A setting of a traditional song a full performance lasts around 3 minutes.
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Paul Mealor: Celtic Heart: SATB: Vocal Score
3.99
Paul Mealor: Celtic Heart: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
Celtic Heart is a work by Paul Mealor for SATB Choir and Piano. Composed for Ja...
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Celtic Heart is a work by Paul Mealor for SATB Choir and Piano. Composed for James D. Moyer and the Pennsbury High School Choirs the work sets text by Robert Burns Thomas Moore as well as a traditional Welsh lullaby. A full performance of this Vocal Score lasts around 7 minutes.
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Joseph M. Martin Brad Nix: A Quiet Invitation: SATB: Vocal Score
11.25
Joseph M. Martin Brad Nix: A Quiet Invitation: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Shawnee Press
Uses: Christmas Christmas Eve Scripture: Luke 2:1-20 John 1:4 This intimate po...
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Uses: Christmas Christmas Eve Scripture: Luke 2:1-20 John 1:4 This intimate portrait of the Holy Family in the moments after the birth of Jesus has a delicate innocence that touches the deepest places of the heart. An endearing melody floats like a simple folk song capturing the spirit of this manger scene. The appearance of the traditional carol Venite Adoremus offers a moment of sincere worship. In silence deep as snowfall Mary rests at last. Joseph holds her close with tender grace. Kneeling at the manger their hearts begin to sing lost in wonder love and praise.
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Maurice Duruflé: Ubi Caritas (N. 1 Op. 10): SATB: Vocal Score
2.75
Maurice Duruflé: Ubi Caritas (N. 1 Op. 10): SATB: Vocal Score
Chorale SATB
[Vocal Score]
Durand
From Quatre Motets Sur Des Themes Gregoriens-Duruflé grew up in Louviers in the...
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From Quatre Motets Sur Des Themes Gregoriens-Duruflé grew up in Louviers in the northern French region of Haute-Normandie (Upper Normandy) where as a boy he was a chorister and studied piano. At the age of 17 he moved to Paris to study organ with Charles Tournemire. A year later Duruflé wasadmitted to the Paris Conservatoire where he studied organ piano and composition and was awarded five first prizes in various subjects. Upon graduation Duruflé became musical assistant to Louis Vierne at Notre Dame but soon after this wasappointed organist at Saint Étienne-du-Mont in Paris where he would remain for the rest of his life. In 1943 he was appointed professor of harmony at the Conservatoire a position he maintained for 27 years. From 1926 until 1977 Duruflé published 14compositions including the Requiem Op. 9 (1947). Duruflé traveled extensively as a concert organist and was active as a recording artist. Later in life he and his second wife often performed as an organ duo. The composer suffered severe injuriesin an automobile accident in 1975 which left him nearly bed-ridden for the final decade of his life.Composed in 1960 Quatre Motets sur des thèmes grégoriens Op. 10 (Four Motets on Gregorian Themes) were dedicated to Auguste le Guennant director of the Gregorian Institute in Paris. Each of the four motets begins with an incipit of Gregorianchant which serves as melodic inspiration for the composition that follows. The four motets are (in order): ?Ubi caritas ? ?Tota pulchra es ? ?Tu es Petrus ? and ?Tantum ergo.? ?Ubi caritas? is an early Christian antiphon traditionally used in the Maundy Thursday service during the washing of the feet an act of Jesus from the Last Supper. The antiphon has become closely associated with the Eucharist and is sometimes alsoused at weddings. Duruflé sets only the first of the four stanzas of the text.
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Quartetto # 1 Op. 34 (1995)
108.44
Quartetto # 1 Op. 34 (1995)
Quatuor de Clarinettes: 4 clarinettes
[Conducteur et Parties séparées]
-
Intermédiaire
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Toccata, Adagio e Fuga per quartetto di clarinetti. Par CALLIGARIS SERGIO. Sergi...
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Toccata, Adagio e Fuga per quartetto di clarinetti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-17/ Répertoire / 4 Clarinettes
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Joseph M. Martin: Sanctuary: SATB
9.99
Joseph M. Martin: Sanctuary: SATB
Chorale SATB
Shawnee Press
A Cantata of Hope and Peace-This service in song is a contemplation of the hope ...
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A Cantata of Hope and Peace-This service in song is a contemplation of the hope we find in Christ. Incorporating new original anthems and fresh treatments of time-honored hymns and traditional sacred songs this work reflects upon the ministry and passion of Christs last days.The narration includes scriptures of assurance and words of comfort and peace. The music is written in an expressive melodic style bringing a gentle beauty that will touch all who experience it. Supported by two orchestration choices and otherhelpful companion products this 40 minute work is ideal for Lenten or Holy Week worship gatherings. Consider this musical journey of faith and discover a place of refuge in Gods unfailing love and His sanctuary of grace. Moving!
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Every Stone Shall Cry
3.27
Every Stone Shall Cry
Chorale SATB
SATB, Piano
Boosey and Hawkes
Will Todd, born in 1970, is forging a strong reputation for himself as a compose...
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Will Todd, born in 1970, is forging a strong reputation for himself as a composer who is equally at ease in opera, oratorio, church music and jazz. His style is instantly accessible and lastingly memorable. He spent his formative years steeped in both jazz and the English choral tradition so in his choral music he is able to juxtapose strong rhythmic drive and rich harmonies with exquisitely lyrical vocal lines.'Every Stone Shall Cry' sets words by Richard Wilbur and is very energetic. The jazzy block chords and added 9th harmony reflect the joy of the Christmas message. The syncopated choir rhythms also make the text bounce along. / Choeur Mixte (SATB) Et Piano
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Sonata Op. 39 (1997)
93.66
Sonata Op. 39 (1997)
Alto, Piano
-
Intermédiaire
Ricordi
Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Ros...
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Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Alto et Piano
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Sonata Op. 40 (CALLIGARIS SERGIO)
93.66
Sonata Op. 40 (CALLIGARIS SERGIO)
Violon et Piano
-
Intermédiaire
Ricordi
Per Violino E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in R...
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Per Violino E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Violon et Piano
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Alan Bullard: Wondrous Cross: SATB: Vocal Score
11.50
Alan Bullard: Wondrous Cross: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Oxford University Press
A meditation based on the traditional Seven Last Words of Christ-Wondrous Cross ...
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A meditation based on the traditional Seven Last Words of Christ-Wondrous Cross is a reflective work suitable for church or concert choirs at Passiontide. Bullard skilfully weaves the traditional Seven Last Words of Christ with linking biblical passages 3 well-known hymns and settings of 4 well-known sacred texts including 'Drop drop slow tears' and 'Ave verum corpus' (both of which may be sung as independent motets) to create a moving and at times dramatic work. The short solos are perfectly suited to members of the choir and strings (quartet quintet orensemble) may optionally join the organ or piano in the accompaniment. If performed liturgically the work may be interspersed with prayers and readings. The result is a flexible and striking work that re-presents this timeless story for a modern audience. String parts and full scores are available to hire or purchase from the Music Hire Library.
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Sing Out! 5 Pop Songs For Today's Choirs - Book 5: SAT: Vocal Score
16.99
Sing Out! 5 Pop Songs For Today's Choirs - Book 5: SAT: Vocal Score
Chorale 3 parties
SAT
[Partition + Accès audio]
Novello & Co Ltd.
Book 5 of the Sing Out! series features wonderful new choral arrangements of f...
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Book 5 of the Sing Out! series features wonderful new choral arrangements of five top pop tunes all arranged by renowned Vocal Coach and Choral Director extraordinaire Mark De-Lisser. Each song has been beautifully arranged for SAT chorus the unison harmonies totally reinvigorating these favourite pop songs. From the classic rock anthem of the 1980s in Toto's Africa to the modern pop heartbreaker All Of Me by John Legend these are great songs with even greater arrangements. The unabashed positivity of Nico & Vinz's Am I Wrong makes a fantastic counterpart to the optimism in the faceof pain represented by the arrangement of the traditional gospel song Take My Hand Precious Lord a tune used to wonderfully affecting effect in the recent film 'Selma'. Finally this fresh pop choral setlist is rounded off nicely with Ed Sheeran's Thinking Out Loud a beautiful love song in which the power and emotion of the words will enhance the performance. Arranged for SAT (Soprano/Alto/Tenor) Choir these songs are designed to be sung to backing tracks but Piano accompaniments and Guitar chord boxes are included for rehearsal purposes or if you wish to perform with a live band. Aside from De-Lisser's incredible arrangements this pack includes an innovative and user-friendly download card with performance backing tracks full demonstrations and individual rehearsal tracks of each Vocal part recorded by members of ACM Gospel Choir. Helpful hints for performing each piece are also included in this book giving you everything you need to learn these well-loved songs. Mark De-Lisser is a celebrated Vocal Coach and Choral Director who has been featured on BBC1's 'Last Choir Standing'. His extensive introduction and notes within this songbook bring a personal touch as De-Lisser really is passionate about getting people singing improvising and most of all enjoying themselves. The new
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Sonata Op. 40A (CALLIGARIS SERGIO)
83.80
Sonata Op. 40A (CALLIGARIS SERGIO)
Flûte traversière et Piano
[Conducteur et Parties séparées]
-
Intermédiaire
Ricordi
Per Flauto E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Ro...
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Per Flauto E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano
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I Got A Hog And A Pig: Mixed Choir a Cappella: Vocal Score
2.30
I Got A Hog And A Pig: Mixed Choir a Cappella: Vocal Score
Chorale SATB
SATB A Cappella
[Vocal Score]
Walton Music
Traditional Appalachian Song-A lively song that is quintessentially American th...
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Traditional Appalachian Song-A lively song that is quintessentially American the excellent vocal writing makes the arrangement both rowdy and well-constructed. Accessible to many choirs and a blast to learn and sing! From the Amanda Quist Choral Series.
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