Par WILLIAMS JOHN / HVEEM DAVID (Arr.). «Cantina Band (or «Mad About Me») was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called «jizz», Williams’ take on the more well-known genre «jazz». Williams was tasked by Star Wars-creator George Lucas to make music that sounded like «several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it» and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing. The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name 'jizz-wailers', and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well. The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine. In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

Let the rhythmic joy of these African folk songs invigorate your audience at your next concert. The young band will enjoy performing this excellent arrangement by James Curnow with foot-stomping and hand-clapping as well asaccessibly enjoyable instrumental parts. Good easy band arrangements of authentic African melodies are somewhat rare considering the immense wealth of styles of music that infuse the continent. This new piece is sure to becomestandard literature for young bands. Perfect for multicultural events.

This essential guide to GarageBand on iPad and iOS devices is your foundation for learning music production in the classroom. Written by Dr. Floyd Richmond, noted iPad music expert and the president of TI:ME (Technology Institute for Music Educators), Learning Music with GarageBand on the iPad provides instant insight and wisdom through Dr. Richmond's many years of experience. With this book, students will be able to create music on a higher level than ever before regardless of the depth of their previous musical training. Includes over 40 GarageBand song files. Recording * Record digital audio * Record MIDI and virtual instruments * Record wherever your iOS device goes Performing with Smart Instruments * Perform in numerous styles for each instrument (keys, guitar, bass, percussion) * Perform with authentic musical gestures (keyboard arpeggiator, string articulations) * Perform chords of your choosing Teaching and Learning * Create iPad ensembles * Perform solos with included accompaniments * Create loop-based compositions / Divers

Composed in 1925 by Spanish composer Jaime Texidor this attractive moderately paced march (paso doble) has a proven long-lasting appeal and musicality. Authentically adapted here by James Curnow this version for flexible instrumentation will soundgreat for virtually any occasion.

Bring American history to life on your concert band stage this year with Timothy Johnson?s delightful new Suite Of Colonial Dances. Authentic colonial period melodies are now available for your Grade 21/2 band. The three contrasting songs are masterfully interpreted in this enjoyable and accessible arrangement. ?Successful Campaign ? ?Congress Minuet ? and the delightful hoe-down style ?Miss Moore?s Rant? (including fun with stomping and clapping) all make this a memorable musical expression for your band.Dandy!

STAMPEDE!!! takes us back to an old American West of longhorn cattle-drives chuck wagons campfires and trail songs.Based on several authentic cowboy songs STAMPEDE!!! opens at dawn (birdcalls included) with the ?Cowboy?s Gettin? Up Holler?. Lively fiddle and harmonica motifs and an eloquent scoring of ?Good-bye Old Paint? are just part of this contribution to Grade 3 concert band literature by Mike Hannickel. ?The Chisholm Trail? (a true cowboy classic) figures importantly at the beginning and in a driving re-harmonization leads to the thrilling conclusion.

Throughout the years this classic standard has been covered by blues singers rock & rollers jazz artists and many more. Michael Bubl‚'s sultry and soulful styling renders a fresh and authentic setting. Expertly arranged by TomWallace the chart is complete with big band-style hits jabs & stabs!

Based on the distinctive and mesmerizing version recorded by Mannheim Steamroller this authentic adaptation by Robert Longfield could be the hit of your holiday concert. Beautifully scored with creative harmonies and band vocals.

Bohemian Rhapsody is undoubtedly one of the most important songs in the history of rock ???n??? roll. The song defied all convention in terms of form. It has no chorus. Instead it comprised of an introduction ballad Guitar solo operatic interlude hard rock section and coda. Perhaps the most mystifying aspect of the song is the lyrics which are commonly thought to be autobiographical although members of the band have never fully explained them. Bring the house down with Philip Sparke???s authentic arrangement!

Score and Parts-From the popular suite comes this authentic transcription by James Curnow. In preserving the integrity of Holst's orchestral score this new edition for band is a significant addition to today's literature.

From the classic WWII film from 1957 Bridge on the River Kwai here is Malcolm Arnold's famous march that incorporates Kenneth Alford's Colonel Bogey March along with Arnold's original counterline melody. The whistling part is optional but adds a unique and authentic touch.

Based on authentic musical material from Washington state's Yakima Indian Nation the composer has woven this lovely melody through a series of dark rich textures complemented by full percussion. Sure to please both students and audiences alike.

Composer Douglas D. Nott has written this dynamic piece as a tribute to the Yakima Indian Nation which he has known most of his life. Using authentic chant material this slow-fast work features plenty of rhythmic drive in both the percussion section as well as the wind parts. This easy Grade 2 piece uses only modest ranges in all instrumental parts.

One of the best-known Latin standards of all time! Johnnie has done a great job of adapting this popular song while maintaining an authentic Latin feel.