for bassoon, violoncello and piano or two violoncellos and piano. Par BELLA MATE. A special piece - a special story: In 2020, a renowned architect approached a composer to create a new piece of music for his daughter's wedding, which the happy father could give to the young couple as a wedding present. In earlier eras of private patronage, such a story would have been natural, but in the 21st century it is an odd story. The composition subtly alludes to the occasion: against the background of the piano, a duet of two instruments tells the story of a serene love (the piece can either be performed with a bassoon and a violoncello, or with two violoncellos). Máté Bella, who moves at home among different musical styles, shapes the song of lovers longing for each other in a way reminiscent of barcarolas sung by Venetian gondoliers. / Date parution : 2022-09-27/ Répertoire / Basson, Violoncelle et Piano ou 2 Violoncelles et

Media Type : Book Level : Beginning Musical Genre : All Styles Series : Basic Series Number of pages : 32 This superb study book or method supplement for any bass student contains 19 bass rhythm parts in a mixture of popular styles, including shuffles, reggae, rock, swing, standard walking bass, be-bop, newgrass, syncopated Latin lines, the jazz waltz, and country western. Performance notes are included with each tune explaining how to use position and fingering markings, when to shift position, how to count and play syncopated rhythm patterns, and more. Bass parts are in notation and tablature with fingerings and positions, and guitar lead and chord parts are shown. In addition, there are sections dealing with slap/pop and hammer-on techniques. Includes a handy base line manual and a chord arpeggio chart. The unique one-glance fingerboard chart shows musical notation exactly where it appears on the frets.

Ce DVD est destiné à vous initier durant près de 2 heures à la basse Jazz, sous tous ses aspects : le son (doigts MD/MG, réglages basse, ampli, pédales...), l'harmonie (lignes de basse, grilles, choix des notes, phrasé, anticipation...), le groove (tempo, le bi-ternaire...), la technique (exercices ternaires, rapidité, rigueur...), mais aussi le solo (improvisation, phrasé, clichés...). Tous les styles qui forment le Jazz sont ici représentés : Gospel, New Orleans, Dixieland, Blues, Swing, Be-bop, West Coast, Bossa Nova, Hard-bop, Free Jazz, New-bop... Toute l'évolution du Jazz y est ainsi traitée et analysée au travers d'exemples et morceaux de tous styles et tous niveaux. Durée : 110 mn / Guitare Basse

Par DUCKETT BULL / ROGERS. La série de ' Equipe ' est utilisable avec les deux individus ou un tuteur de groupe encourager les étudiants à essayer ensemble jouant dès les premières étapes. Tous les livres de la série sont entièrement intégrés permettant aux étudiants à l'aide de ' Equipe chaînes ' à jouer dans les ensembles avec les élèves à l'aide de ' Equipe bois ', ' Equipe percussions ', ' Equipe Recorder ' et ' Equipe Brass '. L'équipe chaînes 2 suit directement sur de la série originale de ' Equipe chaînes ' et de même est un cours flexible et adaptable, conçu pour les joueurs de contrebasse débutant. Le tuteur peut être adapté en fonction des besoins spécifiques de chaque étudiant. Chaque pièce est soigneusement classé pour assurer une progression logique à un rythme raisonnable et étudiants sont introduits à une grande variété de styles musicaux tout au long de l'ouvrage. ' Equipe 2 chaînes ' a été écrit spécialement à l'appui de presque n'importe quelle combinaison d'instruments à cordes que l'enseignant peut rencontrer. Cette deuxième série est encore améliorée par titres du monde du jazz et de blues et offre des possibilités de deve... / Pédagogie / Date parution : 2005-05-27/ Recueil / Contrebasse

Il s'agit d'un didacticiel incroyable de DVD par maître basse Doug Wimbish. Il est un très recherché de musicien qui a été à l'avant-garde de l'innovation basse depuis deux décennies, explorant une multitude de genres musicaux et en repoussant les limites de la guitare basse. Apprendre les rudiments de base qui composent son unique et le style de Doug. Tout, de son personnel faire chauffer le moteur et les variations droite à son célèbre Flamenco Slap et les fausses harmoniques. Vous apprendrez également comment construire des lignes de basse presque n'importe quel style de musique, et il se concentre sur le Jazz, Funk et Rock, hip hop. La leçon comprend également une section sur l'utilisation des effets et de rendre votre basse sonne comme les autres instruments comme la guitare, clavier, batterie et DJ même grattage des sons ! La série de la méthode de la maison de Rock relie la leçon sur le site avec l'adhésion au site inclus, et cela vous permet de télécharger de la musique et de recevoir des informations supplémentaires pour aider votre apprentissage. Cette leçon est adaptée aux intermédiaires aux joueurs avancés comme Doug intr... / Guitare Basse

Double Bass Scales and Arpèges Grades 6-8 contient toutes les gammes et arpèges requis pour les élèves de 6-8 ABRSM examens Double Bass.Comprend toutes les gammes et arpèges pour le programme révisé à partir de 2012, avec des motifs et a suggéré s'inclinant doigté, introduction utile, y compris des conseils sur la préparation à l'examen, le tout dans un format convivial et mise en page claire.NB: l'échelle révisée et lecture à vue des exigences entreront en vigueur pour tous les instruments cordes frottées de 1 Janvier 2012. Contrairement aux nouveaux morceaux mis en examen, il n'ya pas de période de chevauchement de la nouvelle échelle et de lecture à vue des exigences. La fin exigences actuelles, le 31 Décembre 2011. Les nouvelles exigences ne représentent toutefois un changement à long terme et au-delà des quatre années du programme. / Guitare Basse / Partition

Small Sacred Concertos II. Par SCHUTZ HEINRICH. The 'Kleine geistliche Konzerte' (Small Sacred Concertos), published in two parts in 1636 and1639, are among the best-known and well-loved compositions of Heinrich Schütz. Both parts constitute a collection of vocal pieces in a broad range of styles written for only a few voices with basso continuo. Most of the texts are in German, but some are also in Latin. The first volume presents a broad spectrum of vocal scoring, musical forms and texts: there are solo concertos in the Italian style, traditional four-part motets, well-known Psalm texts set to music, hymns as well as mystically contemplative meditative literature. The concertos' monodic qualities and high level of virtuosity - especially in the compositions with German text - made Schütz a household name shortly after the 'Kleine geistliche Konzerte' were published in print. As the works required no large ensembles, they could be performed for different occasions and in various locations: particularly during the Thirty Years' War they could be heard at court, in cities or in villages but also in schools or at home. Unlike the 1963 edition of the 'Kleine geistliche Konzerte' (BA 3664, BA 3665, BA 3666) as part of the New Schütz Edition, this new volume presents the works for the first time in their original form and order. A historic-critical evaluation of all relevant sources yields new information regarding the composer's intentions, the printing process and the works' reception. Furthermore, the edition includes a reconstruction of an earlier version that has not been published until now. This edition is geared towards musicologists, as well as professional musicians and amateurs with a keen interest in early music./ Répertoire / Chant et Basse Continue

François Rabbath was born into a musical family in Aleppo, Syria, in 1931. Self-taught, he discovered the Double Bass at the age of thirteen. After moving with his family to Beirut in 1946, he played in a quartet with his brothers in restaurants and hotels. At the age of twenty-two, with the encouragement of violinist Yehudi Menuhin and pianist José Iturbi, he developed an original approach to the art of Double Bass playing. In 1955 he settled in Paris and earned his living accompanying Charles Aznavour, Edith Piaf, Jacques Brel, Serge Gainsbourg, Barbara, Yves Montand, Guy Béart, Georges Moustaki and other well-known names of the French Chanson. His first LP, in 1962, earned him the Grand Prix du Disque award by the Académie Charles Cros. He has recorded several CDs and DVDs since then, with works including Bach's six Suites for solo Cello, played on the Double Bass. He also composes and performs music for films and television, and he now appears all over the world. During one of his concerts, at the Maison de la Radio in Paris in 1972, he met Jean Leduc, who offered to publish a method explaining his new techniques for holding the Double Bass and its bow and for use of the left hand. He teaches this technique in master classes. He also invented the 'crab technique' (so called because the hand movement resembles the sideways walking of a crab), whereby the hand can move up and down the string without ever fully shifting. François Rabbath is the founder of the international Rabbath institute Paris (IRIP), where Double Bass players from many countries come to study his new technique. He also loves graphic art,, and since giving an exhibition in Paris in 2010, he is also known for his drawings. / Contrebasse

Weihnachtskonzert. Par CHARPENTIER MARC-ANTOINE. The theme matter of this 'Canticum' is part of the biblical Christmas story: the news given by the angel of the birth of Jesus and the hurried journey of the shepherds to the manger to worship the newborn child. / Musique religieuse / Répertoire / Solistes SSA, Choeur SSA et Basse Continue

aus: Psalmi Vespertini. Par MAZZOCCHI VIRGILIO. During his tenure under Pope Urban VIII Virgilio Mazzocchi was among the most renowned musicians of Rome. He directed the Cappella Giulia in St. Peters Basilica for 17 years. He also organized the musical activities at the court of the Pope’s influential nephew, Francesco Barberini. The Psalmi Vespertini, Mazzocchi’s most important sacred work, were published two years after his death. This collection contains two complete vesper cycles for double choir with a basso continuo accompaniment. At the conclusion of the first vesper cycle, in the predominately festive setting of the Magnificat, Mazzocchi displays his artistry in the old and new styles by combining contrapuntal choralsections with concertante passages. The new Carus edition of this work presents a most significant and impressive document of Roman church music in the first half of the 17th century. / Mottet / Répertoire / Solistes et Choeur SATB/SATB et Basse Continue

Par RUSH. Learn to play 17 Rush classics by studying the note-for-note bass transcriptions of every note Geddy Lee played on 17 Rush classics. The transcriptions are presented in notes and tab and also include lyrics/ Recueil / Guitare Basse

Par MONTEVERDI CLAUDIO / GOMBERT NICOLAS. Monteverdi's Missa in illo tempore for six voices, together with the Vespers form a collection of church music which was printed in Venice in 1610 and dedicated to Pope Paul V. During the period of transition from the older [16th century] polyphonic style to the new concertante style Monteverdi displayed his compositional abilities in this collection using both means of expression. Whereas the Vespers contained, for their time, the most modern concerti, contemporaneously the Missa employed the already obsolete genre of parody mass based on themes from a motet by Nicolas Gombert; it was composed consciously in the stile antico. The vocal parts are accompanied by a basso continuotreated as a basso seguente. / Messe / Répertoire / Choeur SSATTB et Basse Continue