Magnificat for a Chorus of four mixed voices and Basso continuoPachelbel's choral works excel in the magnificence and festive splendour of their tonal effect but at no point do they depart from an easy singable style. Simplicity of harmonic texture and voice leading is a characteristic of Pachelbel's art generally but it asserts itself especially in these vocal compositions. They are in the best sense of the word 'Gebrauchmusik' that is functional music for the church service on Sundays and feast days for these choral works are always closely associated with the seasonal liturgical themes by means of themnatic employment of the appropriate chorale cantusfirmi.Score & Basso continuo (BA2877) available for sale

Motet-Nun danket alle Gott (Now thank we all our God)MotetPachelbel's choral works excel in the magnificence and festive splendour of their tonal effect but at no point do they depart from an easy singable style. Simplicity of harmonic texture and voice leading is a characteristic of Pachelbel's art generally but it asserts itself especially in these vocal compositions. They are in the best sense of the word 'Gebrauchmusik' that is functional music for the church service on Sundays and feast days for these choral works are always closely associated with the seasonal liturgical themes by means of themnatic employment of the appropriate chorale cantusfirmi.Score & Basso continuo (BA2873) available for sale

Chorale Cantata for mixed Chrous, two Violins, two Violas, Bassoon and Basso continuo. Par PACHELBEL JOHANN. / Répertoire / 4 Parties Mixtes, 2 Violons, 2 VioleSBasson et Bas

Chorale Cantata for mixed Chrous, two Violins, two Violas, Bassoon and Basso continuo. Par PACHELBEL JOHANN. / Répertoire / 4 Parties Mixtes, 2 Violons, 2 VioleSBasson et Bas

Chorale Cantata for mixed Chrous, two Violins, two Violas, Bassoon and Basso continuo. Par PACHELBEL JOHANN. / Répertoire / 4 Parties Mixtes, 2 Violons, 2 VioleSBasson et Bas

Chorale Cantata for mixed Chrous, two Violins, two Violas, Bassoon and Basso continuo. Par PACHELBEL JOHANN. / Répertoire / 4 Parties Mixtes, 2 Violons, 2 VioleSBasson et Bas

Par PACHELBEL JOHANN. Avec ce travail, Pachelbel, qui est né à Nuremberg, créé une des pièces orchestrales plus populaires de la période baroque. Dans le canon, deux des formes contrapuntiques plus strictes sont combinées : les parties de trois violon forment un vaste canon avec des entrées de la distance de deux bars. Pour cela, une basse de sol (ostinato de basso) a été ajoutée répéter sa formule deux barres ton 28 fois. La maîtrise technique de la pièce peut être ad-embourbée tout autant que son effet réside dans la puissance mélodique et sensuelle de ses tons de la chaîne. Les exigences techniques modestes sur les musiciens sont diamétralement opposées au niveau de la composition : ils ne vont pas au-delà de la troisième position./ Répertoire / 3 Violons et Basse Continue ou Orchestre à Cordes)

Easter Cantata. Par PACHELBEL JOHANN. Christ lag in Todesbanden (Christ lay in grim death's prison) Easter Cantata In recent years the demand for making available a larger number of choral works by Johann Pachelbel (1653-1706) has made itself felt more strongly than ever before. Within the past few years the search for unpublished manuscripts of choral compositions written by Johann Pachelbel has been taken up again and not in vain. Approximately twenty instrumentally accompanied arias and thirty elaborate choral works intended for services of worship have recently been found. These date from the days when Pachelbel was an active church musician in Erfurt and Nuremberg and include compositionsof various categories, e. g. motets, cantatas, magnificats, and masses. The excellency of Pachelbel's choral works may be attributed in large part to the magnificence and splendour of their tonal character. They are unusually vocal, choral, and singable. In the very best sense of the term they are what the Germans call 'Gebrauchsmusik', that is to say, they are functional music written for specific use in the church, service. They are not music written for its own sake. Full score, performance material (BA2875), choral score (BA2875-91) available for sale/ Répertoire / SATB, 4 Parties Mixtes, 2 Violons, 3 VioleSBasson

Musicalische Ergötzung bestehend in sechs verstimten Partien â 2 violin nebst den Basso ContinuoEdition : Nürnberg, J.C. Weigel, s.d. (=1695)Présentation de Frohmut Dangel-Hofmann : Vie et oeuvre de Johann Pachelbel - Rudolf Franz Erwein von Schönborn et sa collection musicale - Musicalische ErgötzungPublication en trois parties séparées : violon 1 en scordatura - violon 2 en scordatura - cembalo (b.c.) en tonalités réelles.Fac-similé de l'exemplaire unique conservé au château de Wiesentheid. Les deux violons sont écrits en 'scordatura', ce qui est fort rare. / 2 Violons Et Basse Continue / 68 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)Easter CantataIn recent years the demand for making available a larger number of choral works by Johann Pachelbel (1653-1706) has made itself felt more strongly than ever before. Within the past few years the search for unpublished manuscripts of choral compositions written by Johann Pachelbel has been taken up again and not in vain. Approximately twenty instrumentally accompanied arias and thirty elaborate choral works intended for services of worship have recently been found. These date from the days when Pachelbel was an active church musician in Erfurt and Nuremberg and include compositionsof various categories e.g. motets cantatas magnificats and masses.The excellency of Pachelbel's choral works may be attributed in large part to the magnificence and splendour of their tonal character. They are unusually vocal choral and singable. In the very best sense of the term they are what the Germans call 'Gebrauchsmusik' that is to say they are functional music written for specific use in the church service. They are not music written for its own sake.Full score performance material (BA2875) choral score (BA2875-91) available for sale

Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)Easter CantataIn recent years the demand for making available a larger number of choral works by Johann Pachelbel (1653-1706) has made itself felt more strongly than ever before. Within the past few years the search for unpublished manuscripts of choral compositions written by Johann Pachelbel has been taken up again and not in vain. Approximately twenty instrumentally accompanied arias and thirty elaborate choral works intended for services of worship have recently been found. These date from the days when Pachelbel was an active church musician in Erfurt and Nuremberg and include compositionsof various categories e.g. motets cantatas magnificats and masses.The excellency of Pachelbel's choral works may be attributed in large part to the magnificence and splendour of their tonal character. They are unusually vocal choral and singable. In the very best sense of the term they are what the Germans call 'Gebrauchsmusik' that is to say they are functional music written for specific use in the church service. They are not music written for its own sake.Full score performance material (BA2875) choral score (BA2875-91) available for sale