Kantate Zum Sonntag Exaudi. Par BACH JOHANN SEBASTIAN. Tonalité : a-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 183 / Date parution : 1991-11-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, 2

Kantate Zum Sonntag Exaudi. Par BACH JOHANN SEBASTIAN. Tonalité : a-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 183 / Date parution : 1984-01-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, 2

Kantate Zum Sonntag Exaudi. Par BACH JOHANN SEBASTIAN. Tonalité : a-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 183 / Date parution : 1991-09-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, 2

Kantate Zum Sonntag Exaudi. Par BACH JOHANN SEBASTIAN. Tonalité : a-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 183 / Date parution : 1991-11-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, 2

Kantate Zum Sonntag Exaudi. Par BACH JOHANN SEBASTIAN. Tonalité : a-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 183 / Date parution : 1991-09-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, 2

Kantate Zum Sonntag Exaudi. Par BACH JOHANN SEBASTIAN. Tonalité : a-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 183 / Date parution : 1991-11-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, 2

Kantate Zum Sonntag Exaudi. Par BACH JOHANN SEBASTIAN. Tonalité : a-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 183 / Date parution : 1984-12-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, 2

Nun danket alle Gott. Par BACH JOHANN SEBASTIAN. En 1725, Jean-Sébastien Bach compose la Cantate BWV 79 Gott, der Herr, ist Sonn’ und Schild. La En 1725, Jean-Sébastien Bach compose la Cantate BWV 79 Gott, der Herr, ist Sonn’ und Schild. La Cantate 79 est partiellement basée sur la célèbre hymne chrétienne Nun danket alle Gott. L’arrangement réalisé par Robert van Beringen intègre une partie du premier mouvement (Coro) et l’ensemble du troisième mouvement (Choral) de la cantate. Choral from Cantata N° 79 est une pièce instrumentale mais peut également être interprétée avec un choeur mixte. Les parties pour choeur (en allemand) sont disponibles séparément. / Niveau : 2.5 / Hymnes et chorals / Date parution : 1905-06-25/ Répertoire / Concert Band ou Harmonie

Reconstructed from BWV 1056. Par BACH JOHANN SEBASTIAN. This violin concerto in G minor has not come down to us in the form presented here. It has been reconstructed from a lost violin concerto that survives solely in Bach's arrangement for harpsichord, namely, as the Harpsichord Concerto in F minor (BWV 1056). The reconstruction is based on a meticulous evaluation of those autograph harpsichord concertos that also survive in an original version for violin. In particular, the autograph harpsichord parts contain changes that Bach made when preparing his arrangements, thereby revealing the manner in which he transcribed his solo violin works for the harpsichord. The keyboard realization is presented in a transparent way allowing players the possibility to embellish and fill in the harmonies at their discretion./ Répertoire / Violon et Piano

Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided./ Répertoire / 4 Flûtes Traversières

Comprised of works from Volumes 1, 2 and 3 of the Suzuki Violin School, which have been arranged for string quartet by violinist/arranger Joseph Knaus. With lower string parts providing melodic and rhythmic counterpoint to set off the simple melodies (which match the Suzuki Method® repertoire), these quartets are nevertheless simple enough for beginning level players ready for their first chamber music experience. String Quartets for Beginning Ensembles are sold in sets including full score and one part book per instrument. Volume 3 contents are: Gavotte (P. Martini) * Minuet, BWV Anh. II 114/Anh. III 183/Anh. II 115 (J.S. Bach) * Gavotte in G Minor, Gavotte en Rondeau from Suite in G Minor for Klavier, BWV 822 (J.S. Bach) * Humoresque, Op. 101, No. 7 for Piano (A. Dvorák) * Gavotte (J. Becker) * Gavotte from Orchestral Suite No. 3 from Overture in D Major, BWV 1068 (J.S. Bach) * BourrEe, BourrEes I and II from Suite III in C Major for Violoncello, BWV 1009 (J.S. Bach).