91 Sélections de littérature de clavier, des Concertos, des Oratorios et des opéras. La période Baroque (1600-1750) est représentée par 67 pièces pour piano et 24 transcriptions pour piano facile d'intermédiaires. Il y a 25 compositeurs dans la collection, y compris de J.S. Bach, Couperin, Haendel, Pachelbel, Purcell, Telemann et Vivaldi. La musique comprend les plus célèbres morceaux baroques : quatre saisons, chanoine de D, sélections de Messie, Air sur la chaîne G, mouton peut faire paître en toute sécurité. Très satisfaisant facile de pièces pour piano intermédiaires donnera aux musiciens années de plaisir. Imprimé sur du papier de qualité, de couleur ivoire, avec une liaison cousue de longue durée. 224 pages. / Piano

The Library Of Baroque Music is an enormously expansive collection of the greatest works produced during that prolific period that flourished between the Renaissance and Classical eras. All arranged for solo Piano, this volume features works drawn from all the major Baroque composers, including some of the greatest pieces of music ever composed. The progression and development of music during the Baroque period can be heard in these pieces, providing you not only with a window into musical history, but also many exciting additions to your repertoire. The retrospective 'Baroque' label was applied to a diverse range of European compositions-often combining a spirit of experimentation with elaborate new musical structures. Dominated primarily by the Harpsichord and Organ, this period also saw the rise and development of larger-scale forms such as the concerto and oratorio. This superb volume is comprised of Keyboard and ensemble works from all the major Baroque composers, arranged for Piano. Featuring Arne, Boyce, Buxtehude, Corelli, Couperin, Gibbons, Lully, Pachelbel, Purcell, Rameau and Vivaldi, the composers here include some of the most respected and revered figures in musical history. The Library Of Baroque Music spans compositions of many of these masters, ranging from Frescobaldi in the early 1600s to Pergolesi a century later, and the famous three - J.S. Bach, Handel and Domenico Scarlatti.Baroque music, so called for its ornateness, was characterised by a bold exploration of counterpoint and new harmonic possibilities. This was variously expressed through the work of perhaps fifty or so major European composers. By the time Baroque began to segue into a new Classical period around 1750 it had already irrevocably changed and expanded the possibilities of music. The works that precipitated this change are available to play in this single volume, perfect for pianists looking to expand their repertoire with both challenging and exciting music.In this thoroughly enjoyable Library Of Baroque Music, the triumphant progression of this period is illustrated in the best possible way - through the compositions themselves, forming the definitive Baroque collection for solo pianists. / Piano

Contrairement à la plupart des anthologies de musique au clavier Baroque qui contiennent des morceaux plus ou moins reconnus, cet excellent volume ne contient que les plus grandes oeuvres de cette période. Les pianistes de niveau intermédiaire et avancé pourront avoir une réflexion complète et satisfaisante sur le Baroque grâce à ces morceaux choisis avec soin. / Rép Classique / Recueil / Piano

Offering insightful interpretive suggestions, pertinent fingering and historical and stylistic commentary, the Schirmer Performance Editions series is designed for Piano students and teachers, as well as professional pianists.This volume contains 20 pieces by 12 composers, including C. P. E. Bach, Blow, F. Couperin, Daquin, Duncombe, Handel, Pachelbel, Petzold, A. Scarlatti, D. Scarlatti and Telemann.Complete with online access to recorded performances, this book provides the early intermediate level pianist with a newly-engraved collection of pieces from the Baroque Era, accompanied by historical notes and performance suggestions. / Piano

This popular volume has now been expanded to 31 pages. As well as easy dances by Bach and Händel, this selection includes pieces by French, Italian and English baroque masters. Pupils will experience an uncomplicated first acquaintance with the polyphonic structure of baroque music. The ornaments are written out in full, in each case keeping within the technical boundaries of this level of development.

Par BANCALARI ROBERT. A collection of 17th and 18th century music transcribed for solo mandolin with selections from Couperin, Handel, Baltzer, Biber, Reusner, Marais, Gallot, Rameau, Weiss, Torelli, Telemann, Pachelbel and Vivaldi - 25 in all. All pieces are in standard notation and TAB. A companion CD for listening is included for ten of the songs. / Niveau : Intermédiaire / Baroque - Solos / Tablatures / Mandoline Tablatures

Fourteen solos from the Baroque era by Telemann Vivaldi Scarlatti Bach and Handel. Arranged for organ by James D. Kimball.

This popular volume has now been expanded to 31 pages.
As well as easy dances by Bach and Händel, this selection includes pieces by French, Italian and English baroque masters. Pupils will experience an uncomplicated first acquaintance with the polyphonic structure of baroque music. The ornaments are written out in full, in each case keeping within the technical boundaries of this level of development / Partition /

The pieces in Baroque Real Repertoire have been selected to provide intermediate pianists (Grades 5-7) with enjoyable music for private study or for performance in concerts, festivals and examinations. There is a wide choice as the pieces vary in technical difficulty, length, tempo, key, character and mood. The fingering has been chosen with great care to produce good technical and musical results. The metronome marks, which are editorial, have been given as a guide but are not obligatory. The realisation of the ornaments is based on contemporary sources, frequently from the composer’s own instructions. Editorial suggestions for dynamics and phrasing are shown either in brackets or, in a few places to aid clarity, by dotted lines. The collection is not intended to be an urtext edition. As players progress they may wish to extend their knowledge of the music of this period by consulting urtext editions and making decisions for themselves. In this publication the editor has taken decisions with the intention of helping less experienced players to achieve a convincing performance in an authentic style. **Trinity selected piece (Piano 2012-2014): Solo for the Cembalo (CPE Bach) / Instrumental Music / Recueil / Piano

Goûtez aux joies de la musique baroque grâce à cette collection des plus belles pièces ayant traversée l'histoire. 14 arrangements pour piano (niveaux débutant et intermédiaire). Denes Agay a sélectionné parmi les plus grands compositeur du 17ème et 18ème siècles : Bach, Purcell, Scarlatti et bien d'autres. / Piano / Partition

Par COUPERIN FRANCOIS. What is hidden behind the seductively hypnotic repeating theme of Couperin?s Les Baricades Mistérieuses' The original allusion of the title is long forgotten, though tantalizing theories abound, but the piece has lost none of its evocative beauty. This new Urtext Edition from Edition Peters by eminent Couperin scholar Catherine Massip provides young pianists of advancing abilities, enthusiasts and professional pianists with a beautifully engraved and reliable scholarly text. In addition to the notation itself, this edition contains a preface in French, German and English and a critical commentary. ? New Urtext Edition of one of the most famous and appealing Baroque keyboard works ? Medium difficulty makes this suitable for advancing players ? Contains preface and critical commentary in French, German and English ? Edition by leading Couperin scholar Catherine Massip/ Répertoire / Piano

The complete Harpsichord work - Volume 2 by Louis Couperin is the second of a series of volumes with suites for Harpsichord. Composed in a Baroque style the whole series features 133 pieces for advanced players. Louis Couperin (1626-1661) was a French composer and performer who created many pieces for Organ and for Harpsichord who later became musician at the court. He invented the genre of Unmeasured Prelude for which he created a form of notation where the harpsichordist can choose how long each note lasts. François Couperin Louis’ nephew is also a very famous musician who played the Harpsichord.

Par ADES THOMAS. In Three Studies from Couperin, Thomas Adès empathetically reworks three pieces by the Baroque composer into music that is distinctively Adès without dismissing the source material. The basic structures of harmony and duration in ?Les Amusemens?, ?Les Tours de Passe-passe?, and ?L?Âme-en-Peine? remain unchanged, but the retouching of rhythm, texture and orchestral colours reveals an enthralling music that could be no other composer. The Three Studies has earned critical praise and popularity, having received over 200 public performances in more than 20 countries since its 2006 premiere. ?Three Studies from Couperin, looks at the music as if through a kaleidoscope, the shattered pieces of the original tumbling around like glinting fragments of coloured glass.? Financial Times / Date parution : 2022-06-14/ Répertoire / Orchestre de Chambre