Easy arrangements of 45 beautiful Praise and Worship songs including: As the Deer * Be Not Afraid * Emmanuel * Glorify Thy Name * Great Is the Lord * He Is Exalted * Holy Ground * Lamb of God * Majesty * Thou Art Worthy * We BowDown * You Are My Hiding Place * and more.

Par WEDGWOOD OLIVER. Junior Songscape: Children's Favourites is the perfect resource for infant and lower primary school singing, carefully selected and arranged by Lin Marsh. A timeless collection of 20 best-loved children's songs. Includes suggestions for adding movement, by experienced choreographer Wendy Cook. Ideal for bringing confidence and fun to classroom singing, with vocal ranged carefully considered for Key Stage 1 (Scottish P1-2) voices. Keyboard accompaniments are well within the grasp of Pianists of moderate ability. 2 CDs include complete performances of all the songs, plus backings ideal for rehearsals orperformance. Lyrics included on enhanced CD for easy printing/projection./ Recueil / Trompette

E-Z Play Today Volume 213-Forty songs representing the very best of Walt Disney. Includes 'A Dream Is A Wish Your Heart Makes' 'Candle On The Water' 'Let's Go Fly A Kite' 'A Spoonful Of Sugar' and 'Zip-A-Dee-Doo-Dah'.

Josu Elberdin-A sweet selection for children's choirs from Basque composer Josu Elberdin. Simple vocal writing in two parts and a supportive piano accompaniment. The text encourages the sea not to be afraid of the dark because “all the stars will cradle you.”

Cette collection comprend 100 chansons tant aimées Disney que même au niveau de début musiciens peuvent jouer! Avec des harmonies et des mélodies simplifiées, et tous les morceaux de la clé de C, le chansonnier est parfait pour les enfants. / Instruments En Do

String Quartet Version - Parts)-The composer writes: 'The backdrop for this commission was to complement music by the great Ludwig van Beethoven. Beethoven’s scores for string quartet are cornucopias of techniques and musicality. They were certainly not meant for pure entertainment. Ending up with Beethoven’s quartet Op. 59 No. 1 as a reference for this piece I even used elements from this quartet in my own composition. Beethoven’s position as a free artist has been of great importance to all following composers. This is of equal inspiration as his music. As a free artist one has to reflect upon our own time and not be afraid of allowing reality affect our work. When I was in the middle of writingthis piece something horrible happened in my neighbourhood. A bomb exploded in Oslo and a killer shot teenagers on an island summer camp. My nation’s reputation as a peaceful country to live in was drastically and forever changed. It was hard to compose. Papers and online media were soon filled with horrible pictures from the events. The lead-coloured skies being a recurring sight. The ambiguity in the title reflects both hope and dread. Beethoven’s light shines through strong and full of life! The piece was commissioned by the Engegård Quartet in 2011 and appears the recording String Quartets vol IV: Schubert-Ratkje-Britten-Haydn. A later piece was composed for string orchestra: 'Tale of Lead and Frozen Light' (2014)'. The composer writes: 'The backdrop for this commission was to complement music by the great Ludwig van Beethoven. Beethoven’s scores for string quartet are cornucopias of techniques and musicality. They were certainly not meant for pure entertainment. Ending up with Beethoven’s quartet Op. 59 No. 1 as a reference for this piece I even used elements from this quartet in my own composition. Beethoven’s position as a free artist has been of great importance to all following composers. This is of equal inspiration as his music. As a free artist one has to reflect upon our own time and not be afraid of allowing reality affect our work. When I was in the middle of writingthis piece something horrible happened in my neighbourhood. A bomb exploded in Oslo and a killer shot teenagers on an island summer camp. My nation’s reputation as a peaceful country to live in was drastically and forever changed. It was hard to compose. Papers and online media were soon filled with horrible pictures from the events. The lead-coloured skies being a recurring sight. The ambiguity in the title reflects both hope and dread. Beethoven’s light shines through strong and full of life! The piece was commissioned by the Engegård Quartet in 2011 and appears the recording String Quartets vol IV: Schubert-Ratkje-Britten-Haydn. A later piece was composed for string orchestra: 'Tale of Lead and Frozen Light' (2014)'.

Though he is mostly thought of as a singer of jazz and pop standards, Frank Sinatra was not afraid to branch out and try other styles. In 1967, he teamed up with Brazilian composer Antonio Carlos Jobim for the first of two collaborations that found Ol' Blue Eyes working within the bossa nova style, which Jobim helped pioneer a decade earlier. That first record, Francis Albert Sinatra and Antonio Carlos Jobim, earned the pair a Grammy nomination and critical praise. Sing ten songs from this very fruitful musical combination with this delightful karaoke release and hear a very different side of Frank! # Triste Frank Sinatra (2:37, Key: A) # This Happy Madness Frank Sinatra (2:43, Key: C) # Girl From Ipanema Frank Sinatra (2:57, Key: F) # Wave Frank Sinatra (3:16, Key: Eb) # Quiet Nights Of Quiet Stars Frank Sinatra (2:42, Key: C) # How Insensitive Frank Sinatra (3:17, Key: Cm) # Dindi Frank Sinatra (3:34, Key: C) # Meditation Frank Sinatra (2:50, Key: Bb) # Once I Loved Frank Sinatra (2:40, Key: C-Bbm) # One Note Samba Frank Sinatra (2:27, Key: G)

It's not just another day at the Tiny Bit of Heaven Motel in Bethlehem (actually a stable behind a small Inn), which is run completely by animals. Annie Lamb is a reporter for The Bethlehem Chronicle and snooping around for clues regarding Caesar's Census. However she---along with the others---is about to have a life-changing night. Major Moo runs a tip-top motel, accompanied by Miss Dovie (Front Desk Clerk), Ladybug Lacey (maid), and Cecil R. Caterpillar (bellhop). The Innkeeper is the only human that ever comes in among the animal visitors, but rumor has it he's bringing a human couple in to stay the night, and the animals are afraid they'll ruin everything! But they all eventually learn a certain 'Stranger on the straw' came to earth to change the world, and that even people and things we don't understand can sometimes be miracles in disguise. Recommended for grades K-6. Approximately 20 minutes. / Choeur

Easy Piano Pieces about Water with the Keyboard Crocodile-Learn 25 easy Piano pieces on the theme of water with the help of 'Splash' the beloved Keyboard crocodile. In this repertoire book by Karin Daxböck Splash has finally made it back to his original habitat. Obviously the friendly reptile only feels truly happy amidst original Piano literature and you'll be amazed to see how many gently flowing or wildly cascading pieces have been produced over the past two centuries. In Splash! Easy Piano Pieces About Water you'll find pieces by masters such as Czerny Schumann Gurlitt and Theodor Kirchner; some white-water pieces from William Gillock and Mike Schoenmehl; and with the LittleAtlantic Rhapsody an ocean breeze will sweep through every Piano lesson. Do not worry if you're afraid of water however since Splash is also ideal for non-swimmers. The pieces are generally a bit more demanding than those in the 'Horses' book (EB 8780) but this definitely need not dampen anyone's enthusiasm. With this book learning the Piano will go swimmingly.

Piano Solo-'3 Epigrams' (1963) came into existence following my piece for chamber orchestra 'Chronos' (1962). My purpose with these pieces (and others of the same period) was to explore the sound experiences of serialism in space and time but without using the original and fundamental substance of serialism - the tone row. The chromatic space was constituted by four identical and complementary tone columns (established by transposition). The time was divided into 25 different sizes plasticly conceived and graphically notated. These distances were then divided in 25 new distances in the same proportions etc ... into smaller and smaller durations completely hierarchally carried through.This time division 'rhythm' de-termines the gradual or sudden shifts from one tone column to another.The 3 Epigrams became a little play of my own with this material and the work is therefore quite clear to read and easy to play - a kind of bagatelle really.I am now afraid that a classic situation is emerging: If this programme note is any longer it will take more time to read this than it will take to play the three pieces.Pelle Gudmundsen-Holmgreen