11 Duos originales par Beethoven, Haydn, Mozart, Schubert, Weber, Clementi, Schumann and Kuhlau / Piano 4 Mains

Grande musique classique du monde. L'époque classique s'étend approximativement de 1770 dans les premières décennies du XIXe siècle. Cette collection comporte deux pièces écrites à l'origine pour piano, ainsi que les transcriptions pour piano. Pièces pour piano inclus sont de Bach, Beethoven, Cimarosa, Clementi, Diabelli, Haydn, Mozart et Turk. Transcriptions pour piano comprennent les mouvements des symphonies de Beethoven, Mozart et Haydn, parmi les autres musiques. Le volume comprend une courte biographie de chaque compositeur. Comme avec toute la série, le livre est sur papier de haute qualité, non éblouissants, avec une liaison cousue de longue durée. / Piano

Arrangeur: Andrea Campora. Par BEETHOVEN LUDWIG VAN. Beethoven’s sacred works include two settings of the Mass. The “Mass in C major”, completed and premiered in 1807, has been unjustly described as a preliminary step towards the great “Missa solemnis”. Yet it is a self-contained and, for its time, decidedly modern piece of church music. Drawing on the rich body of sources, Beethoven specialist Barry Cooper suggests practical solutions to the work’s musical and interpretative problems. His deep study of the sources convinced him to include a fully realized organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the sources, the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages. Rounding off this Urtext edition are a Foreword on the work’s genesis and a detailed Critical Commentary. - Score with realization of the organ part - Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) - Idiomatic piano reduction Features of the Barenreiter Urtext edition of Beethoven 's Mass In C Major : Score with realisation of the Organ part Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) Straight-forward Piano reduction Full score and performance material (BA9039) and Vocal score (BA9039-90) available for sale Amongst Beethoven ’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and, for its time, distinctly modernpiece of sacred music. Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the original sources, the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages. This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary. / Messe / Répertoire / Solistes, Choeur Mixte et Orchestre

Par BEETHOVEN LUDWIG VAN. After attending the premiere of Beethoven?s stately concerto for violin and orchestra Muzio Clementi approached the composer and requested the work in a transcription for piano and orchestra; his wish was fulfilled in 1807 providing us with not just an alternative version of the composition but also one with authentic cadenzas which Beethoven had not written for the Violin Concerto! This version has waited a long time to be properly edited after the existing sources and the famed Beethoven scholar Jonathan Del Mar has done just that! Working with all known sources, Del Mar finally presents us with Beethoven?s solo piano articulation and dynamics and Beethoven?s cadenzas. And, for the first time we now have clarity regarding the meaning of Beethoven?s Solo and Tutti markings. All in all, a groundbreaking scholarly critical edition; a ?must? for every pianist, every orchestra and every music library. The piano reduction will be presented in a new format: As customary in the 19 th century there will be a solo piano part containing tutti passages, cues and the piano solo. This part will be inserted ? as with string and wind concertos ? in the piano reduction. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano. The piano reduction will include the reduction of the orchestral score as well as the solo piano part above it in small print. / Date parution : 2022-02-25/ Répertoire / Piano

Par BEETHOVEN LUDWIG VAN. A number of questions regarding Beethoven’s most famous bagatelle, „Für Elise“, remain unanswered until today: What happened to the complete autograph and who was „Elise“? The bagatelle was written between 1808 and 1810. It was first published in 1867 by the Beethoven scholar Ludwig Nohl who still had access to Beethoven’s autograph. What has survived, however, is an extensive autograph draft that Beethoven substantially revised around 1822 for a planned but then unrealised collection of bagatelles and which differs significantly from the known printed version. The critical edition by the renowned Beethoven scholar Mario Aschauer comes to new conclusions. It offers, in addition to the version of the first printing from 1867, a transcription of Beethoven's draft that makes the changes to the 2nd version visible in grey print as well as a performable completion by the editor of that 2nd version. The work’s complicated genesis and source situation are explained in the Preface (Ger/Eng), and in the Critical Commentary (Eng) differing readings and editorial decisions are discussed. This definite edition with historically-informed fingering invites you on an exciting voyage to rediscover this popular piece!/ Répertoire / Piano

Par BEETHOVEN LUDWIG VAN. Owing to severe illness, Beethoven had to wait for over a year after completing op. 109 before beginning work on the second piece in his triptych of late sonatas: the Piano Sonata in A-flat major op. 110. The initial sketches date from summer 1821: the work was completed by the end of the year and appeared in print the following summer – in an edition so riddled with mistakes that Beethoven angrily complained to the publisher. For this new edition Jonathan Del Mar consulted all known sources and came across previously unknown information in the course of his research. The edition appears with a meticulously edited and elegantly engraved musical text incorporating the latest findingsof scholarship, supplemented by a detailed Critical Commentary and notes on performance practice in Beethoven’s day. Owing to severe illness, Beethoven had to wait for over a year after completing op. 109 before beginning work on the second piece in his triptych of late sonatas: the Piano Sonata in A-flat major op. 110. The initial sketches date from summer 1821: the work was completed by the end of the year and appeared in print the following summer – in an edition so riddled with mistakes that Beethoven angrily complained to the publisher. For this new edition Jonathan Del Mar consulted all known sources and came across previously unknown information in the course of his research. The edition appears with a meticulously edited and elegantly engraved musical text incorporating the latest findingsof scholarship, supplemented by a detailed Critical Commentary and notes on performance practice in Beethoven’s day. / Niveau : 6 / Répertoire / Piano

If the nickname 'Appassionata? was appropriate for one of Beethoven's Sonatas, it would be for his E-flat major Sonata op. 7 rather than his famous work in F minor op. 57. This was Carl Czerny's opinion who felt that op. 7 was written in a rather passionate state of mind. It was not only Beethoven's first 'Grande Sonate? but also his first work of this genre which he had published individually.The earliest sketches for Beethoven's Grande Sonate op. 7 date from 1796 and the first edition was issued in October 1797. This work is one of the longest and most demanding of Beethoven's piano sonatas. Its four movements cover a wide range of emotions - a challenge that may well have overtaxed the dedicatee, Beethoven's then 16 year old pupil Anna Luise Barbara (Babette) Countess Keglevicz.The worldwide renowned Beethoven specialist Jonathan Del Mar draws on all available sources for his scholarly-critical Urtext edition. The result of his thorough research is a reliable musical text accompanied by a detailed Critical Commentary. The elegant engraving with practical page turns and an optimal layout for this complex music meet the needs of performers. Indispensable information on performance-related issues (the use of the pedal, articulation, ornaments) adds to the value of this edition. / Piano

A l'origine, Beethoven a écrit Sonata op. 17 pour cor et piano . Cette composition a été conçu pour la célèbre corne virtuose Johann Wenzel Stich qui s'appelait Giovanni Punto . Punto a considérablement élargi les techniques de jeu sur le cor naturel . En conséquence , Beethoven adapté la partie solo complètement les compétences de jeu uniques de ce virtuose musicien . Punto a effectué les travaux à plusieurs reprises - d'autres cornistes , cependant, il est resté inaccessible à ce moment-là en raison de ses difficultés . C'est probablement la raison pour laquelle ce travail a été publié dans une version pour cor ou violoncelle un an après la première mondiale déjà . Il est réputé pour être à peu près certain que cette disposition revient à Beethoven lui-même . Carl Czerny déjà classé cette sonate entre sonates pour violoncelle originales de Beethoven et l'a classé chronologiquement sous le n o 3 . Comme l'édition 1801 de l' éditeur viennois Tranquillo Mollo , le Wiener Urtext édition publie la sonate pour cor ou violoncelle et piano. Considérant que la sonate de corne était très difficile à jouer au moment de la création, l'arrangement pour violoncelle , curieusement , est l'un des plus faciles entre les sonates pour violoncelle de Beethoven . Pour cette raison , la composition est de plus en plus populaire parmi les violoncellistes comme une approche accessible à l'oeuvre de Beethoven pour violoncelle et piano. Par conséquent , le travail est maintenant disponible dans la série de l'édition Wiener Urtext comme édition séparée ainsi . / Cor Ou Violoncelle Et Piano

C Major. Par BEETHOVEN LUDWIG VAN. In Beethoven’s Triple Concerto, a piano trio provides the soloists – a first in the history of music. Beethoven’s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra, but varies his treatment of the solo parts, allowing each instrument to play alone with the orchestra (particularly the cello), using two solo instruments together in ever new combinations, and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web – the orchestral, piano, violin and cello voices interplaying and entwining – and he produces a true masterpiece. Bärenreiter’s new Urtext edition of Beethoven’sTriple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newly-discovered sources, editor Jonathan Del Mar has cleaned up the text, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven’s day might have recognized, with all necessary information for directing the piece included in the solo piano part. Piano reduction with separate parts for all three soloists Draws on three new sources Correction of many errors found in previous editions/ Répertoire / Piano, Violon, Violoncelle et Orchestre

Piano Reduction. Par BEETHOVEN LUDWIG VAN. En Triple Concerto de Beethoven, un trio pour piano fournit les solistes - une première dans l'histoire de la musique. Le traitement de Beethoven, le trio est un pionnier: il n'applique pas un paramètre trio de piano classique à la différence de l'orchestre, mais il varie son traitement des parties solistes, permettant à chaque instrument de jouer seul avec l'orchestre (notamment le violoncelle), en utilisant deux solo instruments ensemble dans des combinaisons toujours nouvelles, et enfin réunir les trois instruments de l'orchestre. Beethoven tisse une toile complexe - l'orchestre, piano, violon et voix de violoncelle interplaying et enlaçant - et il a produit un véritable chef-d'oeuvre. Urtext nouvelle édition Bärenreiter du Triple Concerto de Beethoven est une toute nouvelle révision de ce joyau chaud et beau. Erreurs abondaient dans toutes les éditions précédentes, mais avec l'aide de trois sources nouvellement découverts, rédacteur en chef Jonathan Del Mar a nettoyé le texte, corriger les fausses notes et les rythmes et (pour la première fois depuis 1807) ont présenté le travail d'une manière qui a musicien de l'époque de Beethoven aurait reconnu, avec toutes les informations nécessaires pour orienter la pièce inclus dans la partie de piano solo. - Réduction de piano avec des pièces séparées pour les trois solistes - S'appuie sur trois nouvelles sources - Correction de plusieurs erreurs figurant dans les éditions précédentes/ Répertoire / Violon, Violoncelle et Piano

Par BEETHOVEN LUDWIG VAN. Following the critically acclaimed publication of the 35 Piano Sonatas in separate editions, Bärenreiter now presents Beethoven’s Complete Piano Sonatas in three volumes. This edition, which is unparalleled in terms of its philological accuracy, has been edited by world-renowned Beethoven expert Jonathan Del Mar guaranteeing a musical text at the forefront of musicological scholarship. Each volume is equipped with a table of contents including incipits of each sonata. Running titles with opus and movement numbers enable a quick identification of individual works and movements. Volume I includes a Foreword (Eng/Ger) which covers all salient editorial issues withregard to Beethoven’s notation and performance practice issues, supplemented by facsimile pages. An indispensable standard work at the cutting edge of Beethoven scholarship! - A definitive new critical performing edition at the cutting edge of Beethoven scholarship - Elegant, ready-friendly layout with practical page turns - Table of contents with incipits as well as running titles enable easy location of works / Date parution : 2019-09-06/ Répertoire / Piano

Par BEETHOVEN LUDWIG VAN. Alongside the Urtext edition of Beethoven's 35 piano sonatas which sets new standards for the 21st century, world-renowned Beethoven expert Jonathan Del Mar presents a Critical Commentary to this body of works. With diligence and factual accuracy, he documents readings and editorial decisions, discusses problematic sections and provides answers for questions that have occupied and divided scholars for decades, including Beethoven's notational idiosyncrasies and particular issues relating to performance practice. The Critical Commentary is more than a mere list of findings: It is a fascinating read offering valuable glimpses into Beethoven's compositional process. Thisscholarly contribution is unparalleled in its precision and indispensable for in-depth studies of Beethoven's piano sonatas. / Niveau : Avancé / Classique / Répertoire / Piano

Par BEETHOVEN LUDWIG VAN. Following the critically acclaimed publication of the 35 Piano Sonatas in separate editions, Bärenreiter now presents Beethoven’s Complete Piano Sonatas in three volumes. This edition, which is unparalleled in terms of its philological accuracy, has been edited by world-renowned Beethoven expert Jonathan Del Mar guaranteeing a musical text at the forefront of musicological scholarship. Each volume is equipped with a table of contents including incipits of each sonata. Running titles with opus and movement numbers enable a quick identification of individual works and movements. Volume I includes a Foreword (Eng/Ger) which covers all salient editorial issues withregard to Beethoven’s notation and performance practice issues, supplemented by facsimile pages. An indispensable standard work at the cutting edge of Beethoven scholarship! - A definitive new critical performing edition at the cutting edge of Beethoven scholarship - Elegant, ready-friendly layout with practical page turns - Table of contents with incipits as well as running titles enable easy location of works / Date parution : 2019-09-06/ Répertoire / Piano