The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. ' (Peter Anton Ling) OperAria is the ideal ?vocal coach? for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2019-09-06/ Recueil / Basse Lyrique-Dramatique

'Fidelio' Ludwig van Beethoven's only opera takes as its subject a theme close to the composer's heart: the defeat of tyranny through man's innate desire for liberty. The libretto was fashioned by Joseph Sonnleithner after Jean Bouilly's Leonore (1798) and revised by Leipzig-born playwright and poet Georg Friedrich Treitschke with Beethoven in 1814. It concerns Leonore's attempts to free her political-prisoner husband Florestan from the prison of the evil Pizarro by disguising herself as a man Fidelio and working in the prison. The music in 'Fidelio' is unassailably great and blazes with Beethoven's steadfast commitment to liberty and humanity.This is the Schirmeredition of the Vocal Score and contains an English translation by Theodore Baker and an essay by H.E. Krehbiel.

Par RUTTER JOHN. Opera Chorus est une collection de 35 choeurs d'opéra classique, savamment disposés comme oeuvres de concert séparés, le tout avec une excellente traduction anglaise et le chant des réductions clavier pratique. Le matériel d'accompagnement orchestral pour tous les titres de la collection est disponible à la location. Certains articles de ce volume sont disponibles séparément sous forme de brochures de la série Oxford Choral Classics Octavo. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassent la musique chorale, orchestrale et instrumentale, et il a édité ou co-édité plusieurs anthologies chorale dont quatre pour des volumes de Carols chorales avec Sir David Willcocks et l'Oxford Choral Classics série. De 1975 à 1979, il a été directeur de la musique au Clare College, et en 1981 il a formé son propre choeur, les Cambridge Singers. Il partage maintenant son temps entre la composition et la conduite et est recherché comme un chef d'orchestre invité pour le leader mondial des chorales et orchestres./ Recueil / Chant

Référence unique par son ISBN 73999258301 cette partition musique n'est autre que Operatic Anthology Arias From Operas Vol.1 Soprano qui a été composée pour Voix. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50325830. / Voix / 336 pages / Partition

Référence unique par son ISBN 73999258608 cette partition musique n'est autre que Operatic Anthology Arias From Operas Vol.4 Baritone qui a été composée pour Voix Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50325860. / Voix Et Piano / 288 pages / Partition

For his only opera Leonore/Fidelio Beethoven wrote four overtures in total. Chronologically the so-called Leonore Overture no. 3 is the second of the series and perhaps the most performed of all Beethoven's overtures. During his own lifetime it was heard not only in the theatre but also in concert thereby establishing with the Coriolan and Egmont overtures the new genre of the concert overture. Recognised around the middle of the nineteenth century as a masterpiece it went on to become the 'declared favourite of all orchestras ' as Beethoven biographer Anton Schindler testifies. It now appears as astudy score based on the musical text of the Beethoven Complete Edition with its own specially prepared foreword.

Beethoven, Ludwig vanLeonore Overture for Orchestra no. 3- The most popular of the ?Leonore? overtures- Based on the G. Henle Complete Edition of the ?Works of Ludwig van Beethoven?- Orchestral parts in an enlarged format (25.5 cm x 32.5 cm)Of the four overtures that Beethoven composed for his only opera, the ?Leonore Overture? No. 3 is the most popular. The first reviewer found fault with it for its ?incessant dissonances and overblown fluttering of the violins? (Wiener Theater-Zeitung, 1806), but it soon became famous as ?one of the most imposing, difficult, yet richest and strangest of compositions? (Allgemeine Musikalische Zeitung, 1810). This version of the ?Leonore Overture? quickly established itself independently of the stage in the concert hall and has found a lasting place in the symphonic repertoire.The editor has devoted herself to the complex genesis of the various ?Leonore Overture? versions, in particular the question whether the trumpet call in measures 272?277 and 294?299 should be played by one or two instruments. The edition is based on the Complete Edition of the ?Works of Ludwig van Beethoven? issued by the G. Henle publishing company. / Grand format / Barenreiter

The 'Eulenburg Audio+Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - 50 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - 50 CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio+Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Tout Instrument

An appetiser for our high-quality Urtext opera vocal scores - give it a try and enjoy! This collection of opera arias for soprano (or mezzo-soprano) and piano offers a cross-section of Bärenreiter's extensive catalogue of stage works. An affordable anthology with such well-known and favourite arias as Handel's famous 'Ombra mai fu? and Mozart's 'Ach ich fühl's, es ist verschwunden!? is not only suited for voice students and aspiring singers preparing for examinations and auditions, but also provides seasoned professionals with inspiration and material for programming their recitals. The collection spans a representative arch from the early baroque to the romantic era, gathering together repertoire masterpieces by Monteverdi, Handel, Gluck, Haydn, Mozart, Beethoven, Berlioz, Smetana and Chabrier. The pieces are in Italian, French, Czech and German and include, for the most part, a singable translation in German. The spectrum ranges from the declamatory style to easy coloratura. The piano arrangements have been prepared by experienced conductors and répétiteurs. / Soprano Et Piano

Mount of Olives?(also referred to by the full title ?Christ on the Mount of Olives?) Op. 85 is an oratorio by?Ludwig van Beethoven?portraying the emotional turmoil of Jesus in the garden of Gethsemane prior to his crucifixion. The libretto in German is by the poet Franz Xaver Huber. It was first performed on April 5 1803 at the Theater an der Wien in Vienna; in 1811 it was revised by?Beethoven?for publication by Breitkopf & Härtel.Mount of Olives?is a dramatic oratorio rather than a religious choral Mass or a dramatic opera and isconsidered a much more humanistic portrayal of the Christ passion than other settings such as those by Bach. It concludes at the point of Jesus personally accepting his fate placing the emphasis on his own decision rather than the later Crucifixion or Resurrection.?Novello edition for Voice. A complete performance lasts approximately 50 minutes.

Par BEETHOVEN LUDWIG VAN. Full score edition of Beethoven's only opera. Peters edition. / Opéra-opérette / Répertoire / Opéra Full Score