George Berg’s eight keyboard suites Op. 5 were published in London around 1760 while the composer was travelling in Italy. They are his most varied and resourceful compositions following generally in the tradition of Handel’s suites but adding stylistic elements culled from Italian German and French music in a playfully eclectic manner. This is sparkling idiomatic music suitable equally for private enjoyment and concert use but until now hardly known even to specialists in the keyboard repertoire.

Ken Berg has emerged among a new generation of choral composers with an amazing list of successful new works. This original for men's voices was composed for his own high school men's choir. With a fresh new text for both sacredand secular uses it begins quietly and then explodes into a great gospel groove. It offers opportunities to feature your best soloists and ends with reckless abandon that will bring down the house!

As a follow-up to Ken Berg's extremely successful Solfege Suite #1 here is Solfege Suite #2! Besides teaching solfege form and other musical elements they also stand as performance pieces. Each title describes the form employed and the character of the work.

Orchestra and concert promoters long for a public that is excited by music and curious about the modern repertoire. Today there are many ways to awaken this excitement. Musicians as well as music educators are forming new alliances to bring young people and adults into close contact with music.Listening Lab is a new series that offers practical and inspiring approaches for children, young people and adults. Music educators will find general tips for the creative design of programmes for music lovers as well as concrete suggestions that open up and allow for a deeper understanding of each work.The present volume considers the Violin Concerto by Alban Berg and aims to help facilitate these journeys. / Violon

As a follow-up to Ken Berg's extremely successful Solfege Suite #1 here is Solfege Suite #2! Besides teaching solfege form and other musical elements they also stand as performance pieces. Each title describes the form employed and the character of the work.

(from Solfege Suite)-Can learning Solfege really be fun? Is it possible to sing a song on Solfege in a concert? Ken Berg answered that question in a big way when years ago he wrote the first Galop for young voices. 100 000 copies later plus an SAB voicing it seemed only right to release a voicing for SATB. The song is a concert-pleaser for sure and the learning of Solfege is undeniable. Easy.

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Berg Alban et éditée par Henle cette partition est idéale pour les joueurs de Piano. Si l'instrumentation Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Piano / Chanson En Séparée

Konzertarie mit Orchester. Par BERG ALBAN. Universal Edition continues its new study score standard. These completely redesigned scores offer an unparalleled insight into the music of the last hundred years. Great care has been taken to select the best available content for this journey through music history, and every score has been edited according to the latest quality standards./ Répertoire / Soprano et Orchestre

Tonerne by Carl Leopold Sjöberg arranged for Voice and Piano by Josef Jonsson (1951).