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Get Lucky Blurred Lines And More Hot Singles
11.61
Get Lucky Blurred Lines And More Hot Singles
Piano seul
-
Débutant
Hal Leonard
Get Lucky, Blurred Lines and More Hot Singles contains five simple and easy-to-r...
(+)
Get Lucky, Blurred Lines and More Hot Singles contains five simple and easy-to-read arrangements for piano of some of today's most popular downloads.Lyrics, fingering, and chord symbols are included to help you make the most of each arrangement.This edition includes Blurred Lines, Brave, Cruise, Cups (When I'm Gone) and Get Lucky. / Piano
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Blur - Blur - Pvg
21.20
Blur - Blur - Pvg
Piano, Voix et Guitare
Faber Music Limited
'Blur', released in 1997, is Blur's biggest selling album to date, and with song...
(+)
'Blur', released in 1997, is Blur's biggest selling album to date, and with songs that broke Blur's own mould it's not hard to see why. This book contains the authentic 'note-for-note' transcription of 'Blur' for the guitar, pian and voive with notation, chords, diagrams, lyrics and a melody line.
21.20 EUR - vendu par Woodbrass
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Blur - Blur - Guitare Tab
24.20
Blur - Blur - Guitare Tab
Faber Music Limited
'Blur', released in 1997, is Blur's biggest selling album to date, and with song...
(+)
'Blur', released in 1997, is Blur's biggest selling album to date, and with songs that broke Blur's own mould it's not hard to see why. This book contains the authentic 'note-for-note' transcription of 'Blur' for the guitar with notation, tablature, chords, diagrams, lyrics and a melody line.
24.20 EUR - vendu par Woodbrass
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Blur vs oasis (GRANIER FREDERIC)
15.90
Blur vs oasis (GRANIER FREDERIC)
En Français
Livres
[Livre]
Castor Astral
Par GRANIER FREDERIC. Le match de la Britpop : Blur vs Oasis ! A gauche, Damon A...
(+)
Par GRANIER FREDERIC. Le match de la Britpop : Blur vs Oasis ! A gauche, Damon Albarn, leader de Blur. A droite,les frêres Gallagher, du groupe Oasis. Hasard ou pas du calendrier, ' Country House ' et ' Roll With it ' , leurs singles respectifs, sortent le même jour dans les bacs à le 14 août 1995. Qui sera numéro un des ventes ? Comme à la grande époque des Beatles et des Rolling Stones, la presse musicale et les médias grand public se passionnent pour cette rivalité qui n'est pas qu'une simple affairede rock'n'roll. La querelle d'égos est aussi une lutte sociales. Derriêre cette bataille des charts, c'est toute l'industrie musicale britannique qui reprend des couleurs aprês des années de marasme et de domination du grunge et du rock américain. Qu'ils le veuillent ou non, Blur et Oasis deviendront les ambassadeurs d'une mouvance que l'Histoire retiendra sous le nom de ' Britpop ' , marquée par des disques emblématiques, des déclarations fracassantes et des excês en tous genres, avant que l'année 1997 ne voie le rideau se baisser brutalement. / Broché / Livre / Livres
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Gtab (BLUR)
28.90
Gtab (BLUR)
Guitare notes et tablatures
[Partition]
EMI
Par BLUR. 'Flou ', sorti en 1997, est le plus grand album de vente du flou à ce...
(+)
Par BLUR. 'Flou ', sorti en 1997, est le plus grand album de vente du flou à ce jour, et avec des chansons que brisé Blur moisissure il n'est pas difficile de comprendre pourquoi. Cet ouvrage contient la transcription authentique de ' note-pour-note ' de ' Flou ' pour la guitare avec la notation, tablature, accords, diagrammes, paroles et une ligne de mélodie. / Rép International / Tablatures / Guitare Tablatures
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It's Easy To Play Blur
15.00
It's Easy To Play Blur
Piano, Voix et Guitare
[Partition]
-
Facile
Amsco Wise Publications
Twelve great songs recorded by Blur.
15.00 EUR - vendu par Note4Piano
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Blur - Think Tank - Guitare Tab
24.20
Blur - Think Tank - Guitare Tab
Faber Music Limited
Think Tank is Blur's seventh studio album and their first without former guitari...
(+)
Think Tank is Blur's seventh studio album and their first without former guitarist Graham Coxon. Arranged for guitarists with tablature and notation, with full lyrics and chord boxes.
24.20 EUR - vendu par Woodbrass
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The Big Guitar Chord Songbook : Best Bands Ever!
17.80
The Big Guitar Chord Songbook : Best Bands Ever!
Paroles et Accords
[Sheet music]
-
Intermédiaire
Amsco Wise Publications
A huge collection of over 100 classics by the greatest rock and pop talent in th...
(+)
A huge collection of over 100 classics by the greatest rock and pop talent in the world, ever! From The Byrds' pioneering folk-rock of Eight Miles High and The Kinks' wry Dedicated Follower Of Fashion through to Radiohead's anthemic Creep and the cheeky Girls And Boys by Blur...just a handful of the memorable and celebrated songs that are featured within. Every song has been arranged for Voice and Guitar, complete with the full lyrics and a comprehensive chord guide. / Paroles Et Accords (Avec Grilles D'Accords)
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Think Tank (BLUR)
25.50
Think Tank (BLUR)
Guitare notes et tablatures
[Partition]
I.M.P.
Par BLUR. Think Tank est le septième album studio du flou et leur première san...
(+)
Par BLUR. Think Tank est le septième album studio du flou et leur première sans ancien guitariste Graham Coxon. Arrangé pour guitaristes avec tablature et de notation, avec des paroles complètes et boîtes de corde. / Rép International / Tablatures / Guitare Tablatures
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Chart Hits Of 2013-2014 : Easy Guitar With Notes And Tab
15.35
Chart Hits Of 2013-2014 : Easy Guitar With Notes And Tab
Guitare notes et tablatures
[Partition]
-
Facile
Hal Leonard
Chart Hits Of 2013-2014 features 12 popular songs from the Billboard® charts, a...
(+)
Chart Hits Of 2013-2014 features 12 popular songs from the Billboard® charts, arranged for easy Guitar with notes, lyrics and TAB.This songbook includes the hits Blurred Lines, Cups (When I'm Gone), Get Lucky, Radioactive, Royals and more. / Guitare
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Hit Songs Easy Piano
19.20
Hit Songs Easy Piano
Piano Facile
[Partition]
-
Facile
Hal Leonard
Packed with chart-toppers and recent number ones from all over Europe, Hit Songs...
(+)
Packed with chart-toppers and recent number ones from all over Europe, Hit Songs includes 30 great songs that everyone wants to sing and play. From Adele to Pharrell Williams, Ed Sheeran to Justin Bieber, this collection presents music by the world's most successful artists arranged for Easy Piano. Includes: All About That Bass - All Of Me - Blank Space - Blurred Lines - Can't Feel My Face - Can't Stop The Feeling - Get Lucky - Happy - Hello - I Took A Pill In Ibiza - Let It Go - Love Yourself - Pillowtalk - Rather Be - Roar - Royals - Sing - Stay With Me - Stitches - Uptown Funk - Work - and more. / Piano
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Pharrell Williams Robin Thicke: Blurred Lines: Concert Band: Score & Parts
54.99
Pharrell Williams Robin Thicke: Blurred Lines: Concert Band: Score & Parts
Orchestre d'harmonie
[Conducteur et Parties séparées]
Hal Leonard
Ce n’est pas seulement le clip provocateur de cette chanson mais égaleme...
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Ce n’est pas seulement le clip provocateur de cette chanson mais également la voix des chanteurs Robin Thicke Pharell Williams et du rappeur T.I. qui font de Blurred Lines le tube de l’été 2012 dans plus de 65 pays. Au sommet desclassements depuis de nombreux mois la cél?bre mélodie R&B-Groove fera le succ?s de votre programme de concert. Divertissant !
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Pharrell Williams: Blurred Lines: Jazz Ensemble: Score
5.50
Pharrell Williams: Blurred Lines: Jazz Ensemble: Score
Ensemble Jazz
Hal Leonard
Blurred Lines
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Chart Hits Of 2013-2014
17.41
Chart Hits Of 2013-2014
Ukulele
-
Intermédiaire
Hal Leonard
15 of today's hottest hits are arranged here for one of the hottest instruments ...
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15 of today's hottest hits are arranged here for one of the hottest instruments on the market - the uke! Includes: Blurred Lines - Counting Stars - Cruise - Cups (When I'm Gone) - Get Lucky - Just Give Me a Reason - Let Her Go - Radioactive - Roar - Royals - Safe and Sound - Say Something - Wake Me Up! - When I Was Your Man - Wrecking Ball. Includes melody arrangements with chords. / Ukulélé
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Tanja Elisa Glinsner: Blurred Memory: Bassoon Ensemble: Parts
18.40
Tanja Elisa Glinsner: Blurred Memory: Bassoon Ensemble: Parts
Doblinger Verlag
Blurred Memory
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Pharrell Williams Robin Thicke: Blurred Lines: Concert Band: Score
5.50
Pharrell Williams Robin Thicke: Blurred Lines: Concert Band: Score
Orchestre d'harmonie
Hal Leonard
Ce n?est pas seulement le clip provocateur de cette chanson mais également la ...
(+)
Ce n?est pas seulement le clip provocateur de cette chanson mais également la voix des chanteurs Robin Thicke Pharell Williams et du rappeur T.I. qui font de Blurred Lines le tube de l?été 2012 dans plus de 65 pays. Au sommet des classements depuis de nombreux mois la célèbre mélodie R&B-Groove fera le succès de votre programme de concert. Divertissant !
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Cheryl Frances-Hoad: Blurry Bagatelle: Piano: Instrumental Work
5.99
Cheryl Frances-Hoad: Blurry Bagatelle: Piano: Instrumental Work
Piano seul
Chester
Blurry Bagatelle by Cheryl Frances-Hoad for solo Piano. This work was commission...
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Blurry Bagatelle by Cheryl Frances-Hoad for solo Piano. This work was commissioned to celebrate 35 years of the Presteigne Festival with funds from the Foyle Foundation.
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Essential Acoustic Playlist 2 - Chord Songbooks
15.80
Essential Acoustic Playlist 2 - Chord Songbooks
Faber Music Limited
The follow-up to the hugely successful Essential Acoustic Playlist, this compani...
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The follow-up to the hugely successful Essential Acoustic Playlist, this companion volume features another 70 classic tunes for the acoustic guitar.This book focuses on classic indie hits from the 80s, 90s and beyond. With names like Pulp, Manic Street Preachers, Supergrass, Radiohead, Blur and The Verve all represented, acoustic indie fans need look no further. The book also features a couple of tracks rarely seen in print, such as the classic 'Shine On' from The House Of Love and Jeff Buckley's beautiful version of 'Lilac Wine'.Each song is presented very simply, with lyrics and chord symbols, sothere's no need to be able to read music. As with all products on this site, the arrangements are guaranteed accurate and have been checked by an experienced editor. The chord shapes given are authentic and sound great on an acoustic guitar. The book features simple 'lyrics and chords' format; authentic and easy chord shapes given for every song; includes capo and tuning information where appropriate.Songlist: (I'm Gonna) Cry Myself Blind (Primal Scream); A Design For Life (Manic Street Preachers); A Little Like You (Grand Drive); A Man Needs To Be Told (The Charlatans); A Minha Meninha (The Bees); Ain't That Enough (Teenage Fanclub); All Together Now (The Farm); Alright (Supergrass); Am I Wrong (Mull Historical Society); American English (Idlewild); Average Man (Turin Brakes); Beetlebum (Blur); Buy It In Bottles (Richard Ashcroft); Can You Dig It? (The Mock Turtles); Caught By The River (Doves); Coffee And TV (Blur); Come Away With Me (Norah Jones); Come Back To What You Know (Embrace); Common People (Pulp); Crazy Beat (Blur); Creep (Radiohead); Distant Sun (Crowded House); Don't Let Me Down Gently (The Wonder Stuff); Don't Think You're The First (The Coral); Everlong (Foo Fighters); Fallen Angel (Elbow); Fastboy (The Bluetones); Forget About Tomorrow (Feeder); Getting Away With It (Electronic); Go To Sleep (Radiohead); Grace (Supergrass); Here's Where The Story Ends (The Sundays); High And Dry (Radiohead); History (The Verve); Hooligan (Embrace); I Need Direction (Teenage Fanclub); I Will (Radiohead); In A Room (Dodgy); It's True That We Love One Another (The White Stripes); Just When You're Thinkin' Things Over (The Charlatans); La Breeze (Simian); Lilac Wine (Jeff Buckley); Live In A Hiding Place (Idlewild); Long Distance (Turin Brakes); Lucky (Radiohead); No Surprises (Radiohead); Only Happy When It Rains (Garbage); Out Of Time (Blur); Painkiller (Turin Brakes); Pass It On (The Coral); Personal Jesus (Johnny Cash); Pineapple Head (Crowded House); Poor Misguided Fool (Starsailor); Road Rage (Catatonia); Seen The Light (Supergrass); Seven Nation Army (The White Stripes); Shine On (The House Of Love); Silence Is Easy ( Starsailor); Sk8er Boi (Avril Lavigne); Stay Away From Me( The Star Spangles); The Final Arrears (Mull Historical Society); There There (Radiohead); Thinking About Tomorrow (Beth Orton); This Is How It Feels (Inspiral Carpets); Wake Up Boo! (The Boo Radleys); Words (Doves); Yoshimi Battles The Pink Robots (The Flaming Lips); You're So Pretty, We're So Pretty (The Charlatans); You've Got Her In Your Pocket (The White Stripes)
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The New Big Acoustic Guitar Songbook: Guitar Chords and Lyrics: Mixed Songbook
13.99
The New Big Acoustic Guitar Songbook: Guitar Chords and Lyrics: Mixed Songbook
Paroles et Accords
-
Intermédiaire
Hal Leonard
The New Big Acoustic Guitar Songbook is a vast collection of 73 acoustic classic...
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The New Big Acoustic Guitar Songbook is a vast collection of 73 acoustic classics arranged for Guitar and Lyrics. This songbook includes hits from a mixed collection of some of the biggest stars of alltime including John Lennon Adele Blur Jake Bug and many more.Watch and listen to Beetlebum by Blur here:Sing and play all your favourite hits all arranged from the actual recordings. Complete with full lyrics Guitar names and Guitarchord boxes.
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BJORK - 34 SCORES FOR PIANO, ORGAN, HARPSICHORD and CELESTE
28.99
BJORK - 34 SCORES FOR PIANO, ORGAN, HARPSICHORD and CELESTE
Piano, Voix et Guitare
Hal Leonard
Björk Guðmundsdóttir is one of the key recording artists of the 21st century....
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Björk Guðmundsdóttir is one of the key recording artists of the 21st century. Moving effortlessly between disciplines and genres so fluidly it would shame David Bowie, Björk has tackled neo-classical, showtunes, house, pop, indie as well as acting (winning best actress at the Cannes Film Festival for her turn in Dancer In The Dark) and creating a visual template for her work that is staggeringly rich. Björk has used collaboration as a key part of her work and her work available in sheet music is perhaps her most radical example of this. In her own words ?I wanted to question how I felt about musical documentation, when CDs were slowly becoming obsolete, I was curious about the difference of midi (digital notation) and classical notation and enthusiastic in blurring the lines and at which occasions and how one would share music in these new times. What is the difference of karaoke and the lyrical recitals of the 19th century' Can one meet at bonfires and sing techno songs' (well icelanders do obvs) Maybe I should share digital notation that people could connect to their synths or do harpsichord versions of electronic beats to enjoy in the living rooms and hopefully families singalong to?.
All Is Full Of Love
The Anchor Song
Atom Dance
Aurora
Bachelorette
Black Lake
Cover Me
Declare Independence
Desired Constellation
The Dull Flame Of Desire
Gratitude
I've Seen It All
Immature
Isobel
Joga
Mother Heroic
My Juvenile
New World
Notget
Oceania
Pagan Poetry
Pleasure Is All Mine
Pneumonia
Stonemilker
Sun In My Mouth
Unravel
Venus As A Boy
Vertebrae by Vertebrae
Where Is The Line'
/ Partitions variété - pop - rock / Variété internationale / Piano voix guitare / HAL LEONARD
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Hilary Tann: Windhover: Saxophone: Vocal Score
11.95
Hilary Tann: Windhover: Saxophone: Vocal Score
[Vocal Score]
Oxford University Press
Windhover is based on the idea of flight from a falcon's point of view. Sections...
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Windhover is based on the idea of flight from a falcon's point of view. Sections of slow soaring where strength and detailed focus predominate alternate with swifter sections where the blurring rush of flight takes over.
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Brad Nix: A Day of Celebration: SATB: Vocal Score
11.25
Brad Nix: A Day of Celebration: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Shawnee Press
Uses: Call to Worship Easter General Scripture: Psalm 71:23 - Psalm 100:1-2 - ...
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Uses: Call to Worship Easter General Scripture: Psalm 71:23 - Psalm 100:1-2 - Ephesians 5:19 This jubilant service opener is two anthems in one with both a general and an alternate Easter text. Blurring the lines between contemporary and traditional the engaging mixed meter and syncopations of the main theme will drive this call to worship straight into the heart of the listener. The middle section offers contrast before the power of the opening sweeps in to deliver the piece to an exciting conclusion.
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Un-Fini I (ANDRE MARC)
37.80
Un-Fini I (ANDRE MARC)
Harfe (Tamtam et Grosse Caisse)
[Partition]
Carus Verlag
Par ANDRE MARC. Un-fini I is the first composition for harp in which a known wea...
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Par ANDRE MARC. Un-fini I is the first composition for harp in which a known weakness of the instrument—the blurring of sound in the low register—is transformed into a strength: through preparation of the instrument, complete clarity is achieved. The preparation makes the use of a unique micro-interval scale possible./ Répertoire / Harfe (Tamtam et Grosse Caisse)
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Barry Russell: Everything we do is Music: Classroom Resource
19.95
Barry Russell: Everything we do is Music: Classroom Resource
Peters
Explore the music ideas and ideals of John Cage composer of 4'33'' and one of ...
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Explore the music ideas and ideals of John Cage composer of 4'33'' and one of the twentieth century’s most original and inventive artists.Everything We Do Is Music contains more than 50 fun hands-on and thought-provoking activities each taking a work by John Cage as a starting point and exploring the links between music dance visual art poetry and nature. Most projects require no prior knowledge of reading music or playing an instrument and can be worked through with little preparation — each activity encouraging creative thinking and experimentation exploring the world around us and blurring the boundaries separating life and art.
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34 Scores
54.86
34 Scores
Björk Guðmundsdóttir is one of the key recording artists of the 21st century....
(+)
Björk Guðmundsdóttir is one of the key recording artists of the 21st century. Moving effortlessly between disciplines and genres so fluidly it would shame David Bowie, Björk has tackled neo-classical, showtunes, house, pop, indie as well as acting (winning best actress at the Cannes Film Festival for her turn in Dancer In The Dark) and creating a visual template for her work that is staggeringly rich.Björk has used collaboration as a key part of her work and her work available in sheet music is perhaps her most radical example of this. In her own words 'I wanted to question how I felt about musical documentation, when CDs were slowly becoming obsolete, I was curious about the difference of midi (digital notation) and classical notation and enthusiastic in blurring the lines and at which occasions and how one would share music in these new times. What is the difference of karaoke and the lyrical recitals of the 19th century? Can one meet at bonfires and sing techno songs? (well icelanders do obvs) Maybe I should share digital notation that people could connect to their synths or do harpsichord versions of electronic beats to enjoy in the living rooms and hopefully families singalong to?. / Clavier / Voix
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
21.10
Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violon et Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21Henryk Wien...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechli?ska Footnotes 1. See The Critical Commentary, p. ' and onward. 2. See V. Grigoriev, Henryk Wieniawski. ?ycie i twórczo??. [Life and Work] Warszawa - Pozna? 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes.Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w PoznaniuSeries: Henryk Wieniawski - Complete WorksCover: softbackNr ISMN: 979-0-2740-0753-9Number of pages: 34 8Format: N4 stoj. 235x305Language version of text: pol., Eng.
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