The world renowned performer and educator unlocks the secrets of brush playing. In this exceptional DVD Clayton Cameron brings to life the techniques and concepts presented in his award winning book/CD Brushworks. Clear descriptions and demonstrations of all the strokes and techniques are reinforced by showing how those techniques are used in live performance setting with the Clayton Cameron Trio. Contains:Clayton’s codification of brush playing techniques and brush stroke rudiments Special section with tap dancing legend Chester Williams Three unique solo performances by Clayton

Upon entering a painting was written in 2008/09 and it was commissioned with funding from the Britten-Pears Foundation and the RVW Trust by Piano 4 Hands (Joseph Tong and Waka Hasegawa) to whom it is dedicated. The inspiration of the piece was the kind of painting which as you gaze at it seems to draw the onlooker into the frame indeed into the very paint itself. The specific trigger for the idea of the piece was the Rothko Exhibition at Tate Modern in 2008 Rothko has long been a favourite painter of mine even though his creative world is very different from my own. However there were one or two paintings in the exhibition in which I felt strongly this sense of beingdrawn into the inner life of the painting especially when I was able to incur the wrath of the curators and step close to the paintings and examine the surface in detail. The opening and closing sections of the piece with their gradual thickening of the harmonies and (at the end) equally gradual thinning reflect this sense of stepping forward into and backward out of the works. The inner life of the faster sections while apparently very un-Rothko-like reflects the extraordinary teeming inner life of the brush-strokes.

A New Language for Mastering The Brushes-Carl Fischer Music has combined all elements of Clayton Cameron's Brushworks method into one package containing the entire contents of the Brushworks Book/CD (HMP010142) and the Brushworks DVD (DVD17) winner of the 2007 Modern Drummer Magazine Poll.Brushworks is the first publication to ever devise a system of notation for brushstrokes and brush effects within traditional percussion methods created by THE Brushman Clayton Cameron who has performed recorded and toured behind artists such as Frank Sinatra Sammy Davis Jr. Billy Joel Stevie Wonder and Christina Aguilera.Brushworks gives players of all levels theopportunity to form not only an aural connection to the materials in the book via the CD included but also to see every stroke and technique while bringing the concepts to life via the DVD included.

Books 1 and 2 with Video and Audio. Par WYLIE KENNAN / BISSONETTE GREGG. Designed for anyone just learning to play the drumset, this comprehensive and easy-to-use beginner's method is based on years of teaching drum students of all ages. The two books included in this complete edition both includes hour of audio tracks for demonstration and play-along, plus video lessons by drum master Gregg Bissonette! Lessons in Book 1 include: drum setup and fundamentals - tuning and maintenance - basic music reading - grips and strokes - coordination and basic techniques - basic beats for many styles of music - 8th notes, 16th notes, dotted notes and triplets - drum fills - and more. Lessons in Book 2 include: limb independence - half-time grooves - syncopation - funkgrooves - ghost notes - jazz drumming - chart reading - drum soloing - brush playing - and much more. Designed for anyone just learning to play the drumset, this comprehensive and easy-to-use beginner's method is based on years of teaching drum students of all ages. The two books included in this complete edition both includes hour of audio tracks for demonstration and play-along, plus video lessons by drum master Gregg Bissonette! Lessons in Book 1 include: drum setup and fundamentals - tuning and maintenance - basic music reading - grips and strokes - coordination and basic techniques - basic beats for many styles of music - 8th notes, 16th notes, dotted notes and triplets - drum fills - and more. Lessons in Book 2 include: limb independence - half-time grooves - syncopation - funk grooves - ghost notes - jazz drumming - chart reading - drum soloing - brush playing - and much more. / Méthode / Méthode / Batterie

Here are 365 fantastic warm-ups – one for every day of the year! Covers essentials such as: rudiments patterns weak hand builders triple strokes finger control odd-time and much more.Drummers will improve their speed dexterity accuracy coordination and dynamic control while developing their stylistic repertoire. The online audio tracks feature every exercise 20 foot ostinatos that can be used as play-alongs and five brush examples.

This wonderful arrangement of the second movement from Mozart's Symphony #17 is an excellent piece for developing ensembles to learn about the stylistic nuances of Mozart. Arranged by Steven Campbell in G major and set in common time, younger musicians will find the setting very accessible. This is a great way to introduce varied bowing techniques like staccato, legato, spiccato, and brushed strokes that often accompany the lighter Classical style. (4:10) / Orchestre A Cordes

Decades of TV The Eighties arranged for PVG. Includes 'A-Team' 'Cagney And Lacey' 'Dallas' 'May To December' and more.

Of Scott Joplin James Scott and Joseph Lamb-The great ragtime pieces of the early 20th century were written mostly for Piano but many translate superbly for the Guitar and David Laibman will show you how.Here's a mystery: if the great ragtime pieces of the early 20th century were not written for Guitar and if they weren't player on the Guitar at all (until some of us started doing so half a century ago) then why do they work so will on Guitar?Well thumb vs. three fingers on the right hand (we'll leave out thepinky for now) creates that subtle antagonism between steady bass and syncopated melody - the 'twinkle in the eye' of Ragtime. There is a theory that the original borrowing actually went in the other directed from three-finger Banjo to Piano. Who knows? But I'm finding that the 'educated thumb' is only one neat thing about ragtime Guitar. Classic rags are very expressive with moods and tempers hills and valley. You can capture some of this with left-hand notes (slides hammer-ons pull-offs) with right-hand brushes rolls nail strokes with clever use of open strings and natural harmonics. This works. It is it's own story - not an imitation of a Piano or of a dixieland or jazz band. It is simply - ragtime Guitar.In these lessons I have tried for the most part to meet two goals. First to create versions of some of the most beautiful classical rags that 'lay down' well on Guitar so when you play them you are working with the instrument not fighting it. I have tried to pitch and arrange the pieces so that a lot of the action is in first position rather than high up on the neck and to keep left hand gymnastics to a minimum. Second I didn't want these arrangements to sound like 'student' arrangements too elementary to be believable. It is all about striking a balance. I am generally pleased with the result and I hope

Commissioned by the Stony Brook New Premiere Series Merkin Hall NY Stony Brook New Music Ensemble Stony Brook.

Commissioned by the Stony Brook New Premiere Series Merkin Hall NY Stony Brook New Music Ensemble Stony Brook.