Par POZZOLI ETTORE. Ettore Pozzoli (1873-1957) fu un grande didatta, uno dei maggiori che l’Italia abbia avuto nel Novecento. Sono monumentali i suoi lavori sulla teoria e il solfeggio, il corso di studi di difficoltà graduata, l’educazione all’armonia e al contrappunto ai quali si affiancano infinite pagine di brani per la ricreazione pianistica Dodici bozzetti per pianoforte, Pagine minuscole, Impressioni, Riflessi del mare. Nonostante il trascorrere dei decenni e il succedersi di nuove tendenze, scuole, generi e modi esecutivi, molte raccolte e testi per l’insegnamento primario della musica che Pozzoli ideò e compose nei primi decenni del secoloscorso mantengono un’indiscussa validità./ Solfège/Formation Musicale / Oeuvres théoriques

Le scale pentatoniche che siano maggiori o minori costituiscono il ?mezzo? ideale per tutti i bassisti che desiderano avvicinarsi all?improvvisazione. Con questo metodo imparerete quindi ad utilizzare questo tipo di scala per improvvisare con il basso. Dopo un minimo di teoria (costruzione posizioni relazione con l?armonia?) vi troverete tantissimi esempi musicali accompagnati da una base musicale specifica per poter applicare subito gli insegnamenti. Affronterete quindi l?improvvisazione in modo graduale prima su un solo accordo poi due tre ed infine quattro accordi. Con una sola pentatonica o dipiù. Poi su un giro completo od una cadenza specifica. Scoprirete infine la tecnica delle sostituzioni la quale permette di rimpiazzare una pentatonica con un?altra per 'condire' le vostre improvvisazioni. Il CD MP3 allegato al metodo presenta tutti gli esempi con le basi musicali corrispondenti ossia più di 4 ore di musica in tutto! Su ogni traccia il basso suona l?improvvisazione proposta poi lascia la base musicale andare avanti per qualche minuto per permettervi di suonare. Tali esempi vi servono quindi da trampolino per improvvisare poi più liberamente.

Saber leer el ritmo y tocarlo correctamente forma parte de las bases que uno debe dominar. Pero son muchos los que encuentran dificultades para la interpretación rítmica de una partitura o de un simple ejercicioescrito y son incapaces de desenvolverse sin la ayuda de un ejemplo audio o vídeo correspondiente. Nuestro método se dirige a todos los aficionados de la 4 cuerdas desde el principiante hasta el bajistatécnicamente más avanzado y resolverá todas sus lagunas dándole unas bases sólidas y necesarias para encontrar el sentido del ritmo. Si este libro didáctico le hará trabajarprogresivamente todas las figuras rítmicas imprescindibles para practicar el bajo su gran riqueza estriba en su enfoque a la vez práctico y plenamente musical y no puramente escolar o únicamenteteórico. Nada mejor por cierto que unos verdaderos grooves para abordar las figuras y los ritmos propios del instrumento. Así cada noción es trabajada en situación real o sea con unas verdaderaslíneas de bajo a modo de ejemplos a tocar en unos playbacks variados para poder progresar ?rítmicamente? y al mismo tiempo disfrutar ?musicalmente?. En el disco incluido en el métodouno encontrará numerosos ficheros audios y vídeos. Los vídeos (mp4) presentan en imágenes los numerosos ejemplos y grooves tales como uno debe tocarlos. Las grabaciones audios (mp3) por su parte proponen los playbacks correspondientes a las diferentes líneas estudiadas.

New Waves is a special composition. Although contemporary but still attractive to musicians and listeners. Norwegian composer Aagaard-Nilsen has failed in a special way to add new elements to the contemporary wind music. Original exciting rhythms and contrasting harmonies make this composition enjoyable and challenging together. Interrupted by a slow middle section New Waves may be seen as five minutes jazz rock and funk optima forma! New Waves is een bijzondere compositie. Weliswaar eigentijds maar toch aantrekkelijk voor muzikanten en luisteraars. De Noorse componist Aagaard-Nilsen is er op bijzondere wijze in geslaagd nieuwe elementen toe te voegen aan dehedendaagse blaasmuziek. Oorspronkelijke ritmes en spannende contrastrijke samenklanken maken het spelen van dit werk plezierig en uitdagend tegelijk. Onderbroken door een langzaam middendeel kan New Waves beschouwd worden als vijf minuten jazz rock en funk optima forma!

New Waves is a special composition. Although contemporary but still attractive to musicians and listeners. Norwegian composer Aagaard-Nilsen has failed in a special way to add new elements to the contemporary wind music. Original exciting rhythms and contrasting harmonies make this composition enjoyable and challenging together. Interrupted by a slow middle section New Waves may be seen as five minutes jazz rock and funk optima forma! New Waves is een bijzondere compositie. Weliswaar eigentijds maar toch aantrekkelijk voor muzikanten en luisteraars. De Noorse componist Aagaard-Nilsen is er op bijzondere wijze in geslaagd nieuwe elementen toe te voegen aan dehedendaagse blaasmuziek. Oorspronkelijke ritmes en spannende contrastrijke samenklanken maken het spelen van dit werk plezierig en uitdagend tegelijk. Onderbroken door een langzaam middendeel kan New Waves beschouwd worden als vijf minuten jazz rock en funk optima forma!

Cet ouvrage pratique et instructif contribuera à tout joueur de jazz ou de la vocaliste regarder de la musique avec des ' nouveaux yeux '-' une théorie de la pratique et l'improvisation bookwith une touche humaine. 'Métaphores pour le musicien 'donne des aperçus de presque tous les aspects de jazz musicp, y compris la théorie de l'échelle/chord, stratégies de pratique, qui composent les techniques, la psychologie de la performance et comment créer les Etats d'esprit qui produisent les meilleures improvisations. Les pianistes de jazz graves trouveront des renseignements précieux sur la corde voicings aning, tandis que les novices bénéficieront de nouvelles approches aux échelles et des inversions. Conçu pour tout niveau de joueur, sur n'importe quel instrument, ' Métaphores pour le musicien ' fournit des nombreux exercices tout au long de pour aider le lecteur à transformer ces concepts en musiclity. / Opéra Théorique/Didactique

20 Greatest Hits-This commemorative songbook features 20 of David Bowie's greatest hits spanning his entire career from 1969 to 2016. Each song is arranged for Piano Vocal and Guitar with full lyrics and Guitar chord boxes andsymbols. Learn to play David Bowie's timeless and beloved songs with this sheet music collection. David Bowie was an actor a fashion icon an artist a mime and a writer but above all his creative output as a musician brought him the respect admiration and adoration enjoyed by few other pop stars before or since. His consistent re-invention of his aesthetic style and sound as well as hismysterious alter egos enabled him to mould his music to a number of genres eluding easy classification and producing a string of widely acclaimed albums and singles. This collection of David Bowiesheet music features 20 songs that represent a musical icon from his first single Space Oddity to Lazarus from his acclaimed final album 'Blackstar'. Other songs in the collection are consistent hits every single one of them sure to be instantly-recognisable. From Heroes to Changes and Jean Genie and from Life On Mars? to Let's Dance  these are just a few of thebrilliant David Bowie songs you'll be able to play. This songbook also features a lengthy introductory tribute from renowned music journalist Chris Charlesworth making this a fittingcollection for the casual player as well as the huge Bowie fan looking to learn a selection of his greatest hits. 

Come ?fare la stessa cosa? senza mai ?suonare la stessa cosa? sul basso' Ecco la domanda alla quale risponde questo metodo. Cioè come accompagnare lo stesso giro o lo stesso accordo, pur rinnovandosi di continuo' Per non annoiare sia chi ascolta sia sé stesso in quanto bassista. Lo scopo di questo metodo è quindi quello di aiutarvi a sviluppare la vostra creatività, tramite l?esempio e la pratica. Ci sono perciò poche spiegazioni ma molta musica? con 25 grooves di basso che evolvono in 4 modi diversi, ossia in tutto 100 grooves distinti. Ogni groove iniziale, costruito su un ciclo di 4 battute, inizia tranquillamente, semplicemente, e viene poi arricchito progressivamente nei 3 cicli successivi al livello ritmico e melodico. Per sviluppare al massimo la vostra creatività, tali grooves utilizzano diverse tonalità e ritmi molto vari. Sul disco dati allegato al metodo, troverete numerosi file audio e video. I video (mp4) presentano tramite l?immagine i 100 grooves così come devono essere suonati, a velocità normale, poi ridotta. Le registrazioni audio (mp3) invece propongono le basi musicali corrispondenti, a due velocità diverse. Potrete in questo modo suonare i grooves proposti sulle basi musicali, in ordine o in disordine, cercando a scelta di caricare le linee o al contrario di alleggerirle; oppure approfittare di questi giri e playalongs per sviluppare liberamente le vostre proprie idee.

Grey Larsen in the 150 Gems collection has given us a most welcome follow-up to his encyclopedic volume The Essential Guide to Irish Flute and Tin Whistle (Mel Bay Publications 2003) and The Essential Tin WhistleToolbox (Mel Bay Publications 2004). The Gems feature not only meticulously-selected tunes but represent the first major offerings that use Larsen's innovative system of notating Irish ornamentation. This bookwith access to online audio will help players gain a deeper understanding of the Irish musical tradition as well as provide new material to enhance the experience of the solo player and Irish session participant alike.

Par BOUCHAUD DOMINIG. Panorama Of The Celtic Harp is a collection of 50 pieces which make it possible to embark upon the repertoire for this instrument. These are short pieces, selected for their musical and educational interest. / Date parution : 2011-01-01/ Recueil / Harpe Celtique

La référence FP 036 de l'éditeur Fertile Plaine dont l'auteur célèbre est Bousquet F., qui a pour titre El Vito ( 3 guitares ), a été écrite et composée pour Guitare et plus particulièrement pour 3 Guitares. Cette partition musicale appartient à la catégorie Classique. / 3 Guitares / Partition

Fanitullen is a lively beautiful ‘Sl?tt’ i.e. an old Norwegian melody which is played on a traditional ‘Hardingfele’ (Hardanger fiddle).Because of its violent rhythm and exciting character playing a Fanitullen for a long time was considered improper. It was believed that a person playing this melody would come under the influence of the devil. Therefore Fanitullen could be regarded as a kind of Rock’n Roll from the 18th century.Tom Brevik’s adaptation is based on a composition for piano by Ole Olsen (1850-1927) Fanitullen is een levendige mooie ‘Sl?tt’ een oude Noorse melodie die gespeeld word op een traditionele ‘Hardingfele’ (Hardanger viool).Door de heftigeritmiek en het opzwepende karakter werd het spelen van een Fanitullen gedurende lange tijd als niet kies beschouwd. Er zouden invloeden van de duivel in schuilen. Fanitullen zou daarom misschien wel als een soort Rock’n Roll van de 18e eeuw gezien kunnen worden.De bewerking van Tom Brevik is gebaseerd op een compositie voor piano van Ole Olsen (1850-1927)

Fanitullen is a lively beautiful ‘Sl?tt’ i.e. an old Norwegian melody which is played on a traditional ‘Hardingfele’ (Hardanger fiddle).Because of its violent rhythm and exciting character playing a Fanitullen for a long time was considered improper. It was believed that a person playing this melody would come under the influence of the devil. Therefore Fanitullen could be regarded as a kind of Rock’n Roll from the 18th century.Tom Brevik’s adaptation is based on a composition for piano by Ole Olsen (1850-1927) Fanitullen is een levendige mooie ‘Sl?tt’ een oude Noorse melodie die gespeeld word op een traditionele ‘Hardingfele’ (Hardanger viool).Door de heftigeritmiek en het opzwepende karakter werd het spelen van een Fanitullen gedurende lange tijd als niet kies beschouwd. Er zouden invloeden van de duivel in schuilen. Fanitullen zou daarom misschien wel als een soort Rock’n Roll van de 18e eeuw gezien kunnen worden.De bewerking van Tom Brevik is gebaseerd op een compositie voor piano van Ole Olsen (1850-1927)