| Walter Battison Haynes:
Magnificat And Nunc
Dimittis (Gregorian
Tones): SATB: Chorale SATB SATB, Orgue [Partition] Novello & Co Ltd.
Magnificat And Nunc Dimittis (Gregorian Tones)
2.25 GBP - vendu par Musicroom GB |
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| Verleih Uns Frieden / Da
Pacem, Domine Chorale Barenreiter
Le désir de paix a rencontré des gens dès le début, au-delà de toutes limit...(+)
Le désir de paix a rencontré des gens dès le début, au-delà de toutes limites dans l'environnement politique et religieux. Sun a ce 'thème de base' comprend également un espace important pour les compositeurs de toutes les époques, en latin, 'Da pacem Domine', dans le transfert de l'allemand de Luther 'gracieusement de nous accorder la paix.'En ce qui concerne la propagation du chant choral est plus apparent dans la proximité de cette question de l'Eglise catholique et la Réforme.Connus ou moins connus choeur chorale assemblé ce livre, complété par de nouveaux travaux de commande, tout à la une sur 'la paix'.- La publication oecuménique- Un thème à travers les âges- Abordable pour choeur livre de messe, exposition et concert / Choeur
14.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Ubi Caritas SATB A Cap Chorale SATB SATB A Cappella Alfred Publishing
Based on the early Gregorian melody, this graceful ABA setting will work both in...(+)
Based on the early Gregorian melody, this graceful ABA setting will work both in concert or worship service. A dramatic addition to any program. / Choeur SATB A Cappella
3.27 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Victimae Paschali Laudes Chorale SSAATTBB Schott
Jan Krutul, ein junger polnischer Komponist, spielt mit der gregorianischen Oste...(+)
Jan Krutul, ein junger polnischer Komponist, spielt mit der gregorianischen Oster-Sequenz und vertont den Text auf zeitgenössische Weise. Fließende Teile umschließen einen Staccato-Mittelteil. Die Textverteilung führt zu perkussiven Passagen, die sich jedoch wieder in flächiger Struktur einfinden. Die Sequenz zieht sich durch das gesamte Stück, das durchaus anspruchsvoll ist, sich aber bestens als Einstieg in die zeitgenössische Chormusik eignet. / Choeur SSAATTBB
7.22 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Jeanne Demessieux: Twelve
Choral Preludes on
Gregorian Chant Themes:
Organ: Orgue Alfred Publishing
Jeanne Demessieux's Twelve Choral Preludes on Gregorian Chant Themes for Organ.
6.95 GBP - vendu par Musicroom GB Délais: En Stock |
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| Demessieux J - 12
Chorale Preludes On Greg
Chant - Organ Guitare [Partition] - Débutant Alfred Publishing
Jeanne Demessieux has produced a dozen wonderful preludes based on Gregorian cha...(+)
Jeanne Demessieux has produced a dozen wonderful preludes based on Gregorian chant themes. The pieces contain fairly simple pedal parts and are in a variety of styles. Titles include: Rorate Caeli (Choral Orn) * Adeste Fideles (Musette) * Attende Domine (Choral Paraphrase) * Stabat Mater (Cantabile) * Vexilla Regis (Prelude) and more.
12.80 EUR - vendu par Woodbrass Délais: Sur commande |
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| Johann Sebastian Bach:
Harminized Chorales For
Keyboard: Piano:
Instrumental Piano seul Dover Publications
Long esteemed as counterpoint's greatest master, Johann Sebastian Bach created h...(+)
Long esteemed as counterpoint's greatest master, Johann Sebastian Bach created harmonizations of chorales that have served as voice-leading models for generations. This affordable volume features 371 of the composer's harmonized chorales, presented in closed score for easy study as well as play. These traditional liturgical melodies in four-voice arrangements comprise Gregorian chant melodies that survived the Reformation to form part of Protestant worship as well as traditional German melodies that found their way into services. A staple of every music program, Bach?s chorales spell out the rules of music theory that remain the cornerstones of modern composition. These closed score arrangements, ideal for playing at the piano, offer keyboardists an opportunity to practice their sight-reading skills. Students of counterpoint and harmony will find this collection of enormous theoretical importance, and all will appreciate the practical value of its modest price.
13.20 GBP - vendu par Musicroom GB |
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| Missa Gregoriana (TOEPLER
ALFRED) Chorale SATB [Partition] Schott
Par TOEPLER ALFRED. / Répertoire / Choeur Mixte
1.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Messe Gregorienne De
Mariage Chorale Doblinger 12.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Messe Gregorienne De
Mariage Chorale Doblinger 20.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Requiem Und Libera Im
Gregorianischen Choral Chorale Doblinger 2.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Ave Maris Stella Chorale Moseler Verlag 4.44 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Bert Appermont:
Catedrales: Fanfare Band:
Score & Parts Fanfare [Conducteur et Parties séparées] Beriato Music
Cathedrals have always appealed to the imagination. Hundreds of years of manpow...(+)
Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions drawing on a full palette of acoustic echo effects Gregorian melodies and organ based choral themes.The work ?Catedrals? opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme ?Salve Regina? which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms including a fugue. The work then builds towards its first climax from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.
106.99 GBP - vendu par Musicroom GB |
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| Bert Appermont:
Catedrales: Brass Band:
Score & Parts Ensemble de cuivres Beriato Music
Cathedrals have always appealed to the imagination. Hundreds of years of manpow...(+)
Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions drawing on a full palette of acoustic echo effects Gregorian melodies and organ based choral themes.The work ?Catedrals? opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme ?Salve Regina? which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms including a fugue. The work then builds towards its first climax from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.
72.99 GBP - vendu par Musicroom GB |
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| Bert Appermont:
Catedrales: Concert Band:
Score & Parts Orchestre d'harmonie [Conducteur et Parties séparées] Beriato Music
Cathedrals have always appealed to the imagination. Hundreds of years of manpow...(+)
Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions drawing on a full palette of acoustic echo effects Gregorian melodies and organ based choral themes.The work ?Catedrals? opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme ?Salve Regina? which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms including a fugue. The work then builds towards its first climax from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.
106.99 GBP - vendu par Musicroom GB |
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| Bert Appermont:
Catedrales: Fanfare Band:
Score Fanfare Beriato Music
Cathedrals have always appealed to the imagination. Hundreds of years of manpow...(+)
Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions drawing on a full palette of acoustic echo effects Gregorian melodies and organ based choral themes.The work ?Catedrals? opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme ?Salve Regina? which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms including a fugue. The work then builds towards its first climax from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.
22.99 GBP - vendu par Musicroom GB |
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| Orgelsinfonie No. 16
(SCHNEIDER ENJOTT) Orgue Schott
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Ref...(+)
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.
The composer describes the five movements of the symphony as follows:
'1st movement:
Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.
2nd movement:
In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.
3rd movement:
The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air.
4th movement:
The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air.
5th movement:
The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue
25.53 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Sinfonie D-Moll Hob. I:26
'Lamentazione' Ensemble A Vent Barenreiter
Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, t...(+)
Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two movements were performed, and possibly composed, independently from each other.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works, operas and symphonies, Haydn's Symphony #26 is appearing, based on the Henle Complete Edition of the 'Works of Joseph Haydn?. The complete performance material for several of Haydn's 'Sturm und Drang? symphonies and all of the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the 'Works of Joseph Haydn?- Orchestral parts available in a large format (25.5 x 32.5 cm) / Ensemble A Vent
19.34 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Franz Joseph Haydn:
Symphony No.26 In D minor
- Lamentazione:
Orchestra: Part Orchestre Barenreiter
Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral part...(+)
Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral parts available in a large format (25.5 x 32.5 cm).Haydn?s Symphony No.26 received its nickname Lamentazione during his lifetime though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn?s day it was customary to play individual movements in church services and it may be assumed that these two movements were performed and possibly composed independently from each other.Continuing thecollaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works operas and symphonies Haydn?s Symphony No.26 is appearing based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all of the London and Paris symphonies has already been published.
14.00 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony No.26 In D minor
- Lamentazione: Ensemble:
Score Orchestre Barenreiter
Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral part...(+)
Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral parts available in a large format (25.5 x 32.5 cm).Haydn?s Symphony No.26 received its nickname Lamentazione during his lifetime though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn?s day it was customary to play individual movements in church services and it may be assumed that these two movements were performed and possibly composed independently from each other.Continuing thecollaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works operas and symphonies Haydn?s Symphony No.26 is appearing based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all of the London and Paris symphonies has already been published.
24.00 GBP - vendu par Musicroom GB |
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| Sinfonie D-Moll Hob. I:26
'Lamentazione' Alto seul Barenreiter
Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, t...(+)
Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two movements were performed, and possibly composed, independently from each other.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works, operas and symphonies, Haydn's Symphony #26 is appearing, based on the Henle Complete Edition of the 'Works of Joseph Haydn?. The complete performance material for several of Haydn's 'Sturm und Drang? symphonies and all of the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the 'Works of Joseph Haydn?- Orchestral parts available in a large format (25.5 x 32.5 cm) / Alto
7.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Léon Boëllmann:
Pieces(12): Organ: Score Orgue [Partition] Leduc, Alphonse
1.Prélude in E minor; 2.Fugue in E minor; 3.Marche religieuse; 4.Intermezzo; 5....(+)
1.Prélude in E minor; 2.Fugue in E minor; 3.Marche religieuse; 4.Intermezzo; 5.Carillon; 6.Choral; 7.Elégie; 8 and 9.Deux Versets sur 'Adoro Te'; 10.Canzona in the Gregorian Mode; 11.Adagietto; 12.Paraphrase
13.99 GBP - vendu par Musicroom GB |
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| Sinfonie D-Moll Hob. I:26
'Lamentazione' Violon I Barenreiter
Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, t...(+)
Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two movements were performed, and possibly composed, independently from each other.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works, operas and symphonies, Haydn's Symphony #26 is appearing, based on the Henle Complete Edition of the 'Works of Joseph Haydn?. The complete performance material for several of Haydn's 'Sturm und Drang? symphonies and all of the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the 'Works of Joseph Haydn?- Orchestral parts available in a large format (25.5 x 32.5 cm) / Violon I
6.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Franz Joseph Haydn:
Symphony No.26 In D minor
- Lamentazione:
Orchestra: Part Violoncelle Barenreiter
Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral part...(+)
Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral parts available in a large format (25.5 x 32.5 cm).Haydn?s Symphony No.26 received its nickname Lamentazione during his lifetime though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn?s day it was customary to play individual movements in church services and it may be assumed that these two movements were performed and possibly composed independently from each other.Continuing thecollaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works operas and symphonies Haydn?s Symphony No.26 is appearing based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all of the London and Paris symphonies has already been published.
5.50 GBP - vendu par Musicroom GB |
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| Miserere In F (HASSE
JOHANN ADOLF) Solistes ou Choeur TTB (ATB) [Partition] Carus Verlag
Tonalité : F-Dur -. Par HASSE JOHANN ADOLF. This psalm setting is composed usin...(+)
Tonalité : F-Dur -. Par HASSE JOHANN ADOLF. This psalm setting is composed using the practice in which the odd-numbered psalm verses sung in Gregorian manner alternate with the even-numbered verses which are set for a multi-voice choral ensemble. The sections for three voices are composed in the so-called “Palestrina style” and the tonal instinct is so masterful that, despite the fact that the source situation for this work is not entirely clear the work can probably be ascribed to Hasse. / Psaumes / Répertoire / Solistes ou Choeur TTB (ATB)
5.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Franz Joseph Haydn:
Symphony No.26 In D minor
- Lamentazione:
Orchestra: Part Violon II Barenreiter
Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral part...(+)
Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral parts available in a large format (25.5 x 32.5 cm).Haydn?s Symphony No.26 received its nickname Lamentazione during his lifetime though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn?s day it was customary to play individual movements in church services and it may be assumed that these two movements were performed and possibly composed independently from each other.Continuing thecollaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works operas and symphonies Haydn?s Symphony No.26 is appearing based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all of the London and Paris symphonies has already been published.
5.50 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony No.26 In D minor
- Lamentazione:
Orchestra: Part Orchestre Barenreiter
Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral part...(+)
Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral parts available in a large format (25.5 x 32.5 cm).Haydn?s Symphony No.26 received its nickname Lamentazione during his lifetime though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn?s day it was customary to play individual movements in church services and it may be assumed that these two movements were performed and possibly composed independently from each other.Continuing thecollaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works operas and symphonies Haydn?s Symphony No.26 is appearing based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all of the London and Paris symphonies has already been published.
5.50 GBP - vendu par Musicroom GB |
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| Da Pacem, Domine Choeur Mixte, Flûte Et Orgue Schott
Dieses vokal-instrumentale Werk verbindet einen mittelalterkichen Gesang, die gr...(+)
Dieses vokal-instrumentale Werk verbindet einen mittelalterkichen Gesang, die gregorianische Choralmelodie Da pacem Domine aus dem 9. Jahrhundert mit dem Kirchenlied O ewger Gott, wir bitten dich gib Frieden unsern Tagen aus dem 16. Jahrhundert. Die Besetzung mit kleinem Chor oder Solisten, großem Chor, Flöte und Orgel ermöglicht eine abwechslungsreiche Darbietung in Gottesdienst oder Konzert. / Choeur Mixte, Flûte Et Orgue
6.11 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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