Performer: Benjamin Berlioz, Boston Pops Orchestra, Boston Symphony Orchestra, Chamber Orchestra of Europe, Chicago Symphony Orchestra, et al. Orchestra: Multi-Artistes Chef d'orchestre: Adrian Leaper, Arthur Fiedler, Carl Davis, Charles Gerhardt, Charles Munch, et al. Compositeur: Alexander Borodin, Alfredo Catalani, Antonin Dvorak, Antonio Vivaldi, Camille Saint-Saens, et al. CD (13 septembre 2010) Nombre de disques: 4 Format : Coffret Label: Sony Classical

Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London, where itreceived its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of “Camille Saint-Saëns - Complete Edition of the Instrumental Works”. This performing Urtext edition is based on volume BA 10303 from that series. - First scholarly-critical edition of this famous symphony based on “Camille Saint-Saëns – Complete Edition of the Instrumental Works”- Now with separate parts for all winds- Orchestral parts in a large format (25. 5 cm x 32. 5 cm) ; In this work I gave everything I had to give. [… ] What I did here I will never do again. Camille Saint-Saë ns was justifiably proud of his Symphony No. 3 in C minor Op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called ; Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marksthe launch of a large-scale project: the publication of Camille Saint-Saë ns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saë ns & Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25. 5 cm x 32. 5 cm) / Niveau : 5 / Répertoire / Orchestre

Conducteur Ba 10927 et Ba 10928. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a titan of the genre: Joseph Haydn. Saint-Saëns' string quartets appear here for the first time in a scholarly-critical edition. It is also the first edition to contain the original version of the Finale to String Quartet No. 2 in score and parts. An informative Introduction is included in the study score to complete this volume of important French chamber music, based on the Urtext from 'Camille Saint-Saëns - Complete Edition of the Instrumental Works”./ Répertoire / Quatuor à Cordes

Arrangements de facile a moyen concu pour faire ressortir lesqualites remarquable du violoncelle. Ce qui comprend les chansons folk, les dances et le travails par Debussy, Chopin et Brahms. Partition de violoncelle a part. / Violoncelle Et Piano / 160 pages / Partition

Cette série unique présente de la musique qui instrumentistes veulent jouer avec un CD exceptionnel play-long d'une bande de concert réelle. Le joueur devra toujours la ligne de la mélodie, ajoutant des heures de plaisir et de jouissance en jouant au plomb. Publié pour les flûte, clarinette, saxophone alto, trompette et trombone - tous les livres sont compatibles où différents instruments peuvent être joués ensemble pour l'ajout d'amusement. La collection comprend huit des thèmes classiques populaires de tous les temps par Bizet, Fauré, Holst, Tchaïkovski et bien d'autres ! Thèmes de Jupiter par Gustav Holst, Pavane Opus 50 par Gabriel Fauré, danse des gorges par Nikolaï Rimski-Korsakov, MIME de casse-noisette de Peter Ilitch Tchaïkovski, Danse hongroise #5 par Johannes Brahms, Mars par Gustav Holst, Bacchanale de Samson et Dadila par Camille Saint-Saens, Suite de Carmen de Georges Bizet / Trompette

An early work by Saint-Saens originally composed for strings harp organ soli and chorus. In recent years popularity for this piece has increased and it is often performed in churches where this Organ score will prove invaluable. A seasonal pastoral and rejoiceful song that will bring delight to congregations and audiences.

Arr. Guillaume Balay. Par SAINT / SAENS CAMILLE. / Orchestre / Répertoire / Marches militaires

Arrangements au piano facile avec les paroles des chansons et symboles d'accord ainsi que des notes d'accompagnement et des trucs et astuces d'interprétation. / Piano / 48 pages / Partition

Une douzaine solos préférés en facile-à-intermediate arrangements avec accompagnement enregistrée. / Trompette