Perfect for the soprano concerto or tenor Ukulele Joe Carr: 20 Caribbean Pieces For Ukulele includes 20 arrangements of Caribbean folk songs.The pieces in this book are arranged for solo playing in thechord-melody style. The collection also includes two original songs by the author in the Caribbean style.With an included audio CD and chords provided for those who desire Guitar accompaniment players of any experiencelevel will find Joe Carr: 20 Caribbean Pieces For Ukulele easy to follow.

Embark on a musical journey! This suite for Flute Quartet will transport both players and audience to a land of sun sand and colourful sounds. The Caribbean is home to a diverse range of musical genres. Many cherished styles - such as salsa reggae and calypso - originate from these beautiful islands. This suite by Bryan Kelly celebrates the rich sounds of the Caribbean. The four pieces (Calypso Nocturne Spiritual and Whistling Song) boast catchy rhythms and memorable themes making them a delight to learn and play. Suitable for musicians at a grade 3-5 standard the Caribbean Suite would make an excellentaddition to the concert repertoire for school groups.This replaces the popular old edition HE78 which is now out of print.

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with 'spartitino? (additional instruments written in by hand) but also the first edition and a copyist's manuscript.Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).- Cherubini's well-known Requiem in a definitive Urtext edition- Bilingual Foreword (Eng/Ger)- Idiomatic, uncluttered piano reduction / Alto I

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with 'spartitino? (additional instruments written in by hand) but also the first edition and a copyist's manuscript.Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).- Cherubini's well-known Requiem in a definitive Urtext edition- Bilingual Foreword (Eng/Ger)- Idiomatic, uncluttered piano reduction / Violoncelle

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with 'spartitino? (additional instruments written in by hand) but also the first edition and a copyist's manuscript.Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).- Cherubini's well-known Requiem in a definitive Urtext edition- Bilingual Foreword (Eng/Ger)- Idiomatic, uncluttered piano reduction / Violon II

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with 'spartitino? (additional instruments written in by hand) but also the first edition and a copyist's manuscript.Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).- Cherubini's well-known Requiem in a definitive Urtext edition- Bilingual Foreword (Eng/Ger)- Idiomatic, uncluttered piano reduction / Ensemble A Vent

Lo sposo di tre (1783), représentée pour la première fois à Venise en 1783, fut un grand succès de la jeune Luigi Cherubini - sa première dans le domaine de l'opéra-bouffe. L'histoire burlesque de déguisements et erronées des identités basée sur un texte de Goldoni, reprend les traditions de l'italien commedia dell ' Arte, avec Messieurs aînés dévasté par amour, scène d'un avocat, etc.. Cherubini a écrit un tableau pétillant de morceaux de musique efficacement instrumentés : divertir, pourtant la musique ensemble parfois même très grave, toucher arias, morceaux virtuose, ballets et, bien entendu, une scène ombra. Les points saillants sont les finales de la grande chaîne, notamment celle de la première loi qui a finalement conduit tous les participants à la folie avec une parodie délicieuse sur l'orgue tonitruant sonne. / Divers

Arr. Tohru Takahashi. Par CHERUBINI LUIGI. Cherubini fi t ses débuts à Paris avec l’oeuvre Démophon, qui fut créée en 1788. Tohru Takahashi a arrangé cette ouverture dramatique pour orchestre d’harmonie, avec, entre autres, des parties spécifiques pour hautbois, basson et saxophone. Cependant, compte tenu de l’importance de ces parties, celles-ci figurent également sous la forme de petites notes dans d’autres pupitres, ce qui permettra à cet arrangement grandiose d’être interprété par un orchestre dont l’instrumentation est réduite. / Niveau : 4 / Classique / Répertoire / Concert Band ou Harmonie

Par KERNEN ROLAND. Les Caraïbes sont un ensemble d’îles où le chaud climat tropical est agréable. La population est d’origine noire africaine plus ou moins métissée d’Européens et d’Améridiens. Cette communauté se revendique d’une culture créole qui met en évidence une musique propre à cette magnifique région. Ce petit Caribbean Cocktail se compose de 3 danses distinctes :- Un Calypso traditionnel dont les rythmes chaleureux soutiennent une mélodie typiquement antillaise. - Une Beguine plus calme aux sonorités plus chaudes et sereines. - Un Merengue où l’enthousiasme et la joie de vivre sont les éléments mis en évidence. Cette composition populaire exprime les sentiments musicaux d’une population où lajoie de vivre dans la sérénité est primordiale. Caribbean Cocktail est une pièce lumineuse parfaitement adaptée aux formations de jeunes instrumentistes et aux formations confrontées à un déséquilibre des pupitres. / Niveau : 2.5 / Musique légère originale / Répertoire / Concert Band ou Harmonie ou Fanfare

Arr. Tohru Takahashi. Par CHERUBINI LUIGI. Cherubini fi t ses débuts à Paris avec l’oeuvre Démophon, qui fut créée en 1788. Tohru Takahashi a arrangé cette ouverture dramatique pour orchestre d’harmonie, avec, entre autres, des parties spécifiques pour hautbois, basson et saxophone. Cependant, compte tenu de l’importance de ces parties, celles-ci figurent également sous la forme de petites notes dans d’autres pupitres, ce qui permettra à cet arrangement grandiose d’être interprété par un orchestre dont l’instrumentation est réduite. / Niveau : 4 / Classique / Répertoire / Concert Band ou Harmonie

Cherubini owes his fame as a church composer primarily to the ?Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra. This Urtext edition takes into account not only the autograph score with ?spartitino? (additional instruments written in by hand) but also the first edition and a copyist?s manuscript. Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng). ? Cherubini?s well-known Requiem in a definitive Urtext edition ? Bilingual Foreword (Eng/Ger) ? Idiomatic, uncluttered piano reduction Edition no.: BA 8961-90 ISMN: 9790006559244 Editor: Schellevis, Hans Language(s) of work: Latin Language(s) of text: English, German Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: X, 70 S. - 27,0 x 19,0 cm

Par CORNICK MIKE. Play with style using Mike Cornick's Style Collection for piano! This collection of pieces has been selected from the huge repertoire of traditional Afro-Caribbean songs, many of which are characterised by strong harmonies using primary chords and frequent syncopated rhythms. As with any music drawn from an aural tradition, most of these songs exist in a variety of versions and some have found their way into the pop music repertoire. This volume of Afro-Caribbean favourites, suitable for the middle-grade player, includes Yellow Bird, Brown Girl in the Ring, Jamaica Farewell, Mango Walk, Linstead Market and many more. The CD provides the option of playing along as part of an ensemble which is both confidence-building and fun, while the demonstration tracks for listening are not only inspiring but hugely entertaining./ Etude / Piano