This set of entertaining pieces in a jazz/blues style was written especially for children. Imaginative lyrics convey the blues spirit of life's ups and downs to the early grade student. Pieces remain in middle C position with an occasional sharp or flat. No eighth notes or dotted rhythms are used. / Piano

Ce livre et CD paquet contient 55 arrangements de blues traditionnel regorge de cordes, licks, riffs et de lignes pour vous à ramasser et à jouer. Plusieurs formes de blues différentes sont présentées, de progressions 12-bar et 8-bar aux charges de patrons apport mineur et lent blues de plaisir pour le bluesman grave pour les amateurs occasionnels. Le CD comprend une démonstration de chaque exemple dans le livre. / Guitare

Welcome to the Electric Blues in 6 Weeks Guitar course. This course is designed to focus your practice towards realistic goals achievable in six weeks. Each week provides you with techniques concepts and licks to help you play and understand blues soloing at a manageable easy to follow pace.Three licks in the style of a featured artist are taught each week to help you towards playing in real musical situations and develop an ear for the differences between players.If you have been frustrated or intimidated by other educational material this course is for you. You will see the improvement as you work through each week taking small steps occasionallylooking back and being surprised by how far you have come.Practice can sometimes be difficult with the player often being unsure which material to work on. With the Electric Blues in 6 Weeks Guitar course the material is presented to you in easy to absorb sections which progress in a sensible logical order. Stick with this course and you are guaranteed to improve.Week One includes: Pentatonic scale in the first position Blues scale in the first position Blues bends String bending Vibrato Combining string bending and vibrato Blues scale licks three licks in the style of David Gilmour.

Welcome to the Electric Blues in 6 Weeks Guitar course. This course is designed to focus your practice towards realistic goals achievable in six weeks. Each week provides you with techniques concepts and licks to help you play and understand blues soloing at a manageable easy to follow pace.Three licks in the style of a featured artist are taught each week to help you towards playing in real musical situations and develop an ear for the differences between players.If you have been frustrated or intimidated by other educational material this course is for you. You will see the improvement as you work through each week taking small steps occasionallylooking back and being surprised by how far you have come.Practice can sometimes be difficult with the player often being unsure which material to work on. With the Electric Blues in 6 Weeks Guitar course the material is presented to you in easy to absorb sections which progress in a sensible logical order. Stick with this course and you are guaranteed to improve.Week Two includes: Phrasing and manipulation grace notes 1 2 3 & 4 note combinations three licks in the style of Gary Moore.

Welcome to the Electric Blues in 6 Weeks Guitar course. This course is designed to focus your practice towards realistic goals achievable in six weeks. Each week provides you with techniques concepts and licks to help you play and understand blues soloing at a manageable easy to follow pace.Three licks in the style of a featured artist are taught each week to help you towards playing in real musical situations and develop an ear for the differences between players.If you have been frustrated or intimidated by other educational material this course is for you. You will see the improvement as you work through each week taking small steps occasionally looking back and being surprised by how far you have come.Practice can sometimes be difficult with the player often being unsure which material to work on. With the Electric Blues in 6 Weeks Guitar course the material is presented to you in easy to absorb sections which progress in a sensible logical order. Stick with this course and you are guaranteed to improve.Week Four includes: The A minor and pentatonic blues scale in the 2nd position Repetition of phrasing Call and response Simplifying licks Stretching the time 3 licks in the style of Eric Clapton

Welcome to the Electric Blues in 6 Weeks Guitar course. This course is designed to focus your practice towards realistic goals achievable in six weeks. Each week provides you with techniques concepts and licks to help you play and understand blues soloing at a manageable easy to follow pace.Three licks in the style of a featured artist are taught each week to help you towards playing in real musical situations and develop an ear for the differences between players.If you have been frustrated or intimidated by other educational material this course is for you. You will see the improvement as you work through each week taking small steps occasionally looking back and being surprised by how far you have come.Practice can sometimes be difficult with the player often being unsure which material to work on. With the Electric Blues in 6 Weeks Guitar course the material is presented to you in easy to absorb sections which progress in a sensible logical order. Stick with this course and you are guaranteed to improve.Week Five includes: Same shapes in different positions call and response between major and minor scales percussive playing repeating licks 3 licks in the style of Paul Kossoff.

The city of St. Louis played host in the 1920s and 1930s to one of the most distinctive and vital blues scenes ever documented on record. Like Memphis and Atlanta St. Louis served as a sort of magnet attracting musicians from the surrounding hinterlands and providing performance opportunities that were not available out in the country. Many of the St. Louis musicians were transplanted Mississippians like Charley Jordan while others like Clifford Gibson and Teddy Darby originally hailed from Kentucky. The various early influences that the music of these players displayed ended up coalescing into something that might be called the 'St. Louis sound'.Included on thisDVD are transcriptions and teaching of the songs of Teddy Darby where the guitar and voice track each other closely Clifford Gibson with his distinctive approach to playing in Spanish tuning and the mysterious low cross-note sound Charley Jordan with his acrobatic thumbwork and occasionally raggy sound and the enigmatic Lane Hardin who only recorded two titles under his own name. The songs selected for inclusion in the lesson have been chosen to introduce you to a variety of different tunings and playing positions and employ different right hand approaches that will expand your ability to utilize techniques like thumb lead and brush strokes.A PDF file is included on the DVD which can be printed out into an easily readable 8.5” by 11” booklet including not only detailed transcriptions of the songs but the songs’ lyrics as well. As well all of the original recordings from which the transcriptions were made are included on the DVD.

Par VIGNOLA FRANK. This Modern Guitar Method Supplement (formerly of the Frank Vignola Play-Along Series) contains solos which have been written and recorded over blues and rhythm changes in many different keys. Learn more about commonly used chord changes by having the opportunity to jam on them extensively. Some of these etudes have been recorded both at a slower tempo for learning and at performance tempo. The performance-tempo recordings of the solos include numerous choruses of rhythm section only. This allows for individual practice of the written solos or practice of original ideas with a 'live' rhythm section. Occasionally, during these 'rhythm only' sections, Frank Vignola will play an improvised solo for four, 12, or 24 measures. This allows the student to interact with the recording by copying ideas, building upon what has just been played, or practicing the chords to the piece. The Modern Guitar Method Supplement Blues and Rhythm Changes series gives any student of jazz guitar great ideas for playing solos over two of the most popular musical forms in jazz. It is recommended that the student be able to play the jazz standard 'I Got Rhythm' before using this book/CD set. / Niveau : Débutant à Intermédiaire / Jazz - Improvisation / Méthode / Guitare

'The material is a mix of traditional and original the playing superb. Grossman and Renbourn combine their talents and mix of styles here to produce appealing instrumental music of rare beauty and taste.' AllMusic.comOn their duet records John Renbourn and Stefan Grossman meet on the common turf of American blues and Celtic fiddle tunes and airs. Under The Volcano is a collection of seven duets. Including an extended four-part work for which the album is named and one solo by each of the players the album has what has come to be the characteristic sound of the duo. Reflecting what Stefan quite accurately describes as 'aninterweaving of styles ' it is quite difficult and somewhat pointless to tell which of the two is playing the lead in most parts of the album. The original compositions are at once down-home and high-flown brimming with contrapuntal funkiness and the music manages to sound both loose and precise. Grossman and Renbourn contribute equally to the composition and arrangement of the traditional material. They aren't uptight about overdubbing or using the occasional electric guitar texture. But the lingering impression is one of crisp snapping strings and air being moved by wooden-boxed guitars.Track Listing:1. Idaho Potato2. Medley: Sheebeg An Sheemore & Drunken Wagoner3. Under The Volcanoa) Resurrection of Blind Joe Deathb) Four for the Rosesc) Montagu's Pactd) Rights of Man4. Medley: Bonaparte's Retreat & Billy In The Lowgrounds5. Swedish Jig6. Water Gypsy7. All Things Parallel Must Converge8. The Blarney Pilgrim9. Mississippi Blues No. 3(All tunes except for 'Bonaparte's Retreat' have been transcribed and included in a pdf tab/music booklet on the CD)

Le guitariste totale Début enseigne tout un novice a besoin de savoir pour commencer à jouer du rock, du jazz et la guitare blues tout de suite. Même l'amateur de musique qui n'a jamais tenu une guitare jouera accords et des chansons faciles immédiatement. Cette méthode conviviale couvre des sujets allant de gratter la corde et à la guitare fingerstyle basique de plomb et de l'improvisation. Le style chaleureux et encourageant les auteurs se motiver même les plus occasionnels amateurs. Avec une variété de styles musicaux et une approche globale, attachant, et complète pour l'apprentissage de la guitare, ce kit de livre et CD fournit tout un nouveau guitariste devra commencer un amusant et enrichissant voyage musical. / Guitare

Though occasionally expanding to four voices this work is primarily two-part mixed. Linda Marcus and David Lantz have produced the perfect piece for a 'bluesy' spring concert (the piano really swings!).