Par RECHBERGER HERMAN. Herman Rechberger (1947?2022) composed the song cycle Seven Cat Songs between Christmas eve 2007 and the 4th of January 2008. They were inspired by his ?lovely hairy companions Tosca and Carmen?. The songs exist in two versions, one for soprano (...a SHE cat) and one for baritone (...a He Cat). Have a look inside by clicking ?sample?. Duration: c. 20 minutes Contents: I A cat's self portrait (Herman Rechberger) II Cats can sleep anywhere (Eleanor Farjeon) III A cat's memory (Jane Webb) IV A cat's evening prayer (anon.) V A song about two cats (anon.) VI A black-cat luck (anon.) VII All kinds of cats (BJ Boskitt) / Date parution : 2022-05-31/ Recueil / Soprano et Piano

du 1er livre des Préludes - pour piano à quatre mains-Claude Debussy's La Cathedrale Engloutie for Piano 4-hands.

Kitty Cat Capers is a fun mini-musical that showcases the mischievous zany and lovable behaviors associated with our endearing feline friends. The pick-of-the-litter cast including Copy Cat Alley Cat Cool Cats andCuddly Cats feeds us a treat of mewsical talent through their wild and wacky kitty capers. Miss Tabitha a teacher at the “Purrrfect Paws and Claws Finishing School ” sets out to encourage audience members to adopther playful and scampering students that wiggle their whiskers and shake their tails. This budget-stretching classroom kit contains a reproducible unison collection as well as an Enhanced StudioTrax CD that includes accompanimentand performance tracks poster and program clip art composers' info as well as costuming staging and performance suggestions. For Grades K-2.

For the first time this edition presents work for Guitar solo and for Guitar duet by Graciano Tarragó grouped into different collections. Despite the fact that the composer published the set of works separately (with the exception of the collections of studies and the Catalan Christmas songs) it is not difficult to see that a natural classification surges from its formal structure from its source of inspiration and from its intent upon observing the works as a whole.The main objective of this revision was to update its presentation to meet the demands of the Guitar world today and to offer scores that ease the introduction to the study of this copious collectionof works. The works hold an indisputable musical beauty and demand technical virtuosic knowledge of the highest level.

Graded jazz pieces for solo flute recently set on the new Trinity College syllabus for all 8 grades. The story behind Scatadoodledoo: 'One day when I was at home practising my flute for a Jazz gig I had a particularly hard chart with lots of key changes and I just couldn't get into the flow of it. I was thinking logically and thinking of the chord symbols and just thinking thinking thinking which anyone who improvises knows is a sure way to stop you being 'in the flow'. Being a Jazz singer I love to scat sing and so I soon found myself putting my flute down and scat singing through the chart instead. I wasn't thinking I was justscatting around with my 'do-be-doos' and I was really getting into it and enjoying myself feeling so free in comparison to when I was improvising on the flute. That's when I had the idea to sing and play on my flute at the same time... I figured that all I needed to do was practice playing on my flute what I was singing at the same time and I'd be sorted with this hard chart in front of me. I started off simply at first but the more I practised the more I found my voice and fingers working together until it literally felt like they were 'one' and I was 'singing my flute'. Then when I took my voice out of it and all that remained was the sound of my flute that feeling of 'singing' still remained and I felt a freedom in my flute improvising that had been missing before. This discovery completely changed my jazz flute playing and to this day it is still my favourite way of practising improvising. 'Scatadoodledoo' is to encourage all Jazz flautists to start thinking of their flute as the voice they are scat singing with. The pieces range from grade one through to grade eight. Although the more advanced pieces like 'scatastrophy' and 'scatterbrain' have sections where the flautist has a chance to actually play and sing at the same time it is never too early to practice this method whether it be with scales or with beginner pieces like 'Scat Walker'. I hope you enjoy playing these as much as I enjoyed writing them.' Alicia Hart

Clever Cat at the Seaside follows on from Clever Cat the first volume in the series. Although the technical level is a little higher the format of each duet remains the same: virtually every note in the pupil's part is first played by the teacher in a higher or lower octave so encouraging correct fingering phrasing dynamics and articulation. For the most part the range of keys has been restricted to C F and G majors and their relative minors which will suit young players in their earliest years at the piano. his time Clever Cat enjoys all the pleasures that a day at the seaside can bring: the excitement of hoisting the pirate flag in The Boat Trip sleepycontentment in Watching the Waves exploring the ysteries of The Rock Pool and The Echoing Caves and the problem of sticky paws and whiskers in Candy Floss. The 15 descriptive and contrasting duets make delightful performance pieces. The CD - for listening and participating As well as providing play-along tracks for practice between lessons the CD contains enhanced performances of each duet which will bring the style and atmosphere of each piece alive. And as a bonus Clever Cat himself sings Candy Floss - a catchy song which will amuse performers and their audiences.

La référence FP 066 de l'éditeur Fertile Plaine dont l'auteur célèbre est Maldonado Raul, qui a pour titre Cancion catalan ( 2 flutes, 4 guitares ), a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Guitare. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Guitare / Partition

Fantasía Sinfónica-Vents Catalans (Catalan Winds) is a symphonic fantasy which while it does no directly reference any melody or song from Catalonian folk music still manages to convey all the life beauty and energy of this charming region in southern Spain. After a triumphant and majestic introduction reminiscent of folksongs and lively dances the mood calms down with an elegant yet playful melody followed by the Sardana the traditional Catalonian dance par excellence.

Gerard Lenorman's L'enfant Des Cathedrales for Voice and Piano. Composed by Renato Brioschi with original lyrics by G. D'Orazio and C. Minellono. French lyrics by Pierre Delanoe and Gerard Lenorman.

(from Cats)-The mysterious cat comes to life for in this quickly-learned arrangement for younger choirs from Mark Brymer. You may seek him in the basement you may look up in the air...But I tell you once and once again Macavity's not there! ShowTrax CD available. Performance Time: Approx. 3:00