Par HEIM NORMAN. This collection of Baroque music is arranged for the intermediate level clarinetist with the piano part being of equal skill level. The music is taken from keyboard, song and chamber music sources and represents quality Baroque styles circa 1625 - 1775. Composers include Johann S. Bach, Jean P. Rameau, Alessandro Scarlatti, G. F. Handel, Domenic Scarlatti, Antonio Vivaldi, C. P. E. Bach, and Johann J. Froberger. This music can be played by clarinetists for church, festival, school and leisure occasions. A separate clarinet solo pull-out part is included. / Niveau : Intermédiaire / Classique / Recueil / Clarinette

More Easy Classics to Moderns is a sequel to widely popular first volume, presenting 148 pieces by masters from the Baroque to the Modern period. As a result of the extended period of music history covered in this volume, beginning Pianists of all ages will discover material suited to their particular need. The pieces are simple enough to appeal to the beginning student as a first sight reading book. Even at University level, the student will find a rich source of material to supplement his study of theory and composition. Students, teachers, and all pianists should find these original miniatures valuable for study, recital, sight reading, or just relaxing musical entertainment of the highest caliber. / Piano

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the 'Mass in E flat'./ Répertoire / Solo T, Choeur SATB, Hautbois, 2 Clarinettes, 2 Ba

Missa Cellensis Hob.XXII:8 'Mass for Mariazell'Urtext: J. Haydn Werke Henle Verlag Score containing alsoMissa brevis Sti Joannis de Deo (Little Organ Mass) (Hob.XXII:7)Missa in Tempore Belli (Pauken Mass) (Hob.XXII:9)Missa Sti Bernardi von Offida (Heilig Mass) (Hob.XXII:10)Appendix: Inter alia the version of the Gloria from (Hob.XXII:7) from Michael HaydnIn March 1781 one of Haydn’s friends Anton Liebe a member of an old and distinguished Austrian military family was raised to the nobility. He seems to have asked his friend Joseph Haydn to write a festive “thankoffering” in the form of a Mass for the famous pilgrimage church of Mariazell in Styria. Haydn began the work in 1782 and recently the original parts to the Missa Cellensis were found in the organ loft of the splendid baroque church at Mariazell.Haydn’s “Mariazellermesse” has always been one of his most popular works. The “Volkstümlichkeit” (which one might translate as “down to-earthiness”) the miraculous fusion of polyphonic forms with the language and form of the Vienna classical school – note that the Kyrie is in sonata form with shortened recapitulation and coda – the brilliant orchestration to which the trumpets and drums contribute so much festive joyousness: all these have won the hearts of audiences everywhere whenever the Mass was given.- Urtext from Joseph Haydn Werke- Full score parts and vocal score available for sale

La collection Classical Piano Sheet Music Series est une compilation des morceaux de niveau intermediaire, avec une reliure a spirale facile a utiliser qui permet de poser la partition a plat et de tourner les pages en douceur. Decouvrez maintenant la version de l'ere baroque, classique et romantique arrangee pour les pianistes de niveau intermediaire.
The Avalanche, Op. 45, No. 2
Ballade, Op. 100, No. 15
Confidence, Op. 109, No. 1
The Doll's Burial, Op. 39, No. 7
First Loss (Erster Verlust), Op. 68, No. 16
Folk Melody (Im Volkston)
The Happy Farmer Returning From Work, Op. 68, No. 10
Humming Song, Op. 68, No. 3
Hunting Song (Jagerliedchen), Op. 68, No. 7
An Important Event, Op. 15, No. 6
In Church, Op. 39, No. 24
Inquietude, Op. 100, No. 18
Italian Song, Op. 39, No. 15
Little Piece, Op. 68, No. 5
Little Study (Kleine Studie), Op. 68, No. 14
Mamma, Op. 39, No. 4
Mazurka, Op. 68, No. 3
Melody, Op. 68, No. 1
Morning Prayer, Op. 39, No. 1
The New Doll, Op. 39, No. 9
Of Strange Lands And People, Op. 15, No. 1
Old French Song, Op. 39, No. 16
The Organ Grinder, Op. 39, No. 23
Prelude In A Major, Op. 28, No. 7
Prelude In B Minor, Op. 28, No. 6
Prelude In E Minor, Op. 28, No. 4
The Reaper's Song (Schnetterliedchen), Op. 68, No. 18
Sailor's Song, Op. 68, No. 1
The Sick Doll, Op. 39, No. 6
Sincerity (La Candeur), Op. 100, No. 1
Soldiers' March (Soldatenmarsch), Op. 68, No. 2
Sweet Dreams, Op. 39, No. 21
To A Wild Rose, Op. 51, No. 1
Traumerei, Op. 15, No. 7
Waltz In A-Flat Major, Op. 39, No. 15
Waltz In A Minor, Op. 12, No. 2
Waltz In A-Flat Major, Op. 9, No. 12
Waltz In B Minor, Op. 18, No. 6
The Wild Horseman (Wilder Reiter), Op. 68, No. 8
/ Partitions classique / Piano - instruments à clavier / Piano / HAL LEONARD

The Library Of Romantic Music is a comprehensive collection of the greatest works of the Romantic period. Featuring composers like Frédéric Chopin, Claude Debussy and Gabriel Fauré, the works represented here truly some of the most beautiful ever composed. Now they're all in one conveniently spiral-bound volume, arranged for solo Piano for your sheer playing pleasure.Like the Baroque and Classical periods before it, Romantic music existed within a broader artistic, intellectual and literary movement. Emerging in the early 19th century it reflected a time of preoccupation with things mystical, spiritual, legendary and supernatural. This collection comprises fantastic original Piano works and beautiful arrangements from all the greatest composers of this era, including: Albéniz, Berlioz, Bizet, Brahms, Chopin, Dvorák, Debussy, Elgar, Fauré, Grieg, Mahler, Liszt, Mendelssohn, Puccini, Ravel and so many more.Spanning the 19th century, the Romantic movement was a reaction to what had come before. Music proved to be a particularly rich medium of expression for a new Zeitgeist that prized individualism and spirituality. Drawing together composers whose background was as diverse as the music they created, the period proved to be a very broad church indeed. This makes The Library Of Romantic Music particularly exciting, because the extraordinarily rich and expressive music is collected here in a single volume that is durable, convenient and is sure to be a mainstay of your music stand.For a simply stunning compendium of some incredible pieces of music composed by the masters, The Library Of Romantic Music is essential. The greatest compositions from such a fantastically rich period have been collected in this single volume, perfect for pianists looking for beautiful additions to their repertoire. / Piano

Vivaldi's Kyrie RV 587 (BA 8950) is scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a Choral work without solo passages.Today the ?Gloria? RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period. Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period atthe Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Informative foreword (Ger/Eng).

Parti Orchestra. Par VIVALDI ANTONIO. The orchestral set contains: 3 copies of Vl I and 3 copies Vl II 2 copies of vla, 2 copies of cello 1 copy of organ, contrabass, trumpet and oboe. Today the Gloria RV 589 (BA 7674) is one of Vivaldi's best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the ; Gloria as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà, around 1716. In the twelve movements of the ; Gloria, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scored solo passages. Thesame mastery has also been applied to the ; Kyrie RV 587 (BA 8950), scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass./ Répertoire / Matériel D'Orchestre

HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale

Let the Trumpet Sound is a collection of 22 pieces from the great masters of three centuries in easy to moderately difficult arrangements for trumpet and organ by Jan van Beekum. With works by Purcell, Telemann, Handel, Bach, and others, the focus of the book is clearly in the Baroque era. But the Classical and Romantic periods are also well represented. The solemn character of many of the pieces makes them ideal for performance in church, but they are also ideal for formal concerts and recital evenings. Depending on the occasion, the organ accompaniment included in the music can also be played on the piano. The accompanying CD can be used for practice-or whenever an accompanist isn't available. All 22 pieces are recorded live: once complete with trumpet and organ- and once with just the organ accompaniment. / Trompette Et Piano