A collection of the most popular songs and traditional music celebrating love and marriage, arranged for piano, voice and guitar, complete with chord symbols and full lyrics where appropriate. Suitable for intermediate standard pianists. Includes Wagner's Bridal March , Schubert's Ave Maria , A Whiter Shade Of Pale by Procol Harum and The Power Of Love by Jennifer Rush. / Piano/Vocal/Guitare (PVG)

Arr. Philip Sparke. Par TRADITIONAL. This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for concert band retains all the beauty and simplicity of the original. This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his Harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for Concert Band retains all the beauty and simplicity of the original. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Volume 3: Improvisation-Here is a method that will train organists properly for the traditional role of accompanying hymns and providing suitable service music. It is a comprehensive approach that introduces the techniques of organ playing step-by-step.Aimed at pianists of grade 5 standard plus The Church Organist begins by introducing the organ - its console manuals and stops - before exploring the pedals good manuals and pedals technique coordinating hands with feet proper use of stops the basics of improvisation and many other skills important to today’s church organist. Christopher Tambling is Organist and Master of the Schola Cantorumof Downside Abbey. He was an organ scholar at Canterbury Cathedral and St Peter’s College Oxford and is a Fellow of the Royal College of Organists.

Volume 1: The Technique of Organ Playing-Here is a method that will train organists properly for the traditional role of accompanying hymns and providing suitable service music. It is a comprehensive approach that introduces the techniques of organ playingstep-by-step. Aimed at pianists of grade 5 standard plus The Church Organist begins by introducing the organ - its console manuals and stops - before exploring the pedals good manuals andpedals technique coordinating hands with feet proper use of stops the basics of improvisation and many other skills important to today?s church organist. Christopher Tambling was Organist andMaster of the Schola Cantorum of Downside Abbey. He was an organ scholar at Canterbury Cathedral and St Peter?s College Oxford and a Fellow of the Royal College of Organists. He died in 2015.

These new arrangements of 15 traditional songs are wonderful for a child's church solo or just for fun. Contents: Amazing Grace - Down in My Heart - I Would Be True - I'm in the Lord's Army - Jacob's Ladder - Jesus Loves Me - Jesus Loves the Little Children - Just As I Am - Oh How I Love Jesus - Tell Me the Stories of Jesus - This Is My Father's World - This Little Light of Mine - Trust and Obey - What a Friend We Have in Jesus - Zacchaeus.

The hymns in Church Hymns For Marimba are drawn from traditional European melodies American tunes and African-American Spirituals. They represent some of the most recognised tunes in Western music.Many of these hymns have been played during important events in history from funerals of American presidents to royal weddings and coronations. Some have even become the subject of legend: Nearer My God to Thee was allegedly the last hymn that the band played on the RMS Titanic before it sank.The four-mallet arrangements are all playable on a 4 and 13 octave low A Marimba. The hymn tunes and two-mallet arrangements can be played on Marimba Vibraphone or a standard set of orchestra bells.

The lively melodies of the traditional French carol Sing We Now Of Christmas play one with another in a brilliant ChoirTrax CD that is perfect for school church and community choirs. Festive and filled with joy!

The lively melodies of this traditional French carol play one with another in a brilliant setting that is perfect for school church and community choirs. Festive and filled with joy!

Uses: General Youth Choir Concert Scripture: John 5:4; Daniel 7:10; Matthew 26:53 This concert pleaser suitable for church and school choirs brings a cheerful jazzy quality to the new music paired with a traditional spiritualtext. The piano part also provides great fun for the accompanist.

Here's an exuberant a cappella feature, equally appropriate for school and church. Traditional choral writing, a familiar form, a characteristic bass line, and a soprano descant give this original composition its authentic spiritual sound. A contrasting middle section features reflective phrases from well-known 'Mary Had a Baby.' / Choeur SATB A Cappella

Messa d'morti. Par DURANTE FRANCESCO. The Requiem in C minor by Francesco Durante (1684–1755) is one of the most important works of this genre written in the first half of the 18th century. In his Messa de’ morti, Durante shows great creativity in combining traditional elements of church music with new ideas originating from instrumental writing and opera. The quality and originality of his Requiem make it an exciting rediscovery with the potential to establish itself as a core repertoire work of sacred choral music. Mainly known today as the teacher of Pergolesi and Paisiello, Durante spent much of his life working as music director at various conservatories in Naples and enjoyed great renown as achurch composer well into the 19th century. Despite its widespread popularity, indicated by the number of manuscript copies to be found across Europe, his Requiem never appeared in print. For this first publication, editor and leading British choral director Stephen Darlington has consulted many of the approximately 50 surviving sources of the work, presenting a critical edition which for the first time makes Durante’s Requiem available to a wider musical audience. - First publication - Urtext edition - Particularly suitable for smaller choirs and ensembles: soprano and alto solo, double choir (SSATB ATB) and strings (plus 2 horns in the Tuba mirum) - Full score and orchestral material also available (EP73044) The Requiem in C minor by Francesco Durante (1684–1755) is one of the most important works of this genre written in the first half of the 18th century. In his Messa de’ morti, Durante shows great creativity in combining traditional elements of church music with new ideas originating from instrumental writing and opera. The quality and originality of his Requiem make it an exciting rediscovery with the potential to establish itself as a core repertoire work of sacred choral music. Mainly known today as the teacher of Pergolesi and Paisiello, Durante spent much of his life working as music director at various conservatories in Naples and enjoyed great renown as achurch composer well into the 19th century. Despite its widespread popularity, indicated by the number of manuscript copies to be found across Europe, his Requiem never appeared in print. For this first publication, editor and leading British choral director Stephen Darlington has consulted many of the approximately 50 surviving sources of the work, presenting a critical edition which for the first time makes Durante’s Requiem available to a wider musical audience. - First publication - Urtext edition - Particularly suitable for smaller choirs and ensembles: soprano and alto solo, double choir (SSATB ATB) and strings (plus 2 horns in the Tuba mirum) - Full score and orchestral material also available (EP73044)./ Répertoire / Solistes, Choeurs et Piano

Brian Tate is a Canadian composer who also conducts a gospel and multicultural choir. His arrangements have become immensely popular year after year. This one will not disappoint. A cappella voices and percussion are all that isneeded to build this anthem from a soft solo start through a rousing lift to its satisfying end. Great for school or church use.