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Music Of Brahms For Clarinet (HEIM NORMAN)
28.80
Music Of Brahms For Clarinet (HEIM NORMAN)
Clarinette
Mel Bay
Arrangement: Heim Norman. Par HEIM NORMAN. Ce volume présente des oeuvres de cl...
(+)
Arrangement: Heim Norman. Par HEIM NORMAN. Ce volume présente des oeuvres de clavier et de chansons solos de Johannes Brahms arrangés pour clarinette solo avec accompagnement au piano. Neuf de ces oeuvres ont été soigneusement choisis pour rester dans les capacités de la clarinettiste de niveau intermédiaire. Dans la plupart des pièces la partie de la clarinette rend exxtensions brèves uniquement dans le registre altissimo soulignant plutôt notes dans les registres de deux inférieurs. Comme pour toutes les oeuvres de Brahms, les parties qui l'accompagne (ici le piano) sont importants et souvent sont d'égale importance avec la partie solo. Pour cette raison, la partie de piano nécessitera un interprète de la même capacité du clarinettiste. La musique présentée ici est de haute qualité et donne le clarinettiste intermédiaire intéressant de littérature à effectuer pour les concours ou les récitals. Comprend une partie distincte de solo pull-out. / Niveau : Débutant à Intermédiaire / Classic - Solos / Recueil / Clarinette
28.80 EUR - vendu par LMI-partitions
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Music of Brahms for Clarinet: Clarinet: Instrumental Album
18.99
Music of Brahms for Clarinet: Clarinet: Instrumental Album
Clarinette
[Partition]
-
Facile
Mel Bay
This volume presents keyboard works and solos songs by Johannes Brahms arranged ...
(+)
This volume presents keyboard works and solos songs by Johannes Brahms arranged for solo clarinet with piano accompaniment. These nine works have been carefully chosen to stay within the abilities of the intermediate levelclarinetist. In most pieces the clarinet part makes only brief exxtensions into the altissimo register emphasizing instead notes in the lower two registers. As with all works of Brahms the accompanying parts (here the piano) areprominent and often are of equal importance with the solo part. For this reason the piano part will require a performer of equal ability to the clarinetist. The music presented here is of high quality and gives the intermediateclarinetist interesting literature to perform for contest or recitals. Includes a separate pull-out solo part.
18.99 GBP - vendu par Musicroom GB
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Johannes Brahms: Brahms - Clarinet Quintet in B minor Op. 115: Clarinet
23.99
Johannes Brahms: Brahms - Clarinet Quintet in B minor Op. 115: Clarinet
Ensemble de Clarinettes
[Partition + Accès audio]
Music Minus One
2-CD Set-Brahms' magnificent B-minor Clarinet Quintet is one of the summits of t...
(+)
2-CD Set-Brahms' magnificent B-minor Clarinet Quintet is one of the summits of the chamber repertoire for clarinet. It is in many ways an homage to Mozart's classic quintet for clarinet. Not to be overlooked by any serious clarinetist. This deluxe 2-CD set includes the quintet in its original key with printed parts for both A and B-flat clarinets and adds a repitched version for B-flat clarinetists allowing players of that instrument to learn the same fingerings as the composer's intended A clarinet for performance purposes. Includes a high-quality newly engraved printed music score with parts in the original key for both A clarinet and B-flat clarinets plus a compact discwith a complete recording of the quintet with soloist and a second performance minus the soloist. Also includes a second compact disc containing a recording of the quintet repitched to allow B-flat clarinetists to play the original written part for A-clarinet. Performed by Collete Galante clarinet Accompaniment: The Classic String Quartet
23.99 GBP - vendu par Musicroom GB
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Sonatas Op. 120 For Clarinet And Piano
32.10
Sonatas Op. 120 For Clarinet And Piano
Alto, Piano
G. Henle
We owe a debt of gratitude to the clarinettist Richard Mühlfeld for making the ...
(+)
We owe a debt of gratitude to the clarinettist Richard Mühlfeld for making the elderly Brahms so interested in his instrument. In the 1890s the composer wrote the Trio op. 114, the Quintet op. 115 and the Sonatas op. 120 - three gems in the clarinet chamber music repertoire. Brahms also provided a part for viola as an alternative to the clarinet. The revision of our edition of the viola version of opus 120 is based on the musical text of the New Brahms Complete Edition and in many respects contains significant improvements: we were able to consult the autograph for the first time - the newly set piano score now contains the viola part - and viola players can benefit from fingerings and bowings by Tabea Zimmermann in the solo part. / Alto Et Piano
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GERMAN COLLECTION 45 CLASSIC COMPOSITIONS SOLO PIANO
24.40
GERMAN COLLECTION 45 CLASSIC COMPOSITIONS SOLO PIANO
Piano seul
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Intermédiaire/avancé
Chester
A superb 160 page volume packed with solo Piano arrangements of great German mus...
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A superb 160 page volume packed with solo Piano arrangements of great German music from the 17th to the 20th Centuries. <br> <br>A specially written foreword places the music in historical and national context and includes biographical details of many of the featured composers. The arrangements are intended for the intermediate to advanced player but the book will give any pianist a unique practical and historical insight into Germany's immense contribution to the international world of music. / Classique / Partition /
24.40 EUR - vendu par Note4Piano
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Sonata For Violin And Piano A Major Op. 100
17.60
Sonata For Violin And Piano A Major Op. 100
Violon et Piano
Barenreiter
Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositi...
(+)
Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano
17.60 EUR - vendu par LMI-partitions
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Sonata Movement For Violin And Piano C Minor Woo 2
15.80
Sonata Movement For Violin And Piano C Minor Woo 2
Violon et Piano
Barenreiter
Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositi...
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Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano
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Sonata For Violin And Piano D Minor Op. 108
17.60
Sonata For Violin And Piano D Minor Op. 108
Violon et Piano
Barenreiter
The Works for one Instrument and PianoJohannes Brahms' compositions for one inst...
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The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano
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Johannes Brahms: Intermezzo Op. 118 No. 2: Clarinet Solo: Instrumental Album
15.99
Johannes Brahms: Intermezzo Op. 118 No. 2: Clarinet Solo: Instrumental Album
Lauren Keiser Music Publishing
Transcription of Brahms' Intermezzo from his Six Pieces for Piano Op. 118. The ...
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Transcription of Brahms' Intermezzo from his Six Pieces for Piano Op. 118. The clarinetist may choose to perform in the original key of A with parts provided for A and B-flat clarinets; or in an alternate version in B-flat(includes transposed piano score and B-flat clarinet part).
15.99 GBP - vendu par Musicroom GB
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Sonaten Op. 120/1 U. 2 (BRAHMS JOHANNES)
32.80
Sonaten Op. 120/1 U. 2 (BRAHMS JOHANNES)
Divers
[Partition + CD]
Hal Leonard
Par BRAHMS JOHANNES. Performed by Jerome Bunke, clarinet Accompaniment: Hidemits...
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Par BRAHMS JOHANNES. Performed by Jerome Bunke, clarinet Accompaniment: Hidemitsu Hayashi, piano Favorites of clarinetists and pinnacles of the repertoire, these two sonatas are always popular on recital programs everywhere. Hear the piece performed by American virtuosoJerome Bunke, then you play them again with his accompanist. Presented here in the original key with printed parts for B-flat clarinets, this 2-CD set includes complete reference performance, piano accompaniments, plus a slow-tempo practice version of the accompaniments to help you as you learn the piece! Includes an expansive, newly engraved music score for B-flat clarinet, printed on high-quality ivory paper; and twocompact discs containing a complete version with soloist, in digitally remastered stereo; then a second version in digitally remastered stereo of the accompaniment, minus the soloist; plus a -20% slow-tempo version for practice purposes./ Répertoire / Divers
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Richard-camus Aude - Clarinette 20-21 + Cd
36.00
Richard-camus Aude - Clarinette 20-21 + Cd
En Français
Clarinette
-
Intermédiaire/avancé
Lemoine, Henry
Partition pour clarinette Style : contemporain Nombre de pages : 32 11 Niveau ...
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Partition pour clarinette Style : contemporain Nombre de pages : 32 11 Niveau : 4 Quelle chance nous avons de pouvoir jouer une musique qui vient d'être composée ! Que ne donnerions nous pas pour pouvoir rencontrer Schubert, Mozart ou Mahler, afin que, sur leurs conseils, notre jeu traduise bien ce qu'ils ont voulu exprimer !
Malgré cette proximité avec les compositeurs, j'entends souvent dire qu'il est nécessaire d'avoir une érudition spécifique pour pouvoir jouer de la musique contemporaine et l'apprécier. Le plus difficile au départ est de partir d'une feuille vierge, car nous n'avons pas de référence, ni de mémoire concernant cette musique, contrairement à une ?uvre de Brahms par exemple, dans laquelle nous pouvons retrouver une histoire, un héritage qui est en nous. L'approche de la musique contemporaine est donc forcément déroutante car elle n'est pas enracinée dans un vécu.
Pourtant, la démarche musicale me semble être la même en ce qui concerne la qualité de jeu, que l'?uvre jouée soit de style baroque, romantique, moderne ou contemporain.
L'expression et le discours musical sont les fils conducteurs, alliés à un respect du texte qui ne doit pas être laissé au hasard. Peu à peu nous créons notre histoire, en nous appropriant ce nouveau langage.
Ce recueil, fruit d'une collaboration très étroite avec chaque compositeur, fournit les clés nécessaires pour permettre la maîtrise des besoins instrumentaux spécifiques et pour accéder à la compréhension musicale des ?uvres. Ainsi, le choix de présenter différentes tablatures me paraissait important afin de confronter les élèves aux différentes annotations existantes. L'enregistrement des pièces sur CD est une référence supplémentaire.
Vous trouverez dans ce recueil un ensemble de pièces pour clarinette seule, de duos pour clarinettes et de pièces pour clarinette et piano, la plupart n'excédant pas deux minutes. Certaines pièces sont d'écriture plutôt classique comme Un, deux, trois? de E. Danajloska ou L'Arbre de P. Schoeller, d'autres font appel à des techniques de jeu contemporaines (sons multiphoniques, vibrato, flatterzungen, quarts de tons), comme Ondes de A. Posadas, Echoing Forest de F. Tanada, Double de J. L. Hervé ou Blues de B. Mantovani. Pour finir vous pourrez expérimenter l'improvisation contemporaine grâce à la pièce de C. Crousier Brouillasse-Broussaille.
Le choix des compositeurs s'est porté sur des artistes reconnus sur la scène internationale avec lesquels j'ai l'habitude de travailler avec l'ensemble L'Itinéraire . Je remercie chacun d'eux d'avoir accepté de participer à ce fabuleux projet de transmission et de création. Je remercie aussi Maryvonne Le Dizès pour son aide précieuse.
Aude Richard-Camus Contenu : TANADA Fuminori: Echoing Forest (clarinette solo) - POSADAS Alberto: Ondes (clarinette solo) - MANTOVANI Bruno: Blues (clarinette solo) - DANAJLOSKA Evdokija: Un, deux, trois? (clarinette et piano) - SCHOELLER Philippe: Horizons A (2 clarinettes) - L'Arbre (clarinette et piano) -Horizons-tal (2 clarinettes) - Etoiles (clarinette solo) - HERVE Jean-Luc: Double (2 clarinettes) - CROUSIER Claude: Brouillasse (clarinette solo) - Broussaille (clarinette solo)
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15 Intermediate Classical Solos - Clarinette and Piano + Cd
20.99
15 Intermediate Classical Solos - Clarinette and Piano + Cd
Clarinette et Piano
[Partition + CD]
Anglo Music
15 Intermediate Classical Solos, de Philip Sparke, est un ouvrage qui s'adresse ...
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15 Intermediate Classical Solos, de Philip Sparke, est un ouvrage qui s'adresse aux jeunes musiciens, maîtrisant un peu plus d'une octave et demie. Il fait suite au recueil 15 Easy Classical Solos, et a été conçu pour être joué en corrélation avec la série Expert Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment.Spécifiquement adapté à chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Hændel, Tchaïkovski, Clémenti et Brahms.Comprenant les parties d'accompagnement de piano et une version d'accompagnement sur compact disc, ces ouvrages représentent une source complémentaire inestimable à toute méthode pédagogique. Largo from 'Xerxes' Songs My Mother Taught Me from 'Gypsy Songs' Minuet No. 2 from 'Notebrook for Anna Magdalene Bach' La Cinquantaine from 'Two Pieces for Cello and Piano' See the Conquering Hero Comes from 'Judas Maccabeus' Sonatina Op. 36, no. 1 Serenata from 'String Quartet Op. 3, No. 5 Tambourin from '2nd Suite in E Minor' Waltz from 'Album for the Young' Sonatina from 'Six Pieces Op. 3' Gavotte from 'Paride ed Elena' Sonata Op. 118, No. 1 Serenade from 'Schwanengesang D 957' Sonatina Anh. 5, No. 1 Bourr'e from 'Flute Sonata HWV 363b'
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Johannes Brahms: Sonaten Für Klarinette und Klavier Op. 120: Clarinet:
17.40
Johannes Brahms: Sonaten Für Klarinette und Klavier Op. 120: Clarinet:
Peters
CD: Klavier-Begleitung zur Solostimme - MusicPartner - Klassik zum Mitspielen
17.40 GBP - vendu par Musicroom GB
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Coffret Great
115.30
Coffret Great
Piano seul
[Partition]
-
Intermédiaire
Amsco Wise Publications
Une superbe collection de 180 solos de piano. Ce coffret rassemble des standards...
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Une superbe collection de 180 solos de piano. Ce coffret rassemble des standards de jazz, de blues et de pop mais aussi des BO de film, des comédies musicales, des piéces classiques et populaires. Consiste en un ensemble de quatre livres (noir, bleu, violet et rouge) de cette collection dans un coffret en édition spéciale. Les quatres volumes sont également disponibles séparément. / Piano/Vocal/Guitare (PVG) / Partition
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Sonata Op. 120/1
Clarinette et Piano
Carl Fischer
Cette nouvelle série playalong vraiment faire pratiquer plus productif ! C'est ...
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Cette nouvelle série playalong vraiment faire pratiquer plus productif ! C'est une édition claire, avec un accompagnement piano musicalement exact et expressif sur CD. En outre, pour la plupart des morceaux plus faciles, le soutien figure utilement à la fois une pratique plus lente et un tempo de la performance. Cette pièce est au niveau de la ' Artisan ' (Grades 6-8 standard - grades de UK approximatives) de la série de Solo de CD. / Clarinette Et Piano
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Sonata Op. 120/2
Clarinette et Piano
Carl Fischer
Cette nouvelle série playalong vraiment faire pratiquer plus productif ! C'est ...
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Cette nouvelle série playalong vraiment faire pratiquer plus productif ! C'est une édition claire, avec un accompagnement piano musicalement exact et expressif sur CD. En outre, pour la plupart des morceaux plus faciles, le soutien figure utilement à la fois une pratique plus lente et un tempo de la performance. Cette pièce est au niveau de la ' Artisan ' (Grades 6-8 standard - grades de UK approximatives) de la série de Solo de CD. / Clarinette Et Piano
37.40 EUR - vendu par LMI-partitions
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Thompson Easiest Piano Course First Classics
12.00
Thompson Easiest Piano Course First Classics
Piano seul
[Partition]
Willis Music
Classés de travailler aux côtés du cours de Piano plus facile, ces pièces so...
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Classés de travailler aux côtés du cours de Piano plus facile, ces pièces sont idéales pour les élèves atteignant deux partie et vers le haut. Ils ont une valeur inestimables pour sécuriser la technique de base en même temps que l'élaboration de la musicalité et la jouissance. / Piano / 32 pages / Partition
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The Joy Of Easy Classics (With Cd)
20.60
The Joy Of Easy Classics (With Cd)
Piano seul
[Partition + CD]
Yorktown Music Press
The Joy Of Easy Classics is a wonderful collection of popular classics arranged ...
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The Joy Of Easy Classics is a wonderful collection of popular classics arranged for easy Piano including Air on the G String, The Blue Danube, Hallelujah Chorus, Ode to Joy and The Dance of the Sugarplum Fairy . This CD edition includes newly-recorded, high-quality performances of the music to be found in the book. These tracks demonstrate how the pieces should sound and, in some cases, provide a piano part with which the student can play along. The Joy Of... series is a constantly growing collection of musical editions that is now recognised and loved throughout the world. Under the editorial guidance established by renowned teacher, arranger and musicologist Denes Agay, the series covers a wide variety of musical genres including the classics, folk, jazz, blues, ragtime and children's music. Students and teachers all over the world have welcomed The Joy Of... books for their imaginative choice of material, consistent settings and accessible, large-format style. New titles are constantly being added to an already extensive range, ensuring that the series continues as a vital growing treasury of the world's best music. / Piano
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Abrsm Selected Piano Exam Pieces : 2013 - 2014 - Grade 8 - Book
44.80
Abrsm Selected Piano Exam Pieces : 2013 - 2014 - Grade 8 - Book
Piano seul
[Partition + CD]
ABRSM Publishing
Cet album contient neuf pièces de ABRSM de 2013 et 2014 syllabus Piano Grade 8....
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Cet album contient neuf pièces de ABRSM de 2013 et 2014 syllabus Piano Grade 8. Caractéristiques principales: Trois pièces de chacune des listes A, B et C. Répertoire attrayant et varié. Edité avec soin et clairement présentées tout au long. Informations utiles sur les pièces et l'examen. Performances mettant en vedette CD par les plus grands pianistes professionnels. / Piano
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Abrsm Selected Piano Exam Pieces : 2013 - 2014 - Grade 8 - Book Only
16.90
Abrsm Selected Piano Exam Pieces : 2013 - 2014 - Grade 8 - Book Only
Piano seul
[Partition]
ABRSM Publishing
Cet album contient neuf pièces de ABRSM de 2013 et 2014 syllabus Piano Grade 8....
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Cet album contient neuf pièces de ABRSM de 2013 et 2014 syllabus Piano Grade 8. Caractéristiques principales: Trois pièces de chacune des listes A, B et C Répertoire attrayant et varié Edité avec soin et clairement présentées tout au long Informations utiles sur les pièces et l'examen / Piano
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Sonata In E Flat Op.120 No.2: Viola: Instrumental Work
9.99
Sonata In E Flat Op.120 No.2: Viola: Instrumental Work
Simrock
Johannes Brahms' late work for Clarinet and Piano the Sonata in E Flat Op.120 N...
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Johannes Brahms' late work for Clarinet and Piano the Sonata in E Flat Op.120 No.2 also for Viola and Piano. The solo Clarinet and Viola parts are also included on separate inserts.
9.99 GBP - vendu par Musicroom GB
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1001 All-Time Hit Songs
60.30
1001 All-Time Hit Songs
Ligne De Mélodie, (Paroles) et Accords
[Partition]
Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...
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Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
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