Par MONTEVERDI CLAUDIO. Monteverdis 'Marien-Vesper', das erste große Oratorium der Musikgeschichte, noch vor wenigen Jahrzenten ein nahezu unbekanntes Werk, zählt heute zum festen Bestand des internationalen Musiklebens. Bislang fehlte eine praktische Ausgabe des Werkes, die einerseits die historischen und stilistischen Forderungen der Originalausgabe von 1610 erfüllt, anderseits nicht vor einer Anpassung an die Gegebenheiten der konzertanten Praxis des 20. Jahrhunderts zurückschreckt. Unter diesem Gesichtspunkt hat Jürgen Jürgens, Gründer und Leiter des Monteverdi - Chores Hamburg, als Resultat intensiven Quellenstudiums und mehrjähriger praktischer Erprobung, die erste 'Praktische Urtext-Ausgabe' dieses Werkes vorgelegt, für dessen Einspielung auf Schallplatte er gleich drei Preise erhielt: Grand Prix du Disque, Preis der englischen Schallplattenkritik, Schallplatte des Jahres - High Fidelity, USA. Die Partitur kommentiert ausführlich Geschichte, Quellen und Bestimmung des Werkes sowie die Aufführungspraxis, welche u.a. auch auf eine bewusste Doppelkonzeption hinweist: eine authentische Alternativ-Besetzung besteht in Singstimmen und Basso continuo ohne instrumentale Mitwirkung. Die bei Monteverdi unumgänglich notwendigen aufführungspraktischen Vorschläge sind vom Urtext deutlich abgehoben, der bezifferte Bass ist realisiert und ein Verzeichnis der abweichenden Lesarten innerhalb der zeitgenössischen Quellen ist beigegeben. Das Orchestermaterial wird in Kürze käuflich erhältlich sein; als Studiermaterial dient neben der Partitur eine Art 'Auszug', der außer den solistischen und chorischen Vokalstimmen auch den ausgesetzten Basso continuo enthält./ Répertoire / 2 Sopranos, Alto, 2 Ténors, 2 Basses Solo, chœur e

The Musical Dramas Of Claudio Monteverdi-Claudio Monteverdi (1567-1643) was the first great opera composer and is often hailed as the creator of modern music. His genius was often likened to that of Mozart Wagner and Verdi but in many of the world's opera houses hisoperas often receive an almost chilly respect far removed from the nearly universal love aroused by those later masters. This book the first layperson's guide to Monteverdi seeks to stimulate appreciation for his operas byexamining them not as musicological relics but as the vital theatrical experiences they are. Ringer places Monteverdi's operatic works within the musical and theatrical framework of his era offering a brief sketch of thecomposer's early years and detailing the complex forces that led to the emergence of opera in late sixteenth-century Florence. Opera's First Master enables opera lovers to see and hear Monteverdi's masterpieces anew whileopening new channels of inquiry into how Monteverdean opera “works” in the theater.

2 Solo Sopranos, 2 Solo Altos, 3 Solo Tenors, 2 Solo Basses, Mixed Choir and Orchestra. Par MONTEVERDI CLAUDIO. Scholarly-critical Urtext edition orientated towards performance practice. Detailed critical commentary (Eng) in the full score. Movements 10, 13 and 14 are included in their original high clef in the appendix of the full score. These movements are also available with Piano reduction as print-on-demand. Claudio Monteverdi’s “Vespro della Beata Vergine” is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings, it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas, under thedirection of the Monteverdi specialist Hendrik Schulze. The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led, for instance, to a divergent evaluation of the “Lauda Jerusalem” oriented towards performance practice, with numerous additional accidentals and a new interpretation of the melodic variants from the different part books. These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible. Full score & performance material available for sale./ Répertoire / 2 Solo Sopranos/3 Solo Ténors/2 Solo Basses/Orches

from the Opera L'Orfeo. Par MONTEVERDI CLAUDIO. Claudio Monteverdi (1567-1643) a composé cette toccata instrumentale pour l’ouverture de son opéra tragique L’Orfeo (1607). Selon le souhait du compositeur, cette pièce d’introduction doit être jouée trois fois rideau baissé. Ce faisant, Monteverdi a composé la première ouverture dans l’histoire de l’opéra. Cet arrangement pour Orchestre d’Harmonie est idéal pour débuter un concert. Fidèle à la version originale, la Toccata est interprétée trois fois dont la première par un quintette composé de trois trombones et de deux trompettes. / Niveau : 3 / Répertoire / Concert Band ou Harmonie

Monteverdi, Claudio Combattimento di Tancredi e Clorinda (from ?Madrigali Guerrieri e Amorosi. Libro VIII?) Author: Claudio Monteverdi (1567-1643) Editor: Andrea Bornstein Publication Date: 2002 Collana: Odhecaton Edition: Set of Parts (Voices, Vl I-II, Vla, Vc, Cb, Bc) Pages: pp. 52 Size: 210x297 mm Binding: Saddle stitching ISMN: 979-0-2153-1042-1 Codice: ODH 14B

Par MONTEVERDI CLAUDIO. / Classics / Date parution : 2020-10-15/ Recueil / 3 Saxophones

Cello Double Bass-Claudio Monteverdi?s Vespro Della Beata Vergine is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under the direction of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem?oriented towards performance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.- Scholarly-critical Urtext edition orientated towards performance practice- Detailed critical commentary (English) in the full score- Movements 10 13 and 14 are included in their original high clef in the appendix of the full score.- These movements are also available with Piano reduction as copy on request.

Viola 3-Claudio Monteverdi?s Vespro Della Beata Vergine is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under the direction of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem?oriented towards performance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.- Scholarly-critical Urtext edition orientated towards performance practice- Detailed critical commentary (English) in the full score- Movements 10 13 and 14 are included in their original high clef in the appendix of the full score.- These movements are also available with Piano reduction as copy on request.

Set of Woodwind Instruments-Claudio Monteverdi?s ?Vespro della Beata Vergine? is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts.The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under the direction of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem? oriented towardsperformance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.Scholarly-critical Urtext edition orientated towards performance practiceDetailed critical commentary (Eng) in the full scoreMovements 10 13 and 14 are included in their original high clef in the appendix of the full score.These movements are also available with piano reduction as copy on request

Basso Continuo-Claudio Monteverdi?s Vespro Della Beata Vergine is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under the direction of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem?oriented towards performance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.- Scholarly-critical Urtext edition orientated towards performance practice- Detailed critical commentary (English) in the full score- Movements 10 13 and 14 are included in their original high clef in the appendix of the full score.- These movements are also available with Piano reduction as copy on request.

An opera from 1607 by Claudio Monteverdi and edited by Denis Stevens. This setting of the story of Orpheus and Euridice is for full renaissance/baroque orchestra.

Claudio Monteverdi: Gloria A 7 for SSATTBB (choir and/or soli) with strings and continuo and optional trombones Orchestral material is available on hire.

Lamento Della Ninfa by Claudio Monteverdi arranged by Marion Vree for TTB with Soprano solo.

Critical Edition-This is a critical edition of Claudio Monteverdi's Il Quinto Libro De Madrigali by Karin Jacobsen and Jens Peter Jacobsen. For 5-part Mixed Chorus and Basso Continuo.