| Cello Chords, Rhythms And
Backups Violoncelle [Partition + Accès audio] - Intermédiaire/avancé Mel Bay
for Fiddle Tunes. Eclectic cellist, Renata Bratt, has written the ultimate book ...(+)
for Fiddle Tunes. Eclectic cellist, Renata Bratt, has written the ultimate book for the fiddling cellist, this time from the perspective of an accompanist. Herein, you'll find the theoretical and technical foundation for everything you need to creatively back up the lead players in a fiddle jam session, not to mention playing the lead yourself. This progressive method includes detailed fingerings and bowings for traditional fiddle tunes like: Salt Creek, Jenny Dang the Weaver, The Water Is Wide, The Girl I left Behind Me, The Road to California, Mason's Apron, and Green Grows the Laurel - plus three jigs and a slip-jig. Accompaniment elements include single chord-tone backup, bluegrass bass style, 2 and 3-note chords and arpeggios in the common fiddling keys, one and two-measure rhythmic bowing patterns, the Charleston rhythm, the traveling beat, and many variations of the ever-popular chop bowing technique. With the knowledge and experience conveyed by this book, a cellist can become a valuable asset to any musical group no matter the style! Includes access to 100 online audio tracks expertly played by the author. / Niveau : Intermédiaire à Avancé / Date parution : 2020-04-11/ Etude / Violoncelle
26.13 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Restart
Clarinette [Partition + CD] - Facile Amsco Wise Publications
Restart Clarinet guides returning players through 12 specially selected pieces t...(+)
Restart Clarinet guides returning players through 12 specially selected pieces to bring them successfully back up to speed with the Clarinet at their own enjoyable pace. With additional exercises, tips and theory reminders, lapsed clarinettists will find the learning curve engaging and rewarding yet flexible, with special focus paid to common issues such as tone, voicing techniques and remastering the embouchure. The Restart series of books are written by specialist practising teachers for people rediscovering the joy of playing music again. Each title comes complete with an accompanying CD of popular and classical backing tracks and online support materials. / Clarinette
22.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Grayston Ives: Holy
Communion Common Worship:
Mixed Choir Royal School of Church Music 3.95 GBP - vendu par Musicroom GB |
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| Poul Rovsing Olsen:
Alapa-Tarana Op. 41:
Mezzo-Soprano: Vocal Work [Vocal Score] Wilhelm Hansen
Alapa-Tarana Op.41 for Mezzo-Soprano and Percussion was composed by Poul Rovsing...(+)
Alapa-Tarana Op.41 for Mezzo-Soprano and Percussion was composed by Poul Rovsing Olsen in 1959. Programme note: I was encouraged by the singer Jolanda Rodio to write a piece for mezzo-soprano and percusÂsion. In my mind the idea immediately awoke associations of Indian or Arab music in which the combination of drums together with either an instrument or voice is very common. In a solo performance (as opposed to choral and ensemble performances) the piece is called a 'raga' or a 'macam'. A 'raga' or 'macam' is a scale and at the same time a number of melodic formulas. Further more it is a spiritual concept a specific'raga' or 'macam' expressing a specific emotion. My piece is not based on any traditional Indian 'raga' or Arab 'macam'. The 'raga' in my piece is entirely my own invention. The title is derived from Indian music an ''Alapa' being the first unaccompanied part of a 'raga'. Traditionally in the 'Alapa' the characteristics of the 'raga' are first presented improvisationally without strict metre followed by a section in which the drums set in. The latter can have various forms. I have chosen a variation form called 'Tarana'. (Poul Rovsing Olsen 1960)
11.99 GBP - vendu par Musicroom GB |
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| Star Edwards: Folk Harp
For The Young Beginner:
Harp: Instrumental Work Guitare [Partition + Accès audio] - Débutant Mel Bay
Folk Harp for the Young Beginner is designed for beginning harpists with no prio...(+)
Folk Harp for the Young Beginner is designed for beginning harpists with no prior musical experience. The book presents two new methods for reading notation built around recognizing common musical patterns over traditionalsingle note reading. Each group of songs has fun engaging exercises that will build the student’s coordination and confidence. The material draws from timeless melodies from classical Renaissance Celtic English old-timeand traditional folk repertoire. Topics covered in this method include: How to tune the harp Reading music notation and counting rhythm including two methods for reading ledger linesRecognizing basic fingering and bass patterns Changing keys with sharping levers Using brackets to help see note patterns Chord inversions Additional resources include rhythm practiceand workout pages to test your musical knowledge. Helpful reference photos can also be found inside. Includes access to online audio.
18.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| 15 Solos For Harp Vol.2 Harpe [Partition] Mel Bay
This book is the second volume of arrangements for the Celtic harp by MonikaMand...(+)
This book is the second volume of arrangements for the Celtic harp by MonikaMandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, followsPlayford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a 'snapshot in time'. Her workemphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, Scot Cap (Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), Jenny Pluck Pears, Remember Me My Deir, Enfield Common, The Sword Dance, and Drive the Cold Winter Away. This book is the second volume of arrangements for the Celtic Harp by Monika Mandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type ofmusic is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic Harp. Thereby, Mandelartz points out that her arrangementsconstitute a 'snapshot in time'. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, ScotCap(Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), JennyPluckPears, Remember Me My Deir, Enfield Common, The Sword Dance and Drive the Cold Winter Away./ Recueil / Harpe
13.79 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Reza Vali: Segah: Double
Concerto: Orchestra and
Solo: Score Orchestre Lauren Keiser Music Publishing
Full Score-The Persian traditional music (called the Dastgah Segah) is based on ...(+)
Full Score-The Persian traditional music (called the Dastgah Segah) is based on intervals made of three quarter-tones and natural whole-tones. Segah has no interval in common with the European/ Western equal-temperament tuning. This lack of common intervalsbetween the Segah mode and the equal-temperament tuning will lead to a cognitive dissonance if this mode is set against the equal-temperament system. My goal has been to elaborate on the innate tensions that exists between the two interval systemsand use it as a symbol for the existing political and cultural tensions between the Persian and the Western cultures. The piece consists of two Persian traditional instruments the Ney (Persian vertical bamboo flute) and the Kamanche (Persian spikefiddle) as the musical representatives of the Persian culture set against the Western orchestra as the musical representative of the Western culture. A small ensemble of Western instruments consisting of a harp and string quintet accompanies thePersian instruments. The harp is tuned to the Segah intervals and the string quintet plays in the Segah mode. The orchestra is performing inthe Western equal- temperament tuning. From the very first bars of the main section of the piece confusionsand misunderstandings arise. The orchestra being unable to play in Segah or understand the mode becomes more and more agitated. Musical tensions between the soloists and the orchestra lead to musical confrontations and finally to musicalviolence. The orchestra becomes extremely violent and militaristic and tries to suppress the soloists efforts to express their musical thoughts. In the midst of all these confusions and cultural misunderstandings musical connections and attractionsstart to take place. The orchestra and the soloists find themselves musically attracted to each other and start imitating each others musical phrases. Cognitive dissonances start to be gradually transformed to musical dialogues symbolizing thegradual replacement of the clash of civilizations with the dialogue of civilizations. Segah was written for Khosrow and Kian Soltani and premiered at the Segah Festival on January 15 2016.
156.99 GBP - vendu par Musicroom GB |
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| Scottish Folk Tunes for
Accordion Accordéon [Partition + CD] - Intermédiaire Schott
This book is a mixture of traditional and contemporary tunes from the Scottish a...(+)
This book is a mixture of traditional and contemporary tunes from the Scottish accordionists' repertoire.
It explores the common tune types played in Scotland, i.e. the Jig, reel, strathspey, slow air, waltz, march and polka. Some tunes are arranged in a traditional, dance music style where others have been set with a more contemporary feel as used by the author and many of the ?new age? of Scottish accordionists. Strong emphasis has been placed on the use of the left hand to enhance the style and arrangement.
Ian Lowthian was brought up steeped in the Scottish accordion tradition; he is a graduate of the Royal Academy of Music who, since leaving, has concentrated mainly in traditional music as a performer, teacher and composer. / Musiques du monde / Partition CD / Agrafé /
20.50 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur |
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| 15 Solos For Harp Volume
2: Harp: Instrumental
Album Harpe - Intermédiaire/avancé Mel Bay
This book is the second volume of arrangements for the Celtic Harp by Monika Man...(+)
This book is the second volume of arrangements for the Celtic Harp by Monika Mandelartz. The material encompasses diverse songs and tunes from the British Isles commonly described as 'Celtic Music'.This type ofmusic is often associated with the English publisher John Playford. In the 17th century he published The English Dancing Master which contains traditional music as well as tunes of his day (up to the Renaissance).AuthorMonika Mandelartz a specialist in historical performance practice follows Playford's tradition by arranging parts of the collection for Celtic Harp. Thereby Mandelartz points out that her arrangementsconstitute a 'snapshot in time'. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars ScotCap(Edinburgh Castle) Upon a Summer's Day Parson's Farewell Welcome Home Old Rowland Dissembling Love (The Lost Heart) An Italian Rant Porter's Lament Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace) JennyPluckPears Remember Me My Deir Enfield Common The Sword Dance and Drive the Cold Winter Away.
9.99 GBP - vendu par Musicroom GB |
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| John Renbourn Stefan
Grossman: Under The
Volcano: Recorded
Performance Guitare notes et tablatures [Partition + CD] Grossman's Guitar Workshop
'The material is a mix of traditional and original the playing superb. Grossman...(+)
'The material is a mix of traditional and original the playing superb. Grossman and Renbourn combine their talents and mix of styles here to produce appealing instrumental music of rare beauty and taste.' AllMusic.comOn their duet records John Renbourn and Stefan Grossman meet on the common turf of American blues and Celtic fiddle tunes and airs. Under The Volcano is a collection of seven duets. Including an extended four-part work for which the album is named and one solo by each of the players the album has what has come to be the characteristic sound of the duo. Reflecting what Stefan quite accurately describes as 'aninterweaving of styles ' it is quite difficult and somewhat pointless to tell which of the two is playing the lead in most parts of the album. The original compositions are at once down-home and high-flown brimming with contrapuntal funkiness and the music manages to sound both loose and precise. Grossman and Renbourn contribute equally to the composition and arrangement of the traditional material. They aren't uptight about overdubbing or using the occasional electric guitar texture. But the lingering impression is one of crisp snapping strings and air being moved by wooden-boxed guitars.Track Listing:1. Idaho Potato2. Medley: Sheebeg An Sheemore & Drunken Wagoner3. Under The Volcanoa) Resurrection of Blind Joe Deathb) Four for the Rosesc) Montagu's Pactd) Rights of Man4. Medley: Bonaparte's Retreat & Billy In The Lowgrounds5. Swedish Jig6. Water Gypsy7. All Things Parallel Must Converge8. The Blarney Pilgrim9. Mississippi Blues No. 3(All tunes except for 'Bonaparte's Retreat' have been transcribed and included in a pdf tab/music booklet on the CD)
9.95 GBP - vendu par Musicroom GB |
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| Favorite Hymns - Book
Three: Piano:
Instrumental Album Piano seul Kjos Music Company
Although intended for young pianists Favorite Hymns features arrangements of be...(+)
Although intended for young pianists Favorite Hymns features arrangements of beloved traditional hymns to be enjoyed by elementary-level pianists of all ages.Using common keys and hand positions they can bestudied alongside most traditional Piano methods. These arrangements are useful for performance opportunities and are excellent for reinforcing learned concepts and for developing note-reading skills. Colourful artwork depictsBible verses matching the lyrics.
5.50 GBP - vendu par Musicroom GB |
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| Doug Young: Fiddle Tunes
In Dadgad With Online
Audio: Guitar:
Instrumental Tutor Guitare notes et tablatures [Partition + Accès audio] Mel Bay
Fiddle Tunes in DADGAD shows how fingerstyle guitarists can use DADGAD tuning to...(+)
Fiddle Tunes in DADGAD shows how fingerstyle guitarists can use DADGAD tuning to play traditional tunes including twenty-four complete arrangements of common American Irish and Scottish ballads airs jigs and reels. The bookexplores techniques and patterns for playing melodies across the strings producing a harp-like effect that adds a distinctive and beautiful character to traditional melodies. In addition to building repertoire the materialdemonstrates ways to arrange your own melodies or even write your own tunes based on the techniques provided. This is a perfect follow-up for guitarists who have studied Understanding DADGAD for Fingerstyle Guitar and arelooking for tunes to learn or for those who want to go deeper into harp-style playing. It is also an excellent introduction for those who prefer to just dive head-first into DADGAD by learning some classic tunes.
22.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Favorite Hymns - Book
Two: Piano: Instrumental
Album Piano seul Kjos Music Company
Although intended for young pianists Favorite Hymns features arrangements of be...(+)
Although intended for young pianists Favorite Hymns features arrangements of beloved traditional hymns to be enjoyed by elementary-level pianists of all ages.Using common keys and hand positions they can bestudied alongside most traditional Piano methods. These arrangements are useful for performance opportunities and are excellent for reinforcing learned concepts and for developing note-reading skills. Colourful artwork depictsBible verses matching the lyrics.
5.50 GBP - vendu par Musicroom GB |
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| Sadie Harrison: My Hazara
People: Mezzo-Soprano:
Vocal Work [Vocal Score] University Of York Music Press
'My Hazara People is a setting of two texts the title work by Shukria Rezaei a...(+)
'My Hazara People is a setting of two texts the title work by Shukria Rezaei a young Afghan poet and Lalai lalai babe bacha shikar rafta (Baby's father went hunting) a traditional Hazari lullaby. Although their characters are entirely different the two poems share much in common. The importance of family and home and beyond that connection with country and heritage are at the centre of both. Shukria's poem is a direct expression of love and despair for Afghanistan with intimate moments of terror - a cup falling from her mother's hand during an explosion her aunt fainting - set against the suffering of Hazaras across the world. In the contextof this devastating contemporary experience Lalai lalai is nostalgic and poignant - open gates straw latches a sleeping child. The tune of the lullaby is heard in two highly contrasted versions. For Shukria's words it is dark and restrained a repeating rhythm illustrating the Hazara's seemingly never-ending pain and for Lalai lalai it is bright and joyful with sounds of the hunt a crackling fire and a gentle chorus as the child is rocked. A further thread runs through the music - a quotation of my favourite traditional Afghan Herati lullaby Allah Hu (God is great) reflecting Shukria's reference to her people's religious heritage. I have adapted the text at the end of Lalai Lalai to bring it into the Shukria's world a reminder that each innocent person caught up in conflict is a mother a brother a sister a father a daughter .... kids like us. The work exists in two versions for voice and piano and voice and strings. The former was premiered by Charlotte Tetley (mezzo-soprano) and Graeme Bailey (piano) on 20 June 2018 at Somerville College Oxford as part of a panel discussion on women refugees. The work was commissioned by the Orchestra of St. Johns. I am indebted to Shukria for allowing to set her poem and to Cayenna Ponchione for inviting me to be part of this
7.95 GBP - vendu par Musicroom GB |
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| Favorite Hymns - Book
One: Piano: Instrumental
Album Piano seul Kjos Music Company
Although intended for young pianists Favorite Hymns features arrangements of be...(+)
Although intended for young pianists Favorite Hymns features arrangements of beloved traditional hymns to be enjoyed by elementary-level pianists of all ages.Using common keys and hand positions they can bestudied alongside most traditional Piano methods. These arrangements are useful for performance opportunities and are excellent for reinforcing learned concepts and for developing note-reading skills. Colourful artwork depictsBible verses matching the lyrics.
5.50 GBP - vendu par Musicroom GB |
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| Berklee Contemporary
Music Notation: Reference
Books: Theory Théorie de la musique Berklee
Learn the nuances of music notation and create professional looking scores. Thi...(+)
Learn the nuances of music notation and create professional looking scores. This reference presents a comprehensive look at contemporary music notation. You will learn the meaning and stylistic practices for many types of notation that are currently in common use from traditional staffs to lead sheets to guitar tablature. It discusses hundreds of notation symbols as well as general guidelines for writing music.Berklee College of Music brings together teachers and students from all over the world and we use notation in a great variety of ways. This book presents our perspectives on notation: what we have found to be the most commonly used practices in today'smusic industry and what seems to be serving our community best. It includes a foreword by Matthew Nicholl who was a long-time chair of Berklee's Contemporary Writing and Production Department.Whether you find yourself in a Nashville recording studio Hollywood sound stage grand concert hall worship choir loft or elementary school auditorium this book will help you to create readable professional publication-quality notation. Beyond understanding the standard rules and definitions you will learn to make appropriate choices for your own work and generally how to achieve clarity and consistency in your notation so that it best serves your music.
25.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Jeanne Page: Bluegrass On
Hammered Dulcimer:
Dulcimer: Instrumental
Album Dulcimer [Partition] - Intermédiaire Mel Bay
Bluegrass on Hammered Dulcimer is a collection of tunes commonly found in the st...(+)
Bluegrass on Hammered Dulcimer is a collection of tunes commonly found in the standard bluegrass repertoire. Favorite vocal pieces such as 'A Man of Constant Sorrow ' 'Angel Band ' 'Keep on the Sunny Side ' and 'Will the Circlebe Unbroken ' are included along side hot instrumentals such as 'Jerusalem Ridge ' 'Rawhide ' 'Big Mon ' and 'Blue Grass Stomp.' Even traditional tunes that you think you know already such as 'Bill Cheatham ' 'Farewell toWhiskey ' 'Forked Deer ' and 'Salty Dog' are given a new twist when presented as a typical bluegrass 'break.' Intermediate players and above will enjoy the challenge of learning more complicated versions of common tunes andperforming them at the high-speed tempo that is expected in bluegrass music. Players are encouraged to use these examples of bluegrass breaks merely as a starting point. Improvisation is a key component in playing bluegrass styleand players will enjoy experimenting with their own creations. Each tune has guitar chords notated above the music staff. Standard notation only.
18.99 GBP - vendu par Musicroom GB |
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| BERKLEE FEIST JONATHAN -
BERKLEE CONTEMPORARY
MUSIC NOTATION Tous instruments BERKLEE
Learn the nuances of music notation, and create professional looking scores. Thi...(+)
Learn the nuances of music notation, and create professional looking scores. This reference presents a comprehensive look at contemporary music notation. You will learn the meaning and stylistic practices for many types of notation that are currently in common use, from traditional staffs to lead sheets to guitar tablature. It discusses hundreds of notation symbols, as well as general guidelines for writing music. Berklee College of Music brings together teachers and students from all over the world, and we use notation in a great variety of ways. This book presents our perspectives on notation: what we have found to be the most commonly used practices in today's musicindustry, and what seems to be serving our community best. It includes a foreword by Matthew Nicholl, who was a long-time chair of Berklee's Contemporary Writing and Production Department. Whether you find yourself in a Nashville recording studio, Hollywood sound stage, grand concert hall, worship choir loft, or elementary school auditorium, this book will help you to create readable, professional, publication-quality notation. Beyond understanding the standard rules and definitions, you will learn to make appropriate choices for your own work, and generally how to achieve clarity and consistency in your notation so that it best serves your music. / Partitions jazz&blues / Tous instruments par tonalité / Tous instruments / BERKLEE
37.50 EUR - vendu par Woodbrass Délais: Sur commande |
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| Bluegrass On Hammered
Dulcimer (PAGE JEANNE) Dulcimer - Intermédiaire Mel Bay
Par PAGE JEANNE. Bluegrass on Hammered Dulcimer is a collection of tunes commonl...(+)
Par PAGE JEANNE. Bluegrass on Hammered Dulcimer is a collection of tunes commonly found in the standard bluegrass repertoire. Favorite vocal pieces such as 'A Man of Constant Sorrow,' 'Angel Band,' 'Keep on the Sunny Side,' and 'Will the Circle be Unbroken,' are included along side hot instrumentals such as 'Jerusalem Ridge,' 'Rawhide,' 'Big Mon,' and 'Blue Grass Stomp.' Even traditional tunes that you think you know already such as 'Bill Cheatham,' 'Farewell to Whiskey,' 'Forked Deer,' and 'Salty Dog' are given a new twist when presented as a typical bluegrass 'break.' Intermediate players and above will enjoy the challenge of learning more complicated versions of common tunes and performing them at the high-speed tempo that is expected in bluegrass music. Players are encouraged to use these examples of bluegrass breaks merely as a starting point. Improvisation is a key component in playing bluegrass style and players will enjoy experimenting with their own creations. Each tune has guitar chords notated above the music staff. Standard notation only. / Niveau : Intermédiaire / Bluegrass - Solos / Recueil / Dulcimer (Cordes frappées)
26.13 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| BERKLEE FEIST JONATHAN -
BERKLEE CONTEMPORARY
MUSIC NOTATION Tous instruments BERKLEE
Learn the nuances of music notation, and create professional looking scores. Thi...(+)
Learn the nuances of music notation, and create professional looking scores. This reference presents a comprehensive look at contemporary music notation. You will learn the meaning and stylistic practices for many types of notation that are currently in common use, from traditional staffs to lead sheets to guitar tablature. It discusses hundreds of notation symbols, as well as general guidelines for writing music. Berklee College of Music brings together teachers and students from all over the world, and we use notation in a great variety of ways. This book presents our perspectives on notation: what we have found to be the most commonly used practices in today's musicindustry, and what seems to be serving our community best. It includes a foreword by Matthew Nicholl, who was a long-time chair of Berklee's Contemporary Writing and Production Department. Whether you find yourself in a Nashville recording studio, Hollywood sound stage, grand concert hall, worship choir loft, or elementary school auditorium, this book will help you to create readable, professional, publication-quality notation. Beyond understanding the standard rules and definitions, you will learn to make appropriate choices for your own work, and generally how to achieve clarity and consistency in your notation so that it best serves your music. / Partitions jazz&blues / Tous instruments par tonalité / Tous instruments / BERKLEE
31.50 EUR - vendu par Woodbrass Délais: Sur commande |
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| Niels Rosing-Schow:
Alliage III: Violin &
Cello: Parts VLN/VLC/ACDN::Violon/Violoncelle/Accor
d‚on [Partition] Wilhelm Hansen
Set of parts for Alliage (Alloy) III for Violin Cello Classical Accordion and...(+)
Set of parts for Alliage (Alloy) III for Violin Cello Classical Accordion and two Kokles (2010). Programme note The instruments of this quintet are very different in appearance and in the way of playing as well as tone production: strings to be bowed strings to be plucked confronted with the airborne tone of the Accordion. The origins and the traditions of the instruments are also very diversified reaching from traditional folkmusic (the Kokle) and popular music (the Accordion) to art music of the classical tradition (the Violin and Cello). Acknowledging these references and connotations I refrain nevertheless froman obvious ‘casting’ of the instruments since I have always been fascinated by the less evident by transitions and gradual displacement by the intangible places between one and the other. I search for this ‘terrain vague’ of fruitfull incertainty andpermanent genesis. To arrive there I have in this piece created a musical expression which makes hidden relations and unexploredsonorous paths come forward between the different sound worlds of the instruments. Bringing together these musical substances I look for something deeper than just common sounds: a fresh musical place. And the lively and bright sound world that emerges form this instrumental and textural ’in-between’ I associate to alloys inparticular the silvery amalgamations of mercury. The work was composed to musicians from the Latvian ensemble Altera Veritas and of Ensemble Aleph (France) was a part of the project European Instrumental Laboratory. Niels Rosing-Schow
57.50 GBP - vendu par Musicroom GB |
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| Niels Rosing-Schow:
Alliage III: Violin &
Cello: Score
|