Par JOLIVET ANDRE. Mesto - Concitato; Grave; Giocoso (for Trumpet and Orchestra - with reduction for Trumpet and Piano) Andre Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life, and he held the post of Professor of Composition from 1966-1970 at Paris Conservatoire. Concerto No. 2 For Trumpet was composed in 1955, and remains highly regarded. Jolivet, himself a cellist, wished to explore composition for all instruments, and therefore has a considerable number of works in all fields. The composer's style is also known for its spirituality, and the desire to associate theeveryday with the magical, and the human with the universal. Jolivet draws on acoustics and atonality, as heard in Concerto No. 2 For Trumpet. The piece requires high, virtuosic skills due to its expansive use of extended techniques. For all advanced trumpeters, Jolivet provides an exciting, different piece for the instrument's repertoire./ Répertoire / Trompette et Orchestre

Par JOLIVET ANDRE. Andre Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life, and he held the post of Professor of Composition from 1966-1970 at Paris Conservatoire. Concerto No. 2 for Trumpet was composed in 1955, and remains highly regarded. Jolivet, himself a cellist, wished to explore composition for all instruments and therefore has a considerable number of works in all fields. The composer's style is also known for its spirituality, and the desire to associate the everyday with the magical, and the human with the universal. Jolivet draws on acoustics andatonality, as heard in Concerto No. 2 for Trumpet. The piece requires high, virtuosic skills due to its expansive use of extended techniques. For all advanced trumpeters, Jolivet provides an exciting, different piece for the instrument's repertoire./ Répertoire / Trompette et Orchestre

This volume combines the forces of organ and multiple trumpets, for the enhancement and excitement of worship services, weddings, and recitals. This book features six pieces for trumpet duet or trio with organ. A separate part is printed for each trumpeter. Includes: Alleluia (Cantata 142) by J. S. Bach * Christ Doth End in Triumph (Christmas Oratorio) by J. S. Bach * Concerto: Duo Seraphim by Monteverdi * Concerto (Cantata 142) by J. S. Bach * Jesu, Joy of Man's Desiring (Cantata 147) by J. S. Bach * My Spirit Be Joyful (Cantata 146) by J. S. Bach.

The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalogue of classical, contemporary and educational repertoire, highlighting composers including Serge Prokofieff, Dmitri Shostakovich, Karl Jenkins, Carol Barratt and Christopher Norton, alongside arrangements of traditional music from around the world by Peter Wastall, Vera Gray and others. Carefully selected by Janet Way, this practical anthology provides the complete repertoire resource for the aspiring Grade 3 saxophonist and creates the perfect package for teaching, exam preparation and performance. Each volume contains:19 pieces and short studies, each complemented by a useful practice and performance tipgrade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercisesbrand new sight-reading activitiesnewly-commissioned aural awareness tasksa piano accompaniment bookletPackaged with a CD of full performance demonstrations, piano backing tracks, and grade-appropriate aural awareness resources. Janet Way is an experienced performer and teacher. She is a tutor for the LRAM woodwind teaching course at the Royal Academy of Music, and has worked as a mentor and diploma examiner for the Associated Board of the Royal Schools of Music. She is founder and director of the internationally-acclaimed Oxford Flute Summer School. / Trompette Et Piano

Based on the Urtext of the New Mozart Edition this study score unites the five Violin concertos and the 3 single movements for Violin from the pen of Mozart in one thoroughly reliable study score. A new historical introduction by Gudula Schütz provides valuable additional information.Full scores Piano reductions and performance material to all works included in the study score are readily available.This new edition will replace the following study scores:Concerto for Violin and Orchestra no. 1 K. 207 TP 270Concerto for Violin and Orchestra no. 2 K. 211 TP 271These study scores will continue to be available:Concerto for Violinand Orchestra no. 3 K. 216 TP 272Concerto for Violin and Orchestra no. 4 K. 218 TP 273 Concerto for Violin and Orchestra no. 5 K. 219 TP 20

Concerto pour trompette de Joby Talbot, Desolation Wilderness a été commandée par l'Orchestre philharmonique de Turku et le Royal Liverpool Philharmonic Orchestra. Première représentation le 28 Octobre 2006 par l'Orchestre philharmonique royal de Liverpool au Philharmonic Hall, Liverpool avec Alison Balsom (à qui l'ouvrage est dédié) en tant que soliste, et JoAnn Falletta, chef d'orchestre. L'Orchestre philharmonique de Turku a donné ainsi les premières finlandaise les 23 et 24 Novembre 2006. La réduction pour piano de Desolation Wilderness comprend des parties trompette en si bémol et C. (Convient pour les joueurs avancés). 'Au début de Novembre 2005, mon famille et quelques amis ont visité la haute Sierra Nevada en Californie du Nord. Comme sur les voyages anciens dans la région, j'ai été frappé par le contraste étrange et désarmante entre le soleil radieux, parfait ciel bleu et l'air chaud de la montagne Sierran automne-. et le froid glacial occasionnelle - une chute brutale de la température lorsque le soleil a disparu derrière les montagnes, aperçus à travers les arbres momentanée des nuages ??de neige éloigné sur les plus hauts sommets Nulle part cette dichotomie plus apparente que dans le vaste domaine des forêts, des lacs et les montagnes connu comme Desolation Wilderness. Voici les formes tordues des trembles sont le témoignage de la puissance destructrice de l'hiver. Effectivement, cette nuit, les premières neiges sont tombées, et les cols de haute montagne que nous avions tout juste de franchir ont été fermées jusqu'au printemps. / Trompette / niveau : Avancé / Partition

Mozart perfected the form of the modern piano concerto which from about 1750 begins to show its affinity with sonata form in his 21 concertos for solo piano and orchestra. The D minor piano concerto K.466 is one of the few concertos which remained in concert repertoire in the years following Mozart’s death. After the resuscitation of the other concertos it remained the most popular of all Mozart’s works in this genre and there can scarcely be a pianist who has not studied it or played it in a concert.Urtext of the New Mozart EditionFull score performance material (BA4873) two-piano reduction (BA4873-90) and study score format 22.5 x 16.5cm (TP147)available for sale

The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

for Trumpet and Strings reduction for Trumpet Solo and Piano-Quintet for Trumpet and Strings was commissioned by and dedicated to Chris Gekker who premiered the work at the International Trumpet Guild convention in College Park Maryland in May of 1991. The work was later set with fullstring orchestra with the title “Concerto No. 2 for Trumpet and Strings”. Both versions as well as a trumpet/piano reduction are available from the publisher.

Trumpet parts in both B flat and E flat simplified piano part and a free CD including piano backing tracks and orchestral performance extracts.Johann Nepomuk Hummel (1778-1837) composed this concerto in 1803 for the keyed trumpet which had been developed by Anton Weidinger (1767-1852). Weidinger gave its first performance on New Year's Day 1804. Originally composed in the key of E it is more commonly played in Eb. The keyed trumpet was the first type of trumpet which could play chromatically but the invention was not a huge success: it suffered from a poor quality of sound. In the early 19th century the invention of the valve rendered the keyed trumpetobsolete.This edition is intended to be more user-friendly than the others currently available: there is a much easier (and dare I say more stylistic) piano accompaniment - any doubling of the solo part has been removed voicing simplified and my premise has been to imagine what it might have been before it was orchestrated rather than trying to cram in every last piece of orchestral detail.Suggested cuts in the piano part have been indicated giving a short introduction to each movement perfect for auditions recitals or exams. However the bar numbers still tally with the longer original versions which are included should they be required. The dynamics and articulation which I have added incorporate the weight of opinion in current editions and recordings offering more guidance than 'scholarly' editions without being overprescriptive.There is an appendix with suggested interpretation of trills and ornaments. Listening to as many different recordings as possible is the best way to assimilate good trills.The accompanying CD provides piano accompaniments and observes the suggested cuts. See page 38 for full track listing. There is free software available online (eg. speedshifter on the ABRSM website) which enables you to change the speed of a CD should you wish to practise slower or indeed faster.The Hummel

Par BOGAR ISTVAN. István Bogár (1937-2006) was a world-renowned Hungarian composer best known for his works for winds. He composed concertos for trumpet, trombone, tuba, two horns, trumpet and horn, as well as several chamber works for winds and works for concert band. Furthermore, he wrote an oratorio, a cantata, various choral works, and folksong arrangements. The subject of the Character Variations is a well-known Hungarian folksong with a characteristic asymmetric metre. The theme is followed by nine imaginative variations, including a waltz, a jig, a march, a chorale, a toccata, and a playful echo piece. The four-minute long composition, which can effectively be performed even by music students, is rounded off by a virtuosic perpetuum mobile variation./ Recueil / Trompette et Piano

Le compositeur écrit sur ??son morceau de trompette: 'resplendissant' est une référence à une oeuvre créée par Barnett Newman en 1961. C'est une très strict, image graphique inspiré, avec des lignes noires économiques sur toile non traitée.C'est un hommage, une 'nécrologie', un requiem pour le frère de Barnett Newman, dont le prénom hébreu Zerach, qui signifie 'montée' (du soleil). Au cours des dernières années, la trompette a pris un rôle particulier et l'importance pour moi, tant en musique de chambre et oeuvres orchestrales ou dans un double concerto pour deux trompettes. Il était temps de créer un morceau en solo pour cet instrument.La musique est très introspectif dans les lieux, presque sur le bord de tonelessness et sombrer dans le silence, un cri strident (out) choisit le thème de la perte d'un membre de la famille proche '. / Trompette

Trumpet Concerto was composed by Bent Sørensen in 2012-13 for Trumpet solo and Orchestra. Written for Tine Thing Helsth and commissioned jointly by Bergen Philharmonic Orchestra Borletti-Buitoni Trust Copenhagen Philhamonic Orchestra and Göteborg Symphony Orchestra. Bent Sørensen's music is not recycled; in no way does it rely on the yellowing pages of history for its musical nourishment. His musical language is undeniably of the present day both aesthetically and technically. The music does however appear to be pervaded with memories wisdom of experience and old dreams of theinevitability of transitoriness and parting.