Trumpet Concerto was composed by Bent Sørensen in 2012-13 for Trumpet solo and Orchestra. Written for Tine Thing Helsth and commissioned jointly by Bergen Philharmonic Orchestra Borletti-Buitoni Trust Copenhagen Philhamonic Orchestra and Göteborg Symphony Orchestra. Bent Sørensen's music is not recycled; in no way does it rely on the yellowing pages of history for its musical nourishment. His musical language is undeniably of the present day both aesthetically and technically. The music does however appear to be pervaded with memories wisdom of experience and old dreams of theinevitability of transitoriness and parting.

Par AROUTIOUNIAN ALEXANDER. Alexander Arutiunian's Concerto For Trumpet. Alexander Arutiunian's Concerto For Trumpet./ Répertoire / Orchestre

Infused with latin rhythms and improvisatory jazzlike passages for the trumpet soloist the mood of this single-movement concerto islight and effervescent. This work was awarded First Prize in the Doc Severinsen International Composition Contest andpremiered by the University of Tennessee Symphony Allen Vizzutti trumpet soloist. Length ca. 9. This large orchestra version includes two additional trumpet parts and one additional percussion. (Smaller orchestration available separately.)

For Trumpet and Orchestra - Piano Reduction-Alexander Arutiunian's Theme And Variations for Trumpet and Orchestra. Piano reduction.'Born on September 23 1920 in Yerevan Armenia Alexander Arutiunian (Harutunyan) graduated from theKomitas Conservatory in Yerevan with degrees in both composition and Piano. He later continued his studies at the House of Armenian Culture (Moscow 1946-48) under Litinksy Peyko and Tsukkerman.His music has been awardednumerous prizes including the Armenian state prize the Alexandrov Gold Medal and the State Prize of the USSR. In 1970 Arutiunian was made a People's Artist of the USSR and in 1983 because of the success of his music in theUnited States he was awarded the 'Orpheus' diploma.Arutiunian's music covers a wide range of styles and idioms including opera numerous vocal works and a large body of instrumental compositions. Much of his music is verylyrical in nature influenced by folksongs and peasant music. One of his better known instrumental compositions the Concerto in Ab (1950) for Trumpet and Orchestra has long been a standard in the solo Trumpet repertoire.' -Alan H. Siebert

A stunning Trumpet Concerto composed by Joseph Horovitz in 1963. This version is edited for Trumpet and a Piano reduction of the original orchestral score.

Vagn Holmboe's Concerto No.11 Op.44 For Trumpet And Orchestra is part of a series of 'Chamber' concertos written for soloists with smaller accompaniment groups. Concerto no.11 is based upon the concertos of Joseph Haydn and features the fast-slow-fast formal structure typical of the Classical concerto. Holmboe's melodic writing is modelled upon the motivic and thematic developments that are highly characteristic of Haydn's melodic constructions lending the work a timeless air.

Contest And Festival Performance Solos for Trombone contains 12 beloved solos that appear on numerous state contest and performance lists including bonus tracks for Euphonium provided in both bass and treble clefs.Complete with Piano accompaniments - both printed music within the book and as accompaniment audio tracks on the included CD - allowing soloists and students to practise effectively with a professional pianist.

An exciting collection of twenty-three light classics and folk songs expertly arranged for the beginning soloist with piano accompaniment in printed and digitally recorded formats with piano accompaniment. / Rép International / Recueil / Trompette

Concerto for Trumpet and Wind Band-La mythologie grecque regorge de créatures surnaturelles et de monstres hideux. L?Hydre monstre d?eau fut décapitée par Hercule et Iolaos alors qu?elle ravageait les marais de Lerne près d?Argos. L?Hydre avait le corps d?un chien et plusieurs têtes de serpent dont l?une était immortelle. Pour chaque tête coupée il en repoussait deux à la place. Pour parvenir à bout de la bête hideuse Hercule trancha la tête immortelle. Hydra Concerto est constitué de trois tableaux : Hercules & Yolao (Hercule & Iolaos) / El sueño del monstruo (Le rêve du monstre) / El Hydra (L?Hydre). Les trois mouvements sont fortement contrastants. Le premier est rythmé et triomphant. Le second sedéveloppe dans une atmosphère calme et mélodieuse. Le troisième et dernier mouvement clôt le cycle avec agressivité. Le soliste joue un rôle important dans la progression de l?intrigue. L?accompagnement orchestral déploie une palette de sons harmonieux et tranchants.

The Library Of Baroque Music is an enormously expansive collection of the greatest works produced during that prolific period that flourished between the Renaissance and Classical eras. All arranged for solo Piano, this volume features works drawn from all the major Baroque composers, including some of the greatest pieces of music ever composed. The progression and development of music during the Baroque period can be heard in these pieces, providing you not only with a window into musical history, but also many exciting additions to your repertoire. The retrospective 'Baroque' label was applied to a diverse range of European compositions-often combining a spirit of experimentation with elaborate new musical structures. Dominated primarily by the Harpsichord and Organ, this period also saw the rise and development of larger-scale forms such as the concerto and oratorio. This superb volume is comprised of Keyboard and ensemble works from all the major Baroque composers, arranged for Piano. Featuring Arne, Boyce, Buxtehude, Corelli, Couperin, Gibbons, Lully, Pachelbel, Purcell, Rameau and Vivaldi, the composers here include some of the most respected and revered figures in musical history. The Library Of Baroque Music spans compositions of many of these masters, ranging from Frescobaldi in the early 1600s to Pergolesi a century later, and the famous three - J.S. Bach, Handel and Domenico Scarlatti.Baroque music, so called for its ornateness, was characterised by a bold exploration of counterpoint and new harmonic possibilities. This was variously expressed through the work of perhaps fifty or so major European composers. By the time Baroque began to segue into a new Classical period around 1750 it had already irrevocably changed and expanded the possibilities of music. The works that precipitated this change are available to play in this single volume, perfect for pianists looking to expand their repertoire with both challenging and exciting music.In this thoroughly enjoyable Library Of Baroque Music, the triumphant progression of this period is illustrated in the best possible way - through the compositions themselves, forming the definitive Baroque collection for solo pianists. / Piano