for mezzo-soprano, men's choir, Männerchor (TBarB) and organ. Par ROTA NINO. Salve Regina, mater misericordiae' ('Hail, holy Queen, Mother of Mercy') - known as a prayer of praise and supplication in the Catholic liturgy - is published in two versions, like other sacred works by Rota before. One version is for mezzo-soprano and organ, the other with additional male choir, but both have Latin text. This is again proof of the great variety of works by Rota who is at home in all genres, from sacred and secular vocal music via chamber music, concerto, symphony and stage works to film music. / Date parution : 2009-11-20/ Répertoire / Mezzo-Soprano, Chœur d'Hommes [Tbarb] et Orgue

Franz Liszt was a frequent guest of the acting cardinal at the Villa d?Este situated in Tivoli near Rome. His ?Jeux d?eaux? describe the glittering fountains part of the water features at the villa; in measure 144 Liszt alsoadded a quotation from the Bible to the musical text about the ?water of life? thus giving the work a religious context. Maurice Ravel who was also inspired to write a composition ?Jeux d?eau? (HN 841) thanks to Liszt gave hiswork a markedly secular accompanying text. This new single edition from the third volume of the ?Années de Pèlerinage? (HN175) is a counterpart to Henle's recently published Urtext edition of Ravel?s masterpiece.

These four volumes contain all of Purcell's secular solo songs not associated with stage productions. Taken from the authoritative Purcell Society Editions, the songs appear in their original keys, and are most suitable for high voice. Introduction in English, French, German and Italian. / Scores

These four volumes contain all of Purcell's secular solo songs not associated with stage productions. Taken from the authoritative Purcell Society Editions, the songs appear in their original keys, and are most suitable for high voice. / Scores

Tv söngur is a composition for large ensemble written by Nico Muhly commissioned by the Los Angeles Philharmonic Orchestra. Tv söngur is a specific type of Icelandic two-part singing that can be found in texts as well as oral traditions Muhly?writes. Some of the tradition seems like much early music to stem from an exercise in voice-leading while some other examples are more social impromptu and secular. These arrangements attempt to frame the tradition through orchestration and wildly shifting contexts lighting effects and textures. The piece was composed in 2012 and lastsaround 5 Minutes.

Par WAGNER DOUGLAS. Arranged by Douglas E. Wagner, three well-known secular carol tunes are showcased in this big and brassy, bright and flashy seasonal extravaganza, especially suited as a concert opener. Beginning with a cascade of chimes, soaring woodwind runs, and bold brass lines, 'Deck the Hall' and 'Here We Come A-Caroling' are presented with dynamic flair, interspersed with brief fanfare-like episodes. The mood transitions to a jaunting sleigh ride across the winter landscape, partnering the second time through with 'Jingle Bells,' as the spirited celebration closes with a short coda, drawn from musical materials heard in the opening measures of the work. (2:55) This title is available in SmartMusic. / Date parution : 2022-10-12/ Répertoire / Concert Band

(The Four Seasons)-Antonio Vivaldi (1678-1741) stands with Handel and J.S. Bach as one of the titanic figures of late Baroque composition. Not only was he lauded as a composer of vocal and instrumental works both sacred and secular he was without doubt the most prolific composer of his age. In addition to hundreds of vocal works including forty-nine operas he composed five hundred concertos. The Four Seasons are probably the best known of his concerti with the second movement Largo portraying time spent by a roaring fire listening to the rain pounding against the window. This new arrangement for brass band retains all the warmth of the original.

Par WINTERSON JULIA. Plus de 60 exemples de musique couvrant un large éventail de styles et de périodes. Pour : Edexcel filiale avancé la CME dans la musique, Edexcel Advanced CME dans la musique. Le livre et le coffret de 4 CD couvrant neuf domaines d'étude : musique pour grand Ensemble - du XXe siècle Art - musique pour petit Ensemble - clavier musique - de musique vocale sacrée - la musique vocale laïque - musique pour le cinéma et la télévision - musique populaire et Jazz - World Music/ Accessoire / Education CD

Révéler style polyphonique de Bach pur et un degré élevé de grâce et de charme, ces oeuvres ont été une approche plus proche du compositeur de l'opéra-comique. Comprend Cantate de la chasse (n o 208)- Cantate du mariage (n o 202)- Aeolus Apaisé (n o 205)- Phoebus et Pan (n o 201)- Cantate du café (n o 211) et la Cantate des Paysans (n o 212) .Réimpression de sélections de Werke de Johann Sebastian Bach, Bach-Gesellschaft, 1861 et 1879 éditions. / Partition D'Orchestre

Acallam na Senórach by Tarik O'Regan was co-commissioned by the National Chamber Choir of Ireland The DeBartolo Performing Arts Center at University of Notre Dame Indiana and Peak Performances at Montclair State University Montclair New Jersey.First performed on 25 November 2010 at St Ann’s Church Dublin by the National Chamber Choir of Irelandwith Stewart French (Guitar) directed by Paul Hillier.The Guitar part was edited by Stewart French.Tarik O'Regan on the music:In writing this musical setting of Acallam na Senórach I was drawn to the evenness of the dialogue. Instead of St Patricksimply converting the pagan warriors he is encouraged to listen to Ca lte’s stories and poems of an earlier time in which the saint delights.This secular/sacred osmosis is maintained unwaveringly throughout the entire text. By the end of the narrative one has witnessed not only the arrival of a new religion in Ireland but also a richly-recounted secular narrative map of the entire island: the peaceful and enriching shaking of two great hands.In preparing the libretto (the sung text) I have focused on only a few of the shorter constituent tales. This decision was born of the practical constraints of duration. I have however kept the skeleton albeit smaller of the overall frame in place. Finally for the sake of simplicity Ois n is removed from the primary narrative.The characters are not assigned specific voices. The narrative as a whole is carried by a persistently changing combination of voices and guitar. The one exception is Cas Corach the musician of the s d (underworld) who is most closely embodied throughout this setting in the solo interludes for guitar.The music itself is not ethnographically inclined; that is I have not attempted to reconstruct theories on Irish music of the period from which Acallam stems. However the score generally and especially in the guitar writing is imbued with an air

Edition de Gerald Hoekstra

In 1597 the Antwerp printer Pierre Phalèse issued what was to be his last new anthology of chansons, Le Rossignol musical des chansons for the enjoyment of those who delight in singing in the French tongue. Like his great madrigal anthologies of the 1580s, this collection for four, five, and six voices exhibits a wide variety of secular song styles of the time. Texts range from the conservative and somewhat moralistic to the risqué and playful, and musical styles from the homophonic, rhythmic manner associated with the Parisian chanson to the more polyphonic and expressive style of the Italian madrigal. Composers include local Antwerp musicians such as Pevernage and Cornet, Netherlanders working abroad such as Rogier and Monte, and Frenchmen such as Le Jeune and Caignet. Although a few of the pieces had been published previously, most are unique to this print.
Table des matières :
Dedication to the 1597 Edition, by Pierre Phalèse
The Four-Part Chansons
1. Si dessus voz levres de roses, André Pevernage
2. Tes beaux yeux causent mon amour, Jan Peterszoon Sweelinck
3. Il estoit un clerc qui aymer vouloit, Mitou [Thomas Champion]
4. Le feu couvert dont l'ardeur et la force, Corneille Verdonck
5. Le seul espoir de mieux avoir m'amie, Noë Faignient
6. Rose, vostre beau teint et voz douces odeurs, Eustache Du Caurroy
7. La peine dure que tant j'endure, Séverin Cornet
8. Le tien espoir de mieux avoir t'abuse, Noë Faignient
9. Tu ne l'enten pas, Claude Le Jeune
10. Ma mignonne debonnaire, André Pevernage
11. Pour estr' aymé par grande loyauté, André Pevernage
12. Hault et bas la cheminée, Denis Caignet
13. En m'oyant chanter quelque fois, Claude Le Jeune
The Five-Part Chansons
14. Mignonne, allons veoir si la rose, Rinalde del Melle
15. Rossignol mon mignon, qui dans ceste asaulaye, Claude Le Jeune
16. Mais voyez, mon cher esmoy, George de La Hèle
17. L'arbre d'amour un fruit d'amaritude, Etienne Bernard
18. Mon coeur se recommand' à vous, Rinalde del Melle
19. Tout le plaisir qu'un amant peut avoir, Philippe Rogier
20. Rossignollet qui chante, Rinalde del Melle
21. Sur la rousée mi fault aller la matinée, Rinalde del Melle
22. Pour gaige de ma foy, Etienne Bernard
23. Je me plaignoy des beaux yeux de madame, Corneille Verdonck
24. Las, il n'a nul mal, Claude Le Jeune
25. Jupiter, ò tres grand Roy, Noë Faignient
26. Je file quand Dieu me donne de quoy, Philip Van Wilder
27. Que me servent mes vers, Philippe de Monte
28. Si doncque tu me veus secourir, Rinalde del Melle
29. Mon fils, ma vie, amour, Rinalde del Melle
30. Le Rossignol plaisant et gratieux, Alfonso Ferrabosco
31. Amour et la beauté, Philippe Rogier
32. Sur toute fleur deslite, Jean de Macque
33. Tu as tout seul, Jan Jan, Jan Pieterszoon Sweelinck
34. Ayant fait de mes pleurs, [Raimond] de la Cassaigne
The Six-Part Chansons
35. Veu que de vostr' amour, Philippe Rogier
36. Elle n'eust sceu la chaleur ?prouver, Claude Le Jeune
37. Pour vous aymer je veux mal, à mon coeur, Denis Caignet
38. De moins que riens, Hubert Naich
39. Rossignollet du bois, Denis Caignet
40. Bon jour mon coeur, Philippe de Monte
41. Leal amour ne veut estre posé, Philippe Rogier
42. Le Printemps se couvre de fleurs, Corneille Verdonck
43. Quand je pense mesjouir, Denis Caignet

35 Favorite Christmas Songs and Carols In Easy Arrangements-It's no wonder that Play a Song of Christmas has been everyone's favourite holiday collection for generations. Part-books for each instrument provide the melody line plus 'Part B C or D ' so anyone can play the tune and any combination of instruments can play in 2- 3- or 4-part harmony. This collection of 35 favourite sacred and secular Christmas songs is wonderfully practical for school church parties and professional gigs.

The solos in this collection present a myriad of moods on the guitar. They were written to be very expressive contemplative pieces which could be performed in a variety of secular and sacred settings. Most of them are fromthree solo collections previously released entitled 'Guitar Meditations' (MB22029) 'Guitar Airs and Ballads' (MB22039) and 'Timeless Solos for Guitar' (MB22041). Some of the pieces were scored for 7-string guitar; however theycan also be performed on 6-string guitar?indicated are the alternate 6-string pedal tones in the tablature part. Many of the solos use a 'cross-picking' technique alternating higher position closed strings and open strings resulting in a ?harp-like? effect. The included tablature parts allow for a clear presentation of this effect and clarify where on the fingerboard these passages should be played. A number of the pieces are in Dropped D tuning highlighting the rich resonance that tuning gives the instrument. All of these solos may be performed by the classical or fingerstyle guitarist or as originally performed with a pick. Explore the diverse moods presented in thiscollection and make full use of the many avenues of expression offered in these pieces! A companion dual CD is available with all 25 solos included.