Anne Boyd's The Quiet Place for Oboe (doubling antique cymbals) Clarinet (doubling rin) Viola and Harp.The Quiet Place was commissioned by the Warwick andLeamington Festival for performance by Okeanos on their New Music Day on 14th July 2002.'The Quiet Place' is a meditation site in the University of York dedicated by Dame Janet Baker 'In honour of thespirituality which is in all people'. It was a place I visited frequently in the months I spent as visiting Professor at the University in late 2001. So soon after the attack on the New York Trade Centre the worldfelt a very unstable place especially to be so far from my Australian home. It was difficult to make much sense of existence in a world of fanatical fundamentalism - both Islamic and Christian. Perhaps for comfort I foundmyself thinking back a thousand years to the vital earth based spirituality of Hildegard of Bingen and uncovered an Antiphon she had composed 'Nunc Aperuit'. This chant became the basis of the work I have written forOkeanos in response to an invitation from Jinny Shaw whom I met in York last year. In English translation the words of the chant translate as 'Now the closed door has opened for us / What the serpent hassuffocated in woman./ Therefore shines forth in thedawn/ the flower from the Virgin Mary. ' The music of 'The Quiet Place' is a simple meditation which explores the moods of this text often retreating into a silencewhich is both breath and transcendence. - Anne Boyd

for Wind Orchestra, Studyscore. Par CESARINI FRANCO. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 ?Urban Landscapes? Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 ?Urban Landscapes? Op. 55: a sumptuous musical portrait of the ?Windy City?./ Répertoire / Concert Band/Harmonie

for Wind Orchestra, Additional European Parts. Par CESARINI FRANCO. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 “Urban Landscapes” Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 “Urban Landscapes” Op. 55: a sumptuous musical portrait of the “Windy City”./ Répertoire / Concert Band/Harmonie

Uses: General All Saints Memorial Scripture: Matthew 5:12; Matthew 7:13-14; Revelation 21:1-3 Steve Greens iconic song that portrays life as a sacred voyage is now tenderly adapted for choirs. This hopeful selection will be particularly useful formemorials and services of remembrance. The impressionistic accompaniment and rich warm choral writing provide the support needed to allow success for choirs of any size. Draw us near oh finest Friend from dawns light to evenings end. Eachpassing day we love You more as we sail to heavens shore.

The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano

Plus de 430 pages des airs par l'Europe 100 plus grands compositeurs de jazz. 100 % exactes approuvé par le compositeur graphiques, manuscrit facile à lire, tune grande sélection et plusieurs fonctionnalités supplémentaires comme lignes de basse échantillon, voicings de corde, rhythm section hits, annexe de tambour harmonie partsxtensive, etc.. Les fichiers MP3 en continu de plus des deux tiers des airs sont en ligne à www.shermusic.com afin de musiciens peuvent entendre les chansons pour eux-mêmes / Instruments En Do

Pour Soprano Quintette Vent Et Harpe-French composer Joseph Canteloube (1879-1957) is best known for his Cinq Chants D'Auvergne. Composed between 1923 and 1930 for Soprano and Orchestra Chris Allen's arrangement of the popular work for Soprano Wind Quintet and Harp enforces the composition's favour. The Cinq Chants D'Auvergne are a collection of five folksongs from the Auvergne region of France. Composed in the local language of Occitan the best known of the five songs is the second Baïlèro which to this day remains frequently performed and recorded. Famous Sopranos who have recordedCanteloube's much loved work include Madeleine Grey Dawn Upshaw Sarah Brightman and Barbara Streisand. For all Wind Quintets Sopranos and Harpists seeking exciting ensemble repertoire Canteloube's Cinq Chants D'Auvergne ensures a sublime performance for both performers and audiences alike.

The life and music of Huddie 'Lead Belly' Ledbetter is the stuff of true legend and you can discover the secrets of his style and sound with Harry Lewman in this unique DVD tutorial.Widely regarded as one of the mostinfluential folk musicians in America's history Lead Belly's career spanned the era of minstrel shows the Blues explosion of the 1920s and the dawn of the singer/songwriter. His influence upon Woody Guthrie and Pete Seegerwould shape the way in which all American singer/songwriters write and play to this day.In this special DVD presentation Harry Lewman explores the stories behind the songs and explains in detail the unusual way in whichLead Belly tuned strung and played the 12-string guitar. Rare footage of Lead Belly is also featured in this lesson.

But Stars Remaining was written in 1970 for the English soprano Jane Manning. It sets lines from two poems by Cecil Day-Lewis bringing them together to create a scena lasting some seven minutes. It is an aubade or dawn love-song; it begins with outward extravert energy and moves to an inward intimate centre. It closes as the imagery moves out again to the expanse of the sky at first light.

A tremendous original three movement work for B Flat Clarinet and Paino by Dennis Todd. Wonderfully evocative of the dfferent periods of one day from dusk to dawn and back again!