Lyric opera in two acts. Libretto by David Pountney.Commissioned?jointly by the Royal Academy of Music London UK and The Juilliard School New York USA.UK premiere: 18th March 2011 - Royal Academy of MusicOpera and Sinfonia at the Royal Academy of Music London conducted by Jane Glover.US premiere: 16th November 2011 - Students of The Julliard School at Peter Jay Sharp Theatre New York conducted by AnneManson.Overview.The piece consists of three interlocking stories of students involved in political action in three different situations.?Die Weiße Rose? was the name taken by a group of students atthe University of Munich led by Sophie and Hans Scholl. They produced leaflets protesting against the National Socialist government of Germany in 1942-3 until they were arrested and guillotined.?Soar to Heaven? follows twocharacters Wu and Zhou involved on opposite sides of the Cultural Revolution in China.?The Oxford Revolution? tells the story of James Meredith who fought a lonely battle against segregation and racial prejudice to becomethe first black student to enrol at ?Ole Miss? the University of Mississippi in the USA.Librettist's Note.There are inevitably and properly some differences between the original libretto and whatMax ultimately set to music. Most of these are insignificant but all the Latin texts in the opera were added by Max and texts for the alternating black / white choruses (Scene 19) and final chorus (Scene 28) were written by him.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. ' (Peter Anton Ling) OperAria is the ideal ?vocal coach? for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2019-09-06/ Recueil / Basse Lyrique-Dramatique

Une nouvelle édition indispensable pour tous les chanteurs et le studio de voix! Il s'agit de la collection en plusieurs volumes plus complète de Mozart Opera Arias jamais publié, avec les éditions de Soprano, Mezzo-soprano, ténor et basse / baryton avec 31 à 41 airs par volume. Comprend des notes historiques et intrigue sur chaque opéra et aria, et les traductions pour étudier l'anglais.Les airs les plus connus, bien sûr, se trouvent dans les collections, ainsi que de nombreuses sélections magistrales, vocalement gratifiantes, mais moins familier.Opéras représentés: Apollo et Hyacinthus- Ascanio in Alba- Bastien und Bastienne- La Clemenza di Tito- Così fan tutte- Don Giovanni- Die Entführung aus dem Serail- La finta giardiniera- La finta semplice- Idomeneo- Lucio Silla- Mitridate, rè di Ponto- Le nozze di Figaro- L'oca del cairo- Il rè pastore- Der Schauspieldirektor- Il sogno di Scipione, Zaide, Die Zauberflöte. / Voix Basse(s) Et Piano

Une nouvelle édition indispensable pour tous les chanteurs et le studio de voix! Il s'agit de la collection en plusieurs volumes plus complète de Mozart Opera Arias jamais publié, avec les éditions de Soprano, Mezzo-soprano, ténor et basse / baryton avec 31 à 41 airs par volume.Comprend des notes historiques et intrigue sur chaque opéra et aria, et les traductions pour étudier l'anglais. Les airs les plus connus, bien sûr, se trouvent dans les collections, ainsi que de nombreuses sélections magistrales, vocalement gratifiantes, mais moins familier.Opéras représentés: Apollo et Hyacinthus- Ascanio in Alba- Bastien und Bastienne- La Clemenza di Tito- Così fan tutte- Don Giovanni- Die Entführung aus dem Serail- La finta giardiniera- La finta semplice- Idomeneo- Lucio Silla- Mitridate, rè di Ponto- Le nozze di Figaro- L'oca del cairo- Il rè pastore- Der Schauspieldirektor- Il sogno di Scipione, Zaide, Die Zauberflöte. / Tenor Et Piano

Many students only need a few opera arias in their vocal study. Selected Opera Arias extracts 10 arias useful to the typical voice student from the G. Schirmer Opera Anthology, with plot notes, translations and IPA, and combines them with the diction lessons recorded by top coaches in New York, and accompaniments recorded by coaches on staff at Lyric Opera of Chicago. The voice student gets a value priced, complete package for the very best instruction.COSÌ FAN TUTTE: Un'aura amorosa - DON GIOVANNI: Dalla sua pace - Il mio tesoro - L'ELISIR D'AMORE: Quanto e bella - Una furtiva lagrima - EUGENE ONEGIN: Lenski's Aria - RIGOLETTO: La donna è mobile - LE ROI D'YS: Vainemant, ma bien-aimée - LA TRAVIATA: De' miei bollenti spiriti - DIE ZAUBERFLÖTE: Dies Bildnis ist bezaubernd schön. / Voix Et Piano

Pour Mezzo Soprano Ou Contralto-Born in Laval Françoise Semellaz studied in Le Mans and Paris before embarking on a successful teaching career. Currently a professor at the Lille Conservatoire she devotes herself to classical singing. As a vocalist herself this compilation of Decouvrir L'Opera Français is well-informed. Containing airs for Mezzo-Sopranos and Contraltos the accompaniment is helpfully recorded on the CD included. Airs include those by Boiëldieu Delibes Gounod Massenet Offenbach Saint-Saëns and Thomas. With a detailed preface and wide selection of Airs Semellaz's Decouvrir L'OperaFrançais is essential to all aspiring advanced Mezzo-Sopranos and Contraltos.

The Gig Book: Showtunes is jam packed with 85 classic songs by the biggest names in musical theatre. Presented in gig-friendly melody line arrangements with complete lyrics, chord symbols and Guitar chord boxes. / Mélodie/Vocal/Guitare (MVG)

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. ' (Peter Anton Ling) OperAria is the ideal ?vocal coach? for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2019-09-06/ Recueil / Basse Dramatique

Mit ?Le comte Ory' erscheint der fünfte Band aus der vielbeachteten Reihe ?Works of Gioachino Rossini'. Nach seiner Uraufführung in Paris feierte das Werk große Erfolge an den europäischen Bühnen des 19. Jahrhunderts. Die turbulente Komödie um den Grafen Ory, der sich mit seinen wüsten Kumpanen Zutritt zu einem Nonnenkloster verschafft, ist eines von Rossinis effektvollsten Meisterwerken.Der Herausgeber Damien Colas legt in Zusammenarbeit mit dem ?Center for Italian Opera Studies Chicago' eine kritische Neuausgabe vor, die unter Heranziehung einer Vielzahl von Quellen einen originalen Text des Werkes präsentiert, der in vielen Fällen von der bislang erklungenen Überlieferung abweicht. So konnten originale Besetzungen, formale Verläufe und zahlreiche fragliche Lesarten wieder hergestellt bzw. korrigiert werden. / Opéra

lyric. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Lyrique

Ce volume exceptionnel comporte un choix riche des plus grandes ouverture d'opéras de Wolfgang Amadeus Mozart : Idomeneo (K.366) . L'abduction de Seraglio (K.384) . Le mariage de Figaro (K.492) . Don Giovanni (K.527) . Così Fan Tutte (K.588) . La Flûte Enchantée (K.620) et La Clemence de Titus (K.621).

Un excellent volume des airs de colorature a été ajouté à la série d'anthologie de g. Schirmer Opera. Avec 30 arias en anglais, en italien, en allemand, en français et en russe, il s'agit de la plus grande collection d'extraits lyrique de colorature jamais publié. En raison de la nature du matériau, suggestions de rendement fondée sur la tradition se trouvent libérale dans tout le volume. Par exemple, vous trouverez des variations vocales standards pour le ' chanson de poupée 'dans les contes d'Hoffmann inclus dans l'édition, avec la ligne vocale originale. Comme les autres volumes de la série révolutionnaire, il existe des historiques et intrigue notes sur chaque aria, gravures nouvelles et nouvelles traductions pour étudient. / Chant Et Piano / Partition

Par RUTTER JOHN. Opera Chorus est une collection de 35 choeurs d'opéra classique, savamment disposés comme oeuvres de concert séparés, le tout avec une excellente traduction anglaise et le chant des réductions clavier pratique. Le matériel d'accompagnement orchestral pour tous les titres de la collection est disponible à la location. Certains articles de ce volume sont disponibles séparément sous forme de brochures de la série Oxford Choral Classics Octavo. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassent la musique chorale, orchestrale et instrumentale, et il a édité ou co-édité plusieurs anthologies chorale dont quatre pour des volumes de Carols chorales avec Sir David Willcocks et l'Oxford Choral Classics série. De 1975 à 1979, il a été directeur de la musique au Clare College, et en 1981 il a formé son propre choeur, les Cambridge Singers. Il partage maintenant son temps entre la composition et la conduite et est recherché comme un chef d'orchestre invité pour le leader mondial des chorales et orchestres./ Recueil / Chant