Par GRAY JULIAN. Richesse de Domenico Scarlatti de l'invention et l'immédiateté de son appel émotionnel - de tragédie les plus sombres de bold farce - ont attiré depuis longtemps de guitaristes de faire leur propre sa musique. Cette collection de neuf sonates arrangé par le Duo de Gray/Pearl rassemble musique affiche dash virtuose de Scarlatti et le caractère poignant lyrique. Le volume contient un score d'un-edited ainsi que des pièces de performance prête avec doigtés suggérées, les solutions techniques et les articulations d'interprétation. C'est le premier livre dans une nouvelle série du duo guitare américaine éminents Julian Gray et Ronald Pearl. / Niveau : Intermédiaire / Classic - Duets / Recueil / Guitare Classique

Italian composer Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day and it is for this reason that this fifth volume is indispensable to performers of the genre. Originally composed for the Harpsichord Organ or early Pianoforte the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music considering that he spent much of his working life in the service of the Spanish and Portuguese royal families.The fifth volume comprising Sonatas 206-255 includes many of the popular and recognised Sonatas in a variety of keys. Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day so much so that he was employed in the service of two royal families his Sonatas are composed with much experience understanding and expertise creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Volume 11 K. 507-555-Italian composer Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day and it is for this reason that this eleventh and final volume is indispensable to performers of the genre. Originally composed for the Harpsichord Organ or early Pianoforte the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music considering that he spent much of his working life in the service of the Spanish and Portugueseroyal families. The eleventh volume comprising Sonatas 507-55 includes the popular and recognisable Sonata in E major (K. 531). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day so much so that he was employed in the service of two royal families his Sonatas are composed with much experience understanding and expertise creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Volume 1 K.1-52-Italian composer Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day and it is for this reason that this first volume is indispensable to performers of the genre. Originally composed for the Harpsichord Organ or early Pianoforte the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music considering that he spent much of his working life in the service of the Spanish and Portuguese royal families.This first volume comprising Sonatas 1-52 includes the popular and recognised Sonatas in D minor (K. 9) E major (K. 20) and B minor (K. 27). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day so much so that he was employed in the service of two royal families his Sonatas are composed with much experience understanding and expertise creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Italian composer Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day and it is for this reason that this eighth volume is indispensable to performers of the genre. Originally composed for the Harpsichord Organ or early Pianoforte the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music considering that he spent much of his working life in the service of the Spanish and Portuguese royal families.The eighth volume comprising Sonatas 358-407 includes the popular and recognised Sonatas in B minor (K. 377) and E major (K. 380). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day so much so that he was employed in the service of two royal families his Sonatas are composed with much experience understanding and expertise creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Duo de marimbas.Aux 555 sonates pour clavecin composées entre 1738 et 1757 Domenico Scarlatti a donné le titres d' ' exercices ' (Essercizi).La présente transcription est basée sur l'édition la plus proche du texte original de Scarlatti, et, conformément à l'écriture de cette époque, ne comporte aucune indication de nuances, de phrasés ou d'articulations.Les indications de mouvement et les ornements écrits sont de Scarlatti, la classification numérotée est celle (usuelle) de Kirkpatrick. / Ensemble De Percussions A Clavier (Duo)

Consid?r? aujourd?hui comme l?un des grands compositeurs de clavier de l?histoire de la musique Domenico Scarlatti est ?galement le tout premier virtuose du clavier. Comme les deux volumes pr?c?dents d??uvres choisies de Scarlatti (HN 395 451) cette s?lection contient 24 sonates issues de diff?rentes p?riodes cr?atrices de son ?uvre et offre ainsi une vision globale des multiples facettes du talent de ce compositeur italien qui travaillait ? la cour d?Espagne. Gr?ce ? ses th?mes caract?ristiques ? des m?lodies naturellement chantantes et ? des motifs dansants Scarlatti parvient ? d?passer toute forme de lourdeur baroque. Dans ces sonates en un seul mouvement latechnique de jeu devient un ?l?ment formel structurant. Pour la premi?re fois dans l?histoire du r?pertoire pour clavier l?interpr?te doit y ma?triser de grands sauts et des croisements de mains. La pr?face du grand pianiste Bengt Johnsson revient sur le parcours de Scarlatti et sur les diff?rentes sources sur lesquelles se fonde notre ?dition. Quelques sonates paraissent ici pour la premi?re fois en version imprim?e. Petit cadeau suppl?mentaire une pr?face originale parue initialement dans une ?dition de 1738 en pr?ambule ? 30 sonates pour clavier de Scarlatti est reproduite ici et fournit de nombreuses informations utiles ? la compr?hension de la musique pour clavier de ce compositeur.

Essercizi per gravicembalo - A cura di M. Moiraghi (supervisione E. Fadini). The 10th volume of Domenico Scarlatti?s Sonate per clavicembalo represents a crucial landmark of this series, i.e. the thirty Essercizi per gravicembalo (London, 1738-39) at the heart of the composer?s production. For a long time, the style of these sonatas and their role in the history of keyboard music has been debated. But nobody had ever examined thoroughly the key aspects of textual criticism, intended not only as a detailed reconstruction of the text, but as a philological study with a full scope. This volume is the first step in such direction. The musical text of this edition is the result of a systematic comparison of all the eighteenth century printed and manuscript sources preserving Scarlatti?s treasured Essercizi. In some cases, the edition presents an alternative version of the same sonata, based on the sources? examination and sometimes showing an intricate web of authorial variants. The detailed Critical Notes take into account all the variants handed down by the sources. Many topics are discussed in the rich Introduction, first and foremost the historical context and the genesis of Scarlatti?s sonatas. Furthermore, other important topics are investigated, such as: the relationship between the Essercizi and the rival Londonese edition by Roseingrave: the role and chronology of the contemporary French editions, known under the name of Boivin: the early interventions of anonymous performers.

Piano Sonata in d minor K.9 L.413-?Bach?s Preludes are on holiday at the Mediterranean? the wonderful alliance of polyphonic fluency and musical delight in Domenico Scarlatti?s piano sonatas could be described thus. Originally composed for harpsichord thesepieces exhaust the technical and tonal possibilities of keyboard instruments in such a refined manner that pianists have never been able to resist playing them on modern pianos whether grand or upright. We have chosen one of themost popular sonatas with a moderate level of difficulty (level 4/5) from our extensive three-volume Urtext edition (HN 395 451 476). This single edition is an asset for teaching and provide an ideal introduction to Scarlatti?sfascinating musical language.

Piano Sonata in E major K.380 L.23-?Bach?s Preludes are on holiday at the Mediterranean? the wonderful alliance of polyphonic fluency and musical delight in Domenico Scarlatti?s piano sonatas could be described thus. Originally composed for harpsichord thesepieces exhaust the technical and tonal possibilities of keyboard instruments in such a refined manner that pianists have never been able to resist playing them on modern pianos whether grand or upright. We have chosen one of themost popular sonatas with a moderate level of difficulty (level 4/5) from our extensive three-volume Urtext edition (HN 395 451 476). This single edition is an asset for teaching and provide an ideal introduction to Scarlatti?sfascinating musical language.

Domenico Scarlatti's wealth of invention and the immediacy of his emotional appeal - from darkest tragedy to bold farce - have long attracted guitarists to make his music their own. This collection of nine sonatas arranged bythe Gray/Pearl Duo gathers music displaying both Scarlatti's virtuosic dash and lyrical poignancy.The volume contains an un-edited score as well as performance-ready parts with suggested fingerings technical solutions andinterpretive articulations. This is the first book in an exciting new series from the eminent American Guitar duo of Julian Gray and Ronald Pearl.