The eagerly anticipated new musical from the creators of Les Miserables. Composed by Legrand, Boublil, Schönberg and Kretzmer. ' Raises the bar for modern musicals *****' The Sunday Telegraph Vocal selections from the hit musical specially arranged for Piano and voice with full lyrics and chord symbols. / Piano/Vocal/Guitare (PVG)

Par BEETHOVEN LUDWIG VAN. Like the “Eroica Variations” op. 35, the Variations op. 34, were composed in 1802 on an original theme. The “new fashion” Beethoven declared for both works to his publisher becomes apparent in opus 34 through the constant change of keys; from one variation to the next, new tone colours and moods continue to unfold, spanning the pastoral and the funereal, while the melody of the theme remains largely unaltered. For the first time, the Variations op. 34, are now available from Henle in a standalone edition. The musical text of the Urtext edition, with extensive foreword and commentary, was prepared on the basis of the later Critical Apparatus of the BeethovenComplete Edition. Here, too, the fingering comes from the esteemed hands of Ian Fountain. / Loy, Felix / Répertoire / Piano

Bärenreiter continues its Urtext edition of the complete Beethoven piano sonatas with an important contribution. The frequently played Sonatas op. 2, Nos. 1-3, stem from the time when the young composer took lessons from Joseph Haydn in Vienna and are dedicated to his teacher. After Beethoven's three early sonatas which he wrote as a youth in Bonn, the so-called 'Kurfürsten-Sonaten?, Beethoven started 10 years later, in the mid 1790s, to develop a style independent from the legacy of Mozart and Haydn and presented with his op. 2 his first fully valid piano sonatas. The acclaimed Beethoven specialist Jonathan Del Mar has consulted every known source for this scholarly-critical Urtext performing edition. In addition he has analysed various copies of the prints published during Beethoven's lifetime. The result of his accurate research is presented in a meticulously edited musical text at the cutting edge of scholarship, together with a detailed Critical Commentary. The volume stands out in terms of its elegant and well-presented layout. Special emphasis has been placed on optimum page-turns and on the consideration of the flow of the music. The highly informative Introduction on the genesis and significance of the sonatas is supplemented by valuable notes on historical performance practice. - New scholarly-critical performing edition at the cutting edge of scholarship - Optimum page-turns - Introduction with valuable notes on historical performance practice (Eng/Ger) - Detailed Critical Commentary (Eng) / Piano

Kompositionen Für Keltische Harfe (Hakenharfe). Par STADLER MONIKA. Mit dem vorliegenden Heft baut Monika Stadler eine Brücke zwischen der Welt der Konzertharfe und der Welt der keltischen (Haken-)Harfe. Sie spannt einen Bogen von Traditionellem, inspiriert durch 'Traditionals' und dem berühmten irischen Harfenisten O'Carolan, zu neuen Einflüssen aus dem Jazzbereich und der Worldmusic. With this book, Monika Stadler builds a bridge between the worlds of concert and celtic (lever) harps. She covers the range from traditional playing, inspired by the traditionals and the famous Irish harpist O'Carolan, to new influences from jazz and world music./ Répertoire / Harpe

Score + Parties. Par BRAHMS JOHANNES. Bärenreiter's scholarly-critical edition of Brahms' popular Quintet in F minor for piano and strings contains everything a cutting edge Urtext edition is meant to offer. It presents a solid and wellresearched musical text based on Brahms' autograph as well as the first edition, and draws on the autograph of the two-piano version (composed six years later) for purposes of comparison. The edition also contains a discussion of the work's historical context and performance practice as well as a comprehensive Critical Commentary with an evaluation of the sources and alternative readings. The editor, Daniel Boomhower, deals with the conflicting readings between the string parts in the autograph engraver's copy and those found in small print in the first published score as well as in the separate parts for that edition. Relevant readings from the two-piano version appear in the appendix of the Critical Commentary. - New Bärenreiter Urtext edition - Exhaustive study of conflicting readings - Notes on performance practice (Eng/Ger) - Informative Foreword (Eng/Ger) and Critical Commentary (Eng)descriptive text to this edition will be provided on December 20./ Répertoire / Violon (2), Alto, Violoncelle, Piano

Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 80 and 81, Haydn's Symphony in F major Hob. I:79 belongs to a group of works that he composed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy who wished to be entertained with new music. The symphonies were tailored for the twenty-five to thirty musicians who were in the prince's court orchestra. Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”. Bärenreiter has already published the complete performance material for several 'Sturm und Drang” symphonies and all the Paris and London symphonies. / Date parution : 2019-06-20/ Répertoire / Orchestre

Par HAYDN FRANZ JOSEF. Haydn's delightful Missa Brevis in F was both one of his earliest and latest works: he originally scored it for soloists, choir and strings, and returned to it at the end of his life to add wind parts. Either version may be performed using this new, authoritative edition, prepared by the Haydn scholar Denis McCaldin. / Niveau : Elémentaire / Répertoire / Chorale

for String Sextett. Par MOZART WOLFGANG AMADEUS. For String Sextet (2 Violins, 2 Violas, 2 Cellos, Bass) set of parts. Mozart ’s Sinfonia Concertante for Violin and Viola, K. 364 (320d), is his only complete surviving work in this genre. He wrote it in 1779 after returning from Paris and Mannheim. For two decades it was known only in a few copyists’ manuscripts. The first edition did not appear until 1802. The work achieved great popularity that same year, particularly the arrangements for Piano four-hands and Piano trio. This arrangement for String Sextet, dating from 1808, is interesting not only for its unusual scoring but also for the way the two concertante instrumentsinteract with the other strings. This edition revives this arrangement after almost two centuries, drawing primarily on the sole surviving source: the first edition in parts, published by the Vienna Stamperia Chimica in 1808. The editor, Christopher Hogwood, recounts the history of the work and the particulars of the arrangement in a trilingual preface (Eng . / Ger. / Cz . ) and a critical report. Barenreiter's new edition takes into account both the original print and the text from the “New Mozart Edition”. New edition of a historical transcription for String Sextet (1808) Available in print again after almost two centuries Also suitable for Chamber Orchestra Detailed preface and critical report (Eng. /Ger. / Cz . ) Includes facsimiles / Classique / Répertoire / Violon 1, Violon 2, Alto, Violoncelle, Violoncelle

Par BEETHOVEN LUDWIG VAN. Beethoven's 'Romances' are performed all over the world, yet how many conductors, performers and listeners are aware that op. 50 which was incidentally composed before op. 40, comes down to us in an unfinished form' The autograph score contains little to no articulation or dynamics and to the present day the work has existed only in highly over-edited publications. The performer has no way of knowing what was originally intended by the composer. Bärenreiter's new Urtext edition of opp. 50 and 40 offers the score to op. 50 twice- the first score reflects the state of Beethoven's autograph with editorial markings clearly indicated, the second score has been edited based on other works by Beethoven from that period. This manner of publishing remains true to the sources and at the same time offers musicians a reliable transparent score for performances. In addition to the Urtext solo part, a second solo part with fingering and bowing by Detlef Mahn is also included in the piano reduction. - Piano reduction which includes an Urtext solo part as well as an additional solo part with fingering and bowing - The score to op. 50 available in two versions - Detailed critical commentary (Eng)/ Répertoire / Violon et Orchestre

Bass Clef Edition. Par LATEEF YUSEF. This classic spiral-bound book, with a wealth of patterns, licks, and ideas, has been popular among jazz players for a long time. Page after page of material, collected from around the world during Yusef's vast touring. This collection of world sounds and exotic hybrids will have you hearing in whole new ways! Composers will find volumes of ideas and information. Improvisors will never find the bottom of this inspiration filled masterpiece. Often referred to as a 'jazz' version of Slonimsky's classic book that had a profound influence on John Coltrane. / Date parution : 2022-04-01/ Etude / Instruments en Clé de Fa

Par BARTOK BELA. Béla Bartók’s “For Children” is one of the best known pedagogical works for piano teachers of the twentieth century, second only perhaps to the same composer’s “Mikrokosmos”. It was based firmly on the huge number of folk songs he collected, recorded and studied with his colleague Zoltán Kodály. At the time, Bartók was offering something very new to piano teachers and their students. Siegfried Steinkogler became acquainted with “For Children” at the beginning of his guitar studies and, from them, learnt a great deal about melody and harmonisation. He has chosen 38 of the original 79 pieces to offer in arrangements for the guitar. They are presented with helpful fingerings, technical solutions and aids to familiarize the younger students with common notations. For beginners, ten of the pieces are played exclusively in the first position before a gently increasing level of difficulty helps the player broaden their skills. In these arrangements, Bartók’s ingenious teaching pieces will be as invaluable to guitarists as they have been to your pianists for over one hundred years./ Répertoire / 2 Guitares