12 pieces for solo flute, two flutes, flute and piano.For advanced 1st-cycle flutists.One step further is a follow-up to Follow my steps 1 and 2.Composed by Gilles Martin and equally suited for students' concerts or performance assessments, these 12 original pieces for flute solo, 2 flutes, flute and piano are intended for advanced 1st-cycle students.They address various stylistic and technical issues such as classical ornamentation, contemporary music notation, double and triple tonguing, whole-tone scale, blues scale and the blue note, shuffle rhythm and twelve-tone music.For easy reading and performance, the pieces do not exceed two pages in length and feature a brief explanation on the relevant technical and stylistic key points.They are all recorded on the accompanying CD, together with a play-along piano part for the 2 pieces for flute and piano. Accompaniment scores to Patchwork and Fable are provided in a separate section.Going One step further will enhance the young flutists' musical autonomy and broaden their musical horizons. Have fun!Claudine BONODOT-MARTIN / Flûte

10 Pièces Célèbres Pour Flûte et Piano. The most popular works of flute literature in one volume: Best of Flute Classics features music from four centuries by Handel, J.S. and C.P.E. Bach, Mozart, Donizetti, Fauré, Roussel, Chaminade, Reinecke and Taffenl. The collection of original works for flute is ideal study or concert repertoire for intermediate and advanced flautists. The edition also comes with a basso continuo part for the sonatas by J.S. Bach, C.P.E. Back and Handel. / Niveau : Moyen / Recueil / Flûte Traversière et Piano

Giulio Briccialdi (1818-1881) has been one of the major European flutists of the Nineteenth Century. Praised by coeval critics as 'the first among the living flutists? in a period when virtuosos were reaching extraordinary levels, Briccialdi was a unique artist with a quintessentially Romantic personality. His refined activity as a composer is nowadays mostly known thanks to his paraphrases on operatic themes and to his didactic output, but it is through his concertos - a real cornerstone in the instrumental virtuosic repertoire of the 1800s - that Briccialdi exploits the pinnacle of his opera-influenced style. Briccialdi's concertos are intended for technically and stylistically advanced performers. / Flûte Traversière Et Piano

These 11 well-known pieces composed especially for Flute make an ideal introduction to playing more advanced solos. Each piece reveals something about the Flute's capabilities as a solo instrument and there are selected background notes about some of the music featured, plus pictures and a brief introduction to the Flute's history and development - an ideal book for any aspiring Flute soloist! / Flûte Traversière

Giulio Briccialdi (1818-1881) has been one of the major European flutists of the Nineteenth Century. Praised by coeval critics as 'the first among the living flutists? in a period when virtuosos were reaching extraordinary levels, Briccialdi was a unique artist with a quintessentially Romantic personality. His refined activity as a composer is nowadays mostly known thanks to his paraphrases on operatic themes and to his didactic output, but it is through his concertos - a real cornerstone in the instrumental virtuosic repertoire of the 1800s - that Briccialdi exploits the pinnacle of his opera-influenced style. Briccialdi's concertos are intended for technically and stylistically advanced performers. / Flûte Traversière Et Piano

Selected works from the most prominent G. Schirmer and AMP composers, including music by Barber, Corigliano, Harbison, Martinu, Moyse, Muczynski, and others. With detailed notes on the music. Suitable for the advanced high school and college level player. Includes works for solo Flute as well as Flute and Piano. / Flûte Et Piano

Graded jazz pieces for solo flute recently set on the new Trinity College syllabus for all 8 grades. The story behind Scatadoodledoo: 'One day when I was at home practising my flute for a Jazz gig I had a particularly hard chart with lots of key changes and I just couldn't get into the flow of it. I was thinking logically and thinking of the chord symbols and just thinking thinking thinking which anyone who improvises knows is a sure way to stop you being 'in the flow'. Being a Jazz singer I love to scat sing and so I soon found myself putting my flute down and scat singing through the chart instead. I wasn't thinking I was justscatting around with my 'do-be-doos' and I was really getting into it and enjoying myself feeling so free in comparison to when I was improvising on the flute. That's when I had the idea to sing and play on my flute at the same time... I figured that all I needed to do was practice playing on my flute what I was singing at the same time and I'd be sorted with this hard chart in front of me. I started off simply at first but the more I practised the more I found my voice and fingers working together until it literally felt like they were 'one' and I was 'singing my flute'. Then when I took my voice out of it and all that remained was the sound of my flute that feeling of 'singing' still remained and I felt a freedom in my flute improvising that had been missing before. This discovery completely changed my jazz flute playing and to this day it is still my favourite way of practising improvising. 'Scatadoodledoo' is to encourage all Jazz flautists to start thinking of their flute as the voice they are scat singing with. The pieces range from grade one through to grade eight. Although the more advanced pieces like 'scatastrophy' and 'scatterbrain' have sections where the flautist has a chance to actually play and sing at the same time it is never too early to practice this method whether it be with scales or with beginner pieces like 'Scat Walker'. I hope you enjoy playing these as much as I enjoyed writing them.' Alicia Hart

36 Repertoire Pieces with piano accompaniment-Solos For Flute: 36 Repertoire Pieces With Piano Accompaniment is a collection of fantastic Flute pieces and arrangements with Piano Accompaniment compiled and edited by David Peck.These will provide an enjoyable challenge for the advancing flautist.The solo Flute part is also included on a separate insert.

Music Minus One Flute-Julius Baker of the New York Philharmonic takes you further into the broadening repertoire for advanced flutists. Includes additional slow-tempo practice version of the Bach sonata Allegro Moderato. Includes a high-quality printed solo part annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist. Performed by Julius Baker flute Accompaniment: Martha Rearick piano

Par SCHWARZ BOUSCH. Melanges was compiled by pedagogues at the Boulogne-Billancourt Conservatoire as a response to the increase of electro-acoustic music. The compilation provides flautists and oboists with an excellent introduction to playing with electronic accompaniment. As collection of modern works, Melanges addresses extended techniques in the solo Flute/Oboe line. These include embouchure technique, whistle tones, special fingerings, harmonics, trills, articulation and making vocal sounds at the same time as sound on the instrument, amongst other elements. For all advanced flautists and oboists seekingto expand and vary the repertoire, in keeping with the advances of music, Melanges is essential. / Niveau : Facile / Recueil / Flûte Traversière

Par LEDEUIL ERIC. Born in 1970, Eric Ledeuil is a versatile musician, working as a flautist, composer, conductor and teacher. All his expertise combined have created the wonderful compilation, 3 Expeditions Pour Flûte Aventureuse. With text in four languages, this exciting study book explores the extended techniques of the Flute. Made up of three movements; Rainforests, Ice Lands, and Bush and Savannah, an extensive glossary explains how to address each technique. 3 Expeditions Pour Flûte Aventureuse is an exciting and varied addition to progression of the instrument. Ledeuil 's piece isessential to advanced flautists seeking to improve their technique to a high standard. / Pop & rock / Date parution : 2012-02-17/ Recueil / Flûte Traversière