Cette édition nouvelle groovy de la série EZ Play Today contient 60 chansons qui résument toute une génération de paix et d'amour.Le recueil de chansons Flower Power propose des arrangements pour piano facile pour des chansons telles que: All You Need Is Love - Aquarius - Bad, Bad Leroy Brown - Blowin' in the Wind - Born to Be Wild - Bus Stop - California Dreamin' - Cat's in the Cradle - Daydream Believer - The 59th Street Bridge Song / Piano

Par MURPHY HENRY. Sont vous trouver la clé de g trop limitant ? Que faire si quelqu'un appelle une chanson dans c ou D, E ou F ? Apprendre à jouer de poste de c et élargissez vos horizons sur le banjo. Aucun onglet mettant en vedette Wildwood Flower. Aussi Uncloudy jour, Arkansas Traveler, Worried Man, plus. / Niveau : Débutant / Bluegrass - Solos / Accessoire / Banjo à 5 Cordes

Hans Abrahamsen's Flowersongs (1973) for three Flutes. Parts. 'I wrote Flowersongs for three Flutes in the spring of 1973 when I was 20 years old. Looking back now 40 years begins to feel like a really long time and sometimes I think that it is as if someone in 1973 is talking about a piece from 1933! But in spite of this long time this is still a very important piece for me. In Flowersongs along with works like '10 Preludes' for String Quartet and 'Stratifications' for Orchestra I feel that I was on my way to finding my own voice in the middle of the music of the great Central Europeanmodernist tradition from the 50s and the reaction from the 60s of the new simplicity minimalism and the possibility of poly-stilisme. The English title Flowersongs links to the flower power movement and the hippie culture of the 60s and the early 70s and the work is trying to find the power inherent in this imaginary world. Many of my later works have titles in German for example 'Winternacht' (1976/78) 'Nacht und Trumpeten' (1981) and much later 'Schnee' (2006-08). If we think of Flowersongs in German it must be Blumenlieder and to me it now sounds suddenly very different more romantic and into the world of Schumann. Perhaps it is also a way in which to hear the piece? Another thing is that the correct English title is Flower Songs (as two words) and not as one word like in German or Danish. This is perhaps the German connection as I incorrectly wrote the title as one word; but perhaps it is also a kind of naivety which is also part of the work. I cannot help but carry with me to this day the ideas from my early works. For example there are clear links in this work from the 8th Prelude from '10 Preludes' and to Canon 2a from 'Schnee' from 2008. This work is written for the wonderful ensemble recherche and it was meeting them that made me consider making a version of

Hans Abrahamsen's Flowersongs (2012 version) for Flute Oboe and Clarinet. 'I wrote Flowersongs for three Flutes in the spring of 1973 when I was 20 years old. Looking back now 40 years begins to feel like a really long time and sometimes I think that it is as if someone in 1973 is talking about a piece from 1933! But in spite of this long time this is still a very important piece for me. In Flowersongs along with works like '10 Preludes' for String Quartet and 'Stratifications' for Orchestra I feel that I was on my way to finding my own voice in the middle of the music of the great Central Europeanmodernist tradition from the 50s and the reaction from the 60s of the new simplicity minimalism and the possibility of poly-stilisme. The English title Flowersongs links to the flower power movement and the hippie culture of the 60s and the early 70s and the work is trying to find the power inherent in this imaginary world. Many of my later works have titles in German for example 'Winternacht' (1976/78) 'Nacht und Trumpeten' (1981) and much later 'Schnee' (2006-08). If we think of Flowersongs in German it must be Blumenlieder and to me it now sounds suddenly very different more romantic and into the world of Schumann. Perhaps it is also a way in which to hear the piece? Another thing is that the correct English title is Flower Songs (as two words) and not as one word like in German or Danish. This is perhaps the German connection as I incorrectly wrote the title as one word; but perhaps it is also a kind of naivety which is also part of the work. I cannot help but carry with me to this day the ideas from my early works. For example there are clear links in this work from the 8th Prelude from '10 Preludes' and to Canon 2a from 'Schnee' from 2008. This work is written for the wonderful ensemble recherche and it was meeting them that made me consider making a version of

Easier Piano Pieces 03-Cornelius Gurlitt was a German organist pianist and composer who wrote many instructional pieces and studies. He obviously composed at speed with considerable facility and it is not surprising that some of his output lacks individuality. Kleine Blumen however is one of his works which displays particular charm and character. No titles were originally given to the twelve pieces of Op.205 but in an Augener edition of 1936 names of flowers were used.

Saxophone Quartet-Chesterton Flowers was written for a concert given as part of a flower festival at the Oxfordshire village of Chesterton. For soprano alto tenor baritone with the option of 2 altos tenor baritone. 'Hollyhocks' 'Deadly Nightshade' 'French Marigolds' and 'Canterbury Bells'. Duration: 10 min.Grade: 5 - 8

A fantastic collection of 50 accessible, must-know favorites for the beginner who's learned enough to start playing popular songs! This book features melody, lyrics, and chord diagrams. Includes: Amazing Grace - Blue Eyes Crying in the Rain - Crazy - Cripple Creek - Folsom Prison Blues - Friend of the Devil - Going to California - Hallelujah - Ho Hey - I Am a Man of Constant Sorrow - I Walk the Line - I'll Fly Away - Losing My Religion - Maggie May - Mr. Bojangles - Redemption Song - Ripple - Rocky Top - Take Me Home, Country Roads - Tennessee Waltz - Wagon Wheel - Wildwood Flower - Yesterday - Your Cheatin' Heart - and many more. / Mandoline

This original work with text from a poem by John Greenleaf Whittier creates a sense of awe as we visualize a flower in the midst of the frozen landscape of winter. Singers will be challenged to shape phrases artfully and blend chords for a rich concert expression.

for Solo Bb Euphonium and Brass Band-For a Flower est une ?uvre virtuose et m?lodique pour euphonium solo et brass band. Une introduction d?licate pour euphonium se d?veloppe en un hymne noble dans un style traditionnel irlandais. Vient ensuite une section plus rapide et virtuose qui initie un dialogue vari? entre l?orchestre et le soliste. L??uvre conclut de mani?re triomphale avec le retour du th?me de l?hymne du d?but. For a Flower met en avant les possibilit?s musicales et techniques de ce magnifique instrument. L?euphonium solo doit naturellement poss?der des comp?tences lyriques et musicales aussi bien que virtuoses. For a Flower est une commande de l?euphonium virtuose n?erlandaisRobbert Vos et est d?di?e ? sa femme Evi.

Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste 'plat' sur le support du piano.Titres : Alfie [Bacharach, Burt] - And I Love Her [Beatles, The] - Arabesque #1 [Debussy, Claude] - Black Hole Sun [Soundgarden] - The Blue Notebooks [Richter, Max] - Bouncing With Bud [Powell, Bud] - Dance Of The Floreadores [Ellington, Duke and Billy Strayhorn] - Divenire [Einaudi, Ludovico] - Do I Do [Wonder, Stevie] - Excursions II [Bennett, Richard Rodney] - Eye Of The Tiger [Survivor] - A Flower Is A Lovesome Thing [Strayhorn, Billy] - Gnossienne I [Satie, Erik] - Handful Of Keys [Waller, Fats] - Here, There And Everywhere [Beatles, The] - How My Heart Sings [Evans, Bill] - I Want You (She's So Heavy) [Beatles, The] - I'm Just A Lucky So And So [Krall, Diana] - Johnny Come Lately [Strayhorn, Billy] - Lazy River [Carmichael, Hoagy] - London Calling [Clash, The] - Midnight Sun [Burke, Sonny] [Hampton, Lionel] - Now He Sings, Now He Sobs [Corea, Chick] - Nowhere Man [Beatles, The] - Once Upon A Summertime [Legrand, Michel] [Barclay, Eddie] - One At A Time [Legrand, Michel] - Passion Flower [Strayhorn, Billy] - Peau Douce [Evans, Bill] - Pinball Wizard [Who, The] - Prelude In G, Op.32 #5 [Rachmaninoff, Sergei] - Prelude #2 (Blue Lullaby) [Gershwin, George] - Rhapsody In Blue (Slow Theme) [Gershwin, George] - Rosemary's Waltz (From Tender Is The Night) [Bennett, Richard Rodney] - Soho (from The London Suite) [Waller, Fats] - So Real [Buckley, Jeff] - Someday (You'll Be Sorry) [Armstrong, Louis] - Somethin' Stupid [Sinatra, Frank] - Sophisticated Lady [Ellington, Duke] - Turn Me On [Jones, Norah] - When Sunny Gets Blue [Sinatra, Frank] - With A Little Help From My Friends [Beatles, The] - Yesterdays [Moore, Dudley] - Your Love Has Faded [Ellington, Duke and Billy Strayhorn] / Piano/Vocal/Guitare (PVG)

Beginning pianists of all ages will cherish this excellent compilation of classics. Each piece was carefully selected and simplified to help students develop their skills. Many of the greatest composersâ??J. S. Bach Beethoven Brahms Mendelssohn Mozart Rimsky-Korsakov Rachmaninoff Tchaikovsky and othersâ??are represented by several pieces each some newly adapted for the piano. Composers and works not usually featured in beginner's books include pieces by Borodin Gluck Rameau and Tallis.Well-known classics include Bach's Brandenburg Concerto No. 3 Debussy's Claire de Lune Moussorgsky's Pictures at an Exhibition Satie'sGymnopedie No. 1 Schumann's Child Falling Asleep and 'Spring' from Vivaldi's Four Seasons. Several orchestral pieces have been newly adapted for the piano including 'Dance of the Swan' from Swan Lake 'Aquarium' from Carnival of the Animals 'Largo' from Xerxes and 'Waltz of the Flowers' from The Nutcracker.Dover Original.

Learn five classic blues songs especially arranged for intermediate-level guitarists who want to explore exciting new styles and repertoire. Mary Flower's clear step-by-step instruction will make these pieces fun to play for anyone with some prior knowledge of blues fingerpicking techniques. Mary starts off with Leroy Carr's Papa's in the Housetop first strumming the basic chords to get you quickly into the tune. She teaches you how to play the melody on the high strings then adds harmony notes and finally finishes the arrangement with a hot New Orleans bass line. She then launches into equally detailed instruction for Bessie Smith's BackwaterBlues with moving basses and unusual harmonies; Memphis Minnie's Black Rat Swing played in both standard and open D tunings; Jimmy Oden's Going Down Slow a 12-bar shuffle/groove blues using a combination of Charlie Patton and Jimi Hendrix licks; and New Orleans Hop Scop Blues another great Bessie Smith ragtime blues. Mary Flower's arrangements are challenging fun to play and filled with musical ideas that will inspire you and add great songs to your blues repertoire.

Ave Maria Hail Blessed Flower (Op. 17) was written in 1961 and premiered at Cirencester Grammar School. It is a simple Christmas carol for unaccompanied SATB choir. It uses the image of the Virgin Mary as a delicate flower without sin reinforced by close-knit ethereal harmonies.Sir Peter Maxwell Davies (b. 1934) is a British composer and conductor who served as Master of the Queen’s Music from 2004 to 2014. He has developed from an enfant terrible in the 1960s to become one of the leading figures of the British musical establishment. In the intervening years he has revolutionised contemporary music and helped re-define Britishmusic.

Score and Parts-Alan Hovhaness' The Flowering Peach suite from Clifford Odets' musical retelling of the legend of Noah's Ark which opened on Broadway on December 28 1954.This suite from the incidental musicfor the play occasionally quotes complete movements from the actual stage production. In other places it presents a logical expansion of the music which in its shortened form fitted into specifically-timed scenes within theplay.Instrumentation: Alto Saxophone Clarinet Vibraphone Tam-Tam Timpani Piano and Harp.