The clarinet compared with the flute oboe and bassoon is a modern instrument and therefore little or no music written before the time of Mozart exists for it. This is a misfortune for it means that a golden age of music which included Handel and Bach and a host of lesser but admirable composers has hitherto been a closed book to clarinetists.This delightful little work is a free arrangement of movements taken from two of Tartini?s sonatas for Violin arranged for Clarinet and String Orchestra by Gordon Jacob. This is the version for Clarinet with Piano Accompaniment. The solo clarinet part is also included on a separate insert.

Score and five parts (Flute Oboe Clarinet Bassoon Horn).Moderate level of difficulty.Night on Bald Mountain depicts a witches’ sabbath on St. John’s Day the night between 23 and 24 June. Its sections present the infernal noise of ghostly voices the chattering and quarrelling of witches the appearance of ghosts the dance of witches and demons the appearance of Satan the adoration and Black Mass and finally the pealing bells of the village church announcing the break of day and thus the end of the witches’ sabbath.Whether intentionally or not Mussorgsky actually finished the work on the eve of St. John’s Day (23 June1867) after spending twelve days on its composition. Technically speaking Joachim Linckelmann’s exciting version for Wind Quintet is the arrangement of an arrangement as Mussorgsky’s symphonic poem is almost invariably heard in the familiar version by Rimsky-Korsakov.

Ever since the first performance of the Peer Gynt Suite No.1 in 1876 this work has remained one of the most often performed compositions in the romantic repertoire. It was only a matter of time before other ensembles adapted the work and the present arrangement for Woodwind Quintet of the four-movement suite does justice to the sound world of Grieg exploring the subtle nuances of these five very individual instruments. Included are naturally ?Morning? ?Aase?s Death? ?Anitra?s Dance? and the jewel of the suite ?In the Hall of the Mountain King?. The edition also includes a reference score to ease rehearsal ofthe work.- Valuable addition to the Woodwind Quintet literature.- Reference score- Parts for Flute Oboe Clarinet (in A) Horn (in e) Horn Bassoon

For Flute and Ensemble (Flute Oboe Clarinet Bassoon Horn Trumpet Trombone Percussion 2 Violin Viola Cello Double BassCommissioned by Ensemble 2E2M Paris.First performance: Paris 1991 Pierre-Yves Artaud(fl) Paul Mefano (cond) Ensemble 2E2M.

A collection of 4 part wind ensemble pieces with part options that will suit almost any group of players. For players of grades 1 to 2 standard. Score and parts included for these possible instruments: Flute Clarinet Oboe Saxophone and Bassoon.Followed by Wizard's Waltz - Flexiwinds Book 2.

Music Minus One Bassoon-This luscious quintet is scored for piano oboe clarinet horn and bassoon. Mozart's magnificent orchestration of the winds with piano creates a warm and glowing texture of sound and each instrument emerges at times for a prominent position. Cast in three movements: Largo/Allegro moderato Larghetto and Rondo/Allegretto. Truly one of the great works in this format and wonderful fun to practice and perform. Includes the complete solo part for the Bassoon printed on high-quality ivory paper and a compact disc containing a complete performance of the quintet with soloist then performed again minus the soloist. Accompaniment: Harriet Wingreen piano New Art Wind Quintet:Mel Kaplan oboe Tina DiDario bassoon Murray Panitz flute Aldo Simonelli clarinet

Rhapsody In Blue is a major addition to the woodwind quintet repertoire.This version of Rhapsody In Blue includes a score and five parts and has been arranged for Flute Oboe Clarinet in B-flat Horn in F and Bassoon at an intermediate playing level.Many people know the famous Clarinet glissando opening to Gershwin’s Rhapsody in Blue but very few know that the original version was scored for two Pianos and that the glissando was initially just an ascending scale.Joachim Linckelmann’s superb arrangement of this modern classic is based on this original version and with the exception oftwo solo Piano passages that cannot be realised by a woodwind quintet the entire work is presented.