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An Easy Handel Organ Album
25.90 €
An Easy Handel Organ Album
Orgue
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Facile
Barenreiter
Easy arrangements for organThe 'Easy Handel Organ Album? presents a wide overvie...
(+)
Easy arrangements for organThe 'Easy Handel Organ Album? presents a wide overview of the composer's sacred and secular works, forming an ideal basis for lessons and for introducing Baroque organ music.This selection comprises easy to moderately difficult Handel pieces for semi-professional church musicians and organists. All the pieces are also suitable for performance on smaller instruments.- Ideal for semi-professional church musicians and organists- Collection of easy to moderately difficult organ arrangements- Also playable on smaller instruments- Suitable for teaching purposes / Orgue
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The Oxford Book of Organ Music by Women Composers
23.50 €
The Oxford Book of Organ Music by Women Composers
Orgue
Oxford University Press
The Oxford Book of Organ Music by Women Composers presents a comprehensive surve...
(+)
The Oxford Book of Organ Music by Women Composers presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned works. The music is stylistically varied and encompasses secular and sacred repertoire from a range of periods. In addition to original organ repertoire, the collection also contains several organ transcriptions in new arrangements for the instrument. ? 42 pieces for manuals and pedals, in a variety of musical forms, suitable for use at church services or as recital repertoire ? Original music for the instrument, spanning the sixteenth century to the present day, including compositions by Amy Beach, Clementine de Bourges, Nadia Boulanger, Jeanne Demessieux, Cecilia McDowall, Clara Schumann, and Ethyl Smyth, plus commissions from Kristina Arakelyan, Miriam Carpinetti, Ghislaine Reece-Trapp, Isabelle Ryder, Amy Summers, and Rebecca Groom te Velde ? Standalone miniatures, movements from organ sonatas and symphonies, transcriptions of piano, harpsichord, and flute pieces, and an orchestral opera overture ? A variety of difficulty levels, from ABRSM Grades 2-3 through to Diploma standard, with a graded index provided
23.50 GBP - vendu par Musicroom GB
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American Folksongs: Vocal Solo: Vocal Work
17.99 €
American Folksongs: Vocal Solo: Vocal Work
Voix haute
[Vocal Score]
Hal Leonard
The Vocal Library High Voice-Concert arrangements for voice and piano in an art ...
(+)
The Vocal Library High Voice-Concert arrangements for voice and piano in an art song style of 35 great folksongs from the American heritage. These interesting and expressive settings are appropriate for collegiate recitals or advanced high school singers ascontest solos. The songs range from comic to sad from rowdy to inspirational and there are selections appropriate for women and men singers. The collection is primarily comprised of secular folksongs with a few sacred Americanfolk tunes. The same songs appear transposed in the editions for High Voice and Low Voice. There are three bonus duets. Includes fresh arrangements of ?Amazing Grace ? ?Black Is the Color of My True Love'sHair ? ?The Cruel War Is Raging ? ?How Can I Keep from Singing' ? ?I Gave My Love a Cherry ? ?Johnny Has Gone for a Soldier ? ?Shenandoah ? ?Soldier Soldier Will You Marry Me ? ?The Streets of Laredo ? ?Wayfaring Stranger ? ?Wondrous Love? and more.
17.99 GBP - vendu par Musicroom GB
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The Christmas Fiddler
21.80 €
The Christmas Fiddler
English
Violon et Piano
-
Intermédiaire
Boosey and Hawkes
Christmas fiddlers can draw on a rich and varied repertoire. This collection spa...
(+)
Christmas fiddlers can draw on a rich and varied repertoire. This collection spans seven centuries, from the boisterous medieval Song of the Ass to contemporary tunes like Sleigh ride, taking in such traditional carols as Away in a manger and O little town of Bethlehem along the way. There is music in The Christmas Fiddler from England, Wales, France, Germany and North America.Of course Christmas time is not only a religious festival. Much of the music here - the Welsh carol Deck the hall, the 'fireside' movement from The Four Seaons, the modern classic Chestnuts roasting on an open fire - is as much a celebration of the ancient secular festival of the Winter Solstice.The arrangements in this collection can be performed as solos or duets, or by larger ensembles. The keyboard accompaniments are there for a multitude of purposes, from concert performances to playing at home- and the violin accompaniments will be invaluable for those Christmas busking sessions.The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club, Sarajevo street-café or Gypsy gathering. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the violin edition (with an optional easy violin part and guitar chord)- or the complete edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means the music can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance. And to help recreate the spirit of the music, every book in the series is beautifully illustrated. / Violon Et Guitare
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Gustav Holst: Tears Idle Tears From 'Songs From The Princess': SSAA: Vocal Score
2.25 €
Gustav Holst: Tears Idle Tears From 'Songs From The Princess': SSAA: Vocal Score
Chorale SSAA
SSAA A Cappella
[Partition]
Novello & Co Ltd.
The intertwining of women’s voices in Gustav Holst’s Tears Idle T...
(+)
The intertwining of women’s voices in Gustav Holst’s Tears Idle Tears will lend an elevated atmosphere to any performance giving this secular piece an almost sacred character. It was written for a cappella female chorus (SSAA) in 1905 as the 3rd movement of the 5-movement suite ‘Songs From The Princess’ which was based on 5 thematic short poem’s from the British poet Tennyson’s long narrative poem ‘The Princess’ (1847). Performance time is approximately 2 minutes.As an experienced instrumentalist and orchestra member English composer arranger and teacher Gustav Holst understood music from the standpoint of his players and madesure that however challenging their parts were always practicable a compositional characteristic still well received and appreciated by performers and audiences today.
2.25 GBP - vendu par Musicroom GB
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Reine Frauensache : 60 Highlights For Women's Choir - Original Compositions And Arrangements From 16Th Century To Present
30.20 €
Reine Frauensache : 60 Highlights For Women's Choir - Original Compositions And Arrangements From 16Th Century To Present
Choeur De Femmes Et Orchestre
Peters
Reine Frauensache! will be released on occasion of the German Choir Festival in ...
(+)
Reine Frauensache! will be released on occasion of the German Choir Festival in Stuttgart in May 2016. Divided into four sections (Secular, Sacred, Folklore and Popular) the collection covers newer compositions which are part of the repertoire of many women's choirs already as well as ageless beautiful titles from older eras- music spans from Palestrina, Telemann, Gounod, Brahms, Distler and Chaminade to Nancy Telfer, Sandra Milliken, Sarah Quartel and ?riks E?envalds.The editor's focus is on musical quality, well singable, mostly 3-4part titles to meet the capabilities of non professional singers and moreover on the quality of texts. It is a highly vivid collection with attractive compositions from different origins, genres and eras - a treasure trove for those interested in women's choirs. / Choeur De Femmes Et Orchestre
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Welcome All Wonders (A Christmas Cantata) (BEDNALL DAVID)
12.00 €
Welcome All Wonders (A Christmas Cantata) (BEDNALL DAVID)
Orgue, Trompette et Voix Mixte
[Partition]
Faber Music Limited
Par BEDNALL DAVID. David Bednall's Christmas cantata Welcome All Wonders was com...
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Par BEDNALL DAVID. David Bednall's Christmas cantata Welcome All Wonders was commissioned and first performed by the Choir of Queen's College, Oxford in 2012 and received rave reviews from, among others, BBC Music Magazine, Limelight Magazine and Gramophone. Described as 'ingenious', 'engaging', 'spirited', 'extremely appealing' and 'accessible without being superficial', a recording of this notable work is available on the Signum label (SIGCD335). This cantata brings together a beautiful selection of sacred and secular Christmas texts, skilfully interwoven by Bednall to produce a captivating musical narrative of the Christmas story, from Advent through to Epiphany. As a complete work of c.80 minutes' duration, it offers choirs a full programme for their Christmas concert. Alternatively, most movements can be performed as individual items - the unaccompanied motets are particularly suited to this and are available separately as digital downloads.  / Répertoire / Orgue, Trompette et Voix Mixte
12.00 EUR - vendu par LMI-partitions
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Henry Purcell: From Silent Shades: Voice: Vocal Work
8.99 €
Henry Purcell: From Silent Shades: Voice: Vocal Work
[Partition]
Novello & Co Ltd.
Henry Purcell's From silent shades (1680). From Purcell Society Edition Vol. 25...
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Henry Purcell's From silent shades (1680). From Purcell Society Edition Vol. 25 (Secular songs for solo voice). Edited by Margaret Laurie (1985) for Solo Voice Continuo and Harpsichord accompaniment.
8.99 GBP - vendu par Musicroom GB
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American Negro Songs
14.90 €
American Negro Songs
Piano, Voix
[Partition]
Dover Publications
230 folk songs and spirituals, religious and secular, arranged for piano and voi...
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230 folk songs and spirituals, religious and secular, arranged for piano and voice. From joyous gospel to deeply felt blues, this wonderful collection contains vintage songs sung and played through the years by black Americans - at work, in church and for pure entertainment. Included are spirituals, blues, work songs and a variety of social and dance songs. This is an indispensable treasury of music for singers, musicians and all readers seeking a comprehensive sourcebook of black American folk music. It will be equally welcomed at parties, family get-togethers, sing-alongs, church events and other gatherings where people want to play and sing these classic folk songs thatare an integral part of American musical history./ Recueil / Chant et Piano
14.90 EUR - vendu par LMI-partitions
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M Gould: Hosanna Amen (from Quotations): SATB: Vocal Score
7.50 €
M Gould: Hosanna Amen (from Quotations): SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's Hosanna Amen from 'Quotations' for Double Chorus of Mixed Voices ...
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Morton Gould's Hosanna Amen from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
7.50 GBP - vendu par Musicroom GB
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M Gould: Hallelujah Amen From Quotations: Double Choir: Vocal Score
17.50 €
M Gould: Hallelujah Amen From Quotations: Double Choir: Vocal Score
Chorale SATB
SATB, Piano
[Partition]
Schirmer
Morton Gould's Hallelujah Amen from 'Quotations' for Double Chorus of Mixed Voic...
(+)
Morton Gould's Hallelujah Amen from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
17.50 GBP - vendu par Musicroom GB
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M Gould: Walkin On Air From Quotations: Double Choir: Vocal Score
8.75 €
M Gould: Walkin On Air From Quotations: Double Choir: Vocal Score
Chorale SATB
SATB, Piano
[Partition]
Schirmer
Morton Gould's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices...
(+)
Morton Gould's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - vendu par Musicroom GB
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M Gould: Bird In Hand From Quotations With Orchestra: SATB: Vocal Score
8.75 €
M Gould: Bird In Hand From Quotations With Orchestra: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voice...
(+)
Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - vendu par Musicroom GB
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Solo Songs Vol.1
29.40 €
Solo Songs Vol.1
Scores
Novello & Co Ltd.
These four volumes contain all of Purcell's secular solo songs not associated wi...
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These four volumes contain all of Purcell's secular solo songs not associated with stage productions. Taken from the authoritative Purcell Society Editions, the songs appear in their original keys, and are most suitable for high voice. / Scores
29.40 EUR - vendu par LMI-partitions
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M Gould: Ballads From Quotations: SATB: Vocal Score
8.75 €
M Gould: Ballads From Quotations: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's Ballads from 'Quotations' for Double Chorus of Mixed Voices and W...
(+)
Morton Gould's Ballads from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - vendu par Musicroom GB
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M Gould: Postscript From Quotations With Orchestra: SATB: Vocal Score
17.50 €
M Gould: Postscript From Quotations With Orchestra: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices an...
(+)
Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
17.50 GBP - vendu par Musicroom GB
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M Gould: Sermon From Quotations With Orchestra: Double Choir: Vocal Score
8.75 €
M Gould: Sermon From Quotations With Orchestra: Double Choir: Vocal Score
Chorale SATB
SATB, Piano
[Partition]
Schirmer
Morton Gould's Sermon from 'Quotations' for Double Chorus of Mixed Voices and Wi...
(+)
Morton Gould's Sermon from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - vendu par Musicroom GB
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M Gould: Early Bird From Quotations With Orchestra: SATB: Vocal Score
8.75 €
M Gould: Early Bird From Quotations With Orchestra: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's The Early Bird from 'Quotations' for Double Chorus of Mixed Voice...
(+)
Morton Gould's The Early Bird from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - vendu par Musicroom GB
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Holiday Favorites
12.00 €
Holiday Favorites
Piano seul
Hal Leonard
Eight secular holiday classics arranged in our Five-Finger Piano notation for de...
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Eight secular holiday classics arranged in our Five-Finger Piano notation for developing pianists. Includes: All I Want for Christmas Is My Two Front Teeth · I Want a Hippopotamus for Christmas (Hippo the Hero) · The Little Drummer Boy · Old Toy Trains · Somewhere in My Memory · Suzy Snowflake · We Need a Little Christmas · Winter Wonderland. / Piano
12.00 EUR - vendu par LMI-partitions
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Grand Solos For Christmas 6
14.50 €
Grand Solos For Christmas 6
Piano seul
Alfred Publishing
Melody Bober's arrangements of both secular and sacred Christmas favorites are s...
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Melody Bober's arrangements of both secular and sacred Christmas favorites are sure to delight students of all ages. Book 6 contains 8 arrangements for late intermediate pianists. Students continue to progress musically and technically while enjoying songs of the season. / Piano
14.50 EUR - vendu par LMI-partitions
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Largo From Winter (VIVALDI ANTONIO)
20.60 €
Largo From Winter (VIVALDI ANTONIO)
Ensemble de cuivres
[Conducteur]
-
Facile
Anglo Music
(The Four Seasons). Par VIVALDI ANTONIO. Antonio Vivaldi (1678-1741) stands, wit...
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(The Four Seasons). Par VIVALDI ANTONIO. Antonio Vivaldi (1678-1741) stands, with Handel and J. S. Bach, as one of the titanic figures of late Baroque composition. Not only was he lauded as a composer of vocal and instrumental works both sacred and secular, he was without doubt, the most prolific composer of his age. In addition to hundreds of vocal works, including forty-nine operas, he composed five hundred concertos. The Four Seasons are probably the best known of his concerti with the second movement, Largo, portraying time spent by a roaring fire listening to the rain pounding against the window. This new arrangement for brass band retains all the warmth of the original. / Niveau : 2 / Musique pour célébration / Répertoire / Brass Band
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100 MOST BEAUTIFUL CHRISTMAS SONGS
40.70 €
100 MOST BEAUTIFUL CHRISTMAS SONGS
Piano, Voix et Guitare
[Partition]
Hal Leonard
Par . Arrangements for piano, voice and guitar of 100 all-time Christmas favorit...
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Par . Arrangements for piano, voice and guitar of 100 all-time Christmas favorites, both sacred and secular in nature. / Date parution : 2022-12-01/ RĂ©pertoire / Piano/Vocal/Guitare (PVG)
40.70 EUR - vendu par LMI-partitions
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Largo From Winter (VIVALDI ANTONIO)
20.60 €
Largo From Winter (VIVALDI ANTONIO)
Fanfare
[Conducteur]
-
Facile
Anglo Music
(The Four Seasons). Par VIVALDI ANTONIO. Antonio Vivaldi (1678-1741) stands, wit...
(+)
(The Four Seasons). Par VIVALDI ANTONIO. Antonio Vivaldi (1678-1741) stands, with Handel and J. S. Bach, as one of the titanic figures of late Baroque composition. Not only was he lauded as a composer of vocal and instrumental works both sacred and secular, he was without serious competition, the most prolific composer of his age. In addition to hundreds of vocal works, includingforty-nine operas, he composed five hundred concertos. The Four Seasons are probably the best known of his concerti with the second movement, / Niveau : 2 / Musique pour célébration / Répertoire / Fanfare
20.60 EUR - vendu par LMI-partitions
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Largo From Winter (VIVALDI ANTONIO)
81.30 €
Largo From Winter (VIVALDI ANTONIO)
Ensemble de cuivres
[Conducteur et Parties séparées]
-
Facile
Anglo Music
(The Four Seasons). Par VIVALDI ANTONIO. Antonio Vivaldi (1678-1741) stands, wit...
(+)
(The Four Seasons). Par VIVALDI ANTONIO. Antonio Vivaldi (1678-1741) stands, with Handel and J. S. Bach, as one of the titanic figures of late Baroque composition. Not only was he lauded as a composer of vocal and instrumental works both sacred and secular, he was without doubt, the most prolific composer of his age. In addition to hundreds of vocal works, including forty-nine operas, he composed five hundred concertos. The Four Seasons are probably the best known of his concerti with the second movement, Largo, portraying time spent by a roaring fire listening to the rain pounding against the window. This new arrangement for brass band retains all the warmth of the original. / Niveau : 2 / Musique pour célébration / Répertoire / Brass Band
81.30 EUR - vendu par LMI-partitions
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Largo From Winter (VIVALDI ANTONIO)
124.70 €
Largo From Winter (VIVALDI ANTONIO)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Facile
Anglo Music
(The Four Seasons). Par VIVALDI ANTONIO. Antonio Vivaldi (1678-1741) stands, wit...
(+)
(The Four Seasons). Par VIVALDI ANTONIO. Antonio Vivaldi (1678-1741) stands, with Handel and J. S. Bach, as one of the titanic figures of late Baroque composition. Not only was he lauded as a composer of vocal and instrumental works both sacred and secular, he was without serious competition, the most prolific composer of his age. In addition to hundreds of vocal works, includingforty-nine operas, he composed five hundred concertos. The Four Seasons are probably the best known of his concerti with the second movement, Largo, portraying time spent by a roaring firelistening to the rain pounding against the window. This new arrangement for concert band retains allthe warmth of the original. / Niveau : 2 / Musique pour célébration / Répertoire / Concert Band ou Harmonie
124.70 EUR - vendu par LMI-partitions
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Largo From Winter (VIVALDI ANTONIO)
20.60 €
Largo From Winter (VIVALDI ANTONIO)
Orchestre d'harmonie
[Conducteur]
-
Facile
Anglo Music
(The Four Seasons). Par VIVALDI ANTONIO. Antonio Vivaldi (1678-1741) stands, wit...
(+)
(The Four Seasons). Par VIVALDI ANTONIO. Antonio Vivaldi (1678-1741) stands, with Handel and J. S. Bach, as one of the titanic figures of late Baroque composition. Not only was he lauded as a composer of vocal and instrumental works both sacred and secular, he was without doubt, the most prolific composer of his age. In addition to hundreds of vocal works, including forty-nine operas, he composed five hundred concertos. The Four Seasons are probably the best known of his concerti with the second movement, Largo, portraying time spent by a roaring fire listening to the rain pounding against the window. This new arrangement for brass band retains all the warmth of the original. / Niveau : 2 / Musique pour célébration / Répertoire / Concert Band ou Harmonie
20.60 EUR - vendu par LMI-partitions
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