Sheet music for John Harle's Lookout!. This is a full score for Children’s Voices Mixed Chorus Soprano Saxophone Double Bass and Keyboard.Lookout! was written for TheFolkestone Futures Choir and was realised by The Sidney de Haan Research Centre for Arts and Health Canterbury Christ Church University at the invitation of Folkestone Triennial 2014 with a grant from the Creative Foundation.The piece incorporates lyrics by the poet Tom Pickard.'Lookout! is a set of five songs written for the Folkestone Futures Choir for FolkestoneTriennial 2014. Within the culture of songs written for'Complaints Choirs' the lyric material is drawn from actual notes made by the residents of Folkestone about living in their town - its beauty its community spirit - and of course its drawbacks.It has been purposely written to beable to be rehearsed and performed on a minimum of rehearsal time as the logistics of large-scale community events means that the singers and musicians often come together only on the day of performance.The accompanyinginstrumental parts are straightforward the role of the saxophone line being tosupport the vocal line most of the time. Future performances of the work could involvearrangement of the musical material for other instrumental forcesor simply a keyboard or pianoaccompaniment.' - John Harle

Children for a New World was written at a time when many children worldwide skipped school and took to the streets to campaign for better climate control. This youth movement ‘Fridays for Future’ was inspired by the Swedish student Greta Thunberg and helps everybody to think about the future for us and our children. Young people are important for the future of our music bands too. Wind bands can play a significant part in children’s social and musical lives and are an ideal way to initiate cooperation between primary schools and the local community. Children for a New World is a good way to integrate class bands into local wind bands and provides a unique opportunity to perform in a larger ensemble. Accompanied by a youth or adult band or even both the class band will be at the centre of the performance.In Children for a New World you may recognise fragments from Dvorak’s Symphony No. 9 ‘From the New World’. The conclusion of the piece also includes the famous Ode to Joy a theme composed by Beethoven for his ninth symphony a melody that has become synonymous for friendship and peace all over the world.Children for a New World was written at a time when many children worldwide skipped school and took to the streets to campaign for better climate control. This youth movement ‘Fridays for Future’ was inspired by the Swedish student Greta Thunberg and helps everybody to think about the future for us and our children. Young people are important for the future of our music bands too. Wind bands can play a significant part in children’s social and musical lives and are an ideal way to initiate cooperation between primary schools and the local community. Children for a New World is a good way to integrate class bands into local wind bands and provides a unique opportunity to perform in a larger ensemble. Accompanied by a youth or adult band or even both the class band will be at the centre of the performance.In Children for a New World you may recognise fragments from Dvorak’s Symphony No. 9 ‘From the New World’. The conclusion of the piece also includes the famous Ode to Joy a theme composed by Beethoven for his ninth symphony a melody that has become synonymous for friendship and peace all over the world.

The young have the future. This is the statement made at the beginning of ‘Like a Child’ by Andreas Ludwig Schulte. The opening radiates strength and ambition but one is also made to wonder which direction will be chosen which choices will have to be made.After the introduction the first steps on the path of life are taken still somewhat unsteadily (the 3/4th time used illustrates this uncertainty). However the child has now set off and will meet the future with an open mind unafraid even though experience will teach it how easily it can be hurt.Fortunately it is sometimes allowed to be vulnerable and it discovers there will always be someone to offer shelter support and love. (Adagio) The last part breathes a far greater independence. Youth is able to face the future it can even take on the whole world!

The young have the future. This is the statement made at the beginning of ‘Like a Child’ by Andreas Ludwig Schulte. The opening radiates strength and ambition but one is also made to wonder which direction will be chosen which choices will have to be made.After the introduction the first steps on the path of life are taken still somewhat unsteadily (the 3/4th time used illustrates this uncertainty). However the child has now set off and will meet the future with an open mind unafraid even though experience will teach it how easily it can be hurt.Fortunately it is sometimes allowed to be vulnerable and it discovers there will always be someone to offer shelter support and love. (Adagio) The last part breathes a far greater independence. Youth is able to face the future it can even take on the whole world!

The young have the future. This is the statement made at the beginning of ‘Like a Child’ by Andreas Ludwig Schulte. The opening radiates strength and ambition but one is also made to wonder which direction will be chosen which choices will have to be made.After the introduction the first steps on the path of life are taken still somewhat unsteadily (the 3/4th time used illustrates this uncertainty). However the child has now set off and will meet the future with an open mind unafraid even though experience will teach it how easily it can be hurt.Fortunately it is sometimes allowed to be vulnerable and it discovers there will always be someone to offer shelter support and love. (Adagio) The last part breathes a far greater independence. Youth is able to face the future it can even take on the whole world!

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. Also contains an arrangement for organ. In 1840 Schumann remarked: 'The small piece deserves to be world famous and will become so in the future; the Madonnas of Raphael and Murillo cannot remain hidden for long. ' Together with the orchestral version an version for choir and organ is available. Mendelssohn's Verleih uns Frieden gnädiglich for SATB and Orchestra. Also contains an arrangement for organ. In 1840 Schumann remarked: 'The small piece deserves to be world famous and will become so in the future; the Madonnas of Raphael and Murillo cannot remain hidden for long. ' Together with the orchestral version an version for choir and organ is available./ Répertoire / Choeur SATB, 2 Flûtes Traversières, 2 Clarinettes,

By offering you the possibility to practice rock improvisations this coursebook teaches you how to solo in this particular style letting you perform in a musical environment which simulates actual group situations. The enclosed CD contains 12 complete backing tracks (Drums Bass and Guitar) to which as a beginning and intermediate guitarist you can learn to play the numerous solos proposed in this coursebook contextually appropriately and as an advanced intermediate or advanced guitarist you will be able to play personal versions freely in many different styles. Thus while some of you will simply discover the pleasure of playing superb rock solos others will use theideas presented in this coursebook to further their personal style and improvisational skills. The songs in this coursebook feature varying difficulties and cover diverse rock directions such as classic rock pop-rock southern rock slow rock blues rock...armed with this level of knowledge you are fully prepared to meet all foreseeable future challenges. By offering you the possibility to practice rock improvisations this coursebook teaches you how to solo in this particular style letting you perform in a musical environment which simulates actual group situations.The enclosed CD contains 12 complete backing tracks (Drums Bass and Guitar) to which as a beginning and intermediate guitarist you can learn to play the numerous solos proposed in this coursebook contextually appropriately and as an advanced intermediate or advanced guitarist you will be able to play personal versions freely in many different styles.Thus while some of you will simply discover the pleasure of playing superb rock solos others willuse the ideas presented in this coursebook to further their personal style and improvisational skills.The songs in this coursebook feature varying difficulties and cover diverse rock directions such as classic rock pop-rock southern rock slow rock blues rock...armed with this level of knowledge you are fully prepared to meet all foreseeable future challenges.

Arrangeur: Franz Liszt. Par LISZT FRANZ. Franz Liszt's transcriptions of other composers' music are as highly regarded as his original piano works. First acquainted with Bach through his piano studies, Liszt further explored the earlier composer's works in his career as a virtuoso performer. His piano interpretations of Bach's Organ Music are executed in a simple and straightforward manner, and they rapidly became the classic models for all future works in this genre. This compilation features Six Organ Preludes and Fugues (BWV 543-548) and the Fantasia and Fugue in G Minor (BWV 542). Franz Liszt's transcriptions of other composers' music are as highly regarded as his original piano works. First acquainted with Bach through his piano studies, Liszt further explored the earlier composer's works in his career as a virtuoso performer. His piano interpretations of Bach's Organ Music are executed in a simple and straightforward manner, and they rapidly became the classic models for all future works in this genre. This compilation features Six Organ Preludes and Fugues (BWV 543-548) and the Fantasia and Fugue in G Minor (BWV 542)./ Répertoire / Piano

Par BEETHOVEN LUDWIG VAN. Beethoven’s final three piano sonatas have always been a source of great fascination. Composed in 1820, the Sonata op. 109 opened the door to the future with its extreme expressivity, its abandonment of traditional techniques and its radical departure from familiar aesthetic norms. Beethoven specialist Jonathan Del Mar has competently solved the questions raised by the highly complex source material of this work headed “Sonata for the Hammerklavier” in the autograph score. The result is a reliable musical text and a Critical Commentary explaining alternative readings and editorial decisions. In addition to a reader-friendly engraving and practical page-turns, the edition is roundedoff with an informative Introduction and valuable notes on historical performance practice. Beethoven’s final three piano sonatas have always been a source of great fascination. Composed in 1820, the Sonata op. 109 opened the door to the future with its extreme expressivity, its abandonment of traditional techniques and its radical departure from familiar aesthetic norms. Beethoven specialist Jonathan Del Mar has competently solved the questions raised by the highly complex source material of this work headed “Sonata for the Hammerklavier” in the autograph score. The result is a reliable musical text and a Critical Commentary explaining alternative readings and editorial decisions. In addition to a reader-friendly engraving and practicalpage-turns, the edition is rounded off with an informative Introduction and valuable notes on historical performance practice. / Niveau : 6 / Répertoire / Piano

This accessible cantata has an ecological focus based on the thoughts of a group of children about their hopes and dreams for the future. In six movements together with a short prelude and postlude it contains subject matter such as 'Running a race for the future' 'My idea of heaven' and 'Living with animals'. This popular work for SATB youth choir and piano has received many performances. (An alternative piano duet accompaniment or alternatively a score and set of parts for small orchestra (2120/0200/Strs) and a separate youth choir part are available on hire from www.ColneEdition.co.uk)

Transient Glory Series-The composer writes: Set to a text by E.Y. Yip Harburg lyricist of the film The Wizard of Oz and the musical Finian's Rainbow this work looks forward to one sweet morning when out of the flags and the bones buried under theclover spring will bloom and _x001A_Peace will come. It is an exalted prayer for the future and when sung by young people who are the future has special meaning.

Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum? in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum?. Here it is called 'Te Deum for Cannons? after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea?, the masque which was composed at almost the same time. Though in many respects this 'Te Deum? is reminiscent of the 'Utrecht Te Deum?, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition? (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum?./ Répertoire / SSATB et Orchestre

My most important desire and wish was to one day give my experience with the Piano over to each pianist, and future young performer. But I have never seen myself as a teacher in the general meaning of the word. Rather I see in myself someone who sheds / Classique / Partition /

A Holiday Musical for Young Singers-A Holiday Musical for Young Singers. It's holiday time and the clock is ticking! The elves are happily bustling around putting the final touches on the presents that Santa will soon be delivering to children all around the world. Everyone is excited - except for lead elf Carol. Holiday Time? Big deal! Carol is the definition of the word grump. In the dictionary under the word grump there are no words just Carol's picture! Join the fun as the ghosts of holiday past present and future each pay a visit to Carol and help her see why holiday time IS a big deal and that it's never too late to change! This delightful 30-minute holiday musical features 6 songs for unison voices withoptional harmony and a script with 20 speaking parts easily adapted to casts of varying sizes. The Teacher Edition includes piano/vocal arrangements choreography dialog and helpful production guide. Singer books provide vocal lines and dialog. Top off your performance with the professionally-produced orchestrations on the Performance/Accompaniment CD. Available: Teacher Edition Singer Edition 5-Pak Preview CD (with vocals) Perf/Accomp CD. Performance Time: Approx. 30 minutes. For Gr. 3-6.