Piano Reduction. Par VIVALDI ANTONIO. Das „Gloria' RV 589 (BA 7674) ist heute eine der bekanntesten Kompositionen Vivaldis und eines der am häufigsten aufgeführten geistlichen Vokalwerke aus dem Barock. Vivaldi schrieb das „Gloria' als eigenständiges Werk - in der Art einer konzertanten Messe. Es wurde aber wohl auch im Rahmen des Gottesdienstes aufgeführt. Die Besetzung der Solisten (SSA)legt die Vermutung nahe, dass das Werk während seiner Zeit am Ospedale della Pietà entstanden ist, etwa um 1716. In den zwölf Teilen des „Gloria' zeigt Vivaldi die ganze Bandbreite seiner Meisterschaft zwischen festlichen, erhabenen Ecksätzen und zarten, durchsichtig instrumentierten Solopassagen. Ähnliches lässt sich auch über das für zwei Chöre und zwei Streichergruppen geschriebene „Kyrie' RV 587 (BA 8950) sagen, dessen Entstehungszeit nicht endgültig geklärt ist. Es ist ein reines Chorwerk ohne Solopassagen. Beide Stücke können für sich allein stehen, sie lassen sich aber auch gemeinsam als eine Art Kurzmesse kombinieren. Obwohl die Quellenlage für beide Werke durch das maßgebliche Autograph eindeutig ist, kommen die vorliegenden Editionen doch zu einigen Neubewertungen im Bereich von Phrasierung und Aufführungspraxis, die über bestehende Ausgaben hinausgehen. Die Klavierauszüge vom Herausgeber Malcolm Bruno sind leicht spielbar und bewahren den Charakter der Werke. - Zweisprachige Vorworte(dt./engl.) - Beide Stücke als Kurzmesse kombinierbar - Chorpartitur zum „Gloria' Die hervorragend aufbereitete und unschlagbar günstige Urtext-Ausgabe wird ihren Teil zur weiteren Verbreitung beider Werke beitragen.' (Kirchenmusik im Bistum Limburg 1-2012) / Répertoire / Chœur Mixte et Piano

Le 'Gloria' RV 589 est l'un des compositions les plus populaires de Vivaldi aujourd'hui et l'un des plus régulièrement effectué des oeuvres vocales sacrées de l'époque baroque. Le travail était, selon toute probabilité, composé autour de 1716 pendant le temps de Vivaldi à l'Ospedale della Pietà, un orphelinat pour filles à Venise.Bien que Vivaldi 'Gloria' (BA 8953) a été écrit pour voix solistes et choeur mixte, il est probable qu'il a été effectuée à l'orphelinat des filles avec des voix féminines seulement. Prenant cela en compte, arrangement soigneux Malcolm Bruno pour choeur SSAA revêt une certaine pertinence. Le travail, lorsqu'il est réglé pour les voix féminines ou choeur d'enfants, demeure un véritable chef-d'oeuvre.Le 'Kyrie' RV 587 (BA 8954) pour deux choeurs et deux ensembles à cordes, comme prévu ici pour choeur de femmes, affiche son propre charme. Elle peut être réalisée en collaboration avec le Gloria comme un type de masse court.Les deux régimes sont fondés sur les éditions Urtext récemment publiés de ces oeuvres. Les réductions pour piano de Malcolm éditeur de Bruno sont faciles à jouer et à préserver le caractère des oeuvres.- Des dispositions efficaces pour choeur de femmes- Avant-propos en anglais et en allemand- Simple, les réductions pour piano idiomatiques- Kyrie et le Gloria peuvent être combinés pour des performancesLes parties orchestrales pour la version originale SATB peut être utilisé pour l'exécution de ces dispositions. / Ssaa

Will Todd's Jazz Missa Brevis gives new life to the sung Latin Mass texts in an accessible, short setting which embraces a variety of jazz styles, from the swinging jazz waltz Kyrie to the up-beat Latin-groove Gloria. The smooth jazz ballad Sanctus, 7/8 Benedictus and soulful Agnus Dei complete this inspiring Mass setting. Underpinned by Todd's characteristic jazz harmonies and melodic craftsmanship, it is suitable for performance both liturgically and as part of a concert by mixed choirs of all abilities. The work can be accompanied by piano alone (as written or extemporised), jazz trio (piano, bass and drums) or jazz ensemble (alto saxophone, 2 trumpets and jazz trio - parts available separately). / Choeur Mixte (SATB) Et Instruments Divers

Les mouvements de 'Missa di Sant 'Anna' ont été composés au cours de plusieurs années, chacun pour le 'Mädchenchor am Essener Dom' (les filles de la chorale de la cathédrale d'Essen). Le titre de la messe est liée à l'inauguration de la 'Agnus Dei', commémorant les victimes innocentes du massacre dans le village de S. Anna di Stazzema en Toscane dans l'année de guerre 1944 et en appréciant l'idée et l'esprit du centre de la paix là.'Kyrie' et 'Agnus Dei' sont chantés uniquement par le choeur a cappella, tandis que 'Gloria' et 'Sanctus' sont chantés conjointement par choeur et l'assemblée.Cette pièce passionnante de la musique peut être réalisée soit avec accompagnement d'orgue ou avec des cuivres supplémentaires. / Choeur Mixte Et Instrument Divers

Une collection choisie des chansons de Noël les plus classiques de 'O Holy Night' sur 'poussé' Es ist ein Ros ',' Silent Night ',' fille de Sion 'de chansons de Noël internationaux tels que' In dulci jubilo ',' Gloria in excelsis Deo ''Jingle Bells' ou 'nous vous souhaitons un Joyeux Noël', le corniste Thomas Swartman arrangé pour quatuor de cuivres ou ensemble de cuivres. Chaque pièce est formée dans un enregistrement sonore charmant et festif. Les quatre voix seront occupés avec trompette, bugle, cornet, bugle ténor, trombone, baryton et tuba. Ensemble Matériel exceptionnelle pour le répertoire de concert de Noël! / 4 Instruments Cuivre

Ce paramètre liturgique remonte à 1977, mais a récemment été libéré par le compositeur. Texte latin : Kyrie, Gloria, Sanctus, Agnus Dei, À la fin. Notation tendu (avec quelques divisi) contient des articles homophoniques et en partie imitative-écriture, montrant l'influence des maîtres polyphoniques. Un ajout accessible pour le répertoire des chorales standards intermédiaires, mais une norme professionnelle groupes sera également trouver gratifiant. / Choeur Mixte (SATB) A Cappella

Une collection choisie des chansons de Noël les plus classiques de 'O Holy Night' sur 'poussé' Es ist ein Ros ',' Silent Night ',' fille de Sion 'de chansons de Noël internationaux tels que' In dulci jubilo ',' Gloria in excelsis Deo ''Jingle Bells' ou 'nous vous souhaitons un Joyeux Noël', le corniste Thomas Swartman arrangé pour quatuor de cuivres ou ensemble de cuivres. Chaque pièce est formée dans un enregistrement sonore charmant et festif. Les quatre voix seront occupés avec trompette, bugle, cornet, bugle ténor, trombone, baryton et tuba. Ensemble Matériel exceptionnelle pour le répertoire de concert de Noël! / 4 Instruments Cuivre

Ed. Critica M. Talbot - Riduzione Per Canto E Pianoforte Di A. Frigé. Par VIVALDI ANTONIO. RV 588 is Vivaldi’s ‘other’ Gloria, a composition having many parallels with Vivaldi’s better-known setting of the same text (RV 589). It dates similarly from the period 1713-1717, when the composer was acting choirmaster at the Ospedale della Pietà in Venice. It even borrows from the same work, a slightly earlier Gloria by the Venetian amateur composer Giovanni Maria Ruggieri, for its closing fugue. However, the present Gloria, RV 588, departs from its more famous counterpart in ingeniously combining its opening movement with the final movement of a specially designed introductory motet, Jubilate o amoeni chori (RV 639/639a), for solo contralto (or soprano) and strings, although Vivaldi makes it possible, through optional cuts indicated in the autograph manuscript in Turin, to perform the Gloria alone. With or without its Introduzione, RV 588 is a masterly work with many memorable moments, not least in its heartfelt second movement set to the words “Et in terra pax”. The Introduction and Critical Commentary for this vocal score prepared by Antonio Frigé are closely based on those of the Critical Edition by Denis Arnold and Michael Talbot, published in 1990. / Niveau : Intermédiaire / Répertoire / Voix et Piano Réduction

Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).

Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).

Few baroque composers were ever able to create work as sunny as joyous as Vivaldi did in this beloved Gloria. The contrast of mood throughout the work as it moves through the drama of the Mass to its satisfying double final movement shows the composer at the height of his powers.Vivaldi composed this work in Venice in about 1715 during his fruitful time at the Ospedale della Piet . In his lifetime this priest composer and virtuoso Violinist achieved enormous musical success. Considering his great popularity in the modern era it is difficult to believe that public appreciation of his work declined after his death and that the Gloria languished undiscovered forcenturies. It wasn’t until 1957 that the restored work was heard again in its entirety. Since that time this moving and joyous Gloria has been recorded more than one hundred times and perennially appears on concert series around the world.

Parti Orchestra. Par VIVALDI ANTONIO. The orchestral set contains: 3 copies of Vl I and 3 copies Vl II 2 copies of vla, 2 copies of cello 1 copy of organ, contrabass, trumpet and oboe. Today the Gloria RV 589 (BA 7674) is one of Vivaldi's best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the ; Gloria as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà, around 1716. In the twelve movements of the ; Gloria, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scored solo passages. Thesame mastery has also been applied to the ; Kyrie RV 587 (BA 8950), scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass./ Répertoire / Matériel D'Orchestre

The Latin text of the Gloria is a magnificent hymn of praise which dates from the earliest centuries of the church. French composer Francis Poulenc (1899-1963) has set these words to music in a rich incandescent manner whichseems to portray a cosmic dance before the throne of heaven itself. These two excerpts from the complete piano/vocal score mark the first time separate octavos from the Gloria have been made available. Translations for study areincluded.

Per C. (O S.), 2 Vl., Vla E B. - Intro. Al Gloria Rv639/639A) E Gloria Rv 588 - Parti Orch. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre