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20 Polish Christmas Carols
22.40
20 Polish Christmas Carols
Chorale Unison
Unison, Piano
[Sheet music]
Chester
Twenty charming and inventive carols for unison singing and piano reduction. The...
(+)
Twenty charming and inventive carols for unison singing and piano reduction. The harmonies in the piano accompaniment complement the diatonic melodies. Full Score and Instrumental parts on hire. Key Stage 3, 4. / Choeur Unison Et Piano
22.40 EUR - vendu par LMI-partitions
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The Oxford Book of Flexible Carols is the perfect resource for choirs of all typ...
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The Oxford Book of Flexible Carols is the perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range of accessible quality material this is a must-have collection for all choirs at Christmas. 56 flexibly scored carols Suitable for mixed choirs upper-voice choirs choirs with few men unison choirs small choirs and all other groups New flexible arrangements of traditional carols and modern favourites Brandnew carols written specially for the collection Variety of composers including Kerry Andrew Malcolm Archer Alan Bullard Bob Chilcott Stephen Cleobury Cecilia McDowall John Rutter Mack Wilberg and David Willcocks Wide range of material from Medieval to the present day and including wassails gallery carols world carols and spirituals Accessible keyboard accompaniments suitable for Organ (with or without pedals) or Piano
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Small Pieces Composed In Homage To The Saxon Court
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Score
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Alan Bullard: The Oxford Book of Flexible Carols: Mixed Choir: Vocal Score
24.95
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The Oxford Book of Flexible Carols is perfect resource for choirs of all types a...
(+)
The Oxford Book of Flexible Carols is perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range accessible quality material this is a must-have collection for all choirs at Christmas.
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Siegfried - Full Score (WAGNER RICHARD)
53.81
Siegfried - Full Score (WAGNER RICHARD)
Opéra Full Score
[Partition]
Dover Publications
in Full score. Par WAGNER RICHARD. Richard Wagner put his supreme effort, as wel...
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in Full score. Par WAGNER RICHARD. Richard Wagner put his supreme effort, as well as his earnings, into constructing the perfect festival theater in the Bavarian town of Bayreuth where his masterpiece, the four-opera cycle Der Ring des Nibelungen, could be performed in a manner which would conform to his vision of how the drama should unfold. Wagner's own perception was that the unique and revolutionary character of his monumental tetralogy necessitated a special theater — one where the difficulties of staging an expansive drama could be surmounted, where changes of scene could be effected without halting the performance for vast lengths of time. Der Ring des Nibelungen, which is based on a medieval German epic, the Nibelungenlied, and Norse mythology, enlarged the expressive powers of German Romantic opera; today it also gives testimony to Wagner's willingness to venture into new areas for inspirational material. The third opera of the cycle, Siegfried, reproduced here in full score, presents the story of a youthful Germanic hero of legendary proportions, a young man without experience of fear, who slays the reptilian hoarder of ill-gotten, powerful golden treasures and rescues a banished goddess from fiery captivity. Performed during the heyday of Bismarck's Realpolitik, following decades of revolutionary and anarchic fervor, Siegfried is reputed to have social and political implications. In The Perfect Wagnerite, George Bernard Shaw discusses the opera in allegorical terms, and describes the heroic Siegfried as 'a born anarchist, the ideal of Bakoonin, an anticipation of the 'overman' of Nietzsche. ' Whether or not the political import of Richard Wagner's alleged revolutionary thought is of concern to the music lover of modern times, the influence and power of the operas of Der Ring des Nibelungen are indisputable. The crowning achievement of German music of the Romantic era, the Ring forged a new synthesis of music and drama on the largest scale, drawing on rich literary and philosophical resources to expand the dramatic possibilities of the opera as a musical form. Reproduced from the first edition (1876), which received Wagner's final approval, this full-size full score brings Siegfried, an important opera in the Ring and one of the most performed, recorded, studied, and admired operas of the Romantic era, to Wagner enthusiasts, opera lovers, and musicians at a moderate, affordable price. Reproduced from first 1876 edition. The third Ring opera, 'Siegfried' is here carefully reproduced from the authoritative edition of 1876 which Wagner himself approved. / Opéra-opérette / Répertoire / Opéra Full Score
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Ultimate Song Pages: BroadwayMovieTV
43.50
Ultimate Song Pages: BroadwayMovieTV
Piano, Voix et Guitare
[Partition]
Alfred Publishing
Now you can play over 250 of your favorite songs from Broadway, movies and telev...
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Now you can play over 250 of your favorite songs from Broadway, movies and television, all in one book! This book provides the lyrics along with piano and chord arrangements for some of the greatest hits ever written for the stage and screen. / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier
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Dave Brubeck: They All Sang Yankee Doodle: SATB: Vocal Score
3.99
Dave Brubeck: They All Sang Yankee Doodle: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Associated
'Yankee Doodle' with variations is the most concise way to describe the piece co...
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'Yankee Doodle' with variations is the most concise way to describe the piece commissioned by the New Haven Symphony Orchestra to commemorate Conneticut's participation in The United States Bicentennial. 'Yankee Doodle' a tune dating back to the Middle Ages in Holland and England (and used by the British as early as 1755 to poke fun at untrained American troops in the French and Indian war) is interwoven with other folk and national melodies to stitch a patchwork or a musical collage. It is a personal view of American history.'To explain my approach to They All Sang Yankee Doodle I must explain my own background because the piece is made up ofmusical memories imprinted from early childhood.My earliest musical memories are a juxtaposition of sounds - hymns and Bach chorales from the church next door where my mother was choir director; early twenties jazz from my oldest brother's dance band; classical piano from my middle brother and my mother's piano studio; and cowboy songs and turn-of-the-century ballads that I have always identified with my father. Concord California where I was born was once part of a land grant from the Mexican government and the Spanish-Mexican influence remained strong even as the town expanded from a sleepy settlement into an American microcosmos with a wide variety of ethnic groups. Over fifty years ago most of us who sang 'Yankee Doodle' in Concord could not trace our ancestry to the founding fathers. Those of us with Anglo-Saxon names were at the end of the Westward push our forefathers having left behind the Eastern cities a few generations before settling for a time mid-continent then restlessly pushing further West. Little is known of my paternal grandfather for instance except that he had come to California from Indiana walking across Nevada desert to become one of the first settlers in Mordoc Indian territory.Of course the native American the Indian was there to greet each new migration and it is his
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Christmas Songs Big Book, The (PVG)
29.00
Christmas Songs Big Book, The (PVG)
Piano, Voix et Guitare
[Partition]
Alfred Publishing
Each songbook in the Big Book series provides musicians of all ability levels wi...
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Each songbook in the Big Book series provides musicians of all ability levels with a big list---usually 40 or more titles per book---of the very best songs from a favorite musical genre. The holidays are just around the corner, and there is no better way to celebrate than with these Big Book classic Christmas tunes. Titles include All I Want for Christmas is My Two Front Teeth * Christmases with You * Deck the Hall * The First Noel * God Rest Ye Merry Gentlemen * Grown-Up Christmas List * I'll Be Home for Christmas * Joy to the World * Mary, Did You Know' * O Little Town of Bethlehem * Santa Baby * Silent Night * The Twelve Days of Christmas * What Child is This * Winter Wonderland * and many more. / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier
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Just Standards Real Book (C edition)
58.10
Just Standards Real Book (C edition)
Instruments en Do / C
[Partition]
Alfred Publishing
The Just Standards Real Book contains 250 classic songs, from show tunes to jazz...
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The Just Standards Real Book contains 250 classic songs, from show tunes to jazz standards, that are the core required repertoire for musicians all over the world. Production teams in both the U.S. and the U.K. took great care to ensure the accuracy and usability of each arrangement and original composer sources were consulted to ensure that the arrangements remained true to the composers' intentions. Plus, useful and important chord substitutions are indicated for each arrangement, allowing the user to pick from the original chords or the more popular jazz versions. Each book in the series is extensively cross-referenced with a complete composer index, discography of suggested recorded versions for each song, a section on how to play from a fakebook, chord theory reference pages, and a section on how to create interesting chord substitutions. Comb bound, approx. 400 pages. / Instrumental Music, Miscellaneous, Scores, Songboo / Recueil / Instruments en Do / C
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The Oxford Book Of Tudor Anthems (MORRIS CHRISTOPHER)
35.10
The Oxford Book Of Tudor Anthems (MORRIS CHRISTOPHER)
Chorale SATB
[Partition]
Oxford University Press
Vocal score. Par MORRIS CHRISTOPHER. Une collection de 34 hymnes couvrant toutes...
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Vocal score. Par MORRIS CHRISTOPHER. Une collection de 34 hymnes couvrant toutes les saisons de l'année de l'église./ Recueil / Chant
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5 Psalms (Vocal Score)
21.19
5 Psalms (Vocal Score)
[Vocal Score]
Chester
Five Psalms were scored for Soprano solo, SATB chorus, and Orchestra or Piano. T...
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Five Psalms were scored for Soprano solo, SATB chorus, and Orchestra or Piano. They are settings of five of the popular psalms in the bible, namely Psalm 23: The Lord Is My Shepherd - Psalm 107: O Give Thanks Unto The Lord - Psalm 120: When I Was In Trouble - Psalm 121: I Will Lift Up Mine Eyes Unto The Hills - Psalm 150: O Praise Ye The Lord.Christopher Le Fleming (1908-1985) was an English composer, pianist, and teacher. He was born with a visual impairment that prevented him from taking a place at the Royal Academy of Music, instead studying at the Brighton School of Music and the Royal School of Church Music. / Soprano, SATB, Orchestre
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Hugh Wood: Marina Op.31: Chamber Ensemble: Score and Parts
17.99
Hugh Wood: Marina Op.31: Chamber Ensemble: Score and Parts
Orchestre de chambre
[Conducteur et Parties séparées]
Chester
Work for High Voice Alto Flute Horn Harp and Viola. Text: TS Eliot.Quoting Wo...
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Work for High Voice Alto Flute Horn Harp and Viola. Text: TS Eliot.Quoting Wood: 'I had for many years wanted to set Marina and the opportunity came to start work on it in mid August 1988. About a year later havingcompleted in the meantime the Horn Trio Opus 29 and the Cantata Opus 30 I turned back to the drafts of Marina and completed it on 10 September 1989. It is dedicated to the memory of my daughter who was murdered in Bavaria on 10September 1988.Marina is the heroine of Shakespeare’s Pericles a play remarkable for one of the most moving of all Shakespeare’s recognition scenes a dramatic situation which never failed to draw out his deepest expressionof feeling. This is the re-meeting of an ageing father with his long-lost daughter born at sea during the storm in which her mother is thought to have died and long believed to be dead herself. Eliot transforms the twocharacter’s mutual recognition into a transfigured mediation and surrounds it with a wealth of mainly marine imagery. In the words of Helen Gardener these images are: The prelude to a moment of ecstatic recognition. The voyagein Marina discovers in the ocean anisland and sees again a beloved face. Its theme is not the immortality of the soul but resurrection.
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Jayson Mackie: Shout For The King!: 2 or 3-Part Choir: Vocal Score
Chorale 3 parties
Unison, Piano
Recital Music
Recital Music has developed a large exciting and eclectic catalogue of Christma...
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Recital Music has developed a large exciting and eclectic catalogue of Christmas music for choirs in recent years. Some works are published for the first time others are in new editions and we aim to provide accessible and enjoyable choral music for choirs of all ages and abilities. Enjoy!Shout for the King! is a joyous and vibrant carol for junior choir and piano. It's Latin-American influence has proved popular with choirs and audiences alike and a double bass and percussion can easily be added for extra energy and atmosphere.Chord symbols are included for optional double bass or guitar accompaniment.The composer writes: 'Shout forthe King! was composed one evening in December 2004. At the time I was training as a Primary School teaching assistant and involved in playing the piano for the school's various Christmas musical events and concerts. It was the first time I had written both lyrics and music which both came to me at the same time. I subsequently taught the song to the children in the days which followed which they loved and it was the first time a 'real' composer had written anything for them. A week later it was premiered at the school carol concert with me playing the piano.I have always wanted to write a new and catchy Christmas carol drawing influences from all the familiar ones we know and love every Christmas. I also wanted the melody of the verses and chorus to be catchy and repetitive and would be easy and enjoyable for junior choirs to learn. I have always had a fondness for Latin-American rhythms hence the happy groove which I think add to the appeal!'Born in Cardiff in 1975 and trained in piano and flute at school Jay Mackie studied composition as an undergraduate at Royal Welsh College of Music and Drama from 1997-2000 and completed an MMus gaining a distinction in Composition in 2004.At college Jayson received three scholarship prizes for composing where his Wind Quintet was a featured work at the ISCM's World Music Days
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Halvdan Sivertsen: Josefs Julevise: Concert Band: Score and Parts
80.60
Halvdan Sivertsen: Josefs Julevise: Concert Band: Score and Parts
Orchestre d'harmonie
[Conducteur et Parties séparées]
Norsk Noteservice
The Christmas Carol of Joseph-Halvdan Sivertsen (born 1950) is one of the most p...
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The Christmas Carol of Joseph-Halvdan Sivertsen (born 1950) is one of the most popular singer/ songwriters in Norway. He is well know as a first-class storyteller and he has a strong melodic line in all his music. This Christmas song was first recorded in 1991 and it has become a Norwegian classic. The lyrics tell the story of a couple travelling through time to find a city with bright lights where they hear people sing about the couple who are about to have their first baby. But still this couple can not find anybody willing to help them and they are forced to go back 2000 years to find the stable where they find some shelter. Maybe they should have travelled further ahead in time in the firstplace to find people willing to open their door to the poor and needing?
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Alan Ridout: Duo Concertant: Clarinet: Score
14.95
Alan Ridout: Duo Concertant: Clarinet: Score
Queen's Temple Publications
'Alan Ridout composed this Duo Concertant whilst he was still in Canterbury fin...
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'Alan Ridout composed this Duo Concertant whilst he was still in Canterbury finishing the work on 6th October 1986. The first performance was given by myself and the pianist Vanessa Latarche at Herne Bay Music Club in 1987. Alan Ridout was born in West Wickham in Kent attending Haberdashers' Aske's School then in Hampstead. A precociously gifted musician by the age of 12 he had already written over one hundred works and passed his Grade VIII Piano with distinction. He then studied at the Guildhall School of Music and the Royal College of Music in London under Herbert Howells Gordon Jacob Peter Racine Fricker and Michael Tippett. Inhis autobiography 'A Composer's Life' (1995) he refers to his time at the Guildhall from the age of 15 as 'the happiest time of his life' since he had known from childhood that all he wanted to do was to compose. In 1958 he was awarded a Netherlands Government Scholarship to study with Henk Badings who introduced him to electronic music and a wide range of European music. Leaving the RCM aged 20 he became Director of Music of a preparatory school in Kent. Teaching was to remain important to him throughout his life. In 1964 he became Professor of Theory and Composition at the Royal College of Music and he also taught at the Universities of Birmingham Cambridge and London and at the Cathedral Choir School and King's School Canterbury where he lived in the precincts of the Cathedral. It was during my time as a schoolboy at King's Canterbury that I got to know Alan as a teacher and friend. He made a great impression on me both as a teacher of harmony and composition and as a composer from the musical 'outside world'. Whether in his beautiful works for choirs his instrumental works or the entertaining theatre pieces his music communicates with almost na ve simplicity and honesty. The Duo Concertant was one of a number of works I commissioned around this time as a companion
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George Butterworth: Banks of Green Willow: Orchestra: Score and Parts
28.00
George Butterworth: Banks of Green Willow: Orchestra: Score and Parts
Orchestre
Goodmusic Publishing
George Butterworth was born in London on July 12th 1885 to a well-to-do family....
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George Butterworth was born in London on July 12th 1885 to a well-to-do family. Eton School was followed by university at Trinity College Oxford where he met Vaughan Williams and Cecil Sharp. He taught for a while at Radley studied for a short time at the Royal College of Music then concentrated more or less full time on collecting folk songs sometimes with Vaughan Williams. When the First World War started in 1914 he joined the Durham Light Infantry as a Lieutenant. In the trenches he was mentioned in dispatches for outstanding courage and won the Military Cross. He led a successful raid on August 15th 1916 in the Battle of the Somme but during the raidButterworth was killed by a sniper's bullet.Much of his music is influenced by folk-song. The idyll 'Banks of Green Willow' is one of his best works and perfectly captures the nature of the English countryside. It is almost as if the music occurred naturally and Butterworth just discovered it.This pack comprises one full score string parts 4/4/3/4/2 and any wind brass and percussion parts.Orchestration:2 Flutes 2 Oboes 2 Clarinets in A or Bb 2 Bassoons2 Horns in F Trumpet in Bb Harp Strings (Violin 1 Violin 2 Viola Cello Double Bass)
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Gerald Wilfred Cockshott: O This Night Is Born Noel: Voice: Vocal Score
1.99
Gerald Wilfred Cockshott: O This Night Is Born Noel: Voice: Vocal Score
Chorale Unison
Unison/2-parties, Piano
[Partition]
Novello & Co Ltd.
O This Night Is Born Noel a french carol of the 17th century arranged with Eng...
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O This Night Is Born Noel a french carol of the 17th century arranged with English words by Gerald Cockshott. Scored for unison voices and piano.
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Harry Potter-Order Of The Phoenix (HOOPER NICHOLAS)
16.30
Harry Potter-Order Of The Phoenix (HOOPER NICHOLAS)
Piano seul
[Partition]
Faber Music Limited
Par HOOPER NICHOLAS. The wizarding community has shunned Harry Potter and Hogwar...
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Par HOOPER NICHOLAS. The wizarding community has shunned Harry Potter and Hogwarts' Headmaster, Albus Dumbledore, who claim that Lord Voldemort has regained a body and has been restored to full power. They are instead influenced by the propaganda of The Daily Prophet and the intentional ignorance of the Minister of Magic, Cornelius Fudge. Fudge appoints a new Hogwarts Defence Against the Dark Arts teacher, Dolores Umbridge, who refuses to allow them to discuss the return of Voldemort. In defiance, the students create Dumbledore's Army , with Harry as teacher to prepare his schoolmates in case a battle with Voldemort ensues. This book of piano solos, featuring themes from the latest film, includes a section of colour photographs of scenes and images of the film. This fifth instalment of the Harry Potter novels features a colourful and inspiring score by Nicholas Hooper, a British film and television composer. He has scored the award-winning BBC productions Land of the Tiger and Andes to Amazon, as well as the TV movies The Tichborne Claimant, My Family and Other Animals, and The Girl in the Cafe, among others. Hooper won a BAFTA Award for Original Score in 2004 for The Young Visitors./ Recueil / Piano
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Benjamin Britten: Jubilate Deo In C: SATB: Vocal Score
4.50
Benjamin Britten: Jubilate Deo In C: SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
-
Intermédiaire
Chester
Britten's Jubilate is written for SATB choir and Organ accompaniment.Benjamin Br...
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Britten's Jubilate is written for SATB choir and Organ accompaniment.Benjamin Britten's birthday (22nd November 1913 Lowestoft) falls on St. Cecilia's Day a happy augury for the career of one of Britain's greatestcomposers. Essentially a vocal composer Britten won international fame for his operas and song-cycles. He never abandoned the principles of tonality and was a 'modern' composer who reached a mass audience and a conservative whoseoriginality no radical would sensibly deny. He shared with his predecessors Parry Vaughan Williams and Holst an intense interest in works for amateurs and children. His brilliant gifts as a pianist and conductor coupled withhis virtuosic inventiveness also led him to compose music for great performers such as the cellist Mstislav Rostropovich and the singers Galina Vishnevskaya Dietrich Fischer-Dieskau and Janet Baker.The greatestpersonal influence on his music was the Tenor Peter Pears for whom he composed many operatic and vocal roles. In 1948 Britten Pears and Eric Crozier founded the Aldeburgh Festival now one of the most respected established fornew English music. In 1952 he was made a Companion of Honour in 1965 received the Order of Merit and in 1976 the year of his death he became the first composer to receive a life peerage.Oxford University Press wasBritten's first publisher. In the early 1930s A Boy Was Born and the Simple Symphony brought him great critical acclaim and launched his compositional career. Oxford is delighted to present some previouslyunpublished pieces in collaboration with the Britten Estate. These include the Double Concerto for Violin and Viola premiered at Snape by the Britten-Pears Orchestra under Kent Nagano in June 1997; Two Portraits forString Orchestra premiered on BBC Radio 3 in December 1995 by the Northern Sinfonia under Martyn Brabbins; The World Of The Spirit the full version first performed in 1938 on the BBC Home Service the abridged
4.50 GBP - vendu par Musicroom GB
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Eric Whitacre: Five Hebrew Love Songs: Soprano: Score
10.99
Eric Whitacre: Five Hebrew Love Songs: Soprano: Score
[Partition]
-
Intermédiaire/avancé
Chester
Arranged for Soprano voice Violin and Piano.Violin part available separately: C...
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Arranged for Soprano voice Violin and Piano.Violin part available separately: CH75240-01.Note from the composer:In the spring of 1996 my great friend and brilliant violinistFriedemann Eichhorn invited me and my girlfriend-at-the-time Hila Plitmann (a soprano) to give a concert with him in his home city of Speyer Germany. We had all met that year as students at the Juilliard School and wereinseparable. Because we were appearing as a band of travelling musicians 'Friedy' asked me to write a set of troubadour songs for Piano Violin and Soprano. I asked Hila (who was born and raised in Jerusalem) to write me a few'postcards' in her native tongue and a few days later she presented me with these exquisite and delicate Hebrew poems. I set them while we vacationed in a small skiing village in the Swiss Alps and we performed them for thefirst time a week later in Speyer.In 2001 the University of Miami commissioned me to adapt the songs for SATB chorus and string quartet and the Efroni Choir in Israel commissioned me to adapt them for SA Violin andPiano leaving me now with five(!) different versions of the same work: SATB and String Quartet; SATB Violin and Piano; SA and String Quartet; SA Violin and Piano; and the original Soprano Violin and Piano.Eachof the songs captures a moment that Hila and I shared together. 'Kalá kallá' (which means 'light bride') was a pun I came up with while she was first teaching me Hebrew. The bells at the beginning of 'Éyzeshélleg' are the exact pitches that awakened us each morning in Germany as they rang from a nearby cathedral.These songs are profoundly personal for me born entirely out of my new love for this soprano poetand now my beautiful wife Hila Plitmann.Eric Whitacre
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Francis Pott: At First Light: Voice and Cello: Score
17.95
Francis Pott: At First Light: Voice and Cello: Score
Peters
At First Light was commissioned by Eric Bruskin a resident of Philadelphia USA...
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At First Light was commissioned by Eric Bruskin a resident of Philadelphia USA in memory of his mother. Eric had a longstanding enthusiasm for my work and I was touched to be the person he approached for a task which is both a privilege and a daunting responsibility. In a sense no music can ever measure up to the weight of love or the hope of consolation vested in it under such circumstances – but in memory I carry the deaths of both my own parents and I was able to draw upon that. Eric’s fondness for my Cello Sonata (itself written in memoriam) led him to ask that I include a solo ‘cello part in the new work – but his attachment also to my polyphonic sacred choral writing meant that he wanted a centrepiece which would be both a showcase of that approach and the celebration of a life well lived. Therefore the seven movements of At First Light arrange themselves as a series of slow meditations surrounding an exuberant 9-minute motet in which the lamenting cello falls temporarily silent. Eric’s Jewish faith meant that approaching an agnostic humanist brought up within the Anglican tradition was hardly free of problems! Gradually though I was able to win his approval for a collated mosaic of texts. This embraces some liturgical Latin (necessary for the motet) as the shared preserve of broad western culture in general but balances it with a secular approach to loss celebration remembrance and the many shades of our mourning those whom we see no longer. Eric was adamant that he did not want the title Requiem; but what has emerged is still a form of semi-secular Requiem in all but name taking its title instead from a phrase in the poem by Thomas Blackburn set as the third movement. This seemed to suggest succinctly how the loss of one very close to us is an awakening into an unfamiliar world where everything is changed. Following the exuberant central movement the texts by the Lebanese-born Kahlil Gibran and the US Kentuckian poet Wendell Berry first address the departed loved one directly then place us within an imaginary funeral cortège where the perennial and universal in human experience become personal without subscribing explicitly to any particular faith (or lack of it). The final text of all is a translation of a Hebraic prayer requested and provided by Eric Bruskin which serves to mirror its Latin counterpart heard at the outset. Throughout the lamenting cello represents a commentary on the experience articulated in the text. It evokes and in a sense tries to embrace and sanctify the individual existential journeys of the bereft as they in turn seek to make their own sense of what the short-lived Second World War poet Alun Lewis called ‘the unbearable beauty of the dead’ (movement 5). In a modern world hostage to ever greater menace displacement bloodshed and anguish I hope fervently that this music not only brings a measure of solace to the person who commissioned it but also makes its own small contribu
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Michael Daugherty: On the Air: Concert Band: Score
32.50
Michael Daugherty: On the Air: Concert Band: Score
Orchestre d'harmonie
Michael Daugherty Music
(2012)On the Air for Symphonic Band (by Grammy®-winning composer Michael Daughe...
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(2012)On the Air for Symphonic Band (by Grammy®-winning composer Michael Daugherty) is a music fantasy on Arturo Toscanini who conducted the NBC Symphony Orchestra in live radio broadcasts at Rockefeller Centerin New York Cityfrom 1937 to 1954. Born in Parma Italy Toscanini (1867-1954) was internationally recognized as the most gifted conductor of his time famous for his definitive interpretation of operatic and symphonicrepertoire. In 1936 Toscanini wasforced into exile at the height of his career for his refusal to become part of Mussolinis Fascist regime. The 70-year-old sailed across the Atlantic Ocean to the island of Manhattan where hecast his magic spell upon all who heard him conduct.Under his baton the NBC Symphony was heard by millions of listeners and through his live radio broadcasts and recordings “Maestro Toscanini” became a householdname in America. Life magazine reported “The world knowsToscanini as a great conductor with a fearful temper an unfailing memory and the power to lash orchestras into frenzies of fine playing.” In On theAir Michael Daugherty has composed exciting music that captures Toscaninis tempestuoustemperament his musical intensity and the frenzied tempos of his legendary performances. Duration - ca. 6:00
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Giulio Cesare Full Score (HAENDEL GEORG FRIEDRICH)
26.90
Giulio Cesare Full Score (HAENDEL GEORG FRIEDRICH)
Opéra Full Score
[Partition]
Dover Publications
Par HAENDEL GEORG FRIEDRICH. G F Handel (1685-1759) was a German-born British co...
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Par HAENDEL GEORG FRIEDRICH. G F Handel (1685-1759) was a German-born British composer and organist who spent his life working in London. He is credited with popularising opera in Britain, both importing Italian works, and composing his own. Giulio Cesare was composed in 1723-4 and first performed at the King's Theatre, Haymarket, London in February 1724. It remains today one of the most popular of Handel's Italian language operas, enjoyed for its many gorgeous melodies, inspired orchestration and exciting plot. Musicians, scholars and music lovers will welcome this handsome reprint of the full score of Giulio Cesare, reproduced complete andunabridged from the definitive Deutsche Handelgesellschaft edition./ Répertoire / Opéra Full Score
26.90 EUR - vendu par LMI-partitions
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