Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Apprenez à jouer Here There And Everywhere des Beatles en 10 minutes ! Cette vidéo vous montre en l'espace de 10 minutes toutes les accords de la chanson avec un zoom sur les doigts du guitariste et un diagramme à l'écran. La chanson est jouée de manière professionnelle pour vous permettre de mieux l'appréhender. Vous trouverez également un livret qui comporte les partitions en notation standard, tablature et boites d'accords de la chanson. La vidéo est en anglais mais le prof montre parfaitement la réalisation des accords et des enchainements à l'écran. Vous la regardez, Vous l'apprenez et vous la jouez ! / Guitare

Song Cycle for Chorus and Orchestra-Written for the Greenwich High School choir and orchestra Emmy award-winning and Grammy-nominated musician and GHS parent Rob Mathes wrote a song cycle entitled Far From Here as a tribute to the GHS students' and their upcoming graduation. The three movements include: Yesterday/My Home Where Shall I Go' You'll Find Me Singing to create an impressive showcase for high school musicians.

There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)

Toutes les chansons du premier album de ce duo, arrangées pour Piano, Voix et Guitare. Incluant les singles Crazy et Smiley Faces, `St. Elswehere` est le premier album de producteur de rap suprême qu?est Danger Mouse et de Cee-Lo, ex membre des Goodie Mob, a.k.a Gnarls Barkley. Inclus les symboles d?accords pour guitare et les paroles complètes.

Par HOWARD BEN. This artist-approved songbook to Ben Howard's chart-topping album, I Forget Where We Were, is the first time Ben's music is available in sheet music form and includes all songs that appear on the album, plus an exclusive bonus track, I am in your light, all arranged for piano, voice and guitar. His second album after Every Kingdom in 2012, I Forget Where We Were debuted at number one on the UK charts. - See more at: http://fabermusicstore.com/I-Forget-Where-We-Were-0571539009.aspx#sthash.iZgGZc2b.dpuf/ Recueil / Piano, Chant et Guitare

Par OASIS. Fully revised and expanded, this new edition of the best-selling Oasis Complete Chord Songbook has been updated to include all the material from their #1 2008 album Dig Out Your Soul , plus b-sides, bonus tracks and songs drawn from special editions, digital-only releases, compilations and cover versions - a whopping 132 songs in total. Every single Oasis song since their debut single Supersonic is included here with chord symbols, Guitar chord boxes and complete lyrics. This new edition includes a fully-revised UK discography and exclusive photo section. / Niveau : Assez Facile / Rép International / Recueil / Chant et Guitare

Apprenez à jouer I Saw Her Standing There des Beatles en 10 minutes ! Cette vidéo vous montre en l'espace de 10 minutes toutes les accords de la chanson avec un zoom sur les doigts du guitariste et un diagramme à l'écran. La chanson est jouée de manière professionnelle pour vous permettre de mieux l'appréhender. Vous trouverez également un livret qui comporte les partitions en notation standard, tablature et boites d'accords de la chanson. La vidéo est en anglais mais le prof montre parfaitement la réalisation des accords et des enchainements à l'écran. Vous la regardez, Vous l'apprenez et vous la jouez ! / Guitare

Par WHITBOURN JAMES. This glorious collection of beautiful choral music by composer James Whitbourn includes fifteen short works drawn from his oeuvre from the first few years of the 21st century. Many of his greatest compositions are included in The Choral Collection, with many of the pieces working perfectly for seasonal performances, while also reflecting the many fruitful collaborations of Whitbourn's distinguished career. All works are arranged for SATB Choir. James Whitbourn has become renowned throughout the world for his acclaimed compositions and settings of numerous texts. He has been described as truly original and an innovator of contemporary British choral music, collaborating with people like Archbishop Desmond Tutu and the Choir of King's College, Cambridge. The former appears here, as A Prayer Of Desmond Tutu, a setting of one of the Archbishop's prayers. His arrangements and compositions for the King's College Choir have been universally critically acclaimed, with A Great And Mighty Wonder, Nunc Dimittis and Were You There? representing these hugely popular collaborations. Whitbourn has also had a very close relationship with the BBC since his beginnings as a composer, working with them on three pieces within The Choral Collection. Eternal Rest and Give Us The Wings Of Faith were both composed specifically for television broadcast, the former (in its orchestral form) was played for the funeral of the Queen Mother in 2002. His longest work, for which he is most famous, is a setting of text from'the Diary of Anne Frank'. There Is No Speech Or Language comes from this work, taking its text from other sources, but that still maintain the beauty and tragedy of the wider piece. The Choral Collection of fifteen compositions by James Whitbourn is full of beautiful, haunting, uplifting and inspiring melodies for SATB Choir and Organ Accompaniment from one of the most treasured British choral composers. The brilliant choice of texts throughout is matched only by the sheer compositional skill of Whitbourn in evoking the emotions of the words in the musical form. Also included are suggestions for seasonal song use, a list of recordings, and fascinating song notes written by Whitbourn himself. The joy of choral singing is nowhere more evident than in a work by James Whitbourn, and performances of any piece within this collection is sure to be remembered for a long time to come./ Recueil / Choeur Mixte (SATB) et Orgue

230 folk songs and spirituals, religious and secular, arranged for piano and voice. From joyous gospel to deeply felt blues, this wonderful collection contains vintage songs sung and played through the years by black Americans - at work, in church and for pure entertainment. Included are spirituals, blues, work songs and a variety of social and dance songs. This is an indispensable treasury of music for singers, musicians and all readers seeking a comprehensive sourcebook of black American folk music. It will be equally welcomed at parties, family get-togethers, sing-alongs, church events and other gatherings where people want to play and sing these classic folk songs thatare an integral part of American musical history./ Recueil / Chant et Piano

Isaac Watts (1674-1748) wrote the lyrics of 'There is a land of pure delight' and is known as the 'Father of English Hymnody'. Watts was for the English hymn as Ambrose was for the medieval Latin hymn and what Martin Luther was for the German chorale. He wrote about 750 songs and some of them survide the ravahes of time. (Joy To The World When I survey the wondrous cross I sing the Mighty Power of God) 'There is a Land of Pure Delight' is usually in English-speaking areas sung on Luther Orlando Emerson's melody ('Ascription'). Here is used a traditional English melody ('Mendip'). There is a land of pure delight Wheresaints immortal Reign. Infinite day excludes the night And pleasures banish pain .