Par REGER MAX. Die Drei Chören (The Three Choirs) op. 6 are hardly mentioned in the young Reger's correspondence. The only meaningful reference is Reger's announcement to his London publisher George Augener on August 1, 1892: 'I will send the choruses op. 6 ? which your son liked very much ? to you tomorrow morning [...]'. George Augener had spent five weeks from undergoing treatment in Wiesbaden and had met on this occasion not only Hugo Riemann but also his 'favorite pupil' Reger. After the publication, the Allgemeine Musik-Zeitung remarked on the 'entirely Brahmsian character to the work'. It praised its polyphonic structure and its'romantic chiaroscuro [...], the effect of which the accompanying piano knows how to exalt excellently'. The work was nevertheless to remain Reger's only composition for this instrumentation.Separate edition from Volume 11, 'Lieder und Chorwerke' of the Max Reger Hybrid Edition of Works. / Date parution : 2023-06-01/ Répertoire / SATB et Piano

Born in the village of Brand in the Upper Palatinate, Max Reger (1873 1916) was taught by the renowned music theoretician Hugo Riemann. After finishing his studies and working as a freelance performer and composer in Wiesbaden, he moved to Weiden, beset by personal crises, and eventually to Munich. To make himself better known in the musical scene, he had some of his smaller works inserted in the magazine Neue Musikzeitung. This is how his Romanze G-Dur for violin and piano was published in November 1901, a beautiful occasional work, ideal for music lessons or as a tranquil encore after a concert, also in an arrangement for viola and piano. / Alto Et Piano / 6 pages / niveau : Intermédiaire / Partition

Par STAMITZ JOHANN WENZEL. Ecole de Mannheim est un terme collectif pour l'industrie de la musique du Palatinat électoral sous le résident de 1743-78 dans les électeurs de Mannheim Karl Theodor et les musiciens qui travaillaient en ce moment à Mannheim depuis Hugo Riemann. Virtuose supérieur ont été Mitg / Flute Music from the Mannheim School Heft 1 / Répertoire / Flûte Traversière et Basse Continue