Igor Stravinsky 's masterpiece, Renard, in a newly engraved and corrected study score format, edited by Millan Sachania, taking account of all available sources for the first time. / Orchestre

Par STRAVINSKY IGOR. This transcription of Suite italienne is the first full-scale composition by Igor Stravinsky to enter the double bass solo repertoire. Brian Powell, Associate Professor of Double Bass at the Frost School of Music, University of Miami, has adapted the versions of Suite italienne for violin and for cello as best suits the double bass. Moreover, he has widened the selection of movements, thus continuing a practice Stravinsky established with his instrumental collaborators (Dushkin and Piatigorsky) of allowing the performers to select material from the ballet Pulcinella. In this case the movements comprise Introduzione, Serenata, Aria, Vivo, Tarantella, Gavotta con due variazione, Scherzino and Minuetto e Finale. The Vivo movement is derived directly from the orchestral Pulcinella Suite: widely recognised by classical bassists as one of the most significant solos in the orchestral repertoire, the bass part is faithfully reproduced as in the original score. Suite italienne has music that will appeal to bassists of various performance levels – solo, chamber and orchestral bassists alike will appreciate different aspects of this music. The suite also possesses an abundance of flare and technical virtuosity that will excite audiences./ Répertoire / Contrebasse

Le Tombeau de Pere Igor or The Tomb of Father Igor is a fabulous Chamber work for Cello Clarinet and Piano by Karl Aage Rasmussen one of the most important post-war Danish composers.Manuscript copy.Programme noteThis piece was suggested to me at visiting the grave of Igor Stravinsky at San Michele Venezia September 1977. It was written in Rome. The musical material is derived from Stravinsky’s “The Rake’s Progress” which was premiered in Venezia sept. 11 th 1957.Parts available:WH00598

Par STRAVINSKY. Igor Stravinsky 's compositional career was notable for its stylistic diversity which clearly marks his Four Russian Songs – written while transitioning from his ‘Russian period’ to his ‘neoclassicalperiod’ and thus carrying the unique marks of both. The four songs ( Canard, Chanson Pour Compter, Chant Dissident and Le Moineau Est Anssis ) for high Voice with Piano accompaniment can beperformed as separate pieces but work best when played together. Duration is approx. 7 minutes. French translation by C. F Ramuz. Russian composer, pianist and conductor Igor Fyodorovich Stravinsky is widelyconsidered one of the most important and influential composers of the 20th century. / Rép Classique / Répertoire / Chant et Piano

Published together with Three Japanese Lyrics. Par STRAVINSKY IGOR. Two poems by Konstantin Balmont, a poet from the Silver Age of Russian Poetry, plus Three Japanese lyrics, all set to music, by Igor Stravinsky. This is the full Vocal Score of these five expressive pieces for High Voice with a Piano accompaniment and features complete lyrics in Russian, French, German and English./ Répertoire / Voix Elevées et Ensemble

Par STRAVINSKY IGOR. Stravinsky had been a member of the Russian Orthodox Church since 1926. It may therefore seem peculiar that he would choose to write a concerted Latin mass. However, the choice of the traditional Latin text of the Catholic Mass was a practical one: the Russian Orthodox Church prohibited the use of instruments in services, and Stravinsky did not want to write an unaccompanied vocal work. For SATB Chorus and double Wind Quintet./ Répertoire / Choeur d'Enfants, Choeur d'Hommes, 2 Hautbois, Cor

Le 29 mai 2013 voit le 100e anniversaire de la première à Paris d'un travail une fois-dans-un-siècle: Igor Stravinsky 'Le Sacre du Printemps'. Cette date, qui est monumentale pour la musique et le ballet historiographie semblables, marque la percée de l'ère moderne.Pour marquer cet événement, la Fondation Paul Sacher à Bâle qui maintient la succession Stravinsky publie une édition anniversaire en trois volumes: deux fac-similés annotés - la partition autographe ainsi que la version pour piano à quatre mains - et un livre avec des contributions par des chercheurs de pointe. Un enrichissante, sinon édition indispensable pour tous ceux qui s'intéressent à la musique et de l'art moderne! / Orchestre

Igor Stravinsky liked to use different stylistic devices or embedded them in his personal musical language: Be it that he took a Gallop by Jacques Offenbach or composed Circus Polka for a Young Elephant or a ragtime. After the outbreak of the Second World War and his final move to the USA in 1939, he was in particular influenced by jazz music. In 1940 the composer wrote a Tango for piano which he arranged for chamber music ensemble in 1953: It is a strictly structured three-part tango on which Stravinsky imposed his harmony, his musical language. Arranged for string quartet by Wolfgang Birtel, the work is a perfect addition to the classical concert repertoire but also an entertaining, yet demanding musical piece for playing chamber music at home.

works by Carter Milhaud & Stravinsky-This latest work in the Meredith Music master class series presents a comprehensive interpretive analysis and performance guide of three legendary compositions for timpani and percussion. Together Morris Lang Charles Dowd andAnthony J. Cirone have put a lifetime of performance and study experience into an extensive volume featuring Eight Pieces for Four Timpani by Elliott Carter Concertino for Percussion and Small Orchestra by DariusMilhaud and l'Histoire du Soldat by Igor Stravinsky. This in-depth one-of-a-kind publication includes: corrections of wrong notes rhythms phrasings and dynamics; far-reaching suggestions on interpretation; revisednotation when original music was difficult to read; suggested muffling to enhance interpretation; additional articulations when appropriate; suggested sticking to increase musical phrasing; historical references.

L'adaptation de la fable slave de l'Oiseau de feu d'Igor Stravinsky est l'une des 'uvres orchestrales pilotes du début du XXe siècle. Lors de la première du ballet au Théâtre National de l'Opéra de Paris, les critiques ont tant célébré Stravinsky et sa musique « au timbre chatoyant » qu'il a composé deux suites pour orchestre de son ballet. La version de 1919 est disponible dans une édition modernisée, avec une notation contemporaine et un nouveau matériel d'orchestre.

Par STRAVINSKY IGOR. Stravinsky's first Piano Sonata dating from 1904./ Répertoire / Piano

Par STRAVINSKY SOULIMA. In Memoriam Igor Stravinsky, 1882 / Contemporain / Répertoire / Piano

Par STRAVINSKY. Trois pièces Igor Stravinsky pour clarinette solo de. Révisé et édité par Nicholas Hare en 1993. / Niveau : Intermédiaire / Rép Classique / Répertoire / Clarinette